benny rodrigues is arguably one of the biggest djs on the dutch scene, performing at some of the worlds biggest events from awakenings & mysterland to underground spots such as berghain & dekmantel. as the phrase goes “get yourself a man that can do both”. cocaine speaking is a dutch acid anthem in two parts, complete with a alden tyrell remix!

aroop roy is a uk artist and producer, whose music blends together the organic elements of jazz, afro, latin and funk with the deeper edge of house and disco. his productions have been supported worldwide by numerous tastemakers and djs including gilles peterson, atjazz, karizma, soul clap, jimpster, dj spinna, francois k, danny krivit and dam swindle and has released music on a variety of labels including freestyle, gamm, basic fingers and house of disco. we are pleased to welcome him to the lazy days family with this -all killers no fillers- ep

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

multi track version take the original song to whole new level of mixes that we wish came out back in 1980! unreleased version of sky here s to you part 1 & 2. taking back to the old days when labels released part 1 & 2 on 45s of recording artists. here s to you, stripped down to the bone. sounds like a lost demo mix thats been sitting on 1 inch reel for over 35 years but originally made for larry levan & ron hardy to drop in their marathon djs sets

having already earned his balearic stripes some time ago, as one of the resident djs at we love. at space in ibiza, ian blevins has since relocated to berlin, and has been immersing himself in the esoteric vibes of the city. on the strength of his latest ep on futureboogie, this is clearly a good thing, as the round trip ep is laden with the deep magical vibes that have also shaped his recent releases on labels like banoffe pies, not an animal records, blind jacks journey and esp institute. on round trip, an abundance of driving, arpeggiated synthesizers weave around sparse yet sturdy drumbeats, as thick pads rise and fall in dramatic fashion. panthera krause (permanent vacation/riotvan/lobster theremin) is on board for the remix of round trip, re-shaping the original into a merry, space organ led, tribal dance, with a splash of garage house vibes that soon become immersed in its own synth heaven, its a cracking remix from the leipzig based producer. on rolands rat, blevins keeps things tight with soaring strings, organ stabs a strolling bassline for a quality jam, whilst can you count my dream? is a dense, and cinematic slab of transcendental dance, an almost claustrophobic atmosphere only intensifies the drama and delivers the heat that seals this superb ep from blevins.

cpu dj tools vol.1 808 tracks cpu s homage to the roland tr-808, the drum machine ubiquitous on binary imprint. cpu label boss chris smith has meticulously rebuilt the drum tracks of classic electro funk records known for their pioneering and influential use of the 808. strictly for djs and mcs, this is an essential tool for remixing, looping or laying vocals over. cut loud and ready for battle.

with its heavy drum machines, funky bass line, female vocals and analogue synths, messages from the stars is an electro-pop / cosmic / boogie-synth club classic. remixed, sampled and played a million times by worldwide djs, heres the repress from the original 12inch from 1983!

chicago godfather mike dunn presents a new album thats fuelled by a pumping heart of pure house and a body of powerful analogue muscle. my house from all angle is a record destined to fully reinstate this already respected figure at the upper echelon. despite releasing countless classics like face the nation, god made me phunky, let it be house and personal problem, plus plenty more underground gems under pseudonyms like qx-1, the jass man, the phunky people and the md connection this is mike s first longplayer since 1990. the album title represents the different styles of mike’s large and long-standing catalogue that’s beloved of both diggers and djs alike. a master of deep stroboscopic acid, booty jackers, hip house and groovy us house/garage all are represented within.

following the hypnotic ‘what’s in your head’ ep in 2016, archie hamilton returns to moscow records with his first solo ep on the imprint since the release last year. since finishing 2016 with a place in ra s top 100 djs poll, he’s been touring the world, had a summer residency at amnesia and released another massive ep on fuse. an integral part of the stellar ascent of the brand, and founder at tastemaker label initiatives moscow records, moss co. and arkityp, he is an artist very much in control of his rise. the record opens with confusion, an out and out anthem which has been tearing up dance floors across the globe all summer. a trademark bassline drives the track forward as stabs build, tight percussion cuts through and a repeating vocal enters. then when the track drops it shifts the mood completely, causing any dance floor to bump uncontrollably. dos equis is something different altogether. minimalistic percussion and a tight sub lay the foundations for a funky bass guitar line. warming pads meet rhodes keys and out of nowhere a beautifully subtle vocal line appears. as the track breaks down, a mind bending synth line takes the listener out of their state of reflection. the title track on the flip is a classic piece of groovy hamilton weaponry. a positive mood that bounces along to a whispering voice in the background. the track develops as lush chords permeate the groove, soaking the dance floor in the last of the summer sun to create a euphoric crescendo.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.

tr one return with 4 very different tracks recorded in one take at their studio in the irish southeast. a month has passed uses a dubbed out aesthetic merging influences from uk bass and detroit using shimmering melodic progression. the boutique of never ending dreams works towards a synth laden dreamlike peak. the printer duly merges playful chicago drums with an organic chord structure to create a head nodding funk. finishing the ep is road to the sea , a pensive sway of dubby sonics masked in a fog of reverb. tr one are an established name in the irish electronic music community and are known for their energetic and engaging performances as djs. they have received critical acclaim for the raw soulful productions from their studio in hometown carlow, ireland. they have gained respect for their ability to deftly move between the lines of genres with a strong sense of adventure and connection with detroit/chicago/dublin machine soul. from this they have released music on lunar disko, apartment and fine art recordings, with the strains of the us midwest never far from sonic influence. they have worked in a range of styles from old movie soundtrack disco with new jackson to punishing techno sharing wax space with the phantom planet outlaws.

2nd vinyl release sees leonidas and kay suzuki (analogue producers and djs in london s underground music scene), re-join forces to bring you the 2nd installment of their synqlock project: synqlock vol ii. available on vinyl for the first time, we re very excited and proud to open the ep with interstellar meditation

it s quite some years after starburst , the first record on internasjonal the japanese duo traks boys, consisting of kawasaki based producers and djs crystal and k404 did for us. but a short 7 years down the road the magic is still there. be with you and weekend lights are mesmerizing, sparkling with creativity and beauty. be with you is modern disco cut up of the finest while weekend lights is a hypnotic stringinfected warm groover that we can t get enough of. finally weekend (light) lover and friend of the house axel boman takes it all home in the biggest of ways. reduced with care and then build up again to one the neatest breaks that we heard this year.

spanish funk, soul and disco champion javi frias returns with the second release on his night shift label, bringing more of that classically informed party-starting business for those who love their classic disco edits. tender feeling sounds like a perfect transplant from the dancefloor of studio 54, while move to the groove is equally entrenched in the finest 70s-styled heat. supah stah and swahili dance are equally no slouches when it comes to channeling the best elements of that golden era disco sound javi frias has this music in his blood and anyone that feels the same will be all over this record, dancers and djs alike.

70er-jahre-perlen aus dem archiv des britischen marktführers für produktionsmusik.
diese doppel-lp aus dem hause bbe ist in erster linie für djs und beataffine produzenten gedacht. doch auch freunde eigentümlich-spezieller und wundervoll-mysteriöser sounds dürften ihre freude an dem vinyl haben. der sampler wurde von den beiden versierten kompilationsspezialisten mr thing und chris read zusammengestellt. er enthält eine außergewöhnliche sammlung von 23 library-stücken, die aus dem gigantischen archiv von cavendish music stammen. das 1937 als boosey & hawkes recorded music library gegründete unternehmen ist marktführer für produktionsmusik in großbritannien und weltweit mit dependenzen vertreten. mr thing und chris read erhielten erstmals 2014 im rahmen eines sampleprojekts zugang zum cavendish-archiv. bei ihren grabungen entdeckten die beiden eine sammlung mit aufnahmen aus den 1970er-jahren, die bis heute nichts von ihrer frische und originalität verloren haben. die schönsten perlen daraus finden sich auf -the library archive- wieder. sie reichen von tagträumerischen scores im stile lalo schifrins bis zu atmosphärischen proto-hip-hop-instrumentals.

ltd handnumbererd black & white marbled vinyl!this release is 2xlp and it s individually 500 hand-numbered limited edition. the first 100 copies are pressed on white & black marbled vinyls (ar011). it s dedicated to the 1987 masterpiece played by the magic flute of roberto aglieri called by himself. la solitudine accompagnata, with the original 1987 lp + a bonus lp, containing unreleased material, other versions and unreleased tracks. archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

stockholm-based mikael jonasson is a long serving dj and producer who continues to push the boundaries of modern club music with his amazingly crafted, rather rare techno productions. with recent releases on labels like drumcode, figure and exile, mikael has earned the support and attention from the key players all around the globe. with a busy schedule of gigs all around the world, including several stops at legendary berghain in berlin to the world s biggest club priviliege in ibiza, mikael have had the pleasure of sharing the stage with talented colleagues such as adam beyer, len faki and sam paganini. right now mikael release his first ep on wall music. he is build his own intricate sound, characterised by an unique sound design and his attention to details. heavy supported by fans, radio-stations and djs around the globe. have fune while listening.mastered by alhek mastering. cover made by radu tanasa.

some records are timeless and never age - -happiness is just around the bend- by the main ingredient is one of those records. originally released in 1974, -happiness- was a record before it s time - had it been released a year later it would undoubtedly have been one of the first 12- discs - so as a result, most discerning djs at the time chose to play the album cut. the song is actually a cover of uk prog-jazz band brian auger s oblivion express s version from the year before but main ingredient took the song to a whole new level and, 44 years later, it has become one of the most revered dance tunes of all-time. main ingredient were unlucky with 12- releases, which is why we re delighted to give -evening of love- it s first-ever 12- release! once again this was a 1981 album track which years later it would become a modern soul anthem and rightfully be regarded as one of their best records. fully remastered on limited edition 180 gram heavyweight vinyl.

fur coat s new label oddity aim to showcase a darker, more tripped out techno sound. their second release is by hugo ibarra and antü coimbra aka natural flow. founded in mexico city, this innovative duo of producers and djs, known as natural flow, is formed by hugo ibarra (mex) and antü coimbra (arg), each with more than a decade of musical background. natural flow amazes long-time fans and new listeners alike, with their sets in the most important clubs of mexico. each performance delivers a fresh and stunning experience. lined up for remix duties they have dubspeeka & roman poncet

following a run of local transmissions from a sagittariun, crump, rob smith and atki2, idle hands turns its attention to berlin and the straight-up, no-nonsense techno thrust of johanna knutsson and hans berg. both respected artists and djs in their own right, the pair have been turning out 12inches together for the free spirit society, klasse and crime city disco over the past few years, but most importantly they ve been steering the excellent ufo station recordings as a vessel for their punchy, primal techno tracks. the sound on this ep taps into the pure form of stern, dark dancefloor tackle favoured at idle hands – no extraneous filler, plenty of space in the mix, but equally built with warmth and personality rather than monochrome functionality. if you need further proof, just look to the fact the ep is named after a swedish soap opera from the 90s. the bleeps and bass tones that pulse through -taggen- are so finely crafted they need not skip and dance around the arrangement. the melodic interplay on -klimax- is subtle but ultimately uplifting and optimistic where so much techno concerns itself with oppressive gloom. -bimbo- finds the pair embracing a more psychedelic approach, but even here the modulating effects processes are kept within certain boundaries so as to not dilute the impact on the floor. after all, this is music to dance to, to be felt over a large system (where possible). moving from leftfield bass excursions to minimalist 2-step, uk techno and now onto this much more continental sound, themälarviken ep continues to widen the range of idle hands musical tastes without losing sight of the complete picture.

after putting out kito jempere s stunning sea monster album earlier in the year, hell yeah now serve up a bunch of remixes from it that have been secret weapons for the last few months. behind them are black spuma, lipelis and bell towers and they all serve up real heaters. first up with possibly their best ever remix are black spuma—a collaboration between phillip lauer (tuff city kids, arto mwambe) and fabrizio mammarella (telespazio)—who flip ampa into a bootylicious house cut with fat bass stabs and sci-fi synths. it s retro in flavour and riddled with melodies that are brightly coloured and emotive, and when the vocal is layered in it helps carry you away on a wave of bliss. for djs who prefer to keep things raw, a dub version without the vocals is also included and bangs that bit harder.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

special deal! eduardo de la calle presents his new brand, the monogram systems. the new and fresh 12inch will be the first reference catalog number on the monogram series. four new solid techno scifi tools especially made for vinyl dj lovers and dancefloor killers. this time eduardo has left his imagination, leaving stereotypes and minimalist alucinations to focus on a more technical mode and puristic style in terms of music production. the whole ep is a musical journey based on a concept >modern tools for the current time we are living< and its defining itself. with a science fiction touch that remembers the earlie work of luke slater, these 4 songs certainly have a peculiar and internal energy with quantum touches that will be the choice of many current djs, worldwide. without any doubt a very special and sosphisticated work.

four triangles focuses on sharing music from upcoming producers whose talents are limitless, but have never before shared their work with the world.
asok’s label is at it again on this third release, showcasing five tracks from brighton-based charles green, best known as one of the resident djs at one of the city’s most lauded clubs, patterns. by tapping into his understanding of dancefloor dynamics and a lifelong passion for machine music, green has delivered a debut that’s as assured as it is thrilling.

the original >chained to a dead camel< is a seminal track in techno history, and is still being championed by many djs worldwide. clouds have tuned their original to create three new, alternate works. perc completes the set with his own club-ready version.

yo! good music for strange places. back from another world, ready to be stared shocked/amazed at. djs like dixon, jackmaster or tale of us will probably never know about it. ask for more information. ask for yo!

10th anniversary limited edition on translucent 180 gram vinyl.

tropical discos first vinyl outing serves up 4 stellar disco reworks tailor made for dancefloors worldwide. upfront support: house fm / mi-soul support djs

from the underground sound of house the second release of black angus rough, love on wax gives you a personal experience with the raw sound of four on floor tracks. hush hush brings lush pads and heavy kicks in marriage to bring you 4 club ready tracks on vinyl for your spinnin djs or for your vinyl collector.

new yorker anthony parasole provides three powerful, dancefloor productions for the third release onjoseph capriatis new label redimension. the exceptional opener ‘velocity wastes no time setting the theme of the record with its supremely-tight drum programming, jerky bassline and synth notes that spiral into space. ‘bang has similarly skipping percussion and a looped melody which reveals itself for a moment midway through the track before the pulse beats on. a killer, minimalist combination of drums, bass and the sample that the track takes its name from. finally, the restrained, warehouse feel and human touch to the rhythm of ‘hot zone again finds the berghain resident exploring the sweet spot between house and techno. his sonic voice between the two genres is founded on his wider influences, and the result carries a subtle funk, muscular beats and hint of nyc swagger. tried and tested by joseph capriati and sure to stay long in the bags of djs, parasoles fine productions have the hallmarks of an artist who knows exactly how to move a dancefloor himself. at once you both expect the unexpected and find that every progression or pad sweep arrives exactly when it was meant to.

after releasing space control an intergalactic journey into synthesizers, back in 2012, the theremynt duo went on to release a successful, if steady, stream of eps, including robotique de l amou r and vampiros discos (a tribute to brazilian filmmaker ze do caixao). with remixes coming from the likes of david carretta, acid washed and club bizarre, these were playlisted by scene djs such as marvin & guy and ivan smagghe, amongst others. now yann and eva are striking back with their second lp, parallels. it s a record that sees them changing their colour palette and mood, but one that s still haunted by ghosts that lurk within their synthesizers and drum machines. the 10 tracks still exhibit peel s ever shifting vocal style and yann s sophisticated arrangements. but the second lp oscillates between ballad and dancefloor, landing between cosmic disco influences, krautrock and other progressive techno sounds. as a bonus, the album also features a cover of famous 80 s anthem self control. (raf & laura branigan).

straight out of sligo, ireland, brame & hamo have expertly produced some of the most effortless house music of the last few years. following acclaimed releases on labels such as dirt crew and heist, the duo now take full control with their debut release on a fresh, personal imprint, simply titled brame & hamo . b&h001, trants , is a versatile three-tracker that expertly captures the light and shade of the duo s production pallette. opening the ep, title-track trants (say it aloud to trace the inspiration), provides a hugely satisfying denouement. awash in a retro-futurist haze, flavours of early bleep techno, dusty drums and yes, outright trance flavours provide the ingredients for a euphoria-inducing trip that culminates in a melodic call to arms-in-the-air. things get much tougher throughout hurt you , which begins with an immediate strike of chunky percussion, jacking chi-town rhythms and an unapologetically menacing organ line. as the requisite vocal sample delivers emotive threat, the mood only gets darker still, delivering something akin to an outsider house rendition of a lost dance mania cut. finally, providing a soft landing with an early-doors on-the-floor heater, clarence lives up to it s smooth mix subtitle, as a lounging piano line gently gives way to vibrant sax and a soothing female vocal sample, while still maintaining a precise and irresistible groove for the club. expanding seamlessly on their reputation as djs and producers with an instinctive understanding of the genre, b&h001 is as soulful, tough and deeply satisfying of a house record as anything in brame & hamo s already impressive musical repertoire. indeed, here s your trants, now dance!

for their 12th label anniversary, jazz & milk have decided to launch a new series called “twelve inch jams” in order to celebrate vinyl culture and the legendary 12&#8243,,, format! jams002 sounds the bell for the second round of the series including a 10 years re-issue of the classic sam irl cut “you don’t feel enough”. originally released as a b1 tune on his “african dance ep” debut on pulver records in 2007, this jazzy house gem found its way into the record bags of many influential djs over the years. from session victim, glenn astro, max graef to hodini… the record never disappeared in club sets but certainly from discogs a good while ago. so it was about time to give the tune a second life and finally press it on the format it deserves - a whole 12&#8243,,, side. the german production duo session victim are well-known fans of the track describing it as their secret weapon playing it in quite many dj sets for years, including their 2015 appearance for mixmag’s dj lab. hence, it is a great pleasure that session victim contributed a remix to the new release. their absolutely elegant and groove-driven version with a charming 90’s touch to it makes a brillant counterpart to the original with its jazzy piano-, drum- and double bass samples leading to an epic synth break that regularly causes ecstatic moments on the dancefloor.

marquis hawkes marks his fifth release for aus with another classy 2 tracker titled, æthe phoenixÆ (part 1 and part 2). the phoenix follows up summer hit æthe basement is burningÆ which saw midland, the black madonna and gerd janson all supporting at festivals worldwide. the phoenix is two takes on one concept. part one takes the disco and house amalgam which marquis has developed in recent times to itÆs logical conclusion, perfectly walking the tightrope between joyous abandon and classy depth, and giving djs the perfect weapon for all floors, from sweaty basements right the way through to much bigger dancefloors. part two then flips the program with the same raw materials and sets up the perfect shot, directed at a big room house/techno crossover, building on the foundations laid by the detroit techno originators by infusing contemporary production values and a more modern twist. the phoenix is something of a landmark ep for marquis hawkes, once again redefining his sound. we canÆt wait to hear what he does next.

forgot 001 is the debut release from london based record label forgot. the compilation is comprised of four tracks by four different artists: harry orso, aka ratomagoson, was last year picked up by gilles peterson’s future bubblers project and has gone on to drop a succession of well received releases on labels such as twosixtysix, polyop and tru thoughts. forgot residents hoffy and joe s both come from beat-making backgrounds while phillip russel aka pila boasts an impressive catalog of material online. since its release campaign launched earlier this year, the forgot 001 compilation has received a wealth of positive feedback from a number of revered and respected djs such as dom servini, adam scrimshire and david hanke aka renegades of jazz. the release gained considerable airplay during the summer: dom servini on soho radio, risha on radar radio, selassie tbc & amy frenchum on worldwide fm, toshio maatsura on tokyo moon and adam scrimshire on balamii radio.

after his contribution to our last va-vinyl, oleka is back on genesa with nothing less than an album which will be released in full length digitally and as a sampler ep on vinyl. broken beats, grinding machinery and unexpected turns of arrangements make this package a must-have for daring djs.

rodhad’s debut album ‘anxious’ sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps “kinder der ringwelt” and “söhne der erde” as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlin’s rougher outskirts, as a teenager he was able to grasp the final flashings of berlin’s mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, “1984” and “blindness”.

jules etienne has been skirting around labels such as apersonal music for a few years, but here makes a strong statement with a new record for cocktail d amore. triangle des bermudas is a swinging yet cosmically inclined jam powered by warm synth arpeggios, which regular collaborator massimiliano pagliara then nudges up into crafty deep house territory. cuban omlette is a delicate affair that interweaves pattering percussion and nagging synth lines to make a particularly heady brew before johns job finishes the record off with a richly layered drum track that should have djs across the board getting tricky in the mix.

first installment on gravity graffiti for the talented brothers central and dj sports as palta & ti with a fresh percussive ambient-house ep floating through a spell of space whales. pure class breeze from aarhus for the djs all around the world.

after unleashing the enigmatic middle eastern funk bonanza the nile files earlier this year the fossils crew return to western shores with a new ep from uv & nen , revealing long forgotten newly interpreted disco funk nuggets that are bound to become classics in their own right. with newly recorded synths, vocals and nasty bass-lines thrown in the mix, the bump s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... trust us - this bad boy has been tested on dancefloors from new york to tel aviv to london s boiler room until finally finding its way to the pressing plant. love makin is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by beatcoin , a steady slow stomper that will get booties shaken & shaking across the dance floor. as with the previous fossils release, these are all killers and true crate essentials for the seasoned djs.

yandom are not new to the scene. but then again they are. the project has been kicked off by yannick labbe and dominik marz, already renowned producers and djs before they decided to join forces in in january of 2017 with their remix for dekodeko on leipzig-based label ors. yandoms productions are discoid excursions to the dark side a sound spanning from leftfield italo-esque productions to straight up techno-bangers. a sound already loved and played by artists like michael mayer, solomun, kornel kovacs and many more. at the moment, yandom are working on eps following their next release on &nd music (scheduled for september 2017). as djs, yandom deliver an infectious and very musical freestyleapproach, dropping anything from techno to vintage classics and held together by a strong foundation of electronica. a yandom-set is anything but random and yes, they do look as good in reality as on the photos.

from the irish techno front line , rlsd land again with a heavy batch of dancefloor pressure. jon hussey has been one of the islands most celebrated djs for the best part of 20 years and makes his long overdue debut as a solo artist with dark motif. his deep understanding of the music is on display as he delivers an immersive techno cut with acidic touches & crisp bleep techno character. takaaki itoh steamlines the ideas into a pilerdriver suited for the peak hours. on the flip fran hartnett grinds out a typically floor burning track loaded with his trademark poly-rhythms and modular bleeps. rory st john rounds of proceedings with an ever shifting rhythmic workout which has an off-kilter sensibility guaranteed to make more adventurous floors freak.

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

hailing from bristol with a string of releases for the likes of king street sounds and remixing the likes of dennis ferrer, evelyn champagne king, carolyn harding, blaze, and roland clark. he s amassed an impressive discography of nearly 100 releases, delivering inspired reworks for labels like local talk, strictly rhythm, vega records, tribe, and quantize plus an original solo album for z records. we are super hyped over sean s first release on boogie cafe, providing us with three cuts of sublime house music, with a nod to kerri chandler and and glen underground this ep is sure to get a lot of heat from the house heads. early support from neil diablo, alfresco disco, melon bomb djs , dave harvey futureboogie, noel watson, deli g.

summers here! ransom note records continue their search for the finest dance music from planet earth with a carnival-ready curveball of a new release the sleazy, playful ghanaian afro-ghetto-techno-pop that is brytes word-of-mouth classic i like your girlfriend. originally surfacing on a couple of youtube dance videos, the shitty quality video rip of brytes bizarro lyrics leaping over gafaccis impeccable grime-meets-afrohouse beat has been a much-loved secret weapon in the sets of djs that know for a minute now - bok bok, mixpak and gang fatale have all supported heavily. coming from accras booming azonto dance scene, where tracks are knocked out in makeshift home-built studios then swapped through social media apps on smartphones, a proper release of i like your girlfriend has long remained a holy grail. now, after months of searching, several western union transfers, hundreds of whatsapp messages and no lack of determination, ransom note have finally managed to legitimately sign the track, and are all set to give a modern classic the 12inch release it deserves making history with what is quite possibly the first azonto track to be released on vinyl. alongside brytes crazy vocal version, the release features the original beat from producer gafacci its bouncing techy minimalism carving a unique path between techno, house and uk funky that defies genre with glee. vinyl buyers get a special bonus brytes acapella, coming in at 128 bpm, is the perfect mixing tool

fine fulfills djs and dancers needs alike. fresh edit-styled hits as always. come as you are.

berlin legend charlie smooth is back at it, spreading good vibes with a new ep packed with delicious cuts. after seven years of organizing and playing his infamous get deep parties at about blanc where he was a pioneer of bringing the disco and baleric sound to berlin’s house scene, charlie has started a new chapter as one of the founders of smooth operators. while he still rocks the decks on a regular basis at his new party disco train and plays around europe spreading his disco and baleric sound, charlie’s focus with smooth operators is all about translating the years of knowledge gained digging and playing with some of the greatest djs of our time into putting out records with only the best quality tracks.
on this debut release, all four tracks are examples of true digger’s delights and super rare, esoteric sounds that djs can use to really set off the vibe on any dancefloor. with smooth operators vol 1, the label is making a strong statement that they are ready to put out real top quality tracks that can be enjoyed by diggers, djs, disco, funk, and soul lovers alike.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive ‘mercury rising’ residency, the legendary ‘djs’ dj has been appointed ‘cultural attaché’ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records – the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

‚cosmic future groove’ landet in der nächsten galaxie… auf volume 2 gravitieren sage und schreibe 18 bisher unveröffentlichte spaced out disco, funk & elektronik grooves! aus den tiefen diverser library musik archive aus deutschland, england, frankreich und den usa gezogen, präsentieren sich die verschollensten perlen in ganz neuem gewand! kaum einer der tracks existierte bisher in der digitalen welt, lediglich auf den originalen library lps, die auf diversen gebrauchtmärkten von rare groove und elektronik djs gejagt werden und ihre besitzer zu horror-summen wechseln…
pressung auf blau-transparentem vinyl.