tip! massive techouse rollers! material sister sublabel material limited shows that stripped down techouse rule the floors!

triple vinyl powerpack from stop clone music, containing these releases:
- scm002: dinamoe - in my totem ep
- scm006: abnormal boyz - unlucky day remixes by dj emerson & simon stokes
- scm009: kid culture - its time 2 jack ep

finest electro-swing from the freshly squeezed camp. for fans of >swing bop< and everyone who likes a funky twist on the floor! known from the >white mink : black cotton 2< mix cd and a teaser for swing republics upcoming album.

selected advent deal - 7th sign is proud to announce a very special release. formerly of the g-strings label out of chicago (first heard in 1990), this is truly a classic rarity that now takes pride of place in the 7th sign catalogue. this newly re-mastered issue features all the original tracks, including the classic title cut with its haunting strings and kraftwerk-esque mechanical groove. all the tracks have a very deep minimal arrangement and production and each stands up against todays modern backdrop. this is a real gem and a great time capsule of chicago house from back in the day. this release offers a rare opportunity to own a rare record that has assumed classic status and price.

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

skreams label rounds of 2010 with a classic release. its not often a gem like this comes along and its no surprise that fellow production collaborator skream picked it up for his disfigured dubz imprint. having been a regular floor filler over the past year within the emerging techno x dubstep scene, >voyeur< has been in high demand and finally sees the light of day to many peoples delight. it was one of instra:mentals first dabbles with the 4/4 structure but has the maturity and qualities of a rediscovered 90s classic.

second run for major d homme! again super tunes by famous but secret producers.. guess who.. strong support by loco dice, matthias tanzmann, & spencer parker

greg wilson dips into the vaults and reworks two tracks from the pre-disco era of funk & soul on his latest ruff edits release. willie hendersons the dance master (1973) and happiness is just around the bend by the main ingredient (1974) were both cult favourites with black music aficionados way way back in the day, even before greg started deejaying in the clubs first time around. greg originally extended these tracks for his vintage future retro mix earlier this year, before he began to play them out as ruffs

back in the summer, twenty year old david august made his diynamic debut with the fantastic >instant harmony< ep. its lead track >moving day< became an instant summer anthem and marked him out as a real talent to watch. now a much treasured member of the diynamic family, and master of ceremonies with his residency at the labels club night, david presents his next release on the imprint, the incredible >peace of conscience< ep. four choice cuts of seriously uplifting house music, that whilst wonderfully melodic, all contain a raw, biting and unique edge that will see them easily stand out amongst the crowd. enjoy!

>3.652 tage< : the track a day originated after my 10-year-old djs jubilee. from the mood of the eve, there originated thus the acoustics-percussion beat with emitter surfaces. >zeitfenster< : this track with miguel aka electric gloss, to a friend from portugal produced. he has visited me for two days in frankfurt, meanwhile we were diligent in the studio. the sound capes remind me of a typical summer thunderstorm. >eureka< : this number has something incredible for me. a kind of space-electro with quite futuristic melody. if somewhat is inspired by the film barbarella. unambiguously one of my favourites on the album.

nice price deal !!! second in the all-analogue cave paintings series where raw machine funk workouts are very much the order of the day. >2x< takes up where 1y left off and adds a sinister backwards-sweeping synth line to turn heads to jelly while the limbs carry on jacking to the syncopated percussion and insistent one-note bassline. >2y< is all but completely enveloped by a warm, deep, resonating bassline which is so wall-to-wall that it leaves plenty of room for the intricate, interlocking percussion to create a body-hypnotic groove. cave paintings - letting the machines decide.

i dont think i know, or heard of, anyone who share the same obsession in searching obscure disco records like kool dj dust (real name daniel savio). call him at any given time and he is in some flee market or second hand shop on the look-out for records. he even got an apartment just for his collection.
we talked about the idea of re-releasing >un-googable< music, old stuff that is not only very hard to find, but also so good that re-issueing it is an actual cultural necessity. dust tossed around with a few ideas and finally these three songs made the cut. we are very happy with them!
we hope you are too. we are also happy that we have the support on this release from so many djs. some of them being rune lindbaek, in flagranti, tim sweeney, horse meat disco, 6th borough project, parlour, dj rocca, bonar bradberry, parlour, hugo capablanca, cousin cole et al.

motorcitysoul, mainstays of will saul’s simple records imprint, return with the ushuaia ep, an ode to the ibizian beach club of the same name. the ep utilizes the duo’s analogue programming experience and inherent knowledge of all things house to capture the spirit of day & night at the esteemed beach party.

as one of the most driven and unique producers of amsterdam and >friend of the family< we are happy to welcome william kouam djoko officially to the label. with his track yes, now on soweso various artists volume 1 he already turned heads with his unique blend of deepness, darkness, sex and dancefloor vibes. now we are proud to present william kouam djoko - day break e.p

two years after their great received >under the bridge ep< gowentgone are back with their third full release on vidab records. the >walk with us ep< is another deep statement of gowentgones passion for housemusic and techno. >strange light< runs over eight minutes focusing on a central rim-theme that is embedded in a wall of layers. >move of the day< is a dynamic and simple mover that draws us deep into a tooly and mechanic sound. the ep s last track, >burning flowers< ist the pairs interpretation of house that morphs pleasingly into a spaced chillout zone. enjoy this one.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions.with this solo ep by the man himself he showcases the extremely talented producing skills he has. listen and be amazed, play on the dancefloor and get instant result! tip!!

once again the disorder kaiser with a mindblowing, overwhelming and extraterristical ep on stock5. the italian boy in exile, nowadays in berlin, doesnt stop to drop beats for the special moments and it seems that he gets better day by day!

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

12inch full of music with a definite sense of place. eerie synthesiser pulses, funk-infused drums and languid guitar-scapes have been part of the musical topology of düsseldorf since the early seventies: and this particular release pays full tribute to that legacy, with jagd auf den hirsch (hunt for the stag) comprising an eerie piece of swampy lazer-forest rock. this sound is also a modern day staple of düsseldorfs nightlife at the salon des amateurs, a small bar attached to the kunsthalle art gallery that is an oasis of hypnotic disco nightmares. the salon is where der räuber und der prinz made their first live appearance in 2008 (when the original composition for moogwalzer was debuted), and both members of the band frequently play there: ralf beck with his bodyrocking club act unit 4 and sebastian as half of art-rock duo noblesse oblige. meanwhile two of the guests on this release - detlef weinrich also known as toulouse lowtrax, contributing words about a ghostly maiden on moogwalzer, and thomas klein contributing drums to jagd auf den hirsch - are both original members of the quintessential düsseldorf act kreidler. salon dj resident vladimir ivkovic also had a hand in the creative clarion call for the jagd auf den hirsch (hunt for the stag). to complete the circle, düsseldorfs new resident and desolat mainstay guti wrote his remix in the middle of the night in buenos aires, as a kind of letter to his new home-to-be. there we have it: a true tribute to a city we love, with tracks for the dancefloor as well as moments of melancholic contemplation.

claremont 56 seem to have a passion for the unnoticed and the unreleased, digging out gems from the past or oldies from the future. here we have four hands, a band from newcastle who laid this gem down in 1999. sounding distinctly like an adriatic sunset from 20 years previous. from subtle beginnings this track doesnt quite grow, it just drifts beautifully along, from warm pads to a deeper swelling bass, overlaid with delicate strings and languid orchestral touches. four hands deliver a modern day masterpiece, with a timeless woozy morning feeling. this is the warm embrace you need after a few too many the night before. limited edition!

first on decks .de !!! sa007 sees perc and modern heads create the first collaborations between these two core stroboscopic artefacts artists. the result is a punishing hybrid of percs dubstep tendencies and modern heads cutting techno. a-side >mendax< is cavernous. built upon solid dub foundations, it spills over into grinding, metallic territory. if the titles to be believed it takes inspiration from the shady world of lies and deceit. the atmosphere seems to agree, theres certainly something mendacious at work here. b1 takes the eps atmosphere and adds abrasion. in >percdax< cold, hard percussion is layered over a bed of warm dub. closer >moddax< errs on the eerie. it skulks, is full of sticky bleeps and the result is unnervingly dubbed out. all three track titles share the same suffix and if this indicates that they also share one quality its that theyre best heard in the glinting shadows of a club just before day break. sa007 was craftily mastered by artefacts mastering, berlin.

after a very brief lull in activity over the latter part of the summer, we re very excited to be back up and running and present a fantastic new collection of songs from one of our favorite producers, the esteemed russ gabriel. having long been a pioneering producer, dj and live act as well as a hugely respected studio producer, russ has returned to the dieb audio fold and graced us with 4 exceptional new works.
the >knossos< ep, as the collection is known, showcases a diverse palette on russ part, ranging from visceral, heads-down dancefloor material, to intelligent, emotive house productions, in a polished, thorough manner, that defines his work. fans of his sound will instantly grasp his simple, effortless style of fusing together elements and creating classy, functional arrangements. one thing is always guaranteed and delivered with russ: quality.

after five years of experimenting with a string of different singers, chromatics introduced ruth radelet as the lead actress to star in their films in 2005. forever standing out from the crowd, chromatics imagined the soft rock focus of hall & oates stretched over a fleetwood mac beat. trading the dancefloor for gorgeous chords & melancholic strings. they lived where it was always late & neon lights glimmered across the wet streets. this record archives studio work between 2004 & 2006 leading up to the now infamous >night drive< album.

cultivated electronics is proud to present its 5th release of the year with a remix ep of electro legend carl a finlow aka silicon scally. the track >process< was originally featured cultivated electronics ep 004 and is now re-worked by label head sync 24 and electros flavour of the moment, finish duo morphology. sync 24 opens up the ep with a dark techy interpretation of the original track. chopped up voices, quirky analogue bass lines and spooky atmospheres rolling along at 135 bpm are the order of the day. hot on the heels of two storming eps on abstract forms and an impending long player on zyntax motor city, morphology (aka crc) turn in an analogue machine funk remix combining dark and trippy tones with subtle melodies, sharp beats and tight sequences.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions. with this special doublepack (sold seperate) 12inche he showcases the talent surrounding him. diversity is the key and great music is what its all about.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions. with this special doublepack (sold seperate) 12inche he showcases the talent surrounding him. diversity is the key and great music is what its all about

part 3 in the shake re-issue series.... 4 killers on here! includes assimilated that sounds as fresh as the day it was produced (10 years ago!) and the total classic, get a feeling from his seminal 1995 tvr release..tip! this is the 3rd part in the individual shake 12inchs taken from the frictionalism compilation released earlier this year. another four shake classics

following on from his studio 395 ep that heralded the support of zip, oliver deutschmann, baby ford, rolando & ben sims to name a few, ed returns with another satisfying 2 tracker. centrality is a strong, peak time techno track that features raw 909 percussion paired with an infectious synth riff & haunting house vocals finishing on a transmat style synth solo, the kind of track that stays in your head for hours if not days after you ve left the nightclub. b side spirits incorporates the same distinguished groove of centrality but opens the possibilities up tenfold inviting plays on both house & techno dance floors equally suited to night & day

phänomenaler henrik schwarz-remix des marsmobil-songs >gonna be my day<! der berliner inszeniert den wunderschönen song der münchner band völlig neu. dieser remix zählt zweifellos zu den besten tracks, die henrik schwarz in letzter zeit produziert hat. und mit >patience< im remix von yosa (drumpoet community) wird ein weiter song aus dem album >(why dont you take) the other side?< in die clubs gehievt.

nice price deal !!! comes with coupon for free mp3 download.

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

we would like to dedicate this release to our colleague and good friend aaron-carl who passed away on the 30th of september 2010. during the whole process of creating and thinking this record with ivel, aaron has been supportive from day one. he was a great musician and an amazing human being. his loss has affected all of us. it is very sad to think that this will probably be his last remix to come out, thus making this record and his remix even more meaningful. out of all the words aaron could have chosen out of martin luther kings speech for this remix, he chose the phrase >i just want to do gods will<. i think that god, if theres one, has called him by his side way too early. life will continue, aaron-carl and his music will stay in our hearts

the 2nd sampler opens with >mym 230 (rip)<, a track taken from his planet e debut release from 1998. it also features one of his biggest tracks to date, >cant take it< which was the debut recording of soul vocalist dwele. >antares< and >crosswtown< are two tracks take from the artists personal vault. tracks which were recorded back in the day, but remained unreleased ... until now! with this compilation we celebrate reclooses early works from the late 90s, early 00s. this material is often regarded as his best. the compilation includes his best music from that period, both released and unreleased.

10..9..8..7..6..5..4..3..2..1..boooommmmm!!!!! the most wanted soulful record of the last 2 years is ready to see the light of the day. this beautiful incredible victor simonellis classic originally featured by martha washs strong voice gets now revamped retwisted and facelifted re-produced by the soulmagic duo in a collaboration with ebony soul and victor simonelli! but as it was not enough for us we liked to bring the whole project to the next level with the monster voice of the house music historys diva ann nesby with a full option package of remixes: 3 original soulmagic mixes, there are mixes coming from jamie lewis, souldynamic, mr. root, davide fiorese & sisco. ladys & gentlemen - what we need more from this beautiful life? take this package now and you have a piece like a >golden globe< in your hand. a special thanks to victor simonelli who made it happen.

the return of one of the most famous band on planet >french touch< … along their many alias (cassius, la funk mob, motorbass…) the two sound wizards are back home at edbangers … zdar has been part of ed rec since day one. on the flipside of mr flash >radar rider< (ed001) there was >f.i.s.t< a hypnotic electro beat by the man himself. here are 6 tracks filled with talent and beat fidling for best dancefloor effects.

bosconi strikes back again with another essential release by our outstanding artist mass prod. his unique fingerprint is recognizable thanks to the variety of styles of this new 3 tracker ep. after his succesfull bosconi grooves ep and a marvellous series of bootlegs, mass prod delivers one deep house gem, a dreamy oldschool techno detroit pumper and a twisted jam of clear crossover techno - modern 2step inspiration.

jason little collab with weichentechnikk! jasons label is the most ruthless hard techno out there, hard to the bone!

slammin detroit techno infected 4 track ep... if you like pan-pot >> so please listen carefully

audio family is steadily building on its fanbase and its growing by the day,as we see the backstock is flying out lately. another big addition to the roster in the form of the french techno dj/producer josh love!classical style with some old skool feeling and hints to the old days of tribal techno mixed with catchy synths and pounding beats!

with the first two instalments in the ppflimited series fetching ludicrous prices on the 2nd hand market we can safely say this, probably their biggest release in the limited series yet (and theyve all been sizeable !) will sell out in a matter of minutes ! this outlet for the ppfs best kept secrets comes complete with three tracks of the finest rewired funk and lost classics, expertly tweaked and re-designed for modern dance floor use. strictly limited one-off pressing, hand stamped 12inch single

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

since dial was established in 2000 there always has been the musical influence of isolee. from his first 12inches and his debut album >rest< on playhouse, rajko mueller was one main source of inspiration of all early dial artists- pantha du prince, efdemin, lawrence, carsten jost. more than that he became a lovely neighbour living close to the riverside of hamburg, a good friend whose pasta sauce would take a whole day to cook, and still a musician who would spend an extra long time to create his extraordinary pieces, drifting from version to version.

contains the remastered version of >every day is like sunday< and the previously unreleased >trash<, recorded live @ pacific amphitheatre, costa mesa, ca in 1991.

the house nerds with 2 killer tracks for lovers of rekids & cabin fever. mystery bells >down deep and dark< went the name of an old strictly rhythm compilation and thats a pretty good description of mystery bells. 909 beats propel this monster along with the payoff coming via a big-room breakdown. follow that with a variety of skippy sp1200 drum programming to finish it off. (did we mention the bells?) huge. library session no. 4 is bouncy proto-garage mixes together with spaced out vocal samples and some serious chordage. channeling old downtown 161 vibes into the present day, the nerds provide a nice counter-measure to the darker sounds of mystery bells.

any which way starts with a classic dancefloor siren before launching into an almighty beat that blends classic disco with the modern day.... carte blanche just even more progressive 2010 way

after a recent short n sweet stint on tensnakes mirau imprint irish ex-pat mano le tough reemerges on internasjonal where he first saw the light of the day as a producer with the much acclaimed warhorn. yet even with such a rather small, straightforward discography mano managed to sculpture his unmistakeably very own style fusing the deeper shades of house and techno with a strong melodic sensibility that one would never even get the faintest idea to file it under the mostly bland tech-house genre. oblique boast a perfect effective dramaturgy with slighty spooky broken melody box theme rising out of a thick mist of grinding chords before morphing into a deep acid finale. french gentlemen of distinction and many styles chateau flight toughen up the beats and throw in some african wood percussions and sparse psychedelic dub effects for a superb rhythmically multi-layered rework.