one of the most charismatic pioneers of uk dance music, skream, is back on the visionary label that is crosstown rebels. the momentous �you know, right?� has been avidly searched for since it�s inception and will finally be released in november 2016. this two track ep contains two innovative productions from the musical chameleon, pushing the boundaries of genre once again with breakbeat percussion, potent keys and a garage style vocal on the monstrous �you know, right�. the ep also features the techno soundscape �minor smooth� on the b-side, which also is going down a storm . we last saw skream on crosstown rebels last year with the epic �still lemonade�, which gained high critical acclaim. keeping the standards high the truly individual �you know, right?� has already been heavily supported this summer by jackmaster, jamie jones, annie mac, steve lawler and damian lazarus amongst others. starting out as one of dubstep�s first most prominent and prolific producers, skream went on to achieve commercial success and critical acclaim with magnetic man alongside artwork and benga reaching no.5 in the uk album chart and reaching no.10 in the uk singles chart. more recently he has been releasing on his label of unsound mind and as a sought after remixer on labels such as boysnoize records, hot creations and watergate records.

belters is a new label brought to you by huntleys + palmers dedicated to the dancefloor. kicking things off with h+p favourite, wrong steps and his toughest offering yet.

its been a while since something new from dave ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point brothers vibe to lay down a few serious slabs of club tackle for mixx records. caught in a moment heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing fx, but the mood is drastically different on the chord led 909 thumper universal vibe. from now on only good things will happen once again channels the edgy robert hood style to great effect before brothers vibe takes over for a deliciously dusty, meandering remix of universal vibe

following the acclaim of time travelers im made of stars lp, michele pinna presents the remixes report i, featuring remixes of tracks from the album by four key names in european and us techno. these remixes take pinnas dystopian sci-fi vision and place it firmly in the club, with each artist providing their own unique take on a different track from the album.

as we welcome another talented artist to our family we asked viken about the first part of a two part release and he told us it s really important to understand that this ep is a series of pictures telling a story. combining the names of all the tracks one gets this interesting and dreamy sentence, on a blue road a white shadow feels the winter. to translate these pictures into music, i needed a very particular sound. since i am a huge fan of jazz music i took one of my favorite records, used a lot of samples and reworked them in my own way. from the technical aspect, i decided to reconnect with my first love: analog machines. i love working with sound textures. i stayed away from my laptop and all my vst/plugins as i felt the need to compose these tracks in an unusual way: i wanted the sound to be really pure. that s the reason why this process was so essential for me. for me, this ep is the first one to sound like this. this is the first of two releases from a deeply talented soul. a patient collage of house, jazz, acid squiggles and deep emotion. played and loved all summer long by lee burridge at all day i dream, these tracks will stay with you through winter and into next summer.

earlier this year, subwax bcn made an important contribution to the electronic music community by having the timeless dub techno compilation vibrant forms ii by fluxion remastered and reissued.

hotflush are proud to welcome an exciting new talent to the roster. her name is or:la and she arrives at her debut 12inch already boasting a formidable reputation as a dj and promoter in the uk - her long-standing meine nacht party is merseysides finest and her appearances on whp line-ups are turning heads. the 12inch in question is uk lonely - a four track ep that flaunts enviable range and seems to contradict the producers youthful years. in it she covers a broad spectrum of past and contemporary influences spanning garage, afrobeat, breaks and dubstep. the a-side is punchy yet elegant: vocal cut-ups drift through off-beat percussions in title track uk lonely, while riddims and melodies weave in and out of each other on an exotic limbosoup. the b-side is more contemplative:x & o recalls the wistful vocals and layers them over aughties breakbeats before jaipur rounds off this opening salvo in delicate and playful fashion, hinting at things to come

tropico timelexia is a rare tropical disease. in the midst of oppressive heat and humidity, the subject loses notion of time and experiences delirium. fearless explorer benoit b takes us through his elevating journey in the depth of an atemporal and sweltering world with this beautiful new ep for peur bleue records. from the hazy and voluptuous atmosphere of zanzibar sunrise and weekend girl to the rough and throbbing vibrations of crystal fuselage and a night in gobi desert , tropico timelexia ep is a flushed expedition where humans seem to have lost control over nature.

lost archives special vinyl part iii/v the spirit feature Ø phase, deniro, maarten mittendorff, and louis haiman

(white vinyl with grey splatter) we are proud to add a new member to the baum family. sascha rydell of fachwerk fame has produced two powerfull tracks for is debut release on baum. a day ward has dubby elements, and a modulating groove perfect for the dancefloor. crack willow is a more deep and atmospheric track close to a deep house vibe, which also gets some dirty raw treatment from resoe on his morning reshape remix.

lp reissues cut from the long-awaited 2010 digital remasters for the first time on vinyl and cd, original release from 1980. reissues of a legendary artist, pioneer of the french electronic music. the french proto-electro is making a come-back as we�ve seen it with the success of both cosmic machine compilations. their 7� �onyx� sold over 3 million copies worldwide. space art is behind the massive hits: �onyx�, �give me love�, �love in c minor� and more. one of half of the band, dominique perrier, is one of legend jean-michel jarre�s closest collaborators. recognized as a keyboard virtuoso, he worked on all jarre�s albums from �rendez-vous� (1986)to �oxygène 7-1� (1997) and still tours with him around the world. space art also toured with him in china in the early �80s. alongside jean-michel jarre and cerrone they are one of the most influential bands that pioneered electro music.

lp in cardborad sleeve + cd included + poster lp reissues cut from the long-awaited 2010 digital remasters for the first time on vinyl and cd, original release from 1977 reissues of a legendary artist, pioneer of the french electronic music.

while pheek may have been in operation for as long as anyone can remember within minimal house and techno, cleymoore has been most productive more recently thanks to his pluie/noir label. following on from last years seikou single on xquisite, here cleymoore and pheek link up to deliver some densely packed, production rich jams that keep the spirit of mid-00s clicks and cuts alive. the beats themselves may be slender slices that carry the energy of the tracks, but it s all in the infinitesimal details in between that the true magic of this music comes alive.

plant43 aka emile facey returns to cpu with his second ep for the sheffield imprint, and brings more of his ultra-refined electro to the table. surgical pads, robotic x0x beats and melodic basslines fuse the tracks into faceys signature science-lab machine funk. facey has been very busy since his last outing on cpu back in 2013, with an lp on shipwrec, and ep s on semantica, ac records and frustrated funk. he is showing no sign of slowing down and weightless in the void pushes his sound even further into the future

having held it down in miami for some, avstin frank is building his profile as a serious connoisseur of stripped down jams with this release for local label sports. isle of venice is a perfect morning-ready treat, all woozy synth tones and delicate percussive shuffle embellished with dubby treatment, while timeless travels sports a tougher structure without losing the heavylidded quality of the opening track. contemplation meanwhile taps into a little touch of french flair with its shuffling groove and jazzy undertones, making a neat foil to the other tracks on offer. gua camoles remix of isle of venice meanwhile takes a diversion into nagging, oddball minimalism for the crowd who like their beats chopped up.

with jealous god, eerie and l.i.e.s on his c.v. they don t come much more approved that domenico crisci, but few would be prepared for the onslaught that leaps out of this first release on summa cum laude. the violinist champions distortion as a weapon, running everything through a fuzz pedal in a most unrelenting of fashions. its certainly not for the feint-hearted, and all the more powerful with it. meanwhile return would sound brutal in any other context were it not for what came before, all slamming, grubby drums and the noises that splay off them. blacklord them manages to push the vibe further back into the red with a searing throwdown to finish the ep off in a masterful display of intensity.

nice price deal !!! support: karotte, amir, stephan bodzin, basti schuster, style of eye, tim green, mihalis safras, sam bailey, tobias henecker, bjoern scheurmann ...
the new various artists ep on circus records proves that grooves, thumping techno and fun can all be placed in one package. ey guapa by falko richtberg is a summer review with playful grooves and a few exciting and unexpected sounds included. the tronic love dj on big fm radio makes his first appearance on circus records and what a debut this is! the cologne based dompe presents us katharina, a tune built for the dancefloor. a dark bassline and a cracking hi-hat only interrupted by short breaks, make sure the party keeps on rolling. circus records boss mikel mckay presents us his junglefever and this will find many a fan not only in the tribal movement, but also amongst most tech-house lovers. with mikels releases on bcb tec and of course circus records, he has made many a fan, including the likes of richie hawtin, ricardo villalobos and magda. hope you enjoy!

coyote deliver a standalone ep for clandestino s second release with the brooding, acidic fight the future and summery live jam engineered garments. fight the future caters for a ride through the club. tweaking 303s and bells weave their way round a dynamic 808 rhythm track while the dubbed out fx and melancholic spacey keys reign in the tension, eventually swelling and breaking over a subtle voice pad.

in search of the perfect piece of veal to create yet another variation of the schnitzel, we ve sent out a team to new york and followed up on a lead regarding taking us all the way to the vibe alleys of kingston, jamaica. the results are just as confusing as they are satisfying, since it turns out that heat, tranquillity as well as endless traffic jams are all factors accountable for a nice and tender slice of deliciousness. the island s variation of up tempo deep tissue massages, as opposed to the confusingly more laidback style of the new york method both make for a great preparation, and are now served on both sides of this schnitzel before you. as always vinyl only and limited to a number that will most likely serve most of you, but probably not all of you.

voyeur aka benson herbert and leo picking, are the young pair that broke through back in february 2012 with a remix of bombay bicycle club. soon after kerri chandler invited them to release on his madhouse and madtech imprints. before long the uk duo were sharing booths with the likes of frankie knuckles, masters at work, dennis ferrer and cassy. i album sampler is a limited ep of the more dancefloor friendly tracks which kicks off with the captivating production lost in paris . the a2 sees long beach island feat. kerri chandler with rippling drums and numerous mesmerising nuances merged together. on the flip patron saint generates a low-slung groove from start to finish, that features label head honcho kerri chandler. last but not least sees the tribal percussion and soaring synths of nina

after a few years spent in quiet reflection during his introduction to the wonders of fatherhood, in relationen emerges as both a refined and mature comeback, as well as a distinct new beginning for the long-time berlin producer. the pensive character, delicate emotional undertones, and careful lines drawn with precise tension across restrained arrangements may sound familiar to fans of his earlier work, but there is now a greater sense of calm, an openness that rewards listeners both on and off the dance-floor. as contemplative as it may be, in relationen still rocks, particularly on the title track, where a frontal psychedelic guitar line gently weeps across a haunting, hypnotic field of rhythm. the krautrock influence runs deep, not in a superficial way but in the depths of the music: atop the rolling, pastoral grooves, the vibe of a bright german mind reorganizing itself to a new framework, re-aligning to a fresh phase of life, finding deeper communion with the world through the discovered balance of inner peace

it would be fair to say that hypercolour, the uk label founded by alex jones and jamie russell, have come a long way since the label�s inception 10 years ago.
from humble beginnings, to a roster of artists spanning across continents, genres, styles, and sounds, the label curates a very special 16 track compilation album to celebrate ten years of operation, and to capture the essence of the label�s ethos and energies that have been at the forefront of the label�s output in recent times.
the triple vinyl release includes a download code.

ltd ed. 200 units first release for the newborn black angus rough, sublabel of the cult black angus records. dj soch undertakes a new journey to the deepest roots of house music through his estabished personal vision. the ep is the perfect fusion of jersey sounds and warmer italo house.

2016 repress !! fresh three-tracker, certainly moomin-style. well-tested and approved on the road within his live- and dj-sets around the world, now ready for the world.
fuck reality!

2016 repress - following on almost 5 years after their first release *journey to the centre of the sun* on esp institute. 2 big excursions from a couple of very well respected heads. featuring the label�s very own tako reyenga (red light records, music from memory) and jonny nash (melody as truth, land of light) these two tracks were cut from a weekend of sprawling space-jams recorded in jonny�s north london home in 2012 and until recently were thought to be lost.

strictly rhythm is back on track after a summer hiatus with a double header from one of the most exciting producers in house music right now: the uks josh butler. what is real? and innocence showcase butlers talent at blending his love of classic house with fresh flavours cut for todays dancefloors.

damiano von erckert and his new dve records imprint. remix by the egyptian lover.

once again its on. after a brief hiatus secret society return on their brand new label. since their very first release, our society support has been building for the deep house outfit from nyc. the debut ep on their label is heavily influenced by the deep, dubby house sounds of new york, chicago and detroit.

darren roach is supreme master of his own unique electronic house fusion as he weaves his virtuosity into his forth-coming ep vinyl only pressing �ionian�, due to be proudly released by the end of october on giant records. this technically deluxe record presents an a-side original mix, written and produced by darren, along with double remix b-sides from �echo of glory� and �funton� who both offer additional production to this sonically vibrant pressing. darren�s depth of creative flair and technical finesse is wildly evident within the tracks purposeful deep, elevated groove. the composition holds an intricate dynamic depth to its pulsating core root and draws upon a clean-cut stimulating atmospheric clarity within the concise use of synthesizer. melodic bursts intertwine and flourish in a rich and vibrant way amongst an array of intricate atmospheric key parts and crowd stomping purposeful beats. a wholly elevating sonic vibration that will have you instantaneously elevated and unified on the dance floor under the one truly vibrant positive spell.

the extraordinary prolongation of sound jerked polly�s pretty head away from her work at the calibration machine. today�s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she�d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician�s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he�d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

josh praus has been involved in san francisco�s bay area scene for the last two decades. a prolific collector and player of records, what we tellin� them marks his first public outing as a producer. as debuts go, it�s pretty darn impressive.
praus has been working hard in the studio over the last three years, creating tracks that draw influence from a wide range of styles and artists. he cites �downtempo, disco, house, italo and techno� as major inspirations, and listeners may hear elements from all of these disparate styles on this assured, confident ep.

bradley met duke hugh in amsterdam, when he handed him a green usb stick after a show. he played the promos in the empty club and the first track immediately grabbed his attention - he knew it was something special. when he remembered the hook to green leaf the next morning he signed the release almost instantly. each song has its own essence, there is absolutely no filler and the entire double pack sits together as a perfect whole. flirting with aspects of broken beat, jazz, hip hop and dreamy electronica - duke hugh winds together a most idiosyncratic release equally at home on the peak time dancefloor as it would be for a long road trip. canvas is a big statement from an artist who s here to stay.

expanding on their psychedelic-soul sound, the 11th sky continues the surreal storytelling of last years aeons ep, which also featured kimbra and deva mahal on vocals. the brand new album is described as david lynch meets motown by frontman and producer mara tk, and indeed, a sense of the otherworldly is present here within ewh s layered electronic production and maras soaring vocals. tracks like go slow walk into the genre-fog amongst drum machines and synthesizers. meanwhile i light a candle with it s piano, chopped vocal samples, towering strings and 808s strikes right at the heart of soul music. electric wire hustle s last album love can prevail found support from the new york times, bbc radio and wax poetics, and won best electronic album at the new zealand music awards, continuing a track record of critical acclaim that started with their debut self-titled album. the 11th sky is due out on september 30th on lp, cd

patrick wade, better known as dead horse beats is a producer, singer and multi-instrumentalist living in montreal, canada. since the release of his first album in 2011, wade has garnered attention for his unique brand of hazy, rhythmic, soul-styled creations, and energetic live spectacles featuring a slough of live instrumentation, electronics and guest performers. after the release 2015 s acclaimed single people lp and a brief stint with london s black butter records, dhb partnered with brooklyn based bastard jazz recordings for his premiere vinyl pressing - the fall 2016 release of bad hopes ep. bad hopes is the culmination of a new, fully realized sonic direction for dead horse beats, inspired by the sounds of the montreal scene in which dhb is embedded, equal parts glittering r&b, and undeniable deep house inspired soundscapes, fusing fully on bad hopes, alongside friends and collaborators frase (vocals on she said) and jason simpkin (additional production and instrumentation throughout) dhb blends his voice and lyrics with bassy grooves, lush synths and sharp, angular percussion into a cohesive, rolling soundscape.

on the follow up to their 2015 ep �dumela 113�, we reintroduce hyperdub producer okzharp and manthe ribane, an artist, dancer and model from johannesburg who has worked and toured with die antwood amongst other creative work.
written and recorded in london, over two weeks this january, �tell your vision� is a call and response between manthe�s vocals and okzharp�s production. both bring their unique energies to the mix, manifesting in a raw confidence of new moods and temperatures that were brought out from their first taste of touring and living on autopilot.

london-based producer, visual artist and nts radio host kit grill has announced a new 5-track ep, titled westway. the ep will be available digitally along with a limited run of 200 vinyl copies designed by alex sullivan, with cover photography by grill and an accompanying video by london director laurie lynch. westway draws on grill�s personal experiences of living in a cityscape and echoes the industrial, fast-paced and repetitive rhythm of his home city, london. the ep was recorded over the course of several months from early 2015 to february of this year, the propulsive beats and driving, shimmering synthwork across tracks like �distance� and �street runner� inspired by and echoing the brutalist beauty of the capital, culminating in the euphoric, widescreen string flourishes of closing track �stairway�.

zefzeed was chosen to be the first artist to release at arria, certifying his multi-dimensional artistic vision. porto deporta takes over side a with a deep bass motif propelling forward � everything clicks into place, making this piece a high definition 3d madness. soy sausage continues the journey with a stylish swagger and an irresistible groove, dotted with a chamber of indecipherable voice delays, while bright synths float across the driving beat. side b is spinning koo, a track that combines functionality with musical playfulness, tumbling percussion and clouds of textures, while drawing on the kinetic energy. though his tunes are aimed squarely at clubs, they�re detailed, spacious and hypnotic too, a rare blend that make arria-001 a slick dancefloor machine.

supported by oscar mulero, jonas kopp, the advent, zadig, blawan, pfirter. the fifth release on dimi angelis angls label is here, featuring four original tracks. opener eye of the storm v1 is all about its hook. powerful yet playful, its loopy nature masks raw, driving techno hiding underneath. a foundation that is also very much present in electric tree. the second banger on this side of the ep almost sounds like analog equipment in conversation with itself. trippy, moving and constantly changing. on the flipside, speed boarding is growling lead synth propels the track forward, opening up and showing a glimpse of its contained grit every now and then. closing down the four-tracker, eye of the storm v2 trades some of the raw feel of its a-side counterpart for a more introvert, subtle vibe, making it.

being heavily championed by the likes of a:rpia:r, cezar, priku and barac, it is now the time to share these precious cuts with everyone. after critically acclaimed debut albums, ada kaleh (dene descris lp) and sepp (timpuriu lp) dive even deeper into rhythm and sound with personal interpretations of an outstanding late night chicago gem from minus & ion, originally released on the models adult central, a close friend and collaborator. crafting pieces of the the original sounds, on the a side ada kaleh delivers an introspective, minimalistic version of the original, while the b side takes us on a darker, ever evolving journey, courtesy of sepp. bucharest based photographer felicia simion masterfully captures the natural and organic soundscapes with a wonderful visual interpretation.

it started with the idea and a few tracks and it ended with this megalomaniac looking package. one of the finest compilations we put together ever, touching every corner of today�s clubmusic we love! - kristian

dancefloor munitions aplenty with this release from rlsd. 4 great tracks with plenty of potential. rlsd 001 finally drops, featuring original tracks by doug cooney, pgj and jonathan k, along with a lee holman remix. in long established tradition, the first outing by dublin based techno label rlsd records has indeed been a labour of love. with small quantities already in all city records, it�s firing on all cylinders and has been well worth the wait.

between the vast flatlands of western ukraine and the pacific shores of vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. initially free from the weekend routines of the established club circuit, producers from etapp kyle to stanislav tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90�s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that�s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

mono junk�s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. �vector plant� is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut �almost there� is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk�s turn to dive into the vaults with an unreleased track from 2005. �feeling or destroy� is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, �our unreleased track here was made after the new york city survivors � static light cd 2002� and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

vinyl only , the inaugural release comes from sandro kuhne, resident and owner of sbz and sbr, he provides two cuts for the genetic impression ep, two tech house grooves, subtle in their arrangement but powerful in the low end, effective dance floor movers. providing the remix is romanian duo livio & roby, who need little introduction and deliver a solid mix, true to their name. sunday breakfast records: sunday breakfast zurich has firmly established its name as a recognised clubbing event in the european house and techno scene, over the past years it has steadily built up its brand around a strong sound with quality line ups and a resident roster of exceptional home grown talent, that continues to raise the bar with each of its unique events. sunday breakfast records is an extension of this by where its resident artists are put forward to showcase the sbz sound that has become synonymous with their parties. each release will carry the signature sound from a member of the roster as well as from some of the regular guest djs who have played with the party label over the years.

after releasing on george fitzgerald s manmakemusic label and hosting parties featuring djs such as avalon emerson, breach, christian loffler, dauwd, frits wentink, locked groove, tom demac and xxxy, asa 808 and his toys friends are dropping the first 12 inch on their own label. this young club collective is all about bringing friends of forward-thinking electronic music together and supporting young boundary-pushing electronic artists. on their first vinyl release, the classically trained musician and producer asa 808 (aka hasta la otra mexico!) delivers three heavy, melodic and ominous techno cuts.

cocytus, meaning -the river of wailing�, is a river in the underworld in greek mythology. it flows into the river acheron, across which is the underworld, the mythological abode of the dead. dante describes cocytus in inferno as being the home of traitors and those who committed acts of complex fraud. the river of wailing is divided into four arms: antenora, after antenor from the iliad, traitors to country. judecca, after judas iscariot, traitors to masters and benefactors. caina, after the biblical cain, traitors to blood relatives. ptolomea, after ptolemy, governor of jericho, who murdered his guests (1 maccabees), traitors to guests. based on these assumptions cot labelhead hours crafted three pensive tracks, one of which was reinterpreted by brian sanhaji.

with many new roads traveled over the last few years, the gaslamp killer is back with the full-length lp instrumentalepathy. glk will initiate his new imprint cuss records with instrumentalepathy. french surrealism artist albane simon designed the cover, supplying an array of psychedelic imagery that contains a brilliant sense of connection to glk�s music & the chaos he�s survived. instrumentalepathy features an impressive cast of artists tied closely to glk over his music career with brainfeeder, low end theory and beyond. guests include gonjasufi, miguel atwood ferguson, niki randa, kid moxie, mophono, amir yaghmai and the heliocentrics. it�s been over a decade since glk and gonjasufi have collaborated on new music, bringing the two natives of san diego back together for something truly special.

former descent is the free spirited project by the mastermind behind neurobit and rioteer� with this project he blends in a very successful way minimalism and lo-fi electronics with tough rhythms� these rhythm based tracks take its cue from old school ebm and new beat� this while the melodic elements give the tracks just the right touches to draw you deeper into them� harsh and playful and light and dark never went so well together before� resulting in pure rave anthems!
limited 200 copies.