2015 has been the year that moon harbour turned 15, but rather than focus on the past, matthias tanzmann s label has continued to serve up fresh future sounds. the next artist to do so is lewis boardman, a long time uk talent who has released on a clutch of fine labels in his time.

excellent deep minimal groovin & hypnotic tracks, for those who knows

sako who already released some great eps for houseworx now debuting on housewax!

with a career stretching back to 1998, via releases on dance mania, juke trax, blank mind, and planet mu, everyone should know dj clent by now. crosstalk actually unleashed his first internationally distributed tracks via dj slugo’s subterranean playhouse label, and we are excited to have acquired the rights to distribute all the beatdown house releases, worldwide. dj roc aka the crack capone is another artist who’s first international releases were disseminated via our digital program, we also distributed various juke city mix cds. his break came via his album on planet mu, and has also had a recent ep via duck n’ cover. dj t-rell & c-bit are relatively unknown, internationally, but have been active on the chicago scene for at least a decade. you’ll find their tracks on local mix cds by slugo, deeon, and clent, among others.

hidden recordings delivers another unique sounding and memorable four-track vinyl. yuuki sakai’s “ran tan” ep is unlimited in distinctive sounds, energy and vibe. these tracks are rare, like no other combining experimental design with controlled and well-thought out drumming. test your limits, teetering on the edge of madness as you try to decipher the dancefloor etiquette for each of these! complimenting the release is a rare and wonderfully percussive-full remix from the undeniable a mochi. a well established and respected techno vet who’s been deep in the tokyo underground for over a decade.

first ep from kw s new label named another one. supported by dicky trisco, max essa, kza, beaten space probe and more djs who love dance music.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material. from heart to techno, picottos ninth studio album features a number of collaborations with regular partners in crime riccardo ferri and devid, who both throw in extra measures of italian flair to the mix

support from carl craig, dj hell, karotte, joris voorn....
glasgows darkroom dubs continue on form and add to a gleaming 12-year-old catalogue with another addition to their limited vinyl series courtesy of long-term label friends, of norway who make a welcome return.

once again the dutchman from the north boris bunnik (who actually resides in rotterdam now, but that aside) is showcasing his magic fingers, this time on shipwrec s deep techno offshoot deep sound channel. hinterland is a topnotch ice-cold but heartwarming submarine electro/techno album with distant hints of idm, in other words the perfect soundtrack for the long midwinter nights to come.

behind is an expansive collection for hackford, who draws from experimental, process-oriented composition techniques to create sensorially engaging dance music. an ethos of presence, enrichment and dissociation pervades behind - by stripping away the constructed-ness of so much dance music, hackford allows himself to produce music that is as much a joy to create as it is to share. an ambassador of -ecstatic states- as he calls them, hackford s music suggests heightened temporal zones may be ubiquitous if you allow them to be. behind is a proposition of such ecstatic states, its music pulsing vitally at opposite ends of the bpm spectrum. distinctly unmotivated by polemic dialogues around dance music, behind seeks a more soluble musical space for unmitigated engagement. it is music inspired by transitions, no less vital before sunset as it is after the curtain call.

london based dj/producer pawsa is an artist on the rise who has already impressed with releases for lost records and green velvet s legendary cajual imprint. today he makes his mood debut with the flux ep, a trio of tracks, each underpinned by strong throbbing beats and mysterious basslines.

driven by analog machines, and with the italian artist s typically dark and gritty stamp on it, the ep is a masterclass in functional, club-focused minimalism, splatterings of acid run wild atop drum-machine rhythms and coarse, swirling pads. idga s two originals, -no pictures- and -no glitter,- land backed by a remix from lucretio of the analog cops, who twists the deep textures of -no glitter- into a slamming slab of raw analog house.

sampler of nyc house legends finest works from king street sounds. 4 of the finest deep cuts from the legendary duo who have worked with 4th floor, henry street and nervous records.

this music wont disappoint anyone who still looks to techno as the music of new ideas.

here comes the heavy remix package to lake peoples much praised debut album purposely uncertain field. with redshape, lawrence and map.ache three remixes were carefully chosen who would be able to bring their own distinctive sound to the table, but also treat the original tracks respectfully. redshape catapults -illuminated- into the orbit of the red planet, where it rotates in a trippy and hypnotic way. lawrence is drifting red but stays closer to the sun. the dial boss keeps things lighter and brings some bells and a steady bass drum to dinner and knows how to mesmerise. leipzig buddy and kann records co-founder map.ache shifts up a gear with his remix for cooping. twisted vocals and a bouncy bassline make his remix a darling on the club floor and rounds things consistently up.

mana all nite is another imprint of dj duo manamana. next to their artist focused label kann they are going to establish a new vinyl platform. mana#2 comes from leipzig based perm and new orleans located spirituals - two pretty outstanding producers, who serve three different hypnotic vodoo-house bangers. read the not included package insert: best use to energize the dance floor!

a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

this is the first record on slow motion’s sister label, wrong era. wrong era takes the name from our monthly berlin party and has a focus on international artists who are dealing in all things electronic and discoid. the first release comes courtesy of kruton aka milo smee (bintus, power vacuum), who brings four tracks of mechanical funk and tweaking disco. included in the package is his remix of friction by gold blood, a track that has long been a secret weapon for a few select dj’s. there are also three brand new original tracks of heavy ebm jams that are guaranteed to keep dance floors moving all night long. wrong era arrives in a physical format with a bang!

who said that there is no techno in bavaria? not only the bavarian based label itself as a kind of lighthouse for the more energetic sounds deep in the bavarian heart is a proof, also the young and crazy dirty basscore is emerging from there with his very own, unique, freaked out, crazy, uncomprimising style. compared to his outlets so far this one might not be the craziest and freaked out stuff he did, but for sure this is a massive debut and introduction of his trademark and unlimited talent here on credo. perfectly timed and playable tunes with only one goal: working on the dancefloor! and as this wouldnt be enough we even top it with an excellent repaint by another bavarian techno-stallion. klaudia gawlas, who probably doesn t need any introduction, delivered a superb interpretation of the titletrack.

dogamtik deliver a quality ep from detroit s monty luke, who gives us three killer tracks in a moodyman/theo vein. tip!

“transmisiones atlanticas” written and produced by tensal aka hector sandoval, who is half of exium. this is a proper look on producers solo material mainly focusing on strong sequencer based hypnotic driving techno that would easily be in the same box as music produced by regis and sleeparchive. modularz is very satisfied with the results of this massive 8 track release sold separately on two vinyls. there is incredible a list dj support on this release, highly recommended.

* transmisiones atlanticas* written and produced by tensal aka hector sandoval, who is half of exium. this is a proper look on producers solo material mainly focusing on strong sequencer based hypnotic driving techno that would easily be in the same box as music produced by regis and sleeparchive. modularz is very satisfied with the results of this massive 8 track release sold separately on two vinyls. there is incredible a list dj support on this release, highly recommended.

schuko ep is the second release from the lyon (france) based label aiia recordings, which without surprise is still speaking about techno. the release is signed by the german duo schutzkontakt, with one member from dualit, who uses violent and reverbering kicks on konter and latenz, completed by a deep and sweet melody on frage, whether by different layers of indus samples. the most relevant feeling by listening this four-track ep is that it brings you between hard and soft moments, but still in a mighty state of mind, thanks to the intensity put by schutzkontakt in schuko ep. even if everything slacken when zyllinder comes with its more groovy and acid rhythms after the two precedent techno-indus tracks.

tom middleton and mark pritchards 76:14 is one of the 90s most acclaimed electronic albums, while a cast of aliases (reload, jedi knights and more) also orbited the project. their last record came out in 1997, and although there was a live reunion in 2010, the new material we were promised is yet to emerge. pritchards nowhere to be seen on this remix of duskys skin deep (its middleton flying solo), but its still an occasion. according to dusky, we knew we wanted someone special and we knew we wanted someone who would get to the heart of the melodies and textures in the breakdown. tom has totally delivered, creating something that draws on the heritage of the ambient sound, but also feels current and modern.

harry j galt als einer der wichtigsten produzenten jamaikas, betätigte sich aber auch selbst als musiker. mit seinen allstars genannten studiomusikern brachte er drei instrumental-alben heraus. das debüt gibt es jetzt als re-release auf vinyl in 180g. *liquidator* erschien 1969 und wurde vor allem in großbritannien ein großer erfolg. der titeltrack zählt zu den wichtigsten songs der damals entstehenden skinhead-kultur und schaffte es auf platz 9 der uk singles charts. weitere highlights auf *liquidator* sind die rocksteady/reggae-versionen des beatles-songs *dont let me down* und des bardot/gainsbourg-duetts *je t aime*. in seinem harry j studio nahmen u.a. bob marley & the wailers auf. dort empfing harry auch musikgrößen wie die rolling stones, the who oder grace jones.

glasgow youngster steven simpson may only have just finished his a-levels, but he is the first new talent to be plucked for this london imprints homage to vintage house, acid and breakbeat. 1Ø pills mate is a home for wary stragglers in the rave. riding 303 bass-lines into the mid-afternoon and steadily sinking into a hammock in a field come the next dusk. heavy come-downs and even heavier drum-jams. this is one for the true believers, the baggy white tee crew and everyone who s ever gotten lost in a dark, sweaty basement.

this month sees the launch of newly formed label rm records. rmr has been put together by dj and production trio longplay who say that the label will serve not only as a platform for their own productions, but alex agore / james dexter / longplay / m.a.x & lloyd rmr001 also to showcase up and coming talent along with established acts from around the world. the excellent first release features tracks from longplay, m.a.x. & lloyd, james dexter and the mysterious figure that is alex agore.

180g vinyl, fullcover, shrinked. after serving the past decade with numerous collaborations on some of the most recognised and respected labels, marco faraone new imprint >uncage< has finally set forth. with the partnership of his berlin-based friend norman methner, uncage strives for free musical expression and desire for artistic and musical expression, the search for established artists already on the scene and new upcoming talents, ready and willing to share this new project with the world. marco faraone debuts on uncage with his single >rotaryknobs<, remixed by two very prestigious international producers radio slave and markus suckut, artists who have given support to the project from the beginning. this label has set itself many new goals for the future. keep your ears open and get involved with the flow.

more vinyl-only dopeness from colonel wrong face and the just jack crew. serving up the heat this time is berlin based producer rydim, a man who’s been stirring up dance floors and releasing records for over a decade now, both as a solo artist and also collaborating with 2 friends under a very popular, super hush-hush pseudonym (it’s a secret yeah, so we ain’t telling you nuffing!). detroit’s jared wilson brings home the bacon on remix duties, turning out a deep acid sleaze-fest for the discerning earlobe. pack your wellies cause that 303 shit is squelchy.

this record won the famous 2015 french prize grand prix charles cros. pierre arditi, famous french actor, reads * histoire d une jeunesse (story of my youth)* by elias cantti (who won nobel prize of literature), with musical background by eric slabiak.

after a short break, 200 records is back with sebastian habbens solo debut >inner city<. habben, based in cologne, is one half of the producer and dj duo raucherecke who have released three eps on our label so far. lately, sebastian has concentrated on his own label >im in love< and his solo career. quite recently he released his tracks >nebel< on chilean imprint drumma records.

with his third release of the bella avgvsta series, daniel bortz shows that augsburg offers more then its famous puppet theater. the opener don’t forget your sword provides crystal clear techno, discreetly interrupted by accented fades of an exotic theme. with rolling dub sequences, decent recurring swishes and a peacefull breaks jump in the water describes the impression to dive into the humid element. lonely soldier then provides more power again. the basic theme which is dominated by a minor tone displays an inner unrest created by the unknown that is daily lurking out there for us. the beautiful deep dub-track hide from the sun finally plays with the change of shimmering heat and chilly shadow. who does not know the feeling on a hot open-air-afternoon to take an occasional time-out from the merciless burning sun. overall this is the most personal and deeply emotional release and as we think a worthy highlight and conclusion for the bella avgvsta series.

we are extremely delighted to announce the highly awaited new release of peter makto & gregory s latest ep. an amazing piece of work filled with cool atmospheric sounds that paths the future of deep house tech music. support ep by marco carola, carl cox, maceo plex, todd terry, josh wink ...

homegrown label is back with their third release the plan ep, from hungarian producer reelow. reelow delivers three solid bangers with groovy basslines, raw drums & energetic effects which expresses his versatility as an artist but continuously staying true to his sound. we also welcome well known chilean / ibiza resident francisco allendes and rising italian duo just a mood who bring us quality remixes to complete the release

finally after 3 years season 1 comes to an end. the birth of concept that has led to the evolution of who we are today. we’ve had the pleasure of working with some incredibly talented artists that have been an inspiration to us helping us shape and form a part of our identity. that is because several reasons is not just about the music, it is about the experience, the exploration, the collaboration, the up times and the down times, the good times and the better times, for the journey… closing off the first season made no other sense than to seal it with a special collaboration from the owners of several reasons, dubit & mynude. an ep that that truly provokes and challenges boundaries of the stereotypical label of “music”. covering all aspects of ambient, atmospheric and experimental types of sounds, the release really an experiment of psychoacoustics.

bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

nutabe still traveling between sounds we like. dijon triathlon is the solo project of jose santamaria, who for the second reference of discos nutabe brings with him the synthetic and diminutive of house music. pandemia its an ep that returns to the early and mid-2000s, when the microhouse takes the worlds dance floor. three beautifully produced sound and impeccable cuts, where each element has a meticulous preparation and a single order. simple sounds that fill a full dijon triathlon style.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

who plays guitar during a drummachine jam? what for? gay funk straight from warsaw, deviant jandek house. first heroinys lp (piotr kureks fresh project) on a new label run by lutto lento and filip lech. well, dunno.

after a huge success with the first release by dj aaekmael, we signed another crazy good release. the man who is everywhere at the moment luvless. with releases on tsuba, sleazy beats, rose records, razer n tape, diggin disco deep and much more, this guy can t be stopped. sometimes slow mo deep house, with a fantastic vocal, and a piano that will make your heart melt. on the flip side, we asked the productive desos to make a remix, and he did that very well, he added a little more basement vibe to it, just ready for the clubs. vinyl only release.

groove line records are proud to add to their 2015 releases of half-speed mastered re-issue singles with both the extended special disco version and instrumental version of earth wind & fire s 1976 funk bomb getaway gracing each side of a 180g 12” virgin vinyl disc. looking to gain on his groups critical and commercial success from the early 1970s ew&f s main man maurice white brought in the legendary charles stepney, who had tutored him at chicago s chess records in the 1960s, as the co-producer and arranger on their incredible 1976 album spirit, which opened up with the formidable funk track getaway. co-written by guitarist, vocalist and songwriter bernard “beloyd” taylor (s.o.u.l.) and songwriter peter corbelenky around the theme of escapism and self-fulfilment, the primal urgency of getaway was the ideal composition for white to record with ew&f. white felt the song s energy and positive, uplifting lyrics matched the attitude and ethos of his group perfectly. as a result ew&f created a funk gem both musically and lyrically perfect for the dance floor.

sean pierce debuts on mannequin records with an intense dark / techno modular synth 6 tracks ep. currently operating out of portland, oregon, sean is one half of asss, who put out two acclaimed singles on mannequin records parent label haunted air records. check the monster dance floor slasher ‘immodest force. tip!

matt edwards (radio slave) returns to his rekids label under the guise of b.a.d.s (berlin amateur dramatics society) - a new project cooked up with spencer parker and francesco de nittis aka mr ties, in order to release this track he made especially for an appearance at de nittis homopatik party at berlin s about blank last year. since debuting the track it has gone on to become not only an anthem for the part itself (the a capella has become a regular a favourite mr ties opener for homopatik sets), but a goto crowdpleaser for the handful djs such as nina kraviz who have drawn for its infections energy over the past year. imbued with the with all the infamous mischief of homopatik and the historical clubbing lineage the party is rooted within within, hous-o-matik hom-o-patik does everything you would expect it to: it gets the party started. b.a.d.s will return later in the year with spencer parker and mr ties own versions of the track

nach siebenjähriger präsenz in der dubstep-szene mit unzähligen maxis, kollabos (steve aoki, childish gambino, dillon francis) und remixes (skrillex, m.i.a., dj fresh) liefert flux pavilion nun mit *tesla* sein lang erwartetes debütalbum ab, auf dem er seine scheinbar grenzenlose vielseitigkeit und rohe positivität in dreizehn tracks manifestiert. unter den zahlreichen features befinden sich bekannte szenenamen wie tom cane, matthew koma und bully songs, sowie die hip hop-pioniere soulsonic force (!). das blaue 180 gramm doppel-vinyl erscheint im klappcover.

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut ‘pop culture

its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of house history, but thats just what joris voorn, kink, phil weeks and ambivalent have done with their fresh versions of dj dozias ovum debut pop culture.

its time for an overdue reunion as a long time friend makes a return to the upon.you family with a new vinyl exclusive single these days. and of course were talking about the belgium-born sammy goossens, better known as sierra sam to all lovers of quality techhouse beyond, who is about to release his remember me 12 on our vinyl only offshoot uyx series in fall 2k15.

dissonant is proud to welcome daniel stefanik who had delivered a string of modern, refined production with essential albums and singles, throughout his career. on this release, aftermath ep, he offers up two tracks that strike a perfect note between cerebral intrigue and instinctive deep house groove, channeled into an unforgettable and timeless quality. it might drizzle until september, is a truly heartfelt piece throughout its keynotes and dubby gestures. the combination of subtle rhythmic elements and strong, ever-developing melodies is the perfect example of the passion and power that can be worked into house and techno. a stronger beat punches through on jolly green giant but the soothing, sensual synth lines remain giving space for dubby effects and delicate details to feed into the mix.

• more of magnetic souls expert disco dub treatment !
• hand stamped white label - very limited
• support from: rahaan, mark 7, ltj, vinyl addicted, copycat, yam who, 80s child, beaten space probe, jay ru & sad ghost…
essential 4 track ep of deep disco and summer soul, boogie house and steady groovin’ funk edits. all tracks are given magnetic soul’s expert disco dub treatment focusing on grooves, added presence and beefed up bottom end for a solid dance floor feel.