fresh and exclusive from butchs watergate mix is a massive cut with his partner in crime, hohberg titled the spirit. add a remix from the swiss duo adriatique and a tune from butch flying solo and you have songs about unconsciousness.

former padded cell and bronx dogs man richard sen has made some great records in his time, and songs of pressure is up there with the best of them. joining the dots between murky dub disco, horror soundtracks and ebm, it layers spooky, delay-laden synthesizer motifs and wonky vocal samples atop a heavy dub rhythm and punchy machine drums. pals andrew weatherall and timothy j fairplay deliver a bongo-laden, dubbed-out revision (part wayward exotica, part humid balearic dub), while acca strips the track down to its nare bones for a ket-addled dub. its a fantastic 12inch, and limited to just 99 copies. you snooze, you lose.

the second album by tears for fears, originally released in 1985, back on 180 gram heavyweight vinyl incl shout !

songs from the disney movie *frozen* on 12 inch picture vinyl.

13th studio album now available on white double vinyl

the album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.

2014 remastered version of this carl craig classic on planet e.

king champion sounds deliver a blistering 10 inch album with free cd (incl. 2 bonus tracks) inside that combines a hypnotic krautedelic / dub / minimalist / electronica tunes with a sugarshit sharp wordsmith in his element. g.w.sok (former lyricist / singer for the ex) has never been in better form. the band, led by ajay saggar, close ranks hard to deliver the tightest and most exciting palette of music you will hear all year. they combine the grit and grind of the best of post rock underground with the swinging horns of africa in an astonishing whole.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

emotional rescue is delighted to announce bringing together two classic suicide songs reinterpreted by avant-garde pop auteur angel corpus christi. recorded as part of angel s personal take on the downtown nyc scene, this release brings her cover versions of this cult band on one dedicated release for the first time. singer, songwriter and accordionist, angel corpus christi has carved out a niche all her own, releasing 5 albums and numerous singles that hightlight her oft-nonchalant musings over off kilter production and a post-punk-pop aesthetic

maricopa returns to back to the balearics to complete his stunning opus, pastel love. and he continues where he left off building deeply textured songs packed full of simple melodies that really shine. his music opts for subtle feelings and passing vibes over the more obvious structures of dance music. the release of part one led to a number of comparisons with the early work of aphex twin as well as more contemporary producers such as four tet. such comparisons dont come lightly, but pastel love demonstrates that a rare musical talent has arrived. the release again has beautiful printed covers and looks as good as it sounds. viva maricopa!

valcrond video presents the next work by sound and image artist luke wyatt, songs from bad kid school

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

nice price deal !!! part 2 of this very special series by swayzak. after the magnificent success of part 1 swayzaks david brown is back with another 2 tracker which shows why he is still the brilliant master craftman of pure deepness and previously unattainable quality.

2 tunes with more than 25 minutes playtime.
inside out cut. rare.
180 gramm vinyl.
shrink-wraped.
all songs are written and produced by david brown.

once upon a time…in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form.
tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

hot on the heels of the release of neville watsons songs to elevate pure hearts album, crme organization releases a three track ep of remixes from the longplayer. drawing on diverse names, each of the remixers transforms their given track into something quite different from the original. the first is by watsons frequent collaborator, bulgarian producer and live specialist kink. he tackles songs to elevate pure hearts and laces it up with some lazy old rave breakbeats and plenty of lucid synth and melody pattern before fast rising dixon avenue basement jams associate marquis hawkes takes on against the tide . he imbues it with what is fast become a trademark sonic weirdness, with wrought iron synth bars interlocking with molten synth lines and a slow, purposeful and predatory mood. finally, american moon b turns in a trippy outsider house version of son of house with off kilter claps, see-sawing synths and organic drums.

mit der love it ep von turm 3 schmeißt das neue label von der ostseeküste boje records seine erste boje ins wasser und bringt die ep des bevorstehenden sommers heraus! mit dem track love it, like it beweisen turm 3 ihre liebe für gemeinsames feiern in engen, vollen & rauchigen clubs. unterstützt werden sie dabei von ihrer vocalliebe inga traub. mit dem zweiten track der ep what is this life for schlagen turm 3 bedächtigere töne an. passend zum start der festivalsaison liefern nico pusch, sebastian boldt, phoenix cruze und olectronic fantastische remixe der beiden songs ab, die auf den openairs dieses sommers und in vielen clubs ihre neue heimat finden werden.
played & supported by: thomas schumacher, slam, nico pusch, bebetta, mojiito, the micronauts, nudisco, marcapasos ...

swayzak!! after a long, long break the real swayzak sound is back on 3rd wave music with a holy masterpiece and lesson in deep and dubby techno music. everyones sound of todays bub or deep vibes is called >sounds like swayzak< but this one is swayzak. raw, floating and never ending adventures of pure andvbeautiful electronic soundscapes and feelings combined with a straight groove. this release has a unique inside out cut! means the needle runs from the inner side of the vinyl to the outer side! 2 tunes with almost 20 minutes playtime on 180 gramm vinyl. all songs are written and produced by david brown. shrink-wraped. rare!

limited edition release on coloured 180 gram vinyl, including cd-copy of the full album.

two inch punch is from west london. he describes himself as a frustrated soul / rnb singer, with an ear for harmony, melody & a love for dub, rap and soul. inspired heavily by beatles short love-songs, sam cookes heartfelt melodies and donny hathaways incredible vocal tones. this is an incredible debut from someone destined for big things. you heard it here first

recent songs is the sixth studio album by leonard cohen, released in 1979. it was a return to cohens acoustic folk music after the phil spector experimentation of death of a ladies man, (movlp476) but now with many jazz and oriental influences.
pressing on 180 gram audiophile vinyl.

auf dem zweitling >death dreams< beglücken uns die kanadischen alternative-rocker ps i love you wieder mit ihrem grungy garagerock, für den sie für ihr debütalbum >meet me at the muster station< (2011) den polaris music prize einheimsen konnten. 11 neue songs, produziert von matt rogalsky. die lp erscheint auf weissem vinyl, inklusive cd-beilage.

limited stock! brand new track from percussions - more deep vibes on mr hebdens label - great stuff!

lost blues & other songs was the first compilation oldham released. the collection rounds up many of the palace singles and b sides long with some unreleased recordings.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

nice price deal !!! after putting out three synthesizer-free albums, the magnetic fields are returning back to synths with a fresh approach: >most of the synthesizers on the record didnt exist when we were last using synthesizers,< he notes. the songs — none over three minutes long — were recorded in los angeles, san francisco and new york with merritts usual cast of collaborators: claudia gonson, sam davol, john woo, shirley simms, johny blood and daniel handler.
code for free digital download of this album included.

brooklyns lets play house keeps building momentum with its second release of 2012. this time, label heads jacques renault, nik mercer, and james friedman have teamed up with a pair of artists shrouded in mystery—the dead rose music company—to put out an ep featuring four original songs that confound definition...

the mini album hope was another change in sound, and featured arrangements by sean o hagan, then of the high llamas. featuring six songs including a cover of leonard cohens >winter lady<, oldhams voice is set in a reflective and soft-hued sound throughout.

opus 3 records are both privileged and delighted to release eric bibbs new album >blues, ballads & work songs<, a further enhancement to their association with eric which goes back to 1977 when he was in effect discovered with the success of his debut album >rainbow people<.

sie trägt das herz auf der zunge und tanzt als gebe es kein morgen: musik ist für aerea negrot nicht nur kunst, sie ist auch die luft die sie zum leben braucht. die autobiographischen songs ihres debütalbums >arabxilla< gewähren einen tiefen einblick in ihr seelenleben und vermeiden es sich einem konkreten musikalischen genre zu verschreiben. mal bildet techno, dann house und im nächsten moment elektronik das fundament für ihre augenzwinkernd ernsten lieder. als direkte referenzen nennt die venezuelanerin gern klaus nomi, yma sumac und maria callas. jenseits des gesangs gibt es nur zwei produzenten die sie über alles verehrt: titonton duvante und ricardo villalobos. letzterer steuert nun einen remix zu ihrer neusten 12inch auskopplung bei. wie immer gibt er sich bei seiner variante des tracks >miss you< minimal, bassgewaltig und episch. vierzehn minuten rhythmus aus dem bauch heraus, so wie nur er ihn arrangieren kann. auch der berliner philip bader schätzt es minimal und verwandelt den track >its lover, love in eine charmant hüpfende house-sensation, deren sonnige magie einen ganze wochenenden lang in atem halten kann. näher dran am original und nicht minder originell spielt kiki mit >its lover, love<. aereas stimme wird hier sehnsüchtig über einen houserhythmus geloopt und verhext das ohr mit einem intensiven stimmen-dschungel. würde der name witch-house nicht längst anderweitig vergeben sein, kiki dürfte als sein erfinder gelten.

combining gangsta cornrows with a classical background, alicia seamlessly blends strong melodies and hip hop beats with classic arrangements. now, ten years after release, the sound of this album hasn’t dated, like the artist that created it, it has ripened and earned a worthy place in the pantheon of pop music!
pressing on 180 gram audiophile vinyl.

das gleichnamige album des italienischen duos we love überzeugte als wahrscheinlich charmanteste liebeserklärung an das leben, die liebe und die popmusik des vergangenen jahres. mit der ep >timeless< legen sie jetzt ihre zweite bpitch control veröffentlichung mit neuen songs nach. musikalisch sucht ihr eleganter mix aus minimal-wave-pop, dezenten gitarren, new order reminiszenzen und den eindringlichen vocals seinesgleichen. die flipside gehört ganz dem dancefloor. hier finden sich zwei ebenso episch ausgedehnte wie reduziert arrangierte remixe von titeln des debütwerks. >ice lips< enthält eine schlankheitskur von tale of us, die bereits auf cocoon, barraca music und life & death veröffentlichten und u.a. einen grandiosen remix für who made who anfertigten. ein absolutes highlight ist sicher auch der troy pierce remix von >even if<. troy pierce releases auf minus gelten als klassiker des genres!

500 limited edition 180 gram vinyl double album that comes with 32 page comic novel. written and illustrated by ulrich troyer. songs for william is the first in a trilogy of experimental dub projects from ulrich troyer and deep medi musik. ulrich troyer was born in innsbruck and raised in tyrol austria, he studied architecture and music at university and now resides in vienna where he lives and works as a freelance artist and musician. ulrich has been producing music and experimenting with electronics for over 10 years on various projects that include soundtracks for movies, dance productions, exhibitions and sound installations. since 2005 ulrich has also been performing live as a member of the vegetable orchestra.songs for william sees ulrich explore his love for dub music and the experimentations of pioneers such as king tubby, sound dimension and rhythm and sound alongside the influences of mulatu, tony allen and the psychedelic sounds of selda. to accompany this release is the first part chapter of a comic novel featuring the main character william (a guitar effect pedal!) and his journey! all analogue synthesizers, effects, stompboxes, samplers, guitars, percussion and melodica played, programmed, recorded and dubbed by ulrich troyer at the 4bit studio vienna.

split ep with classic soulful us vocal house (songs of my life) and a bit modern house sound on the flip side (night train)

two inch punch is from west london. he describes himself as a frustrated soul / rnb singer, with an ear for harmony, melody & a love for dub, rap and soul. inspired heavily by beatles short love-songs, sam cookes heartfelt melodies and donny hathaways incredible vocal tones.
this is an incredible debut from someone destined for big things. you heard it here first!

original singer creetin back on vocals, their best material since >rat in a maze<!
comes on violet marbled vinyl.

fine shirt of ferry corsten with two imprints (100% cotton)

the second release on claap appeals to those who enjoy mixing long transitions and like to create moments during their dj set. sounds from the continents features two wonderfull musical collages, inspired from the favourite findings of label head gummihz in world music. loose percussion, hypnotising xylophones, guitars and singing voices take you on an introductory trip to the beautiful soundscapes of the african continent. high priest and toba lee theme also feature elements of field recordings which alex has collected throughout the years. sharpened with an extra edge for those who seek!

c-edits!! a limited series of vinyl only dj friendly versions of songs from the past and present. to kick off the series we present two wonderful edits spanning from ny breaks to house. dont miss out!!

limited whitey with feat 3 deep floating house versions of bs best songs to date....

incl alex picone remix... hypnotic groovin tech tracks