manchester native alex coulton has nurtured a reputation for creating sub-heavy rollers thanks to 12”s for the likes of black acre, livity sound and bloc. with gamma ray burst, the next in his series of releases on london low-end specialists tempa, coulton consolidates his sound to deliver some of the most sparse, rhythmic work of his career. with the record’s title track, coulton weaves from hard-hitting kicks, through to dizzying tribal polyrhythms the whole time maintaining a minimal, space driven atmosphere that remains omnipresent throughout the track’s most intense moments. ‘ground zero’ revels in its spaciousness, allowing reverb to flood into the negative space between flashes of heavyweight techno percussion and saturated ripples of synth while the pulsating kicks that underpin ‘alpha decay’ are punctuated with bleak, discordant bells, rhythmic bass hits and hypnotic filtered percussion. showing his diverse abilities, ‘phase two’ is an exercise in measured restraint, as a cacophony of clicks and hisses come together to disorientate before forming a driving rhythm section before coulton maximises his expansive elements on the fog-tinged ‘ascent’. closing with the steady flowing, brighter-hued melodic work of ‘distant resonance’, alex coulton has created a masterful collection of experimental tech-focused electronica that bewilders, intrigues and will draw the listener in with each play.

coyote deliver a standalone ep for clandestino s second release with the brooding, acidic fight the future and summery live jam engineered garments. fight the future caters for a ride through the club. tweaking 303s and bells weave their way round a dynamic 808 rhythm track while the dubbed out fx and melancholic spacey keys reign in the tension, eventually swelling and breaking over a subtle voice pad.

next up to close out a hefty year of dj-kicks releases is one daniel avery, bringing with him two exclusive new tracks and a host of techno heavy goods. the double vinyl release includes the mix-cd.

svs returns with a supremely crafted 5 track ep from munich s david goldberg. channeling early 2000s electronica and more contemporary styles, goldberg delivers a solid slice of sonic pleasure.

jongno edits is back with a second volume of edits of deep korean cuts dug out off the shelves at hwang hak dong market. again limited to 300 copies of analog mastered wax, get it while the heat last! down comes out with bells and whistles, blurring the lines between the summers of rimini and the dancehall of itaewon. its a slow burning affair calling all the heads to get down. on the flip space is the place, the uptempo cosmic belter that will send you to the sky and back. this one is a shooting star for soju infused late nights, when the neons become lasers and the dance ?oors are free from gravity

bbc records & tapes volume 13 features over 80 chilling death & horror sound effects on 180 gram blood splattered vinyl.

favorite recordings and charles maurice finally follows-up to their french disco boogie sounds compilation with a second volume!! pursuing his fine work at digging rare music from around the world, dj and collector charles maurice presents another brilliant selection of great music linked to france and french west-indies: 12 hidden and forgotten titles, all produced between 1978 and 1985, whether in france, or by french artists abroad. this time again, he perfectly browse and defines the great energy and quality of this specific disco/funk scene at that time, both in the underground market, or through bigger labels.

in celebration of palette recordings 20 year anniversary, palette releases a special re-issue of john tejadas timeless classic timebomb and the timebomb vip mix. both versions were originally released in 2001 and 2002 on daniel bells 7th city records. with permission we now for the first time have them together on the same 12inch release. remastered by stefan betke at scape mastering they now sound better than ever. both versions became instant classics, have been played over the years by the worlds top djs and have been licensed to numerous compilations. timebomb original and vip are 2 classic tejada tunes that have stood the test of time

ursprünglich 2007 erschienen, konzentriert sich das von gareth jones produzierte werk auf hymnischen synthie-pop, der in der produktion zeitweise mit modernem techno flirtet. durch andy bells stimme, die gefühlvollen soul nicht scheut, bleiben die songs aber durch die bank pop im besten sinne des begriffes.

2016 re-issue ... 2lp set , pressed on 180gr , incl mp3 download code

vanta series is the new series for killekill s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called -the end is near- and features four records. it comes with an artwork by french visual artist elzo durt. the second record is coming from kamikaze space programme, who delivers three types of tracks:&#8232, type 1 – a nervous piece of bells, percussion and bass&#8232, type 2 – a minimalistic techno night drive&#8232, type 3 – a spacious futuristic soundscape&#8232, type 3 comes with a remix by joefarr, who added some drama to the original and therewith created a proper hit for the darker hours.

drumcode continues on releasing the most cutting edge and refined techno that the label is so well known for. with releases last year from heavy hitters such as adam beyer, alan fitzpatrick, luigi madonna, jel ford, dubspeeka and mark reeve, drumcode will continue on in 2016 much in the same way - bringing club ready music to the techno community.

raw and dirty levon vincent double header... be fast to grab your copy, just 1 per customer!

reissue of a 1966 james brown classic on 180 gram vinyl with download code included.

this up and coming producer is already a legend amongst the crew of techno freaks in brooklyn. with previous releases on local imprint lovers rock, and releases slated for proibito and exotic dance under the the aliases dj python and dj xanax, dj wey aka brian pinyero has contributed a massive 12” to bank records. the a side “song for masahiro” is dedicated to masahiro ueda, a dj and friend who graced the bk scene by way of japan. it’s a bass heavy tune with melodic pads floating in the forefront amongst the occasional cheering sample. it s perfect for either opening or closing a set midsummer. in contrast, the b side opens with “flow on.” with its distorted kicks, relentless claps and hypnotic bells one could imagine hearing it on a nightmarish carnival ride...fit that into a set. the record ends on an electro tip with spaced out pads, backwards samples and classic electro style drum patterns. distinct in sound and diverse in approach, don t sleep on the homie dj wey.

nice price deal !!! dan ds 2nd record came into being during dans 2011 summer in berlin. momentos inesquecíveis is portuguese for unforgettable moments. this phrase really hits the head on the nail for a summer of intense and inspiring moments. these moments of sunshine and music were then naturally translated into magical studio sessions. all percussion is played live including cow bells, shaker, wood stick, and analog drum machine programming. since dans first geno release it has been a busy year. dan has been making regular dj appearances in belgium. dan has been become a resident of the audiorama parts at the wood, brussels and additional appearances at the matinee parties in antwerp. a natural friendship grew from a mutual love of music with the matinee boyz. a collaboration between dan d and ward van den bogerd aka veebo (of the matinee parties). dan is also continuing his residency in nuernberg and making several appearances across europe, especially berlin

junes delivers another trio of distinctive, whacked-out shufflers to galdoors. first up its trails, stomping through glimmering, trippy textures with an emphatic groove. shift state brings dubby delays and heavyweight bells that bounce back and forth over another potent rhythm to heady effect. precipice makes use of a more menacing combo: clipped congas and swinging highs gang up with a bullish sub bass, before the icy pads grab hold

der zweite longplayer dieser zusammenarbeit, high life, wird bereits ende juni auf warp records veroeffentlicht. das gelungene musikalische experiment der beiden ist vom repetitiven minimalismus von komponisten wie steve reich und philipp glass und der polyrhythmik von fela kuti und funk an sich inspiriert.

nice price deal !!! kommt als superlimitierte auflage in einer speziellen hardcover box, 3 x 7 inch plus cd im alurahmen (cd enthält das komplette album & video), sehr hochwertige verarbeitung.

joy orbison and herron. three deadly rounds of tense, urgent, atmospheric, body-rocking techno — and something more like hip-hop. tersely sexual, detailed but scuffed, fierce. that’s young herron on the front, with his mum.

the second of two zentrum spinoffs is with us! as with the first, it comes loaded with four remixes. octo octa, vito & druzzi, cooper saver and turbotito, and lemonade all handed in top-notch reimaginings of tracks off jacques renault s debut lp, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another. octo octas rendering of mi casa samba serves as a propulsive beginning thats as dark and druggy as it is sharp and focused. vito & druzzis take on faith runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way, it is nearly ten minutes long, so this is perhaps not a surprise. the b s remixes are brighter, sunnier, though that s not to say they re not bold. cooper saver and turbotito s redo of words has a certain funky swing to it that, paired with spacey synths and balearic bells and whistles, makes it ideal daytime disco fodder. the lemonade boys close the ep with their vibey take on faith. pads for days, a plump bass, and a focus on the original s sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. a fitting way to end both the 12inch and the summer.

limited edition of 300 copies, housed in a screen printed sleeve. includes a download code.
the flawed wonders that yair elazar glotman puts forth on his latest opus i know no weekend are the coldest dreams you would ever wish to immerse yourself in. they recall echoes of echoes, forced into slowly struggling shapes, ghosts of memories, whispers of life from another dimension. shamanic-repetitive beats shift slowly beneath echoing bells and fragments of past transmissions. overwhelmingly, one is taken into upon a winding mental path, with no clear resolution in sight, although the journey is ever-evolving and new.

fresh off the heels of the success of their ‘waiting ground’ ep, the boys in black, frank & tony, are skating back onto the scene with another four track summer stomper, ‘under the jaguar sun’. the a-side starts things off with the titular track, a rollicking deep house number primed for sunset raves. a bouncing and lush bass line is the back bone of the track, as crisp hi-hats, distant, yearning pads, and shimmering bells propel dancers forward into eyes closed euphoria. things ramp up quickly into peak-time ecstasy on the breakaway edit of solo andata’s “a ballet of hands.” a whirling dervish of delicate music boxes, bowed guitars, delicate music boxes, and distant horns swirl around and weave in and out between a skipping drum pattern, pushing and pulling alongside a gruff and stuttering bass, perfect for those late night rooftop ventures.

lp-box: klappdeckelschachtel in lp-grösse (318 x 315 x 31 mm) / 4 x schwarzes vinyl im gatefold / download-code / poster (60 x 60 cm) / 6 wachsmalstifte (bunt) / limitiert auf weltweit 500 stück
der diynamic-labelboss gilt als einer der begehrtesten remixer dieser tage. internationale stars wie foals, editors, broken bells, paul kalkbrenner oder lana del rey vertrauen auf die fähigkeiten des gebürtigen bosniers, ihre tracks tanzbar und sexy zu machen. nicht selten wird ein solomun-remix dabei sogar erfolgreicher als das original. mladen solomun legte eine der steilsten karrieren im dj-zirkus der letzten jahre hin und stieg innerhalb kurzer zeit vom respektierten underground-dj/produzent in den weltweiten dj-olymp auf. ein grund dafür waren neben seinen energiegeladenen sets und seinen erfolgreichen eigenproduktionen auch diese seine remixe. als besonderer clou der compilation wird jede cd- und vinyl-box mit buntstiften und einem poster des covers ausgestattet, so dass sich jeder fan sein eigenes cover -remixen- kann. -solomun - selected remixes 2009-2015- gibt dem hörer einen großartigen Überblick über die verschiedenen facetten des produzenten mladen solomun. sein label diynamic feiert in diesem jahr zehnjährigen geburtstag – der perfekte anlass für die erste remix-werkschau.

ltd pressing ...on the magic movement s 5th phenomena, sound wizards noema & dreems (of multi-culti records) invite you on a journey to the tropical depths of a world beyond. close your eyes, step outside your sphere of being and find yourself in the animal empire . this afro inspired jungle techno swings with a dubby melody and hypnotizing bells while the driving bassline enhances the macumba vibe. for those affected by swirling sonics beware the vertiginous breakdown, where all seems lost for a brief moment of madness. flip the record and hear the sound of aztec acid disco on the rise . with a lot of love for the detail, flute, percussive guitar and shamanic vocals get you into the groove. after a little hang out with the local jaguar warriors the 303 soars up for a flight over the pyramids, until an elevating melody takes this intense beast right into the glowing morning sun.

just in time for summer, sol power sound is proud to present its 4th release, the djidjo vide ep, a 1-2 punch of afro house by label heads, the sol power all-stars. djidjo vide, the title track on the a-side, features dc (via togo) afrobeat band, elikeh. it s a vibey slice of propulsive afro house about finding joy in the face of hardship. massama dogo s commanding vocals (sung in mina) combined with the driving bassline, and aggressive horns (performed by dc s sticky bear) make djidjo vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you. the b-side, tell me why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by matt rippetoe and joe herrera of dc s the harry bells). it s a late-night beatdown that will set things off proper in a dark room!

end of dayz 009 is by the mysterious 30drop. his works are described by himself as detroit techno inspired music mixed with repetitive european techno. in this release -on the next day ep- we find on a side the terror history called -they saw it again- and the jeroen search remix that is a very danceable rhythmic techno with some cosmic stuff. the b side is for -raw- where we can listen to some space bells. here is the remix by an old friend of this label, p.e.a.r.l., bringing the track into a darker place.

classic jacking chicago tracks from the legendary robert armani.

i was deep in texas when a call came through... -hey man it s cherry ! ...we got some sick new shit for you, gonna blow your mind- i waited nervously for the package. it arrived two weeks later. i slipped the hot black acetate from its wrapper and placed it on the turntable... wired guitars wail like banshees on heat, primal beats erupt drenched in dark juice from roots of trees slick with crunk. flutes and bells hang like exotic flowers that reek of jungle sex and all night long the pulse goes on and on and on as usual cherry was right...this most surely is one sick motherfucker of a record. don t get me wrong there s warped beauty here aplenty but you gotta take it easy. don t ingest it all at once...make sure you re in comfortable surroundings, trust me i know...six months later and i m still feeling the burn. damn you cherry garcia.

ritornell’s richard eigner & abby lee tee originally teamed up to provide the score for a collaboration with filmmaker andreea sasaran and illustrator katja seifert entitled »melting sphere«. sharing a passion for the combination of filigree electronics with playful timbres of diverse acoustic instruments and odd utensils, the cooperation of the two producers was a logical choice.
»melting sphere« merges subsonic bass, kalimba rhythms, accordion sounds and toy bells, all framed by eavesdropping recordings of abby lee tee’s cat, bathroom squeaks for five minutes of organic downbeat bliss.
»tired dancers« on the flipside offers a melancholy tale of seduction relayed from the shadows, with field recordings of nightly city noise, a reversed music box melody, hypnotic chords and meticulous percussion. delicate, celestial cello (by lukas lauermann) and contrabass flute emerge as counterpoint to this rhythmic hypnosis.
this record is as shimmering as you would expect.

alexander ridha, besser bekannt als boys noize, meldet sich mit mayday zurück. auf seinem bislang dynamischsten werk führt ridha alles, was ihn geprägt hat, so konsequent zusammen wie noch nie.mayday verbindet die energie und den geist des punk mit der kraft des modernen techno und der frühen tage des rave, und transportiert die unschuld einer vergangenen Ära in die jetztzeit, ohne jemals anachronistisch oder nostalgisch zu klingen. kollaborationen mit polica, hudson mohawke, benga, remy banks, spank rock und so manchem geheimen gast (es lohnt sich die liner notes zu lesen) erweitern das spektrum.ich versuche mich immer selbst zu überraschen, als produzent und dj. etwas neues zu schaffen, etwas, was ungewiss ist, das hat für mich den grössten reiz sagt ridha. mayday steht repräsentativ für eine generation, der genre-grenzen nicht mehr viel bedeuten. musik ist spannend, wenn sie gut ist. und das gilt auch für mayday

nächste haltstelle: new york. von island über afrika zu steve reich, philipp glass und raymond scott. die vinyl-lp erscheint inklusive downloadcode.

retrofit19 by two scoops and retrofit20 by label head jay shepard for one special price!

ian blevins is the keeper of the jewel in the crown. this is his second offering for the esp institute. picking up right where we left off, side a unleashes another explosive big room belter with resume a driving rhythmic monster that takes advantage of the whips and cracks in ian’s drum machine arsenal, while warm chords lay a foundation for a quirky lead melody and rubbery pulse to dance upon. akin to hannibal, blevins esp institute debut in 2015, the arrangement here toys with us before revealing the true guts of the track—this time characterized halfway through by a punctuating gangster piano hook. on side b, poor old head utilizes ian’s signature drum styling we’ve come to adore, but here he establishes swells of melancholy via bending notes that meow and purr, beautifully ebbing and flowing though an array of incongruous dial tones and bells—shakey and barely out of sync, yet cradling a loosely drawn chord progression. these two songs will smack you up before they rub you down.

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

with the release of this set of remixes figure head len faki reveals previously unseen shades of both the source material and his own musical identity. produced over the course of last year and originally never intended to come out, the hidden objects were to remain just that – hidden from anyone but faki himself who was privately developing a different side of his in the studio.

2016 repress
was 2008 no. 1 in the goove charts (singles) highly anticipated first release from efdemin since his self-titled debut album last year on dial, that - together with the >acid bells< single on curle - received very high critical acclaim from around the globe!

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.

the return of daniel bells 7th city label, with two tracks that have never been released on vinyl.

2021 repress!!! phat double vinyl , housed in gatefold cover!!

here comes the heavy remix package to lake peoples much praised debut album purposely uncertain field. with redshape, lawrence and map.ache three remixes were carefully chosen who would be able to bring their own distinctive sound to the table, but also treat the original tracks respectfully. redshape catapults -illuminated- into the orbit of the red planet, where it rotates in a trippy and hypnotic way. lawrence is drifting red but stays closer to the sun. the dial boss keeps things lighter and brings some bells and a steady bass drum to dinner and knows how to mesmerise. leipzig buddy and kann records co-founder map.ache shifts up a gear with his remix for cooping. twisted vocals and a bouncy bassline make his remix a darling on the club floor and rounds things consistently up.

nice price deal !!! nice price deal !!! debuting on vosnos fifth release is edc with his cosmic explorations ep. alghough, edc is no debutant in its real meaning as he has been recording and dj:ing for some years now as endlec with his heavy industrial techno sound. as edc he wants to explore the deeper side of the techno realm and doing so, emerging with five prime techno cuts.

international feel introduce mini-album concept with len leise lingua franca

a young dj/producer from brooklyn (deep explorer, finale sessions) pushing the line where deep house and techno join in emotive rawness. a deep moody selection of movements that suit any occasion as the vibe grows & culminates.

repress 2015 ... the boss of cross section on robsoul !!! >i change my mind< ever released on mark bells label bosh rec

randomer returns to l.i.e.s. with his second release for the label, a 5 track maxi-12inch jam packed with mixing tools to rip the floor. granted these arent your everyday mixers, randomer went in and dug up some percussive nastiness and got all dynamic with it, dropping in and dropping out, heavy kicks and bells, these tracks will work the crowd and are suitable for all nite clubs around the globe. club tested and approved, a classic in the making.

the mysterious talent antenna shows his tough, high impact house sound for his second release on the dutch pinkman label. first up, ‘childhood’ is a mid tempo bit of elastic, groove driven house with whirring machines, raw synth patterns and filtered, muffled vocals. hi hats add an incendiary element of pressure but really this one is all about the pinging, rubbery drums that flail like drunken limbs. ‘when i read my book’ is another purposeful offering riddled with melody and deep drums, slapping claps and lots of jittery cow bells, impish synth sounds and bass kills that brings a real sense of energy to proceedings. lastly, ‘in august’ is a tripped out cut with skipping kick drums, celestial and heavenly, glassy melodies and skittish percussion that all glide along in alluring and off kilter fashion. this is house music, but not as you know it!

nice price deal !!! gatefold cover, coloured vinyl. as you will hear: the short motif, as simple as it is, is ideal musical material.

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.