berlin-based duo ontheground which consists of myztical and diagenetic origin, is about to release “role of the observer”, their follow-up to last year’s debut ep “touching higher ground”. this record is a snapshot of their creative development and hard work which took them at least a year to put together.
the a side takes up where the last year’s ep left off, establishing a template of industrial pummeling techno with a focus on irresistible, broken groove. a1 “the power of prayer” is a powerful banger - droning synths and dislocated samples build up the anticipation, before massive kicks drop and propel the tension onwards. a2 “controlled by faith” is similarly destructive on the dancefloor, a bundle of rasping, dirty rattles that drive on relentlessly in funky delirium.
the b side delves into the darker, more elusive recesses of the duo’s creativity. on b1 “ancient cycles”, distorted rumbles morph over pattering, primordial percussive patterns. b2 “role of the observer” ratchets out a heady mesh of fragmented, disorientating textures over frantic, propulsive beats.

for fans of metrolux, russian torrent versions, delsin, black venison. this 4 track ep has artists with decades of experience that packs a punch of contemporary techno and has plenty of different textures to build any set. owen-jay, half of revered label/artist gauss ltd. (battibatti, metrolux, uq) launches with a tough, raw hypnotic driver of crushed filter distorted patterns. next molegrip, collab between brian james (battibatti, metrolux) and caspian rabone (polaris, battibatti) keep the groove with classic techno and dub atmospherics. on the flip sees unknown artist cmnt deliver some arpeggiated lazyness before cyan341 (rednetic, uncharted audio) polishes off the ep with a tight beat supported with an elegant ambient foundation.

david gtronic is very well known for being a fundamental member of the famous vatos locos crew and for his badass releases on dissonant, kina music or sci-tec records. david was born in colombia and he s now based in berlin, from where he delivers this awesome ep called kryptoo.a kryptoo is a minimalistic journey of rough, metallic, cosmic percussions and spongy bass lines. deep pads and chords in constant evolution make these tracks a true hypnotic experience. topping it up we ahave dan farserelli remixing sequence, probably the punchiest and most direct track in the album

after his well acclaimed soundtrack lp on hivern discs, brussels based producer lawrence le doux is returning to homebase vlek for his next offering. and what a project it has become: le doux, heads first, dived deep into the belgian national history of electronic music, and came up with a sampler covering the various fields the belgians have explored over the last 30 years. from digi dub over simple drum computer house to one­man industrial cassettes: host has it all.

fortuna records boss kalbata launches his new record label brush & broom with this impressive ep, featuring two acid-tinged african percussion excursions for the late hours. obskuur is a ritualistic percussion journey reminiscent of old-school warehouse days while rumoured is a high-tech conga roller layered on top of analog drum machines and an acidic bassline. crucial and limited!

das album von 2013 jetzt erhältlich als ltd. edition gatefold lp! record kicks präsentiert das neue album der italian soundtrack funkateers calibro 35! es gibt eine sache, die können italiener besser als andere, nämlich funky soundtracks. quentin tarantino weiß das am besten: soundtracks italienischer spielfilme der 60er und 70er sind beliebt. calibro 35 macht mit der musik, was tarantino mit filmen macht sie leihen sich, was sie lieben und machen ihr eigenes ding daraus, oder wie das rolling stone magazine sagen würde calibro 35 sind die faszinierendste retro-maniac und authentischste sache, die italien in den letzten jahren zugestoßen ist. the budos band trifft auf morricone.

wow! super dynamische synthie getriebene nummer, wächst mit jedem play. „desert“ hat es nicht minder in sich: slo-mo disco für die nacht ohne ende. enzo elia vom gabba sound system wie vom anderen stern. das artwork wurde, wie bei allen compost disco 12”s – von benjamin röder (charlie, spectacle) design

repress of this album by the drummer of fela kuti. produced by doctor l. incl asiko as sampled by jaydee for commons hot shit! featuring remastered versions and ariya (psyche juju mix) as bonus track, which was not part of the original release. tony allen completely rewrote the books on what was possible within the afrobeat genre with his stunning 1999 album, black voices. when one considers exactly what is going on throughout black voices, it is quite mind boggling, as it is almost impossible to associate a minimalist, electronic feel with the massive walls of sound which allen was known to create.

plantation lullabies is the debut studio album by american singer-songwriter, rapper, bassist, and vocalist me’shell ndegéocello (also meshell ndegeocello). the album was originally released in 1993 to widespread critical acclaim and has since been viewed as a landmark neo soul record.
meshell’s music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. she has received significant critical acclaim throughout her career and has had ten career grammy award nominations.
plantation lullabies received a nomination for a 1995 grammy award in the category of best r&b album, -if that’s your boyfriend- was nominated for best female r&b vocal performance and best r&b song.
pressing on audiophile 180 gram double vinyl.

shame on us is a live electronic-percussion trio from tel-aviv formed by naduve, yovav and alek lee. naam is their first release and a great insight into their sound: rooted in a balearic spirit, highly percussive and with an hypnotic and uplifting quality. the 12- is rounded with remixes by fantastic man and john talabot, who take the tracks to new dance floor and psychedelic heights. the artwork is an original painting by san sebastian-based artist iker spozio, with design by alicia carrera. this is a limited edition vinyl-only release.

in 2016 simon pitt and alex kassian formed planet sundae recordings. opal sunn ii is their third release. part i was out july 2017 with andrew weatherall taking a massive shine to it, playing all 4 tracks at a gig in barcelona. it was championed also by massimiliano pagliara, of ostgut fame. opal sunn is live-performance duo al kassian & hiroaki oba. formed in 2015, the pair have recorded countless hardware-driven improvisational sessions, puzzled together to create abstract musical journeys. the aim is to transcend the improvisational magic of the studio jam and funnel it into the live performance. having played at rainbow disco club 2016 in japan & atlas electronic 2016 in morocco,the pair took both excited audiences by surprise with their heavily improvised live sessions. opal sun ii explores darker shades of dance music.

it’s a pleasure to introduce to you the second chapter of apparel wax, the vinyl faced artist who tears the dancefloors apart. aplwax002 is once more a concentrate of groovy beats, catchy melodies and vibrant harmonies that come together to create a solid 4 tracks release with an only one soul: the soul of the music we love to dance to. indeed, the whole ep doesn’t sound like an assembled work, on the contrary is more a complete entity that moves together in an organic way since the very first track till the last one, creating an impactful musical story. everyone should be aware that the unknown mystery man is back in town! premieres on houseum, delicieuse musique and sleazy beats.

belgiums favourite underground house dj red d celebrates the 10 year anniversary of his we play house recordings label with 6 vinyl samplers containing new tracks and some very wanted gems from the catalogue. artists featured are san soda, fabrice lig, fcl (featuring lady linn), kiani & his legion, krewcial, reggie dokes, raoul lambert & nacho marco, art of tones and many more. voices near the hypocentre . about we play house recordings

it’s time to step into the bristol shadows with sector 7 once again as label co-runner boofy invites young echo to the fray for two instrumental grime / dub hybrids. -roll the dice- pelvises with its dense subs and shimmering atmospheric textures while shattering trap snare roll and a mystic melody and skippy drum arrangement flicker in and out of the foreground. -cane sword- is a little more on the pure grime tip with some superb drum momentum, breathless atmospheres and cool samples that skid to a halt when you least expect them. roll again...

2019 repress! after a small break and the success of 1st ep, the moroccan label casa voyager returns with 4 electro tracks from kosh to feed your data fantasies. the casablanca based producer delivers a very efficient debut release. death or serious injury could occur if ear comes in contact with this music. all tracks written and produced by youssef benjelloun. mastered by jose rico at downbeat studios.
vinyl only release.

after releasing its two-parts -10 years be as one” compilation, bao debuts a new talent on the imprint “linkan ray- a moniker under which hides one of spain s most successful techno artists of recent times. fresh with a new name on be as one, the producer delivers 3 rolling cuts, while retaining a common denominator of uncompressed dark and moody techno.

following on from the 2017 lp paradygm shift by robert hood released on dekmantel records, the detroit legend returns to the imprint to deliver the final installment in a trilogy of ep releases that initially began back in february 2016. now based in alabama, the detroit-techno producer is returning to his roots. embracing the trademark, minimal, funk techno sounds that defined his earlier career, paradygm shift vol. 3 is classic hood, operating in new, and uncharted ways.

mor elian hits radio matrix with the 4 track fairplex drive ep . a classy deep cerebral electro excursion that acts as the soundtrack for a journey through lifelike landscapes towards nighttime city drives slowly moving into desolate deserts dwells and ending in fallout.

its already been two years since leonardo martellis debut with the four-tracker menti singole. he has since been following the direction he took with this first release, at a rather slow path, releasing a lone and haunted mini-album, previsto, in the meantime. with menti singole vol.2, martelli establishes a picture of his music, an update of his aspirations in the feminine.

in silent series pools together four innovative tracks of deep, textural and explorative techno music from four of this era s most inventive artists: sigha, snts, dadub and positive centre.

the follow up to trouble and run sees offaiah launch his own label all fire and take a darker, deeper approach as a result. purely for the late-night sets!

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

berlin based algorythm announces behind the clouds ep on neptune records. the ep is the second to come from neptune records with his debut santos express marking the inception of the label. opener a1 how i bust that a** up is a raw stomping house banger rich with giddy profanities rolling throughout. switching production styles alogrythm takes a more gentle approach enveloping bubbling aquatic techno with depth charged house on pearls . big beat repeat is a self-explanatory ear-worm and title track behind the clouds rounds the ep nicely with cascading synths nodding to the likes of crash course in science.

behind the sstrom moniker hides one half of shxcxchcxsh and a long-time activist of sweden s experimental techno scene. having fallen in love with simple melodies and catchy arpeggios when being a member of bitpop/synth band slagsmalsklubben, he transferred these sensibilities further into his other projects. sstrom s excellent 2016 debut for semantica records was an excellent exercise in lush aquatic techno with breezy and lush atmospheres. the new ep -vitriol- is informed by the personal experience of the producer, which adds additional warmth and emotional weight to the record. the release brings back memories of earth pigments his father used when painting things in their house, the colours created were usually dark toned with some pastel lightness. this juxtaposition is felt throughout the record, which balances between cinematic futurist moods, steel-wool smoothness and subtle physicality due to its textured nature. the title track kicks-off with detroitish synth loops wrapped in dense lo-fi soundscapes, while -sienna- increases the tension by introducing more expansive melodic appeal intertwined with intensity of feather-like 4/4 rhythmics. -umbra- brings some shadowy sonic undertones immersed into a sea of crackle with melodies constantly resurfacing. the closing -ockra- bursts with more groovy patterns, yet retaining the same elegant warmth, which seems to be the signature element of this ep. while listening to all these tracks you feel like touching some alien surfaces with utmost sensitiveness with surreal landscapes stretching out in your imagination. this is carefully crafted introvert music, yet having some elegant dancefloor appeal.

having debuted with a fine ep by job sifre, artificial dance has returned to the source for release number two. the 12inch pays tribute to one of the most influential figures of original diy electronic music scene of holland, hanjo erkamp. during the first half of the 1980s, erkamp had a hand in some of the most experimental and forward-thinking releases on the now legendary cassette label, trumpett. famously, he was a member of two of the label’s key bands industrial outfit doxa sinistra and new wave combo ende shneafliet but during the period he also recorded a swathe of solo tracks as c.stein, most of which only saw the light of day decades later. la bombe plastique, a thrillingly spacey and futurist cut rich in proto-techno rhythms, intergalactic electronic motifs and drowsy choral vocals. for this timely reissue, the superb original version comes accompanied by a fresh re-edit created primarily for dj use.

monday off is a vinyl only record label from brooklyn, new york, founded by mary yuzovskaya. its ethos is to showcase artists that explore techno s hypnotic side, specifically where trippy and dark productions go deep yet dynamic. its second release is -various artists vol. 1- and is comprised of a trance-inducing deep dive from soramimi, cory james s thundering psychedelic techno, skittering and hypnotic propulsion from arthur kimskii and a mesmerising sonic journey care of chanski.

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

insulin is proud to introduces its breathtaking second release obnoxious/shame . a 4 tracks ep made by draugr, a young french producer. 2 strong original songs, sophisticated and perfectly designed that will put the audience into madness and chaotic lands. side b is the remix version from lucindo and the duo ontal. 2 different versions from exceptional artists. 2 unique visions resulting in powerful and stunning edits. insulin – oppressing loops for deppressed minds. agonizing sounds for suffocating bodies.

the conceptual sibling to lorenzo sennis blinding quantum jelly side for editions mego in 2012, superimpositions finds the milan-based multi-disciplinary artist and owner of the brilliant presto!? records accelerating and evolving his idea of -pointillistic trance- - an ascetic, extreme approach to the aesthetics of 90s-style trance/hard-trance - in a broader range of song structures, hyper-lucid moiré patterns, and tantric dancefloor arrangements. again, he -plays- a computer-controlled jp8000 roland digital-analog modelled s-source synthesiser to juice the most potent, searing saw wave arpeggios and spiralling melodies, finding the biting point between real-time, hands-on, emotive human input, and the sleek tension of synthesis.
from the serotonin-flooding rush of opener happic to the beautiful come down of pointillistic , the album plays out a sisyphean struggle for deferred gratification, challenging limbic systems and our sense of equilibrioception thru the spine-tingling aerobic coefficients of elegant, and never tiring and the scything, strobing rhythmelody of the title track, to peak with the palpitating surge of forever headline at its white hot core. it s all more effective than a triple-barelled mitsi in the jacksy, and hasn t been off our turntable all summer...

the enigmatic tennessee-raised, turin-based yves tumor presents a poignant new album, recorded between miami, leipzig, los angeles and berlin over the past three years.
evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, ‘yves tumor’ emerges as his most personal and matured incarnation to date.
with involvement across various artistic outlets expanding to fashion such as a visceral live performance for la’s hood by air earlier this year, the global artist has built a distinctly bold personal aesthetic both musically and visually as a performer.

being closely connected to the label, it was only a matter of time before daniele cosmo was released on pinkman. at long last, he makes his debut appearance with co-conspirator cco as savage grounds. what they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. both tracks, while boasting with furiosity and dread, as is often the case in the broken dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. pressed on a single 7- this concise release is far from falling short in completeness, expertise and potential to break dreams.

hip-hop-urgestein, produzent und dilated-peoples-rapper evidence meldet sich 2018 mit einem neuen album zurück. »weather or not« heißt seine vierte soloplatte, der nachfolger von »lord steppington« aus dem jahr 2014. mit »throw it all away«, »10.000 hours« und »jim dean« schickte michael perretta, wie evidence mit bürgerlichem namen heißt, bereits mehrere vorboten ins rennen. und die zeigen, dass der rapper seinen ruf als ikone völlig zu recht genießt. für die produktion von »weather or not« sicherte sich evidence die unterstützung des »who is who« der szene, darunter dj premier, nottz und langzeitpartner the alchemist. als gastmusiker holte er sich außerdem slug, catero, defari, krondon, mach hommy, styles p, rapsody, khrysis, jonwayne und rakaa ins studio. das resultat ist ein 16 titel starkes vorzeige-rapalbum. nichts anderes erwartet man von einer legende.
zufällig farbiges doppel-vinyl im 3fach-klappcover inklusive 12-seitigem booklet mit fotos von stephen vanasco.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.

re-issue of the 1994 album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.

floppy disc versions of the infamous ttw005 - floppy and proper bendy!
comes as a pair of dope floppiness!
weighing in at minimal gms.
please note: the way floppy discs are manufactured, the center hole for the spindle is usually quite tight. you may need to adjust the hole to suit.

lion and the mean ecstasy of “you’ve got a woman”, the b-side to their sole release comprise a rare burst of psychedelic western soul from two names best known for dutch progressive rock and new wave. drummer peter de leeuwe, departing from the symphonic leanings of dutch prog-fixtures ekseption, penned it in 1975, layering syncopated explosions of hand-claps, vibraslap and slick drumwork with neutron-star density, with super-producer hans van hemert nearly bursting glenn robles vocals through the fore. the shoes subtle edit provides exactly that, gently teasing the organ- and requintohinted contours of the track to better suit the treasure within. chicago-based septet whitney have brought some attention to youve got a woman with a recent cover, and the faith with which they recreate much of the original instrumentation proves the extent of lions accomplishment.

known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, jackie shane has remained largely unknown outside toronto, where her career briefly flowered in the 1960s. beyond her unmistakable gift of the gab, shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. any other way is the first artist-approved collection of ms. shanes work, ollecting all six of her 45s and every highlight from the legendary 1967 live sessions at the sapphire tavern, including three mind blowing, previously- unreleased tracks. rob bowman’s 20.000 word essay is jackies first communication with the public in nearly half a century, telling for the first time ever jackie shanes story in her own words. this deluxe two album set is copiously illustrated with never-before seen pictures from a career and a life unlike any other.

following the success of our recent reissues of classic tracks from the vaults team-jalapeno decided to start 2018 strong with another 7inch release of two certified bangers from our very own breaks legends skeewiff. our dear label co-founders and creative minds whose four skeewiff albums set the agenda for the jalapeno funk machine that you know and love alex rizzo and elliot ireland have never been found wanting. these guys are the godfathers of the lounge and breaks scenes, they put the fun into funk, and if rumours are to be believed they could mix before they could walk! from the very first opening horns salvo on mexican flyer you know this track means business. a driving bassline and in-your-face drums provide the backdrop for all sorts of sonic madness with dj cuts, horn solos and breaks galore. it s a bona-fide fiesta that fits neatly in your 45s bag. with this little number in the arsenal the only worry that the djs will have is the stampede to the dancefloor. over on the flipside delta dawn sees the guys get a little help from a famously little lady with one of the most recognisable voices in country music. but make no mistake this is no barn dance… breaks, bass and a healthy dose of hammond wizardry inject the funk into proceedings to complete this 7inch club weapon of mass destruction. it s a double act that s up there with the best of them and a must have for fans of jalapeno and high quality party music

for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

once again it s the label owner julian perez behind the controls and this ep is carrying all of his usual high quality trademarks. girada03 features 4 tracks ranging in style from hypnotic club-friendly bangers to more detroit inspired electro cuts. future classic on the way here folk s, don t snooze!

giammarco orsini is back on elephant moon with wider perspective, a four track ep of dance floor bombs displaying his diversity as a producer. opening with back to the future, a straight up house club killer with a slightly retro feel. up next up is inner path, a track with a throwback of jungle and breaks era on the b side electric love showcases giammarco s signature sound and the last track moonlight allows him to present a deeper cut overflowing with warmth and emotion.

for its the second various artists sampler, the parisian label gives us another sharp selection of talented young bloods and confirmed producers. 4 quality deep house tracks here, done by sebo k, swoy, dj honesty and olivier romero. as usual with politics of dancing records, this sampler is a versatile collection of dancefloor friendly cuts, and carefully chosen cracking deep house tracks. limited vinyl only release.

bryan hervieu s d3 elements makes a welcome return to the music fold after a longish break, and who better to pick up the reins than trinidadian deep. northern li kicks things off, and from the first note and beat, you just know that trini has brought the spiritual and percussive deepness that he is known for. this track is 6 minutes of bliss, with swirling pads and beautiful melodies running throughout. over to the b side and it s thunder claps and the spoken word of liza zayas that starts off in the beginning. liza s voice sits perfectly alongside the caribbean textures, and the driving drums that trinidadian deep is known for. bryan s labels have long been a go to for lovers of quality and sophistication and this new one is no different.

before his debut studio full-length, dubbyman racked up a remarkable discography of dance singles and remixes. he has been away for a little while, but his new 10-tracker album is the perfect tool for him to make his anticipated return. -deep is dead- is a fascinating mix of organic and synthetic, past and present, smoothness and eclectic, darkness and brightness. the spanish producer has veered away from those dub-heavy and dark atmospheric deep stylings, and instead has ventured into much classic house and musically territory. almost all songs are soaked in warm chords, dreamy leads and gripping melodies. dubbyman also offers an immense and stunning roster of credits and guest musicians such as kuniyuki takahashi, leo gunn and george btp aka allstarr motomusic, just to mention a few.

swinging latin house grooves, fast paced broken beat and some serious low end frequencies! north londons k15 returns to eglo records following on from his stellar outing alongside henry wu as wu15. we re excited to have him back on fresh eglo wax with these two heaters. dedicated to the sun and ready for the dance!

bring back is back! with the brand new vinyl only release. here s limited single sided record with two jungle bangers. luv this music have combines mystical sound and vibes of the darkness. it s seems like we are back in time, in 93-94. classic breaks and hardcore stabs are able to bewitch anyone. sweet murda opposite, more light with nice pads, filled with the sound of the oldskool jungle music.

for the first release from antam records, the italian producer marco maggi aka mag0 delivers 3 original bleepy techno tracks with a minimalistic and electric groove. ode to venice will for sure shake every dancefloor where it s been played. remix duty is from the talented french producer tc80 with an hypnotic and deep techno rework. these acid layers and the drums give the remix an almost old classic trance mood. all tastes are served through this ep.

norken aka metamatic releases his first ep on neo ouija. four highly sought after cuts that symbolise the norken sound at the time: deep house with the sleekness and machine melancholy of british chill-out and idm that s complimented with crisp drums which give a nod to early detroit techno. norken is best known or his releases on delsin, hydrogen dukebox and assemble music among others and there are also some upcoming eps on third ear recordings and delsin to look forward to.

the impossibility was inspired by the destruction of the planet earth by the human race, the early works of jg ballard, tarkovsky s stalker, conspiracy theories, and places where the rules of time and space are brought into question.