first of three parts of the first wurst compilation with 10 new exclusive tracks alltogether. part i boasts new york upstarts soho808, lisbon legend tiago, merc alum chicago damn, and new jersey outliers pink stallone. following appearances on soul claps social experiment 002 mix on no. 19 and jamie jones fabric 59 mix, soho808 land on wurst with >reach< feat. safiyah, easily their most accomplished work to date, fusing their now-patented slow house sound with a little of the citys r&b swagger. pink stallone hooks up with strictly rhythm alum joey washington on >help yourself<, a ridiculously nasty slice of future funk. tiago gives >peanuts not working< his i am the automan treatment, channeling the 80s cosmic sound for a driving dancefloor workout. rounding out the ep is chicago damns >romcom<, a smoky, subdued number, hinting at detroits beatdown sound with the mans now signature mpc moves.

chicagos ricardo miranda makes his debut for the ace stilove4music label, maintaining a fine year in which he has already dropped some serious heat on rush hour sub-label hour house is your rush and his own noble square imprint. title track >102point7< is all jagged synths, throbbing arpeggios, slashing claps and a rolling acid groove, marking it out as one of his most incendiary productions to date. on the flip >rotary cells< is deeper still, a 909-led jacker with undulating layers of sub bass augmented by a wonderfully woozy vocal which extols the virtues of true chicago house. this is followed by >greenline<, a stripped back jam with scuttling hats and the kind of paranoid synth melody that wouldnt sound out of place in jeff mills something in the sky series. this is dark, raw, pulsating dance music - highly recommended.

2 track 7 inch vinyl complete with locked grooves courtesy of eglos chief scientist of sound - floating points. check! with each release the young mr shepherd seems to go deeper and further left as he combines a dancefloor aesthetic with his sonic explorations through sound and colour… its weird science brought to life in the most beautiful of ways.

no represses!! only available on special limited edition vinyl, individually stamped and marked and only available 500x times worldwide. this will be a strictly physical release by now, no digital release planned so far. boys noize is back with a true ghetto release and the first part of his >boys noize - live sessions<. with two new tracks, alex is taking us through one of the most intense personal side of a creative process by stripping down the tracks to a one-time studiosession - just by playing around on the machines boys noize is getting the best material to start a (dirty) party.. and on it is!

elektro willi and his son are back. two years on board of a club cruise ship - thats enough. dad, we go ashore! sure, it was only a small step from selling washing-machines via the more or less obscure music industry to club ship animation. but sometimes even the most spectacular evening dinners, the most exciting special guests become boring. you just want to pull of your sweaty vinyl-showsauna-suit and get back to your origins: e.g. selling washing-machines. but without melancholy: on the aida, the willi-show became improved, in mediterranean nights, a new album was drafted into the starry sky.

as music lovers we draw the greatest inspiration and pleasure when hearing compositions that tell a good story. bon voyage is one such example. rising from the ashes of the highly sought after les aeroplanes whose >impersonal naviguant ep< for mathematics was a sure-fire hit.
this vibrant parisian outfit has delved deep into a rich sonic landscape and evolved a musical score which is incomparable to most of todays computer generated music. bon voyage cross genres as musicians, they carve out the sweetest melodies and allow the nectar to flow with an assortment of italian strings, american filters and japanese oscillators.

local actions seventh vinyl release is the official follow-up to t. williams and terri walkers 2010 anthem >heartbeat<, and comprises three of t. williams heaviest instrumental tracks to date. >break broke< is the sound of williams getting darker, with synths that glow like an overcooked power grid and one of the most ruff-neck drops you will hear anywhere this year. >go in< is for the djs, a palette cleanser that is tailor-made to mix long and deep, but its >analog tour< that is arguably this records stand-out – opening with a two-and-a-half minute intro of acid ambience, electro claps and super-heavy 808 kicks, and climaxing as a full-on 303 hydra.

out of an 8.8 earthquake, riots and severe illness comes one of the most joyful records of the year. brian gibbs aka echo park has had a colourful life to say the least, living and making music in l.a., tokyo, madrid, mexico city and now santiago, chile where he lives with his young family. previously a producer of dark hip hop and dub, a series of disasters made him confront mortality and decide it was time to make the music that is closest to his heart: luscious, sunshine-infused electro-funk full of laid back attitude and real songs. skream has always been a lover of disco, boogie and electro – as anyone who has heard one of his specialist sets or his slick n sleazy remix of chromeo will know. it took just one hearing of brians first echo park tracks via a mutual friend to snap them up for disfigured dubz. in fact he has chosen echo park for the first full album on the label… but first comes this killer single, a shmoooove bit of vocoder funk that sets the tone for echo parks twin obsessions with technology and romance. bundled with it are a gutbusting ravemonster of a rework by 12th planet & flinch that somehow still keeps the soul of the track intact, and jon convex taking it way underground with a deeper-than-deep analogue techno version. there is something for everyone here and this is just the beginning.

frenchman julian jeweils second ep on richie hawtins plus 8 label is sure to confirm jeweils status as one of technos most reliable talents. the four track ep encompasses everything jeweil has honed in his ten year plus career – tough sounds, high energy and a fusion of electro and minimal that hypnotises as much as moves you. thus far it has come on labels like cocoon and skryptöm records, whilst at the same time jeweil (real name julien bérard) has been busy playing underground parties all across his homeland.

support by: losoul, hunee, aubrey, xdb, basic soul unit, fabrice liq, iron curtis, dan curtin, octave one, keith worthy, baaz, dj 3000 …
with detroits kevin reynolds we are proud to welcome one of detroits best kept secrets as the latest member of the nsyde family. starting as an audio engineer at derrick mays seminal techno label transmat, kevin has spent most of his career helping others to shine. honing his production skills in the transmat studios refining a variety of projects, he has accumulated an impressive body of work in the background over time. with the release of nsyde 002 kevin has now set the focus on his solo career and the years of experience and raw talent have truly left their mark. showcasing his savvy for deep mesmerizing grooves, he brings us two tracks for the mind, the body and the soul, ready to conquer dancefloors worldwide. fusing raw tribal elements with warm strings and chords, kevin creates his own fresh trademark flavor, paying homage to the original techno soul of his hometown along the way. keeping traditions alive by retro-perspective modernism. with a unique sound, lauded by the likes of gilles peterson and osunlade, kevin reynolds is the perfect match for the nsyde musical philosophy.
so listen close and let our secret weapon from detroit blow you away!

>they were from downtown, somewhere in soho and boy did they love that drum machine of theirs...< following the stellar trip down 80s lane with the bicep boys, mystery meat returns with two rip-roaring edits from soho808, another rising duo, but this time from across the pond in nyc. these fine gents have been causing an absolute ruckus over the past few months or so following appearances on soul claps social experiment 002 mix (not to mention doing an awesome podcast for soul claps acclaimed series) as well as jamie jones fabric 59 mix, berlins dikso imprint, and being featured on the wurst music ever compilation due out this fall. big tings a gwan to say the very least! here we see the chaps head into edits territory, well sorta. to call these edits is quite an understatement. soho808 give a serious overhaul to two songs of discos past, adding additional instrumentation and tweaking the arrangement big time. first up to bat is trouble and strife, an amazing, slow-burning take on one of the most famous of songs from the past couple of decades. trust us, you cant resist! flip it over for a loopy counterpart, low-slung, sultry female vox and all. mmmm, well bring our meat to suzys bbq any day!

ketama records is russian vinyl and digital label established by famous ketama cafe which is definitely one of the best chill out places in moscow. ketama records was created in 2011 to release quality downtempo, chillout, ambient and leftfield music by the most respectable and talented international artists of these genres.
ketama records first ep is a cosmic single sirtaki on mars by omfo project completed with amazing remixes made by the orb vs high frequency bandwidth, abakus and electrosoul system.
comes on smokey orange vinyl (transparent orange, black marbled).

autoreply offshoot stuga returns with a highly playable 12 inch that is perfect for the outdoor party season. for this release we welcome back ben rourke who has previously recorded for autoreply, his blue ep collaboration with friend pier bucci having sold out instantly and going on to receive critical acclaim. his tracks effortlessly build without the aid of well known formulas always using high end sound design but never forgetting that house and techno music is essentially meant for dancing. >tahiti< is one of those tracks thats perfect for the big room or after-party alike featuring bouncy percussion, an analogue bass-line that will properly drive the sound system and one of the most infectious synth-sequences of the year. in fact the mans developed a whole new genre, desert island techno! >sharpie< explores the deeper realms of dub driven techno with a very liquid approach just so slightly tipping its hat to the 90s detroit vibe and still very much aimed at the floor. enjoy.

abdulla all of a sudden appeared on the scene with his label... and a couple months later he pops by again with this 2nd twelve. trippy deep gritty techno tracks from this guy thats clearly not aiming to be the next most popular producer in the resident advisor poll. uncompromising tracks that must be played out loud in a dark basement style setting with loads of smoke and strobo. raw techno just as we like it!

two track ep from unknown source by and the artists formerly known as 19.454.18.5.25.5.18! fond of rae is a crazy monotone techno track as we havent heard before. so freaking hypnotic that you think you hear sounds and changes which are not there... or maybe they actually are!? relentless and banging with no mercy! skudge turns it into speed bomb and gets it functioning for most techno floors with their effective and classy remix style. limited release

played and supported by regis, norman nodge, luke slater, jonas kopp, perc, dvs1, samuli kemppi, adam x, dimi angelis, jeroen search, markus suckut, rolando, pfirter, slam, edit-select, cassegrain, par grindvick, audio injection, tim xavier, drumcell and more. the m_rec ltd, has become one of the most interesting labels in the world techno scene after only eight releases. labels owner is max m! this time he shows an original track, pure sound signed m_rec ltd. a journey with a very deep sound. something that comes from his background, a walk through detroit, birmingham and berlin. a rhythm that is not heavy, repetitive riff that nullifies any inhibitions. it s definitely evil, its a reminder of the deep and pure techno.the first remix is signed by shifted (mote evolver)! one of britains most important artists on the scene. the sound becomes more intense and repetitive. the rhythm takes on a form of drum and hi-hat, classic techno. effects on riffs, amplify everything and they turn the track into a totally hypnotic pleasure. ascion (repitch / drumcode / synewave) is the artist of the second remix. being a promising youngster he has now become a reality. the sound is industrial, but without a heavy rhythm, more like background noises. reverb and effects that cancel themselves suddenly. the riff from far away is almost unrecognizable. a version definitely carefully devised and researched.

david moleon is an expert dj and producer with 13 years of experience. it is common to see david share line ups with big names like dj pepo and cristian varela, who praise his immense creativity and talent as a producer. david has a special knack for producing hit tracks that have become essential parts of the sessions of europes most popular artists, including ben sims, pepo, cristian varela, robert natus, eric sneo, dj murphy, dj link, cesar almena and nuke amongst others. both his dj sets on 3 turntables and his live-acts are examples of high-quality djing, technical ability and force, making him a well-rounded dj, and particularly the stand-out artist from the south of spain.with over 50 records in the market, on labels such as patterns, submission, cobra, soul access, sp series, adult, etc. david has become the most prolific techno producer in spain. in europe, he is know as la joya espanola (the spanish jewel).

**incl soul clap remix***
having spent most of the summer roaming across the globe destroying everything in his path, the creature that goes by the name of totally enormous extinct dinosaurs has returned – and hes bigger and stronger than ever before...

edit king leo zero returns with something very special to kick off a new run of no frills dancefloor bombs that have been tried and tested over the summer on a packed worldwide dj schedule from stockholm to tokyo and beyond. first up is an intensive slice and dice exercise on probably the best track from definitely the best band in the world: the clash. leo takes their most disco friendly outing >the maginificent dance< famously spun by mr levan at the garage - and with the more dubby rare levan version he homes in on looped 1 bar sections, skating along to create a new arrangement - added to the brew are bootleg recordings form the clashes infamous live show at nycs bonds ballroom, and even some baseline demos digitally siphoned from people practicing guitar along to the clash on youtube!….. we are left with is an epic labour of love edit that has already found its way into the a-listers record boxes - from derrick carter to laurent garnier who are all spinning this solid as a rock dub disco bomb. on the flip we have a classy house re-work of al hudson & partners >music< which sticks a chi-town kick and snare up its rear end along with some serious sub bass, and in the middle things get all wobbly with some trademark leo zero space echo rides and before we are quickly warped back-in and onto the floor… big with a load of top jocks too including severino of horse meat disco fame.

the first release of this brand new italian label - soundpark -includes a great original mix by one of the most important dj & producer of the scene: mihalis safras.
this ep is further enhanced by the remixes of stefano lotti, dave manuel and alessandro sensini (cecille). enjoy the title track - memory loss- and its three different versions.

stefan schutz aka juno6 belongs to the society of the leipzig new school, which for the last 5 years has cut a path through emotions and change in diverse regions. his particular real estate is comfortably between deeper house and thoroughly scrutinized techno. sometimes he tends in one direction, at other times the opposite. all the while juno6 captivates both listeners and dancers alike with something new. his live sets are always an occasion – sound expeditions in the most literal sense embedded powerfully, yet imminently fresh as they are bound to tradition. he even dials up the the ambient/electronic field with project beautiful planet earth, or together with friend daniel stefanik as sensual. the sonic awareness of juno6 is expressed consistently as a potent degree of warmth, which paints a distinct lively and long-lasting tone on club music. the tone is hardly useful as a flavor of the month, but rather, a music with stamina and character. his track >guununk< is for more than a few the quiescent highlight of the fat 5zig compilation. on his second from fat, he displays the juno6 portfolio fully and expands his present effect with a portion of funkiness and a sprinkle of pop – at least on one of the cuts. with clever vocals mr. schulz informs us yet again.

mosso is an intimate project, born out of the natural desire to present ones work in ones own home. it is a private space in which the artist picks and displays his own favored pieces, enabling an unconstrained and harmonious blend to unfold.alejandro grew up in mendoza, argentina, and has been producing electronic music for over 10 years. following the use of various aliases, funzion being the most celebrated one, he decided to pursue his experiments under his real name. this was a simple decision, made possible through his creation becoming the honest rendition of his very inspiration. alejandro mossos music is the humble exploration of the ample musical heritage our planet has to offer, side by side with an ever-expanding and personal definition of the electronic medium. the first record inaugurating this series stands as the perfect example for his intent, bringing melodies and instruments of the world together with sophisticated technique. instantly awakening the soul, ohrwurm and caracoles come together to form one giant leap of optimism. indeed, alejandro mossos tracks build into a sheer heartening experience. as a shamanmesmerizing his attendance, alejandro brings the listener along into his own reverie, temporarily suspending time and filling space with wonder.

remastered reissue of arthur russell s most mind-bending (and boggling) psychedelic dance raga, originally released in 1986. includes all three versions of let s go swimming: arthur s ownmixes of the gulf stream dub and puppy surf dub + the legendary coastal dub, mixed with love by walter gibbons. also included is the previously unreleased epic 11 minute keyboard funk version of make 1.2 (gem spa dub). huge tip!

stepping out of the shadows in 2007 when just sixteen years old, jokers stock has risen dramatically since. aided by him releasing defining cuts like >digidesign<, >the vision (let me breathe)< and >tron<, he now finds himself thick in the recent resurgence of british electronic music. bbc radio 1s zane lowe premiered >here come the lights< in late july on his coveted hottest record in the world radio spot. moreover joker premiered most of his new albums tracks at the glastonbury festival this past summer, just one stop during a busy summer of worldwide festival performances. with the world traveled and a deal with 4ad signed, he is finally ready to appease his waiting public and release his debut album, the vision. prior to that though, album tracks >here come the lights< featuring silas of turboweekend and >my trance girl<, are being released on a purple coloured double a-side 12 inch.

* missed flight* sees two of drumcodes most prominent artists, cari lekebusch and joseph capriati, team up to deliver a 2 track vinyl ep of essential modern techno.
while lekebusch is a veteran, joseph capriati is part of the upsurge of new talent who have been grabbing increasingly intense attention over the past few years. the pairing of a prodigious new talent (somewhat new – capriati has developed quite a catalogue for an artist in his early twenties) with someone of lekebuschs standing is always an enticing prospect so >missed flight< looks set to turn heads from its billing alone. >missed flight< the track comes on like the perfect theme to the arrival of autumn. the tones are moody and the groove is linear, penetrating and eerily appointed. a kubrick-esque breakdown of pulses and space is the only thing that breaks the momentum and adds a deliciously creepy characteristic to proceedings. track two, >napoli 4am<, balances out its darker tinged predecessor with a shuffling 909 funk and playful groove combination that pairs up with subtly delayed hits deep fm synth work brilliantly.

>living it out< – perhaps the most unabashedly danceable song on janine >planningtorock< rostrons dfa debut album w – comes on (that is to say, seduces) in just the right ways. the song is all addictive disco, with synthesized string skitterings and rostrons voice purring out (she sounds like a futuristic eartha kitt here) a perfect melody that somehow gets even better at the chorus. its pure pleasure upsurge from beat-driven start to pizzicatto end, the kind of song that lets you know that, amidst rostrons many musical idiosyncracies, included is the ability to write a song that simply drags you out onto the dancefloor

the faceless artist, the nameless music. based in paris but with soul between chicago and detroit, rhythm& soul releases his first ep on monofunk. a release full of magic and soul , proper of the most respected nouvelle cuisine chefs from the city of love. deep house with jazzy touches and an amazing groove where each track becomes a deep future classic. >la jazzete< perfectly describes rhythm & souls sound identity. elegant drums, perfect melody and a bass line full of soul and three piano musical notes that repeats itself until it finds its way in to your dreams. in >midnight preacher<, r&s takes us to the most soulfull detroit. slowly progresses, with an impact full simplicity, to build up a 100% organic track full of life and plenty of funk. thats dope! damian schwartz (cmyk, apnea, deepdope), is our star guest. damian remixes brilliantly and unexspectable midnight preacher, twisting the track and taking us to the most analogic ghetto, maintaining the elegant melodies of the original track.

manuel tur returns to delusions following his recent classic most of this moment on freerange and proceeds to throw another whacking great curveball for those who have think theyve got his game sussed. its quite safe to say the last year or so manuel has continued to push and redifne himself as a producer, refusing to stick to one sound or repeat himself which has resulted in some amazing releases aswell as some fruitful collaborations. recent remixes for permanent vacation, diynamic and dixons philomena label all display his deeper, left-of-centre and more techno-edged sound. here on delusions we have the (bi) polar opposite in the form of the foolin ep. the title track is a beautiful slice of soul-drenched house which goes for a classic sound with simple horn chords, rolling bass and incessant claps spicing up the groove. a simple vocal refrain is spun in like a dj drops an accapella and once heard this will be stuck in your head for days. a firm fireside favourite with all of us here at dog. theres also an instrumental version of foolin for those with vocalitis. flipping over we have the traveller which sees manuel head down slightly more familiar territory with a heavy, lo-slung groove providing the backdrop for some axelrod-style strings and horns, live bass and floating vocal adlibs. a subtley haunting soundtrack feel pervedes as the arrangement developes but the relentless driving beats make sure this track never strays far from the dancefloor.

ten thousand yen is proud to present our new signing: presk. he weighs in with the sublime 4 track love again e.p. as the first ever 12 inch on tty. we first came across presk in eindhoven last year playing support for doc daneeka. he played a set of straight original material and tore the place down. since then we have heckled and begged until he finally signed his life away to us, and now that we own his soul we plan on sharing it with you. this e.p. comes correct for 2011 - with some of the most relevant dance music around right now, in our humble opinion. sharp edged rhythmic dance music with a distinctly techno lean - we really love the tunes and are super excited about this release, hope you are feeling them too.
comes with code for free digital download of this release.

the topic of >salome< fits the two producers kadebostan and laolu from switzerland perfectly. just listen to their prior releases on freude am tanzen, fenou or clap your hands. the melodies sway back and forth - dreamy and full of peace. the rhythm group plays along and only the most necessary things. and even though the vocal phrases retain their own character, they blend into this musical structure as if they were made for these tracks. the a and the b face show a masterly crafted arrangement. it would be a mistake not to listen to the whole, as one would miss the feeling to let yourself go. as usual, the lovingly designed 10inch record is a limited edition and numbered by hand

operating from one of the midlands most rejected and decaying brutalist structures, this new label is committed to vinyl releases. adapta is steve conner. steve began making music in 98 when he formed bitstream with his brother dave, releasing music together until 2008. after a 3 year break following a cycling accident, steve has fired up his analogue equipment again. his setup is constructed around a completely redesigned memorymoog from 1982, with roland and elektron hardware. everything is controlled via a custom designed interface, and recorded live.

the strut label returns with a brand new vinyl edition of one of the imprints most in-demand series, disco not disco, exploring original anthems and rarities from the world of reactionary 1970s post-punk and leftfield disco.
with the original two compilations released at the turn of the decade as a new wave of bands like the rapture and lcd soundsystem drew on the musics influence, disco not disco has since been adopted in its own right as a term to describe a whole genre. the compilation is more timely than ever in 2011 as a reference point for a burgeoning mainstream scene.
the new edition moves from new york classics by konk and bill laswells material to early detroit machine music, belgian new beat and a healthy dose of uk originals from shriekback, quando quango and more on seminal labels like y and factory. watch out too for rare gems from unexpected sources including japanese electronic pioneers yellow magic orchestra and 70s prog collective isotope.
disco not disco is packaged in a deluxe 2lp gatefold with featuring sleeve notes by bill brewster, author of >last night a dj saved my life<, extensive track by track notes and rare photos.

pirahnahead and diviniti, these names are synonymous with quality dance music. since 2004s >find a way< they have been two of dance musics most prolific songwriters (and even co-wrote a few songs for les nubians on their 2011 full length >nu revolution<). with each release they have provided powerful production, smooth vocals, angelic harmony, and overall, musical excellence. this time, the super collaborators return to the foreground with one of the best tracks of 2011, >(just like)a dream<. as the sixth release from whasdat music, this soothing track has been supported by the likes of vinny da vinci, ian friday, paris cesvette and neil pierce as well as phil asher (who included it on soul heavens miami sampler mix). also, joining in as remixers are charles webster and jose carretas. both have previously collaborated with pirahnahead & diviniti, topping charts on traxsource.com. (charles websters >learning to love me< and jose carretas >life in a box<). this release is a sure-fire floor rocker and a must have for any dj.

the mojuba sublabel a.r.t.less is very proud to present the debut album by detroit techno veteran martin bonds aka reel by real. after 2010s retrospective of his most seminal work including some collaborations with juan atkins and anthony shake shakir, these are the first new tracks under his reel by real moniker since almost two decades and it seems like it could have never been a better timing for it than now! these nine new pieces of music are showing their unique fresh colours of detroit techno in a way they could have been only created by someone like marty bonds who is always striving to find his very own way in musical creativity. this album takes you on a great multifaceted journey through one of americas definitive music capitals and the birthplace of techno narrated by one of its very own musicians and a true ambassador of its soundtrack! to support the scene of authentic detroit artists the cover illustration for this album was created by abdul haqq from third earth visual arts who is still (after more than 20 years) giving detroit techno a visual face with his artworks for the likes of underground resistance, transmat, red planet just to name a few! enjoy the resurrection of reel by real with this very special debut album

john daly continues his search for the beauty on house music. his own one track records label delivers number 6. and its another stunning release with an amazing emotive house track in the vein of larry heard and some early chicago masters that been exploring the more fragile side of house music. john delivers tracks that are emotive yet strong and even some jacking vibes in it and a fierce bassline that keeps the pressure on. the chant comes in two parts and are among the most beautiful tracks we ve heard in a while... part 1 is the original version with full on vocal chants, where part two is a sort of dub mix with amazing melodies. another stunner by mr john daly.

highly recommended! after the celebrated single >retro vogue<, restoration strikes back with a 4 track e.p. designed to blast the planetary sound systems. bombproof analogue music produced during wild sessions at the restoration headquarters.
on side a, blawan (r&s records), one of the most talented u.k youngsters, join the forces of the analogue cops. a1 is an analogue hand grenade: spacey, smashing, twisted. a2 is an heavy, jacky house excursion with delightful piano chords over solid raw beats.
on side b, mister ryan elliott (ghostly / ostgut ton) visits the analogue cops and the result is impressive. b1 is a forthright house track with a techno attitude, a sensual vocal hook runs over an huge bass drum with sharp hi-hats. b2 is an hard driving minimalistic sci-fi trip, dancefloor oriented but fast paced from trends.

early support from marcel dettmann, dvs1, shifted, lucy, par grindvik, tommy four seven, speedy j, asc, go hiyama, xhin and many more.
perc traxs transatlantic duo donor / truss return to the label for the follow-up to their >indifference ep< which was released at the start of 2010. since then they have recorded and remixed for a number of high-profile labels, most notably stroboscopic artefacts to which donor contributed an ep to the labels renowned monad series whilst truss appeared on the remix ep the preceded lucys debut album.
the four tracks that form >endo< represent a new peak for the donor / truss sound with each individual section working as both a self-contained track and a quarter of the entire endo experience. together the 4 parts join together to make a complete piece of music, stretching across 23 minutes and 2 sides of vinyl.

hotflush recordings presents the first new scuba single since 2010s landmark album, triangulation. since that release scuba has concentrated more squarely on deep, epic house and techno via the scb project, most notably with loss released earlier this year on aus music. that focus extends itself to the lead track of this release, adrenalin, which must be the most unashamedly dancefloor scuba track to date, while b-sides never and everywhere take the well-documented fascination with melody that pervaded previous scuba material to a new level.

canadian electro mainstay lowfish, lets loose a preview of his forthcoming >hypersensitivity< full-length. lowfish is gregory de rocher, and barring last years >memories…< album, a compilation of vintage archive recordings, this double-a-side 7 inch is actually the first new lowfish release since 2008. while his last 2 albums could best be described as serene and clinical, electro at its most austere, lowfishs return to suction records, the label he co-runs with solvent, also marks a return to a more melancholic electropop sound.

jazzanova lands on wurst! early dj support comes from soul clap, radio slave, dimitri from paris, ewan pearson, sebo k, rob mello and slow hands. weve done the unthinkable, scored the unimaginable, and wrangled none other than jazzanova (!) for an über-limited one-sided vinyl-only release. while >i can see< feat ben westbeech came out a few years back, filippo moscatellos most excellent disco version never saw the light of day - until now, of course. doesnt much more sunshine-filled and soul-drenched than this stellar take on the esteemed berlin collectives original, and we are both honored and humbled to get to work with both jazzanova and their label sonar kollektiv, and of course filippo himself, on this very special release. filippo moscatello started to produce music in 1994 under the dj naughty moniker, and has since gone on to work with labels like gigolo, eskimo, and moodmusic to name but a few, releasing the artist albums disco volante (gigolo) and pagliaccio (moodmusic), as well as the acclaimed compilation, one naughty night in berlin (eskimo). in addition to his production work, filippo maintains a club residency at cookies in berlin called luv dancin where hes played along special guests like moodymann, jerome sydenham, ata, bottin and loud e.

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

torontonian quartet, azari & iii have announced their debut self-titled album on turbo recordings / loose lips records / modular. it follows the release of the single >hungry for the power<, which erupted a storm of awe on the underground music scene, and a collaborative track >stay here< with friendly fires in 2010. the record is set to become the sound of a dystopian summer with their innately brooding beat and sordid-pop edge.
azari & iiis unique blend of moody electronica, dark yet hooky vocal choruses and analog-thick rhythms has earned them a hardcore following and sees this album as one of the most-anticipated in the calendar. the four-piece, consisting of producer/musicians dinamo azari and alixander iii with vocalists fritz helder and starving yet full, have crafted a defining sound that relishes in its references while maintaining a future perspective.
from the velvety refrains of >reckless with your love< through to the creeping melancholy of >manhooker< and the unhinged technopera of >undecided<, their album possesses an individual classic-future feel, with trademark lush synthesizations, biting soulful choruss and ominous overtones.
double heavyweight 180gr vinyl in a gatefold sleeve.

here comes the new echocord colour. after some big releases with luke hess, skudge, sebastien san, mikkel metal & resoe here comes the next bomb, this time by mike dehnert. this is the second ep by mike dehnert on echocord colour. we are presenting one of the currently most interesting berlin modern techno music producers today. he is founder of the label fachwerk records on which he is publishing under his own name. his live acts and dj sets are as remarkable as his productions and you wont ever hear him playing any self-pleasing or incidental grooves. mostly mike is playing his own unpublished tracks. he did just put his ability to the test within collabarations with clone rec and the clone basement series. for the new echocord colour he did 2 striped killer berlin flavoured techno-dub/house tracks, for all dancefloors out there. it also includes a remix by roman lindau

his single comes to people that make the music records from one of house musics most eminent production teams: first ibiza lady alla farmer, mateo & matos and ukrainian singer and producer vincent inc, chris gray from deep4life, jazzy house veteran john crockett and uplifting deep king brendan mccarthy aka aquatherium. though not stereo-typically their style, this set of tunes give good credence to their soft house music production ability. they set the scene for sounds entering as a funky bassline, squealy guitar riff, and classic 4/4 drum loop. john remix consist mainly of dubby bubbly conga rhythms, cosmic chords, floaty synths, musical saw tones and a nice rubbery bassline. aquatherium remix is pure non-intrusive, house music that is great for the sunset beach session or even the roller disco! chris & alla made eclectique deep house which is just a dope! the remixed single tracks have been mixed together to give it a beefy blend that would be perfect for the floor of many poorly lit dance dwellings. people that make the music has stepped forward with a brilliant ep of insatiable grooves.

supported by: tim toh, oskar offermann & edward, shaddy foul&sunk, boris hotton, andy weid, hunee,.. frank is back for another round. this time its frank music head poncho johannes delivering two heavy tracks for your dancefloor. we got a classic double-a side, personally stamped in a basement and limited as sunny days last summer. first there is >rough rough raw< ... well its rough and its rough and its sort of raw. dubby vocoders, 909, rave breaks, you name it! second is -way out of sight- which got a fuzzy bassline, little trance moments for maximum party pleasure and some more dirtness in between. this is most probably slammin muscle house for skinny jeans boys. to sum things up: basement is not a crime! our good friend tim says: a few days ago i listened to an old cassette from the year 2000. >roughroughraw< really contains the spirit of this time. the right tune to start taking some >e<s again, smoking a joint and gettin nuts on a tiny dirty dancefloor. underground ish for sure... and same for >way out of sight< especially the first chord of that synth, which reminds me on michael jacksons >thriller<. thank you and turn that swagger on!

standbite music surprises us once again with a very solid techno ep. fatima hajji selects the artists she s likes the most and looks not at style but to quality which results in a once again very diverse ep featuring killer tracks from all techno genres. enjoy the sounds of cristian varela, petduo, fatima hajji and last but not least darkrow.

deep space orchestra having been forging a nice niche in a modern take on house music, blending, disco, detroit and chicago influences , and here at tracky bottoms, we cottoned on to one of there deepest tracks to date mass illusion about a year ago now ! its taken a while to come to fruition , but the stolen future ep is here . mass illusion it self is probably the track gaining most interest , probably because it has achieved the difficult task of being very deep but also quite anthemic , also featuring on the ep - stolen future harks back to early carl craig vibes , with a ruff ass beat driving the synthy techno , theres a remix of this from label boss toby tobias who takes it in a more loopy chicago vibe and last track witch doctor has ethnic hypnotic quality about it , but with some added dynamics by toby who edits it for maximum dancefloor reaction

for the second remix sampler we have dosem from spain - every fan of electronic music will be aware of his recent productions on tronic or sino - finding the perfect balance of melodies and dancefloor-appeal once again! with his moody approach, nick curly (together with production partner gorge) from the now-famous mannheim area, pays respect to the melodious vibe of the original track delivering another highlight of the package. last but not least we have a remix by one of the most recent break new soil contributors: patrick siech, truly one of the producers of sweden s new school of techno, chose echelon and transformed the already massive original into something even bigger.

so summer is here and the time has come for two of the finest swiss djs to come together to present their debut 12 inch entitled >kassandra ep<. both wandler and mastra have released a number of solo eps on a number of swiss labels including the infamous motoguzzi records. zurich based wandler and bern based mastra are both constantly playing in the swiss circuit holding down residencies in zurich at zukunft, the hive and cabaret. having said that these two are no strangers to the formula that most djs seek when hunting for the bombs necessary to make a set magic. wielding a smooth sense of linearity and accessibility these two have truly crafted three cuts essential for the late night session.