stolen kisses recruited hakim murphy, a rising star of chicagos house scene, for its first kiss. >infinite sensations< is rather unlike his previous work, a dark and moody track driven by salvos of cutting percussion that give rise to glowering synth progressions and ominous blooms of sub-bass. its paired with two remixes from los angeles santiago salazar, the ur-affiliated artist, currently blowing the doors off for his own historia y violencia imprint. his s2 grind remix tunnels through the original, finding hypnotic techno bliss in vibrating synths lines. the jangling s2 sucio remix gets hips shaking by focusing on the tunes lighter side, whirling around chipper motifs with a distinctly latin sensibility.

supported by: richie hawtin, timo maas, gel abril, joris voorn, stacey pullen, butch, kabale und liebe ...
cocoonclub-resident skai and label scenery darling m.in acclaimed for his work on labels like loco dices desolat and off join the circus records family with the release of their mediterranean flavoured ultima tromba ep. the release sets off a new era reviving the label itself in cooperation with darmstadt based club magenta, skais home for his monthly event re:fresh. with a stunning original gaining early support from the likes of alex flatner and mark reeve the ep is backed with three remixes. whilst dragosh serves us with a reduced version of the original in his hailed desolat style, remercs approach finalises with a tech-house bomb in the way his recent productions on labels such as trapez or off jar the dancefloors. label-head mikel closes the package with an accentuated make-over of the original version representing the house heads on this ep.

a young man is walking day by day looking for himself through the true story of house & techno music, by his two real analogue prayers, >tribute to japan< and >young man and unconscious house<, we can see the suffering and the joy for an inexorable evolution. all his work is accompanied by the magic of the strings and the music is always thanking all the maestros from detroit and chicago that are more than a dream for his visions, but true guides to learn the truth about the music. these are the new strings prayers of an italian guy.
supported by: alex picone, angel molina, slam, doowmork, dirty doering, dj qu, mathias tanzmann and many more!

it is with great pleasure that we announce the release of our very first vinyl compilation on acre recordings.
we are proud to present music from funckarma (djak-up-bitch, ad noiseam), ben milstein (touchin bass, pyramidtransmissions), phausis (rebel intelligence) and c. mantle (handsette, spacebar sentiments).
the release has been mastered by the highly regarded denis blackham of skye mastering and the audio quality is, as we wished, extremely high. the cutting is by mobineko - also excellent quality and not hyperloud. the 1950s influenced constructivist graphic design work is by lawrence clift.
this is a limited edition of 250 copies.

***vinyl only*** some of you might know nycs marcos cabral from his work as half the duo runaway. together with jacques renault, runaway has stacked up a slew of releases and remixes over the past few years. the labels theyve worked for include, dfa, rekids, wurst music co, chinatown, im a cliche, crue-l, mule, endless flight, need want, fina, solar disco, aus, under the shade, plant music, turntable lab, spectral, playout, permanent vacation, nervous, ohm, tartelet, and their very own label on the prowl. their resume is very telling of their musical abilities. this year, marcos has decided to push the envelope even further and create something a bit more personally reflective…his new label hamilton dance records. just as the label artwork foreshadows, the presentation becomes blurred. edits, originals, creative sampling, its all lumped together with a certain vision. special dance-floor tools being the most obvious

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

bnr062: jan driver - amt jan driver is back with a 5 track ep >amt<. after his much anticipated >gain reaction< ep and mixing behind siriusmos album he started to work on a full lengh album over the last months and these 5 tracks give you taste of what will come at you later this year.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngräber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngräber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

toronto based noah pred brings back the funk with his clever brand of booty shakin swung out techno house. noahs style has gone through many stages of evolution of the years having recorded for a ton of different labels over the years from consigned, intrinsic, morris audio to his own imprint called thoughtless. this collection of tracks is by far is grooviest work to date definitely fitting bulls eye into the sound palette of cynosure recordings. lesser lights, remember the embers and all day long were all meant to fit together all having the same elements of what makes a great tech house ep. funky swinging drums, hip flexin bass and a blinding lead hook. noah achieves this with cunning style and brings the minimal funk back where it belongs …

ultraphat house classic, super deluxe dj friendly 2 x 12 vinyl package. 2007 remastered copies, can house music be better ? i dont know, but without any doubt this one is highest quality house music. btw, written & produced by little louie vega (masters at work)... any questions?

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

there are few artists who manage to successfully develop a signature style that not separates them from the rest. aybee is one of those rare few that has managed to conquer a range of styles within his work from soul, techno, house and hip-hop under his many monikers. this time we see the us artist team up with miles sagnia for two cuts each on the eternal radiance ep on sagnias atmospheric existence imprint. taking over the a-side, aybee serves up >a glance< which oozes with classic us house charm. acoustic piano chords and are layered on top of a chugging bassline and electronic melody, tightly produced and melting in its warmth. >isis< gets heavier with a more underground vibe of crashing echoes and tinny drum arrangements. on the flip, sagnias >journey 2 forever< fuses multi-tracked choral chants, the impeccable sound of the hammond and a rapid techy groove. his visual foci reprise of >journey 2 forever< ditches the chants, instead opting for a sensual male vocal

mother focus is their 1975 studio album which marks a departure from the progressive rock style that dominated the band s prior work, to a poppier, often disco influenced direction. it is focus last studio album that features the notorious jan akkerman on guitar.

perfect for fans of ricardo villalobos / perlon !!! just when we thought that thomas melchior and peter frank adshead had hung up their soul capsule boots and settled on sporadic solo work, they come belting back with two releases in a matter of months on peter fords trelik label. >deep dawn<, up first, is typically soul capsule. dark, twisted techno thats made for dark spaces and dark minds. sporting low, reverbed basslines that throb along to breathy and indecipherable vocals, >deep dawn< and <new day dawn< project the same eyes closed, foot stomping attack on their listeners as each other

remastered and re-issued house classic produced by louie vega, including remixes by asters at work and ken lou.

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

we met fred ventura in 2006 over emails sent to italians do it better headquarters. he was one of the first people from europe to start writing the label prior to after darks release. it took us a few months to realize that this was fred ventura, the cult italo legend from milan. like a true gentleman, he had never bothered to mention it. since the early 1980s fred ventura has released numerous singles in europe & toured the world extensively as a solo artist. last year, johnny was in bologna on tour with desire & fred came out to the show to drink champagne & bring us some copies of the reissued tapes of fred’s early post punk group state of art. the lightbulb lit up & we asked him if he had any home recordings of his solo work. months later, he sent us 83 tracks of cassette recordings between 1982 & 1987. they had been sitting upstairs in a dusty box at his parents house in italy for the last 25 years. these tracks have only been heard by a handful of his closest friends. we were completely floored & honored! finding a beautiful treasure completely untouched & preserved is so rare. the songs are raw & honest written by a romantic with a love for an anthemic chorus & a drum machine running through his veins. think early minimal depeche mode with an italian heart. ornew order covering madonna produced moroder. yes, its that good. here we have the first official italians do it better release of these songs on a 4 song 12inch ep. this vinyl only release is a teaser for the >dont give up< 18 track lp out in a couple of months. so in the meantime, slip on those gucci loafers, rev up the alfa romeo and head down to the discotheque because life is too short

split secs are alexandre mouracade & tk disko direct from los angeles, california. their name came out of discussion amongst friends about how anything can change in a split second and how much power and effect the smallest detail could have in any song. both fun loving long time djs and avid record collectors, they are putting their years of experience to work with numerous forthcoming releases on labels like on the prowl / nyc, smash hit music co., and much more to be announced very soon. their first ep is released on dj kaos imprint jolly jams out of berlin germany.

coming just in time for the festival season, mindshakes newest release contrast ep by john lagora features the summer groover and smash hit single, >sommerblatt<. >contrast ep< features three brand new tracks from emerging new talent lagora. in the last few years john lagora has done work for more than 10 record releases on labels like fortek, skript music, choke & eruptive, material series, frequenza, intermission ltd. and many more. john has now forged a new and profound relationship with the newly energized mindshake label adding his unique flare to the labels discography

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

somewhere between center parcs in nottingham and the white sandy perfection of formentera reside two men dedicated to the art of horizontal dancing. their mums call them ampo and timm (funny names, those notts lads), though we know them by their collective name of coyote. in their minds eye, it is still 1986 and there are leathery looking germans with alarming posing pouches dancing to simply red records on the shimmering terrace at ku club while down the road alfredo is building his legendary reputation at amnesia. apart from the clued-up few, most of the brits are billeted in san antonio where the beers are cheap and the sunburn is plentiful. coyotes music, despite being produced in the east midlands conjures up a world of sun, sea and 80s glamour, while still sounding very much like today.

part 4 in the acid test series from absurd recordings drops from berlins holger zilske. a pure analog jam using just a 303, 101 and a 808 - its a slow pulsing bass heavy acid work out. comes with remixes from john tejada and stockholms axel boman. initial pressing comes with download codes in handpainted sleeves (represses will be sans download code in generic sleeves).

a true master of the deeper arts, phonique has, since his first steps into the world of production back in the early 2000s, become synonymous with and eulogised for his beautifully cultured productions. labels such as simple, buzzin fly, souvenir and of course systematic have all played host to his music, but it s his work for steve bugs dessous imprint for which he is most renowned. first up is phoniques solo production, >2 my jungle< which sees him step into jacking tech-house territory. lovely open hi-hats are paired with the punch of the kick drum. a trumpet riff enters the fray, backed by the grooving throb of the bassline. its vocal samples are twisted and filtered throughout as phonique creates a wonderfully trippy summer anthem. on the flip he teams up with desolat badboy, guti. still riding high on the wave of support for his fantastic debut album >patio de juegos<, the argentinian producer phonique show just how much fun they can have in their electronic playground. beautifully deep and with a lush rhodes melody, >divertimento< entices us with its sultry summer vibes. a polar opposite, yet complete match to the a-side

we are all very excited about presenting the new catalogue for apparel music limited. we decided to offer our fans an alternative point of view to complete our distribution package. kisk, this time with the help of gennaro mastrantonio, is developing a new concept designed for a bigger dance hall. whereas apparel music covers the daytime, warm-up and after-party side, apparel music limited represents the night in all its different shades. we have chosen francesco gemelli to set our experimental work in motion. francescos classic vocal house music takes us back in time, as if disco music never died and the 90s still had something to say.. the aggressive, uncompromising rhythm of spin my mind melts into the love sounds of she loves the 80s, as if travelling back in time were not enough, as if modern times were in the past and the past was hic et nunc, here and now. ughl revamps the visuals in a deep house version of she loves the 80s, turning it into a very up-to-date track, while gennaro gives spin my mind just the right trajectory for limited edition.

fantastic remastered reissue of the original solar sound 12 inch release of nightlife, a stone-cold rare groove classic from blackbyrds guitarist barney blair perry. an absolute gem of a record that has become one of the holy grails of the scene going for mega bucks on the rare occasions copies surface on ebay, discogs etc. recorded back in 1978, nightlife is simply stunning - with phat bass and a wonderfully soulful groove that never fails to ignite the dancefloor and superb guitar work from the masterful mr perry. if that wasnt enough, the flipside features the equally beautiful deep fusion sounds of >virgo princess<. quality music and an essential purchase

seiji – the much-lauded and respected producer from west london – returns with the penultimate part of his 2010-launched seiji series. having successfully explored a career path thats established him as a founding member of broken beat originators bugz in the attic, a key artist for the seminal jungle/d n b label reinforced, a downbeat solo artist for sonar kollectiv and a producer and co-writer for the brilliant roisin murphy, in 2011 seiji is a man focused squarely on the dancefloor. the seiji series is just one part of that with seiji stripping things right back, identifying each release with a simple number and putting all his energy into creating music that he truly believes in. a merging of sounds and influences that have always been with him, but have never sounded so right – encapsulating everything thats exciting about the underground uk scene at the moment. as with the previous two releases, seiji 4 is a double a-side focusing on the current uk house sound, a bit soulful, a bit funky a bit jacking, with two solid heavy grooves that are going to work on any house dance floor. no other has a really soulful vocal sample, a rolling reese bass riff and percussive uk house beats. easy is more of an infectious skippy house groove with a chunky bass hook and deep techno pads

southern california meets saturn in the first of a small series of sun ra interpretations. straight out of poobah records in pasadena, ras_g sets the bar high for this with a breathtaking version of the 1971 track >nidhamu< over a year in the making and his longest work to date its suitably fitting counter to sun ras futuristic synth revelations. bespoke cover art for each record of the series comes from stephen serrato.

bedmo disco have been doing some fine work and launch their vinyl series with an ep from rocco raimundo. superb boogie bizness

this time splendid lo-fi come up with a little and powerful v/a: rio padice is up to skies right now, nothing can be high enough to stretch out his hands and grab it. with vixen he has done his finest work and brings us deep and rough sounding analog and mature simplicity. a sound like a fox roaming thru the dark forest. a pure 909-sound meets a butter packed bassline. this is ment to be very classic stuff. a concept also steinwiese has arranged perfectly. a lusty and classy piece of very crackling music for the vinyl. on black bird a crispy bass and a strong chord are taking us on a ride and show the same forest from above. this one is definitely for the nighttime

2nd strike by the moensters on their own playground. charming, melodic originals combined with superb remixes from end of tape and daso (systematic, stil vor talent, connaisseur, my best friend).

hallucination limited delivers a limited edition vinyl only release from none other than fellow new yorker… zev of wolf + lamb. gathered here are zevs strongest outings for the club since the brilliant >forget the world feat. beckford<. we dare say this is his best work to date with >queen of hearts< being one of the freshest takes we have heard on good ole house music this year. pushing all the right buttons, but also some most would never think to. queen of hearts feat. panu moon the initial groove instantly does what all great house does, but what follows are the contemplative vocals of a showman on the road via panu moons soft country drawl… playfully tweaked by zev adding an edge without taking away from panus croon. an unexpected techno vibe begins to ebb and flow over the groove yet it all magically stays together through the voice of a man searching for the queen of his heart. its house music with both an edge and sense of humor not unlike paperclip people, but in a vein more akin to >every now and then< by ralph falcon

new yorks dream team return with a three tracker of floor-friendly deep house and techno. mr saturday night himself eamon harkin and steve oneauff raney have been relatively quiet since the release of their >word to the wise< ep last summer, but they have been busy. in the few months since harkin & raney released their mix of corinne for on the prowl/scion av, they have been hard at work in the studio, mixing with nick chacona (mood music/wurst music company), djing, and working on solo projects coming soon on throne of blood!

james blake returns to the label that gave him his debut release with two brand new sub heavy club tracks. hemlock were responsible for his air and the lack thereof single back in 2009. neither >order< or >pan< have appeared on blakes soulful, electronic self-titled album from this year, the new material sees the return of blake into the more sparse, experimental and wobbling bass heavy sound of his earlier work

nice price deal !!! nice price deal !!! nice price deal !!! upps he did it again! rock n roll comes back to stock5!! or is it heavy metal? we dont know but its fat and its from ahmet sisman. but instead of bleeding out the same ideas again and again, ahmet presents a totally new side of his soul. his beat gains a lot of power and presence, fewer sounds do more without losing the typical sisman atmospheres! the young artist from essen knows nowadays how to interpret and manipulate tendencies to his very own style! and as usual great work and for sure one of the seasons big surprises

ranging from melodic to a bit heavier work this tevo album is an ideal little update to your house collection. lots of chicago and a well sized portion of acid in it!

with davidchristoph we have a fresh, fulminant dj battle, which stands for extravagant work behind the decks! feasting up to the point of ecstasy, dancing in great profusion and music that forces you to move your body, are just 3 maxims they act on

supported and played by: seth troxler, anja schneider, adultnapper, anthony collins, audiofly, daria, deetron, franck roger, julien chaptal, kabale & liebe, lee jones, marco resmann, matt star, silicone soul, stacey pullen, .... the yangango ep shows you two faces. on the a side with the deeper cut >too big to fail< and on the b side through the bassline driven and euphoric title track >yangango<. both tunes are quite complex and geniusly arranged and at one point you can fly away on their crazy dynamic. the digitaline edit of >too big to fail< puts a new groove in front, takes it a bit more on the tooly side and highlights the fantastic synth work of the original mix.

big with: sebo k, ryan crosson, dario zenker, lee burridge, shlomi aber, seth troxler, lee curtiss, brothers vibe, reboot, karotte, dubfire, mathias kaden, ellen allien, ame, joris voorn, .. italian born alex picone has been an integral member of the bass culture family since the label launch. his thai ep, our second release, found critical acclaim from both djs and dance press. backed by its chris carrier remix, the ep gathered strong support from the likes of loco dice, luciano, tiefschwarz, dj hell, ame and more. alex was soon following his ep, with a remix for arnaud le texier on ivory machine ep from bcr005. again receiving huge praise and support from his peers. when hes not at the helm of the bass culture express, alex can be found releasing work on such highly acclaimed labels as cadenza, bosconi and tenax. whilst his output may not be as prolific as some, each and every release stands the test of time. this may be down to alexs unique and unnerving ability to cross genres, however we feel its simply down to the unrivalled quality of his productions. a quality that is once again in evidence on his, en pensant ep. four wonderfully varied original cuts and a summery phil weeks remix that range from the smooth as silk, vocal-lead title track, to the deep and elegantly twisted coco verde.

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

well known from a couple of releases and his last album >the tracks are alive< on freerange records in 2010 dave pezzner brings out his first ep on 8bit records. he comes with a wonderful deep 4 tracker perfect for summertime showing all his talent how to work with rhodes chords and melody hooklines in a way you might never heard before

here comes the eighth release in the line, pressure cooked by christian wunsch. three slices of fine modern techno, but with strong roots on tradition. buried mistakes opens fire with clean drum programming and punchy beats. spacey arpeggios and subtle drones are the makings of this movie. on the flip side, complete surrender uses similar rhythm coordinates, clean percussion sounds programmed with extreme taste, constantly evolving until the strings come in, creating a sci-fi futuristic mood, perfect for techno travellers. inevitable war is the last piece slower tempo, intelligent drone work out, dark atmospheres lying on a single kick, growing to make a complex beat as the minutes go on. they call it deep techno out there. a departure from the hard edged sounds on behalf of a mental way of understanding techno.

mule music happy to announce the joe claussell remix of kuniyuki >all these things<. we have been waiting almost 4 years…. we have asked him when we were going to make the remix package kuniyuki-remixed. now finally his remix is arrived! joe claussell invited his favorite instrument player and let them re-performance the original version of kuniyuki. the remix is 22min which is composed of 7 parts.the first half is quiet and beautiful,then after the speech of martin luther king during the break,then emotional second half come. we think this great remix is one of the best work of joe claussell. on b side,kuniyuki made self ambient version. the painting of record sleeve is by kuniyuki father! so dont miss this beautiful record.

the still sound remix 12 inch sees one of the stand out tracks from toro y mois critically acclaimed sophomore album get a reworking from the electronic mastermind that is toby tobias. on the flip side we hear work from a new name, voodoo bear aka khaled bourguig, a french graphic design student who started making music 6 years ago. initially inspired by hip hop, khaleds voodoo bear project blurs the line between electronic and organic music.

pattern select aka milton jackson and show-b have gone well and truly back to the raw on this, their first collaborative work together and debut ep for delusions of grandeur. both producers have been busy on some top quality projects just recently with milton jackson remixing recloose for planet e and show b producing for robert owens on compost. the pair met at a party in munich, promptly fell in love, and soon enough pattern select was born. kicking off tale of the tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. tale of the dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

after the great 12 inch by sirko mueller its time for the next adventure of our beloved goldwill boys on mojuba sublabel wandering. with their new record they teamed up with some vocal support by lazarusman from southafrica and deliver a conceptual work called >when we< where one mesmerizing main theme is taking three different approaches to stimulate all your musical senses. from serious rocking dancefloor action via deep relaxed house grooves to sparkling ambient sounds! enjoy the music!

get ready for a new stunning ep from electric deluxe mastermind speedy j! with shoegaze ep speedy j has created another incredible body of work. a snapshot of a process, a form that emerges without intention - half dreaming and half awake -shaping relentlessly pulsing tracks, vibrant and effortlessly contemporary

welcome back sebastian s solo work! after the excellent his first mix cd wa wu we and first solo ep voices around the fire , he came back with two excellent songs. on a side, alva is dubby, psychedelic house. it sounds like more techno version of omar-s. this track will be great dj tool for everyone. on b side, lyssna då björkarna viskar is peaceful ambient house with the sound of bird s singing.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right