electric minds are proud to have ilija rudman for their 8th release. ilijas repertoire is already extensive having had his productions released on labels such as rong music, infant/2020 vision, compost, love is war,deep freeze, bear funk and of course his own label red music which he runs from his base in croatia. his work has been recognised by industry greats such has greg wilson who commissioned his remix skills for his >after midnight< track as well as rave reviews in magazines such as idj, dj mag & mixmag.after that ilija and greg decided to do an original track under alter-ego , yolanta sy , the garden ep. ilija delivers two deep house disco tracks for electric minds. the a side >ocean colour< is reminiscent of metro areas early work and delivers a driving bass line with added synths to keep the track moving along nicely. for the b side ilija thurns out his remix skills on chaz jankels >youre too funky<. after hearing yam who?s original version ilija asked to remix this track to this package a double a side release. the remix brings a deep house

unreleased disco soul from new orleans band, a side is a short but sweet single that pairs the soul disco styling of earth, wind, & fire with the cool crooning of bill withers. there must be an answer is somber ballad lamenting lost love. this dramatic track is characterized by its dark piano lines and is accentuated by post doo wop vocals reminiscent of the temptations.

sexplosion, the new ep from lenfant terrible of sophisticated techno, seth troxler-here recording under his debauched alter ego sex trothler-is a complex, multifaceted, and yet decidedly horny affair. these are the sounds of doing unspeakable and anonymous things to girls in dark backrooms and being too confident to regret it the next day…the sounds of your favorite sexual memory transformed by your overactive fantasy life into scenes of utter perversion. the first track, jusyour, combines troxlers signature use of the classic, organic sounds of detroit house and techno with an avant-garde, fragmented, almost mournful sensibility. its a contemporary jack track as appropriate for a dark, seedy club as it is for an afterparty orgy on your friends broken futon. its almost as if music could yearn and sweat and think all at once. its followed by a brief vocal internude to remind you that being a good lover always means having enough of a sense of humor to laugh at other people laughing at yourself. think tinkertoys meets the wu-tang clans black shampoo. humor aside, the final track, face, utilizes airy percussion and deep, almost cinematic chords (reminiscent of troxlers remix for another precious youth, nicolaas jar on new yorks wolf+lamb label). its masterful and restrained use of processed vocals manages to leave behind so much of the pointless darkness that has plagued techno, whether minimal or otherwise. it builds slowly yet aggressively, like a hard, focused grind with someone you cant actually even really stand. this is music for people whose time at art school was spent getting naked and not hating themselves for it.

ndatl muzik continues with its second release power thru pt 3 from label honcho kai alce with haunting vocals from azulu phantom. this actually has been floating around the waters of atlantis after missing the cut on kai alces debut the kaizer e.p. on tracknmode in 2002. after the original has been played by some the worlds elite larry heard, theo parrish, moodymann, funmi ononaiye, carl craig & karl injex . it now resurfaces with a new redefined energy from frances mush, who approaches power thru pt 3 with a new refreshing classic minimal feel that brings new life to kais already timeless chords & production. mush teams up with saxophonist daniel brothier to give you a dub very reminiscent of the conversation. the 12 is rounded off with more 2 come which its deepness embodies its title

panorama is loose disco funk of the rawest kind with flying cymbals and a live drum sound reminiscent of brooklyn's pioneering p&p productions, a bassline making the highest tower crumble, an abstract latin breakdown that rises the temperature level to almost unbearable before moody detroitish analogue sounds take you somewhere else

shifting gears is a stand out track from headthrash. riddled with dj trickery the stanton warriors remix is already creating fever pitch amongst the djs lucky enough to have a copy. a fusion of funk riffs, urgent disco stabs and hip hop vocals driven by one of the warriors trademark basslines. heavy and epic, positive and optimistic. on the flipside rocket soul has the classic signature plump sound from start to finish. reminiscent of their hugely successful system addict and looking like it will rival in popularity. we have upfront copies in store now.

produced by matt jam lamont teaming up with chicago legend tyree cooper. the man who brought us from acid house to hip house returns in fine voice, with a groove reminiscent of mike dunn, uplifting beats for those who like to move it.

glaswegian alex smoke aka mr. menzies, the man who helped kick start vakant in those blissfully uncorrupted early days, returns with a fresh no-frills attack since his last hanged man ep, va013, 1and half years ago. a sides whirrfless funky abrasiveness stomps heads in a way alter ego would if they were happier people and saw more sun. b1 fud paces along with sprightly spring in its step half cheeky, half roboadventure reminiscent of the early days of perlon. b2s onomatopoetic flingclunk zealously jacks for itself. it is all glory minus the glam and trans-fats. smoke, adding to the current relentless vakant onslaught, makes every reveler feel as limber as 14 year old russian gymnast

mri first came to prominence in 2000 with the release of the ground breaking rhythmogenesis on forcetracks and his acclaimed mille plateaux productions. due to the massive reaction drawn from the contribution on the latest 12, take kare not acid, mri returns back to the resopal imprint with two new tracks to redesign the past and further the future. title track bateau is a banging builder that is reminiscent of the current house flavored tracks but resonates the touch of classiness and depth of mid 90s reduced techno arrangements. decayed bassdrum, pad, chords and a break - distinctly marked with modern hyper percussive tendencies, based in between house and techno soundscapes this a-side is a pure bomb. the flipside ivre by all means reaching the dancefloors of today. cascading rhythms build subtly behind the fuelled drive of bass, and druggy vocals fully defined by mris signature formula. all in all, bateau ivre tunes up in fresh formula towards techy driven reduced microhouse, bring through a soothing and completely refreshing 12that will be sure to please old and new fans alike. ltd. stock

trouble in paradise is a pure testament to the roots of r&b flavored vocal house. in the danism vox the sweet simplicity of the standard boom & clap intro is well paced and leads into the funky bassline, while the enchanting chords set the stage for the outstanding vocal performance of sean williams. his r&b flavored, distinctive phrasing is mildly reminiscent of john legend, however, seans earthy quality shines through. the passionate & insistent lyrical melody never fails, climaxing into panoramic bridges while the memorable bah de dahsintermittently dot the production. its texture is a reminder of sophisticated nyc funk a la early 80s prelude/west end/sam records with a modern house feel. djs, if you want the ladies on the floor, trouble in paradise (danism vox) is the one to drop!

swedens speedmarket avenue are a a pop music collective led by a little guy who looks like a cross between charles manson and marc bolan. their new album is, without a doubt, one of the musical highlights in 2008 for all pop lovers! their debut album im going to let my new swiss army knife answer to that, was packed ful of jangle pop reminiscent of label 53rd and 3rd. the band have played various european festivals and collaborated with camera obscura on their lets get out of this country album thanks to the mutual connection of producer, jari haapalainen. under his direction, they ve now recorded their second album, way better now. an absolute beauty from beginning to end replete with precious pop melodies in a non conventional way, imaginative arrangements and an omnipresent trumpet. limited to 600 copies on vinyl.

very limited pressing of 500 copies only. this is a spacial one sided release. tiedye remix the all girl indie group rubies. guest vocals is fiest). its an absolute balearic disco workout that is rather reminiscent of their fellow swedes studio...

its ireland hottest techno label again and the goodies they ve got prime to spurt out of the old sac are pretty tumultuous. take this outing from heretics of disko, which is label boss desy palmers floating project which here sees him working with robbie dunne aka spectrum is green on a track which first appeared as part of the hold it down magazine compilation a couple of years ago. the two new mixes come courtesy of finlands lackluster bouncing around like richochet rabbit in a disused robot dump and japans yukio taking more of an electro route with percolating percussion to arrive at some engaging oddball alien funk. a diff kind of brotha is concrete soul collectives kenny black remixed by japans katsuhiko putting the female voice through a blender studded with clicks and efx plus leeds nasty bobby, who stretches the vocals savagely over chattering groove reminiscent of psychotic robo chipmunks confronted with david camerons knackers. maximum quality again.

dj-support by adam beyer, alexi delano, paco osuna!! on his 2nd ep on aesthetik brian james shows his true colours. dark, deep and stripped down techno with a solid old school, almost chicago-esque feel to it. rubber doll instantly grabs you through its simplicity and efficiency. pulsating beats, a mental bassline with a slight bleepy feel to it. a true techno dj s delight. madrid s techno maestro xpansul turns rubber doll into a harder edged techno stomper. edgy technoid sounds and xpansul s trademark dark rhythmic craziness makes this track essential to any self-respecting techno jock! panic in detroit is again a typical brian james throbbing techno piece for when dancefloors go into >mental mode<. bubbling custard takes a more experimental direction, reminiscent of early dark model 500 tracks, but jacked up in brian s very own wickedness.

played by: richie hawtin, dj hell, dubfire, monika kruse, onur Özer, gabriel ananda, karotte, italoboyz, dominik eulberg, gregor tresher , chris liebing, d. ramirez, sebastian leger etc... the follow up to >elements 1of 2< starts with >wind<, a strong epic old school monster of an acid track, with a cool chicago flavour, reminiscent of lil louis, with cool ups and downs, that have set the dance floors on fire around the world. >earth< the flipside track is a stripped down mover, quite drugged out and shivering in itself, having a much stronger new school touch to it. it is as bass heavy as we have experienced with all of the releases of butch

nice price deal !!! chez music presents rob salmon triumph. a strong organ led track that brings back an early 90s house vibe reminiscent of a vintage maw dub with comtemporary techy influences. scott wozniak (defected / king street) hot off his dj gomi glad i found you remix takes things up a notch with a slamming dubby/faya combo styled version. a classic in the making!

a funky peak hour pair of goodies. doo kicks off the ep with its rubbery bassline, keys, jerky rhythm and sustained strings that provide the male chant, doo doo doo a comfortable bed to bounce on. the meat of the track contains a lengthy piano solo by antonio di mauro driving the point home. full of drops and fills that build the energy then releases it ferociously. anthem is exactly what the title suggests. it is another 2am jump off (musically that is!) jam. the deep bass & dense kick supports the 80s styled chicago jackin snares, the persistent hi hat and intermittent piano strikes meshing well with the watery bleep sounding keys and string stabs. the melody of the bass gets redirected as the twinkling keys create a sense of tension for the samba ish breakdown. nimble fingered, antonio di mauro is at work again, producing a sound reminiscent of patrick adams styled keyboards from his legendary phreek lp. ends cold. supported by: dj spen, deli g, roger sanchez, joey negro, dj pope, kenny carpenter, franck roger, dj yass, master kev, mark stone (udm show), groove assassin, sven love, davidson ospina, dj dealer, timmy vegas, dan (liquid people), deep josh, danny marquez.

4 mad tracks on this hot new amsterdam label.. the bootleg bitches are well on point with this varied and lively 12 of house / techno action..>dream bitches< is reminiscent to larry heard’s music.. very nice!

phonogenics >postcard< is slow burner, building and rising to a eventual climax of melancholic underwater deepness. this song will no doubt be played by those in the later time slots and anyone who wants to add a little journey to their mixes. our main man dex aka dave barker is back with another slice of some quality melodic quirky goodness. >yikes!< has a very chopped up funk/soul feel mixed with solid house beats. studio trickery and a hidden japanese opera helps the track evolve from its soulful beginning to another world entirely. finally, we are very pleased to bring you the first of many musical efforts from amantu wilde. not much is known about amantu as he is a bit of a recluse and does not offer up much information about himself. >g-g-got my eyes on you< is a very retro sounding track reminiscent of some classic new wave jams. pseudo industrial percussion and excellent filter work make this track something to remember. something strange for sure but we think people will like the break from the mod rn sounds

dj dynarec has continually created tracks that jar the mind and stir the body to move or imagine a futuristic world. dynarec kicks the ep off with pneumatic transport the strings are reminiscent of early cybotron and model 500 with strings cutting through your speakers while still being classical with a detroit darkness.

brand new release from madd chaise inc. with more of a techno edge than previous outings. we think this is one of the most promising labels coming from detroit at the moment, along the likes of fxhe and underground quality - so do not sleep! >come with me<, the long-awaited >moonhacker< and >solitaire< are definitely club bangers, while >we are< is reminiscent of old skool soul sonic force. a carnival of funk, foot stomping, pulsating grooves

nice price deal !!! rooster p incognito s debut ep, two tracks of deep, warm disco. >swing ratio< is pure class late nite wobbly disco, reminiscent of daniel wang old balihu sound, a similar loose feel and swing but with an added hybrid electrofunk touch. flip for >love deluxe<, a sweet and beautiful early doors space groover. should fit right in with your 80 s dubby, disco or metro area faves.

earlier support comes from ewan pearson, funk d void, satoshi tomi, tiger stripes, troy pierce, laurent garnier, danny howells and many more.. the tenth release from aus music is a tasty little bomb from sian to kick off the new year. graham goodwin aka sian is a dublin native raised gypsy style in southern spain. he released two albums and many singles on labels as diverse as pokerflat, dessous, karmarouge, dirtcrew and einmaleins. wear your scars like medals - has a very different vibe to sians first outing on aus, his lush, melodic >apple tree<. >wear your scars< is an all together darker, more brooding affair. with no bass line to speak of and sirens and toms carrying the majority of the melody this can be classed as a truly tribal excursion. roland appel remix - taking the pitch of sians sirens as the melodic starting point roland builds a hypnotic deep techno track that is reminiscent of early planet e releases.

the united forces of restoration are ready for their second battle. on side a two detroit reminiscent techno tracks with chigaco influences delivered by the xenogears. on side b lucretio builds up a soul-tech diversion with >at the crib<. >good bye world< by studer two djs is a fine piece of minimalistic sci-fi techno

limited to 200 copies!! old-school italo flavoured electro with huge dancefloor appeal. reminiscent of klein & mbo and exactly the kind of stuff you can imagine getting banged at the box by ron hardy and caned by the hotmix 5 on chicagos airwaves in the early 80s.

brandnew re-issue of this classic ft. remixes by sven väth, soul capsule (baby ford & melchior) and the original !! sven väth has delivered a masterfull remix of this cult classic along with alter ego members roman fluegel and joern elling wuttke, its a true epic taking it deeper and rocking the tek house party to themax, a brilliant arrangement with great string break downs/vox hits and a rolling bassline (reminiscent of suicide style electronic rock giving the track a surreal quality).

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

john tejada returns with a stomping slice of in your face techno. >labyrinth< is a winding journey through modulation and filter trickery reminiscent of his >infected< single from a couple years back. in your face drums and synths control a steady building energy that will spiral you into the labyrinth. balancing out the energy of the a side is >the tyranny of choice.< a signature syncopated melodic slice of tejada that layers melodies and rhythms in classic tejada fashion

played by miss kittin & laurent garnier !! french electro-tech guru kiko gets all melancholic, delivering a mournful haunting dark tune thats eerily reminiscent of fellow southern french maestro vitalic at his best.

marco remus alter ego was born when the legendary technogladiators ep was released on kiddaz fm in 2002. the record turned out to be one of the most sought after production from the german legend. reminiscent of this classic killer cut nerven once more proves to be on top of things and slams down another rock-solid techno beast with all of marco remus trademark signatures!!

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

>too long< is a bossa-house ballad with a heart-warming vocal line and an irresistable groove that will pack any dance floor. with vocals, guitar and keys all recorded live by aroop himself, this track has an undeniable authenticity and soulfulness. on the flipside, >dirty groove< is a broken jazz funker with a killer beat, dirty bass and synth lines reminiscent of herbie hancock. already a massive response from djs such as dj spinna, rainer truby, recloose and simbad this is set to be one of the biggest tracks of the year

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

the royal we are six young dreamers who came together in early 2006, under inevitable glasgow rain to plot and do stuff and hang out in cafes as if in a godard movie. things still seemed to coincide and very quickly they had a bunch of pop songs, albeit an older, odder kind of pop reminiscent of the experimental pop of orange juice or esg or even the raincoats. the band signed to domino records imprint label geographic and are due to release their stunning debut self titled album soon. this is preceded by a special 7inch single, the fantastic all the rage. the track encapsulates their staggered swagger perfectly, glam on the cheap, sassy and fun the perfect pop moment.

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

dead soul brothers is that man herve again, along with production partner seba. the eight track double pack opens with a four cuts of dancefloor hysteria - the type you would expect from the man herve. it also includes a killer rerub from phones too. the ep then turns into a blissed out, dreamy electronic psyche album reminiscent of rubber soul era beatles not what youd be expecting at all! its very much in that chemical brothers vein one minute bangin, the other all fluffy and deep. limited to 500 copies and totally needed.

the latest offering from redshape in his special style. a -side is a massive track that builds around a seductive and effective minimal detroit-ish groove with a driving bassline reminiscent to some carl craig works. but redshape totally builds it to another level with sublime melodies and a additional bouncing bassline! a track that gets the crowd focused on the music and keeps going for more then 8 minutes! b-side is a typical redshape track, an addictive groove and then slowly building and teasing the listener/dancer

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

the long awaited new unit 4 release (on a highly limited amontillado pressing of 300 copies with hand printed sleeves). deep dark powerfull track with a unusual combination of a dusseldorfer (kraftwerk-ian) electronica loop and a massive techno-ish bassline and funny enough without any hi-hats which gives the track a strange tension. b-side is a stripped down version with a long intro and outro. the very power full bass and a catchy hook line (reminiscent of their body dub) makes this a monster track... check!

another incredible, time- and boundariless offering from john daly with waves of distorted synth incessantly ascending, overlaping, collapsing over a simple but effective house beat gently pushing you into a calm state of euphoria. flip over for a beatless ambient version reminiscent of experimantal 70s synth music

mario fabriani joins forces with his long lost nephew fabio bacchini for a discofied romp on fetish. fabriani kicks things off with amore a driving dancefloor jam with sassy diva vocals and tough filtered bassline. a2 good god almighty makes use of a wicked sample and catchy vocal hook for some more peaktime party action. flip for fabios caribbean soul, a latin disco number reminiscent of some late 90s defected/soulfuric output and incredibly effective. lastly is moonshine another trademark bacchini samplefest, complete with disco bubbles, classic 70s strings and an abundant use of filters in all the right places.

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

luna city express feat. diamondancer >r.e.m < (davomat remix) justified cause is proud to present its ninth and most international release. a convergence of artists from around the globe. from deep inside berlin comes two artists that are on the crest of the underground wave, marco resman and norman weber under their house moniker luna city express. luna city express bring us a dreamy original track that is named and inspired by the dreamstate >r.e.m.<. the track gives us a nice blend of cutting kicks and stabs that somehow maintain their subtle deepness as they progress into a string medley reminiscent of old school detroit which is appropriate with the sensual neuron touching voice over by detroits own diamondancer. as youve come to expect form us down here at justified cause, weve counted on the collaboration of some of our troops to bring you some hot remixes. this time to follow the success of the >vending machine< release we got davomat to give our ears another treat with this groovy minimal touch remix. a bit more for the dancefloor this mix really carries its power in its bass sounds. the quality style weve come to expect our boy davomat. we really couldnt get enough of this ninth release so us troops down here at justified cause have decided to cook up a few more mixes of this jammie! weve made it a two parter! cause009 & cause009r. so be on the lookout for two more exceptional remixes and the accapellaby diamondancer! the remixes will be by house cafes deep daddy dj ino and the other by, our own in house jacker, garcynoise vs. pablo bolivar. we leave you for now... in the meantime please enjoy our troops luna city express, diamondancer, and davomat!

prototype chicago jack beats with solid basslines, dark haunting strings and hypnotic vocals played live in the studio by villan x (aka traxx) and 2amfm. limited to 500 copies worldwide and garantueed no repress or digital downloads! reminiscent to early trax releases by sleazy d., adonis, farley

another smooth release by amplified orchestra which goes way beyond the hip disco edits we hear all the time. on this obscure chicago label (hand stamped and no further artist info) we get 3 tracks with the sublime moon voyage (based on an old cosmic disco-funk track, but completly rebuild), the incredible asteriod (reminiscent to early moodyman and rick wade. very good detroit house) and the disco-funk-soul stepper lets have a ball. nice one

unique and strong well rounded ep from one of the leaders of canada’s electronic music community, adam marshall. the title track has been running through the dj circuit for some time now and has been causing some serious damage amongst some of the biggest names. with its sexy metallic cords and infectious rounded crescendo, it builds up to release a true form of energy that will leave any being hungry for more. reminiscent of works released on labels such as get physical, wagon repair, or mobilee. three more tracks between minimal and house packed with heavy funk.

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

on the a-side is the original thugfucker version, a melodic ecstasy induced trip reminiscent of a warm dancefloor embrace under an ibiza summer sunrise. on the flip, paris legend d’julz takes it in an entirely different direction and to an entirely new level - creating a minimal yet groovy peaktime banger that is sure to be recognized as one of his finest productions to date. hands in the air, asses shaking, sweat flying.. supported by cass, dj t, mike monday, chris dukenfield and cloe