following an outing to tokyo, our favourite old school pioneer jumps over the channel to knock out four edits to make the floors shake. this ep really cracks up the party vibe a notch. cor blimey!

with their sixth release klangfarbe schallplatten from cologne presents the first full time ep of the french artists jules & moss, after they contributed two tracks to the split ep >them van / sick up< (kla03) with holger brauns & tim wagner, released end of the last year on klangfarbe schallplatten. jules & moss are worldwide known for their dj sets, they are also performing drum & live acts - at the zoo project (ibiza) or the full moon parties (thailand). there will be more releases soon on claude von strokes label dirty bird (usa) and the german label >session de luxe<. the ep contains three new tracks and one remix. kapoun is a cool & sophisticated accordion track in a typical french tradition, but with a modern groove

helsinki-based non person has been crafting his quirky audio sculptures since 2006, embracing the citys burgeoning experimental music scenes as his playground. from dirty club tracks to audio installations and deep listening, he is no stranger to the numerous ways of compressing organic emotions into expressions in data. coming from one of the first local proponents of the new wave of multicoloured beat music moving feet in select locations around the globe, presenser / mi empress is a study in elasticized electronic hip-hop and moist, yet fiery 140bpm bass structures. the first release bearing the non person name, this one is a keeper. channel zero is a new label run by dead-o of clouds with the aim of pushing new, forward-looking music to new sets of ears around the globe, with no boundaries set as to the type of music being released. as anyone who has witnessed a dead-o dj set can attest, he is a man who knows how to connect the dots. gaining momentum, channel zero is set for further releases this spring ? stay tuned

a one sided release with a deep, haunting basic channel style production by kim rapatti aka monojunk... limited white coloured edition

first extract from the album of one of the most talked about electro act of the moment. including remixes from john talbot (recomended old skool feel good...)

only four releases in and already golf channel is one of the hottest labels in the world right now amongst fans of modern disco and nu balearic here we get two more undercover delights, extended and amended for a new generation of crate diggers first up elias rahbanis super rare 1978 release >liza…liza< gets pushed and pulled into a fresh and club friendly new shape on the flip, dr hooks >penicillin penny< gets lovingly overhauled into a pharmaceutically enhanced slab of psychedelia. in short, another totally essential hole in one from gc - dont sleep

played by luciano, lauhaus, kabale & liebe and many more. its about time! with >channel by channel< markus homm presents his first solo ep on highgrade. until now, this cosmopolitan citizen of the world, who shares his time between hong-kong, moscow, london and nuremberg – has been part of the successful collaboration: homm & popoviciu. one vinyl ep and three digital releases have already made a strong impression with the highgrade faithful. with this ep and its four groovey house tracks, markus homm signals the springtime. the title track >channel by channel< already foreshadows where this journey will end: fleet footed rhythms meet sweet chords and result in a sunny house groover that immediately kills the winter blues >torn< on the flipside is also built around an irresistible melody, while >xpander< (b2) gets things moving a little faster towards the end. proving again, how skillfully markus homm can create a deep groove from his handpicked melodic elements. it doesnt need much imagination to understand that these three classy tracks will bring their euphoric impact to every dancefloor they touch. thanks for letting the springtime roll, mr. homm!

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

main street is the parent label of basic channel and comes here with a tight deep house productions by round one from 1994

long awaited third part of radio slaves vinyl only and limited no sleep project arrives. one-sided..

amazing deep minimal bassheavy dubby tech, incl remixes from trentemöller & turbotito... perfect for basic channel & burial mix fans

der junge gefaellt mir immer immer mehr !! > zwei atemberaubend dubbige stücke die die herren von salz oder basic channel nicht haetten besser machen koennen und ein synth tool zum einleuten der - >hallo crowd, macht die augen zu und geniesst< - phase !! tip

record store day 2024, blue vinyl edition

when the gaming laws changed in jamaica in 1970, the hookim brothers joseph joe joe and ernest, who ran jukebox and one armed bandit distribution, decided it was time to expand their empire. they would build their own recording studio in the heart of kingstons ghetto land on maxfield avenue. the name would become legendary in the reggae world - >channel 1 studios< was born. this set of classic unreleased dubs comes from the in-house session band the revolutionaries , produced by the great bunny striker lee.

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

italian artist raffaele attanasio kicks off the new year for mutual rytm with his superb south signatures ep, channelling multiple techno styles into one potent package.

stelios vassiloudis delivers two future classic dub tracks on his debut on kontakt, one being a fast paced dubtechno track while the other is a deeper dubby journey. the mastermind conforce aka boris bunnik, brings extra chord-driven dubbyness into the ep with a proper chord-driven and early basic channel inspired version of the original. limited coloured vinyl.

stelios vassiloudis delivers two future classic dub tracks on his debut on kontakt, one being a fast paced dubtechno track while the other is a deeper dubby journey. the mastermind conforce aka boris bunnik, brings extra chord-driven dubbyness into the ep with a proper chord-driven and early basic channel inspired version of the original. limited coloured vinyl.

..between postpunk , electronic, cold wave , techno

30 years bonzai records birthday ... lp box with 28 classic anthems over 3 decades / numbererd edition one of 1000

reissue - endlich neu aufgelegt! das album von 1982 war jahrelang vergriffen und gilt neben -rub-a-dub style- (studio one) als der klassiker des deejay-duo. -downpression- war ein weltweiter erfolg und schaffte den crossover vom dancehall reggae zur hip hop-community in new york durch afrika bambaataa, der mit dem song -diseases- seine mix-kunst zelebrierte. die zehn tracks des albums wurden mit den roots radics im channel one studio eingespielt, am mischpult saßen soldgie und scientist - zum einsatz kamen die riddims: taxi, firehouse rock, truly, cuss cuss, gunman, mad mad und solomon.

30 years bonzai records birthday ... lp box with 28 classic anthems over 3 decades

the boss 10lp box

wiederveroeffentlichung des 1982er albums!hugh mundell war ein begnadeter saenger, sein talent wurde zuerst von seinem foerderer augustus pablo entdeckt. aber sein leben war tragisch kurz, er wurde 1983 im alter von gerade einmal 21 jahren kaltblütig erschossen. mundell wurde im channel one studio mit den roots radics aufgenommen und im king tubbys studio von scientist abgemischt

wiederveroeffentlichung eines lang vergriffenen album das 1982 erstmalig erschien und im channel one & harry j studio mit soldgie hamilton am mischpult und den musikern der roots radics eingespielt wurde. neun der zehn stuecke wurden von linval thompson selbst produziert, der titelsong der lp von henry junjo lawes. dieser basiert auf dem im not getting crazy riddim, der durch frankie pauls worries in the dance weltweit populaer wurde. der tune i spy wiederum hat den selben riddim wie eek-a-mouses do you remember. die riddims der stücke are you ready, call me, things couldnt be the same und holding on to my girlfriend kamen auch bei den legendären scientist dub-alben zum einsatz.

reissue - das album von 1982 in einer vinylneuauflage! >skidip!< zählt zu den stärksten longplayern die eek-a-mouse je herausgebracht hat (neben >wa do dem< - grel31). das album wurde im harry j und channel one mit den roots radics eingespielt, am mischpult saßen dabei der renommierte engineer soldgie sowie der produzent linval thomspon. hier finden sich auch diverse originalversionen, die später auf dem legendären scientist album >encounters pac-man< zum einsatz kamen.

12 x 12 inch box set, 180g vinyl silver pantone + foil on ultrablack board, 16 page booklet , download card, double-sided 90x60 poster, sticker pack

the debut album from sg lewis.

leipzig schickt wieder seinen top spieler ins rennen.. danke für diese tolle zeit. one per customer ... dont sleep!

lopatin aka oneohtrix point never

lopatin aka oneohtrix point never

god squad is dave beer s collaboration project with his late back to basics partner in crime ali cooke. this release is brought back in memory of ali cooke and his legacy in the uk early 90 s scene. although a british production, this ep generously touches on italian 90 s cosmic/trancey percussive nuances one might hear in stefan egger or later baldelli. thankyou007 brings you 3 very distinctive productions brilliantly channeling sisters of mercy and spaghetti western soundtracks over hefty downtempo grooves - unforgettable!

soundtrack..

zaki dee, rob mello and luke solomon present heaven and earth! we know, we know, the current re-issue wave of classic house music platters is a bit much - especially the unlawful ones with photocopied artwork. but that is already one reason to do it the proper way. the other one is the fine aural pleasures luke and the likes delivered on this one back in 1995. originally released on the seminal prescription imprint through the channels of chez damier and ron trent, the british heaven & earth project is a rather special one. while space and time (here available in a previously unreleased re-edit that gets by without the peter-daou-like-solo) pays tribute to the archetypal and contemplative sounds of damier/trent, prescription every night draws of the attention to the formative years of dance music, i.e. disco elements (see old azuli records for further reference). these very notions havent lost an iota of their usefulness and veracity, nor have they ever left the rb record bag. re-mastered and re-cut with care by lupo at d&m for your enjoyment and re-released on love made running back records. deep dub disco house!

2020 repress - just when we thought 01 might have been a one-hit wonder, the mysterious mutable crew emailed to let us know 02 was on press ! we can only assume they re channeling secret knowledge from the spirit world to unearth these devastating jams... no info to be had, other than a cleverly plotted out ouija of the label name, some very fetching old school yellow master bag sleeves & four incredible cuts of secret origin via the mystifying oracle that is mutable..

einer der bekanntesten songs von hugh mundell den er 1982, ein jahr vor seiner ermordung, als 20-jähriger rastafari für den produzenten henry junjo lawes und dessen volcano label im channel one studio aufnahm. die 7-inch single kommt im glanzlack picture sleeve und hat die version der roots radics dangerous match three- auf der b-seite im mix von overton scientist brown in king tubbys studio

in your eyes ist einer der hypnotischsten songs des sängers johnny osbourne, ein ohrwurm den er 1982 mit den roots radics im channel one studio aufnahm und durch vielfachen einsatz als sample von drum & bass / jungle künstlern auch außerhalb der reggae szene bekannt wurde. hier ist die originalversion, erstmalig als authorisierte 7inch single mit der wins the world cup dub version auf der b-seite, abgemischt von overton scientist brown in king tubbys studio.

granulart releases gltd003, gltd005 & gr010 all bundled up for one special price!

mad habitat returns with a serene full-length from eye nono. channeling the more progressive side of american new age and 80s public access soundtracks alongside the rich tradition of australian ambient music

dothedu continues to channel his inner blake baxter. comes in hand printed sleeve, each one unique.

ein highlight in der -reggae anthology--serie wurde als 2lp-set neu aufgelegt. der produzent henry junjo lawes dominierte mit seinem volcano label (und auch soundsystem) von 1980-1985 von jamaika aus die welt des reggae und early dancehall! das doppel-vinyl bietet 28 tracks von den top-acts der stunde, hits und einige raritäten - seite 1 und 2 stellen die sänger vor, während die seiten 3 und 4 den deejays vorbehalten sind. das ganze mit dem gütesiegel der musiker von den roots radics und der high times band, sowie den studios channel one, harry j, joe gibbs und king tubbys studio.

the ever productive conforce returns to one of his key home labels for another exploration of his prolific deep sea techno sound. his haedron ep has a firm dance floor focus, designed to propel you ever further forwards. hi hats glisten like light beams penetrating the deep ocean, topped off with some timeless dub techno vibes that mixes basic channel with planet e to mesmeric effect.

wiedeveröffentlichung auf 180g vinyl von jimmy rileys 1978 albums majority rule mit ausführlichen liner notes.

wiedeveröffentlichung auf 180g vinyl mit ausführlichen liner notes, aufgenommen in den channel one studios, kingston, jamaica. engineered von soldjie und abgemischt im joe gibbs studio by oswald palmer und barnabas. produziert von henry junjo lawes, die rhythms kommen von high times band mit ausnahme von divorced!, das von roots radics band begleitet wird.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

aar is a project by milan-based producer, dj and designer giorgio di salvo. the first grade lp is his first record under this name, self-released in collaboration with haunter records, the first chapter in a new series dedicated to tonal and rhythmic experimentation. advanced audio research is the ironic definition of this new music course of his, a nod to the large amount of esoteric studio gear accumulated and (ab)used during the years. the project itself is the result of years of study and experimentation with generative music matrices, based on the application of a three dimensional array of variables and unknowns to algorithmic pattern creation. the result is punishing, close to the most radical exploits in ear-wrenching breakcore, footwork and jungle, albeit with a sonic and structural finesse that reveals the producer’s manic dedication. track a-4 is produced in collaboration with somec and b-01 in collaboration with heith, channeling abstract and melancholic vibes into the project. vinyl comes in ultra ltd. edition of 100 copies, each one wrapped in a different hand-printed folder.

over the years moton has become synonymous with releasing great quality edits from a range of amazing producers. their 43rd release is no different offering up two glorious edits ready made for the dancefloor. cuffari (make the world larger than me) on the a side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. trust us, she s right when she says the melody echoes in my mind this one will be stuck in your head for days! flip it over and marcel vogel, under his em vee alias channels the happy-go-lucky nyc discotheque days through dancing (jumbo). with an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants its sure fire, peak time disco gold.