time is now welcomes justin jay, including collabs with denham audio and angelo jsn plus a remix from tim reaper.

started at the age of thirteen with a crate of his big brother s records, dj matpat was introduced to an eclectic mix of music that has influenced his take on house music. racking up releases from labels such as madhouse, exploited, plant music, w&o street tracks, as well as derrick carter s persnickety all stars label, dj matpat has now combined his passion for production and house music to form his own label entitled clubby boy. with the artistic stylings of his philly party club congress and a remix by the bunker artist justin cudmore, the first release its time! (produced by the clubby boy himself) can be seen as a call to action either for these current times or to lose yourself with-in the dance floor.

classic , recorded in may 1977

double vinyl release with download code for the full album included.

chicago-rooted, disco influenced tracks from john camps excellent solo debut, out on the hakt label, are reinvented by some of dance musics industry captains. once again, the hakt label offers a collection of songs that pulse through the night and bring life to the dance floor.

official new justin double 12 inch vinyl album! murder stuff for tha floors - 12 tracks ! featuring timbaland, three 6 mafia, will.i.am, t.i. ! incl world wide no 1 hit sexyback !

big hits from 1978 on 3x pink vinyl incl donna summer, kate bush, earth wind & fire

repress

the father of chicago blues, recorded in montreal, canada, october 18, 1967 at 624 prince arthur street rooming house. remastered for vinyl.

rekids launch re-issue label entitled r-time records with four timeless tracks from sir lord comixx. having established a handful of renowned imprints such as rekids, pyramids of mars, cabin fever and the double r, matt edwards new venture aims to shine a light on classic tracks that didn t always get the recognition they deserve. amoon sir lord comixx and i go back a long way and we met through our friend justin isonoe in the early 90s,” says matt edwards. “i was still living in catford and would regularly drive over to justin s studio where he d play me all this crazy, otherworldly music from amoon and it blew my mind i was completely captivated by his unique take on techno. at the time i had no idea that we grew up in the same neighbourhood and amoon was living just around the corner so, of course, we hooked up and in 1996 i released an ep from him including one of his classics ur my omen on my hard up label.” composed of four tracks from separate releases, retroactive (part one) inaugurates with 1 4 the groove from sir lord comixx s danceteria ep on ugly music. produced in 96, the track s raw aesthetic features sharp percussion, heady melodies and a compelling groove. meanwhile, enemax - which appeared on 1a records demonstrates throbbing synths and shuffling drums. originally produced under his a.moon moniker in 98, funk box is the most robust track on the package with its thudding kicks and assortment of meandering sounds, before the azid jazz provides a deep and funky finale.

justin bieber’s 2010 album “my world 2.0” for the first time on vinyl! comes with download code included.

justin bieber’s 2012 album “believe” for the first time on vinyl! comes with download code included.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

to anyone with even a passing interest in the weirder end of good-time party-ready house music, freaks should need little introduction. luke solomon and justin harris have been keeping our preferred kind of dancefloor vibrating to the cheekiest manifestations of house music since the mid 90s, never letting up and moving in the same oscillations as the good ship circus company.

seattle/san francisco based techno label, from 0-1 issue *time dilation*, a 12 inch vinyl ep by label director, and co-owner milkplant (justin pennell) of the san francisco bay area. andrei morant and from 0-1 co-owner sone join in as remixers. including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl dj as possible.

what more appropriate artist could possibly be featured on the inaugural release from hakt recordings the new label from dance music fixture justin miller, formerly of dfa records than dj and producer walter jones? over the course of a career that began in the late 80s, joness impeccable sense of sound has led him to produce some of dance musics high water marks of the last decade while his unflagging standards of quality control have made his own catalog a restrained display of taste and tale

justin berkovi normally should not need an introduction, being involved in multiple techno-projects in the past, and still standing strong nowadays. his track ‘old timer’ reflects his musical personality and history and is being reinterpreted by another techno-historian, aubrey. on the b-side newcomers jack dixon and henning baer make their introduction on other heights with two total different interpretations which are to become oldtimers themselves.

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

how do you follow-up last years monster mr.spock? of course with something even more ghetto, more dirty and more fun. lezgo is the 2nd collaboration between justin martin and ardalan, a curious bay area duo of master and apprentice that seems to be magic in the studio. this time they delve deep into the footwork meets house sound delivering cool r&b respites inside mega booty grooves for 3 minutes then letting down the hammer on the kick drum in the finale that kills every time. this is the type of tune that gets everyone moving and smiling and makes you wish you had 10 of them just like it in your bag. i ve played this to every type of crowd from techno chin scratchers to college kids, festival crowds, london know-it-alls, fund raising 40+ year olds, deep house heads, post dubsteppers, basement afterpartiers, hip-hop crews, disco kids and straight up ravers. it works everywhere and thats the sign of a big tune.

unreleased sebastian leger mix of jt plus pete tong & dave spoon mix of rihanna....

earlier support by martinez, tiefschwarz, pheek and agaric !! tic tac toe records is back – this time with candy for all the minimal minded techno ears among their fans. they bring you two teams of danish supertalents, ecco & justin side and remixers dj lab & larry – and not to mention well known maestro ryan crosson.

the spatulacity crew is proud to present some more fresh talent with real time hand motions prime time man lotion ep! these two have been making major waves with blistering originals and remixes over the last year or so, and break ya neck and who got it are probably two of the hottest examples of what these guys are capable of. unbelievable studio trickery in the vein of spatula city label bosses the sound republic, rthm deliver funky grooves, dancefloor firestarters, and were without question one of the most talked about artists at this years wmc. this is only the beginning of what will surely be a long career for this nashville duo. chicagos sexual chocolate (of junky trunk records fame) delivers a nasty dubsided esque wobbly bassline stomper of a remix for break ya neck while the original funks, shuffles, and grooved its way in to the boxes of all of the underground heavy hitters with massive support from dj mes, the sound republic, diz, raoul belmans, justin martin, the inland knights, and more.

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

best xmas tracks by lady gaga, katy perry, ariana grande, sam smith amm ! ltd on coloured double vinyl !

original motion picture soundtrack incl. sza ft. justin timberlake, kelly clarkson, anderson.paak !

christmas pop compilation on coloured double vinyl incl sia, maroon5, katy perry, justin bieber, ava max and many more !

cd compi incl scooter, atb, armin van buuren ... !

ltd 2021 repress - back in the early 90s dave coker, justin bailey and laurant webb set up a music production studio a stones throw away from the famous cutty sark in greenwich, along with dave deptford pine as one the founders of the aforementioned studio. they called themselves strangeweather, worked on different dance music styles and formed the fabulously awesome, but slightly ill fated band wubble u. around the same time justin struck up a friendship with nathan coles, a then madly enthusiastic young dj who was starting to make a name for himself on the thriving underground house scene. nathan introduced justin to terry francis and the rest of the crew and collectively the formed housey doings. they released two records on the bush subsidiary imprint green grass and as if by magic tech house was officially born. fast forward a couple of years and the boys replaced the s with a ‘z and struck out on their own. this is a re-release of the first record on the label they named after the now legendary club night wiggle. two sides of proper, uk style tech house - a sound thats been copied, plagiarized and endlessly imitated. but never bettered

lp + colored clear orange vinyl + download code

radio slaves reissue label, r-time, returns with an in demand re-release of his timeless remixes of peace division’s legendary blacklight sleaze (ft pleasant gehman). originally released on nrk in 2006, ‘blacklight sleaze landed at a time when peace division (justin drake & clive henry) was lauded as one of most bankable acts in house music having notched up a truly remarkable catalogue that helped define the genre from the late 90s onwards. later that year, the pleasant gehman spoken vocal led cut was treated to a series of remixes from radio slave, another act who had firmly developed a similarly revered status in the scene. these futuristic remixes, now fully re-mastered and sounding better than ever, take blacklight sleaze to another level with thundering kicks, a pitch-perfect arrangement and tightrope balance between foreboding house and bone-shaking techno. a huge anthem at berghain, these remixes have been a favourite weapon in the record bags of many techno djs, not to mention a regular fixture in nina kraviz and rodhads sets now seems the perfect time for more blacklight sleaze

silicone soul welcome the return of old friend justin robertson as he brings his much loved deadstock 33s project back to darkroom dubs. last spotted on the label only a matter of weeks ago with infinite interchange on the darkroom dubs presents summer love collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. whats more, they come covered with a print of one of justins very own hand-drawn pieces. dr. spectro on the frontier marks the start of this new deadstock trip. celebrating the lesser spotted dc super villain who could control people’s emotions with a brazen line or two of sinewy acid what starts off dark and gnarly gradually unfolds into a much more emotional narrative. watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions. the music is madness (to those who cannot hear it), meanwhile, is more than just a poetic title. already a summer anthem at a love from outer space, it s a roomy, cosmic affair that’s laced with layers of trippy textures and chugs at a cool 120. its one of justin’s classic signature smouldering sessions, what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. youd be mad not to hear it. youd be mad not to stay tuned too. for the first time in darkroom dubs history, this release and all this years vinyl dispatches will be released digitally as part of an end of year compilation, tales from underground vol. 1 and will also feature an exclusive silicone soul remix of rigopolar & cannibal inks thousand years before. and to round the year off? the long-awaited new single from silicone soul themselves.

“struggle artist” is the new album from justin c. meyers, the minneapolis-based composer, artist, and head of the sympathy ltd. label. meyers is a unique, underappreciated talent in contemporary electronic music. his greatest strengths are twofold: his compositions have a meticulous structural logic, revealing a hermetic and austere formalism, concurrently, his compositions have a deep, introspective narrativity grounded in his lived experience, evoked with a mature clarity. together, they make meyers one of the most interesting electronic musicians working with cutting-edge sonics today, unlocking their latent powers of metaphor and figuration. his previous album, 2016’s “negative space (1981–2014)”, deals with the onset of chronic illness and near-death experience. its careful, anechoic meditations on the failing body are a resounding achievement, and the album remains a high watermark of acousmatic music in the 21st century. “struggle artist” portrays meyers’ expectations and disappointments arising from making art in his free time. created initially during lunch breaks and in hospital waiting rooms, and finished after being laid off from his job, it catalogues the despondency of the precarious life. if “negative space” was about the fallible body, “struggle artist” is its violent collision with late capitalism.

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

pure emotion carried by cosmic soul in the guise of underground melodic techno is what justin zerbst offers us with his first release on metamorphic. justin might be considered up and coming despite having released his first record on the highly regarded australian label red ember in the 90s. since then the melbourne based producer has released only a handful but extremely sought after records on eklo, seekers, and red ember. now his music, deeply influenced by detroit and especially midwest techno finds a natural home on metamorphic. four tracks of pure analog machine soul, created in the 90 s but never released until now, capturing the raw energy and excitement of that era. robert feuchtel at fat of excellence production services cologne, bridges the divide between now and then with his unparalleled mastering skills.

the latest offering from us-based imprint secret studio records will arrive courtesy of circling vultures, a project fronted by chicago natives justin long (hugo ball), and ken zawacki (dar embarks). circling vultures’ sound is rooted in the hedonistic midwestern rave scene of the ’90s, formed over a long history traversing the hedonistic spaces of that time—it’s a hardware-driven sound with a diy punk ethos.

jerome hill returns to super rhythm trax with four tracks displaying one of his biggest influences that of mid nineties chicago labels like relief and dance mania. its time for the has been slaying crowds for the last year with its own no nonsense take on cajmeres much sampled perculator track. a hefty dose of fun and playability is injected into this ep and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table. support coming already from : annie mac/radio 1, justin robertson, john heckle, ben sims, mark archer, perc, groove armada, jd twitch, locodice, dj tlr, craig richards, wncl, james ruskin, pangaea, phil kieren, lukes anger, posthuman, bleaching agent

just chillin ist in zeiten der sozialen netzwerke und der smartphones ein gŠngiger begriff unseres alltagsprachschatzes geworden. ministry of sound beglŸckt uns mit dem dazugehšrigen soundtrack. 60 hits auf drei cds inklusive tracks und remixen von u.a. zayn, justin bieber, mike posner, the weeknd, lost frequencies, sigala, the fugees, outkast, whitney houston, jack garrat

justin bieber’s 2009 debut album “my world” for the first time on vinyl! comes with download code included.

the second jungle wonz release on trax, again with harry dennis gorgeous vocals, was sub-licensed to both new york label vendetta and breakout in the uk (both subsidiaries of a&m), with some fine remixes by former area resident justin strauss. -this was one of the first house songs i ever heard when i was like 14- recalls felix da housecat. -marshall jefferson has been a huge influence on all my basslines. people usually think that basslines come from 80 s pop bands but they came from marshall jefferson. marshall jefferson is probably the best house producer of all time for this period.-

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. spread across three 12inches & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by hawtin and the rest of the minus crew, while retaining a strong sense of houles unique character and identity. now its the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and marc has called in some of the very best in techno talent to give restore a fresh makeover.

following the release of acid bath & home bass ft. dmarc cantu (with support by maceo plex, claude young, justin long & mike servito). ss records presents grime time with remix by d-wynn. 12inch only 300 copies.

the second release from canal auditif confronts an original track made by english artist robot needs oil to its alternative versions remixed by patrice baumel, resident dj for the trouw in amsterdam, the italian duet discodromo, in charge of the cocktail d’amore parties in berlin, the parisian dj and producer timid boy, founder of the french label time has changed records, the wankers from nîmes, aka seb genre & freaky justin, synthetic jacques, our resident dj already known for his collaboration with kollektive turmstrasse, and canal auditif founder dj yohm.

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

eric duncan (of rub n tug fame) drops release number four in his keep it cheap series - this time inviting the ever on-point justin vandervolgen (tbd) to take care of b side duties head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers. as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

fof kick off 2011 with a nod to the past in the form of justin drake (peace division) and kevin griffiths- (tsuba) -the devil-s eyes-, a deliciously grimy jackin- groove, coming on like a low slung mid 90s house production a la schatrax. we enlisted the talents of christopher rau for the first remix. as many of you know christopher has had an impressive 2010 culminating in his critically acclaimed lp -asper clouds- for the always excellent smallville label. chris cleverly uses elements of the original, intertwined them into an altogether quirkier, more optimistic deep house groove with a definite injection of -fun-: to round off the package, new talent bleak takes the reigns, providing a peak time techno stomper. bleak-s debut single will be released on hamburg imprint -sudden drop- sometime in early 2011 and promises to mark bleak out as a name to look out for.

the devils hands have been busy! blackdisco presents an evil batch of house obscurities sliced, diced and dosed with a secret potion from the haunted house of justin vandervolgen (tbd, golf channel, dfa). this is an especially sinister release, just in time to work the hell out of your dancefloor at this years halloween party. but dont be frightened, the madness contained within will surely outlast any single night of terror. this is a definite must for those not faint of heart. no repress, my dear children, no repress