who whom is a new label curated by scuba. the artists are various, the sound particular. the second 12inch comprises tracks by isaac reuben, glaskin, palendrone and markus suckut and is titled heavy on the magick.

out for a moment supra comes back in full swing! for its return the parisian imprint presents a collab between super talented french producer onelight and one of the label’s dearest and biggest influence, the legendary egyptian lover. after tuggspeedman, a first release supported by busy p, gilb’r and machinedrum, onelight continues here his musical path with this silver ep. silver is a sophisticated blend of electro funk, break beat and techno. the song is inspired by his obsession for silver rings and more precisely for their sound, spiritual and magnetic energy. who else than the californian legend egyptian lover can provide here some hypnotic vocals? indeed the 808’s king takes his inspiration from all the symbolic of rings and gems and brings to the song his very unique and charismatic touch. maxillaire is going slower but is definitely powerful. it sounds like a 97 bpm techno music made for a space travel soundtrack with a codeine cup. label boss luc supra and orestt (evrlst / mb labworks) team up as supra allstars and deliver the silver deep re rub that appears to be the perfect bridge between detroit and l.a. definitely one for the clubs !

apparel music return with the introduction of a brand new sub label - apparel tronic. the intention for this new division of sound is to shift focus towards uk-rooted beats, nu-jazz, downtempo and jungle - a collection of styles the label like to term bliss-beat. this treasured and futile basis of influence gives rise to giuseppe dalessandro a.k.a kisk and ludovico schilling schillings new project which they inaugurate with the hella lp from schilling himself: a collection ukindebted dance tracks that meld influences from jungle, breaks and hip hop. originally born in milan - schilling relies on a process he likes to describe as contamination of sound which entails the layering of field recordings and the sounds of his home environment with those of synths, real instruments and samples. this approach brands a clear stamp on his productions and enables him to create a truly singular strand of dance music and its this that glues together the 9 disparate tracks of hella. moving from the cascading breaks of the lps introduction anarcoide to the woozy and textural black lighter - the album begins to build a spectral mood as it progresses. tracks such as flesh is weak and madting draw influence from the golden-era of bristols trip-hop while tracks such as snooker club and viejos delve into more caliginous, idm territory. the result is a rich and varied collection that demonstrates apparel musics unwavering ability to continue to keep listeners guessing.

latvian producer w3c, taking his moniker from the acronym for the world wide web consortium, affords oversight to the totality of the internet comparable to his namesake standards organization. and where the latter concerns itself with education, outreach and software development, the former is a pastiche and collage savant using online connectivity and access to wrangle all strains of electronic music and collide their respective particles into an unrecognizable, yet eerily inviting sonic edifices. debuting in style, earlier this year, with the vinyl-only atmospheric entry ep, via pinch s tectonic-side-venture cold recordings, w3c now joins the infinite machine family with state of absolute alienation

one-off collaboration with off-white c/o virgil abloh. off-white picture disk with mint card and clear envelope. very limited.

noumen - white silence we first spotted noumen in 2012 and alongside cygnus was one of the first to be asked to join cpu. over 4 years later he finally delivers an ep and lp that is a true labour of love. abstract electronics of the highest quality. it s idm, but with that essential hip hop influence making it immeasurably more addictive and pleasing. with plenty of melody and swing layered over intricate rhythm programming, it leaves listeners stunned. white silence is taken from the forthcoming album apeiron. remaining 3 tracks are exclusive to this ep.

after a bit of a hiatus, expansion unit is finally back with another slice of moody and brooding electro trickery. courtesy of berlin-based pascal hetzel, the two tracks * extra terra* and * fermi paradox* showcase raw and rugged machine funk with a strong wide-eyed escapist undercurrent. the future is now.

37 kicks off with tó, circular, the percussion resonating in a room, the stabs leading, and the bass pumping. 12 is next, all harmony, promising pastoral harmony, synth clock and mouth moisture clicks. paradela bursts in on the flip side, monumental, synthetic symphony, acidic and bright. jordão is last, rhythmic stutter, the rhythm cuts through, accompanied by a monotone pulse, some lost keys make their way into the mix, it tries to stabilize so it can calmly take you by the hand and lead you home, into the river.

the difference is wildly spreading in thin red lines of flight, swerving clinamen forming groaning roots of sounds, shaking the soil deep down below, sparking clicking beams of ionizing fireflies. tangled growth of warping vines are trailing fickle melodies and repetitions through the undergrowth, gently thrusting trunks roar globular clusters into super-sonic implosion.

irrgang is the highly anticipated debut album of ossian ohlsson s vit fana project. representing a new generation of experimental musicians from scandinavia pushing the limits of contemporary industrial music, irrgang is the culmination of a process perfected over several years. while the comfortless drones, ear-piercing noise bursts and razor-sharp synth work may be the album s backbone, the signature trademark of earlier vit fana recordings is present in ohlsson s haunting vocals and the subtle hints of brutal beauty. a highly personal musical statement, irrgang stands with one foot firmly rooted in the tradition of early industrial noise music, while effectively creating a grotesque universe of its own.

aesthete obfuscation (computer club) computer club presents aesthete (aka thom barnett) with his debut release obfuscation. a 4 track ep of bass-heavy minimalism. micro-precise percussion bursting through minimal electronics with chattering industrial machines, the 4 tracks take an experimental approach directly to the dance floor. we first encountered the unique aesthete sound in a dark former ballroom in sheffield in early 2016 and were mesmerised by his sonic assault. as the name suggests, barnett s skill isn t confined to audio. a talented designer, he runs mamnick, an internationally renowned brand sold online and via outlets including a flagship store in tokyo. mamnick clothes and items blend sheffield craftsmanship with a love of cycling and a sharp aesthetic eye. everything barnett turns his attention to is expertly crafted and this debut ep on computer club is no exception.

mr beatnicks mythstery imprint returns with a two track 12inch for the collectors, purpose-built to wreck your discoteque. side a features a speakercrushin bollywood refix by breakplus, fresh off the back of his iconic mini-album instant bull. side b finds mr beatnick making his mythstery debut with an acid slow-burner, a lazer-lit dystopian rollerskating jam. artwork by optigram, limited to 300 copies.

dj support comes from ben ufo, jon k and hodge. semtek returns with his first work since 2012, when he contributed 12inches to world unknown, awkward movements and in plain sight. in the meantime the cambridge-born, bristol-based producer and dj has been hard at work running his label don t be afraid, bringing through talent including mr beatnick and mgun. bad teeth consists of nothing more complicated than two complementary tracks for the dancefloor, inspired by bleep n bass, jungle and two-step. the title track rolls moody synths, metallic stabs and offbeat drums into a rugged uk house joint. jon of worcester twists similar elements around a broken groove, cutting between drum machine and breakbeats. both tracks feature rolling basslines tuned for maximum soundsystem pressure.

after releasing their own debut record in 2014 the hamburg based group sky walking formed by peter kersten, christian naujoks and richard von der schulenburg now celebrates the launch of their self-titled label. by bringing together an international line-up of artists mostly associated with the new and experimental music scenes in cities like hamburg, berlin and new york sky walking not only establishes a link between different locations and their specific (local) scenes – with the golden pudel club in hamburg somehow functioning as a bermuda triangle – but also between different generations of artists from these scenes.

0100110110 is an abstract combination of techno electronica with no rules and no boundaries.the sound is completely analogue with hypnotic sequences, dark drones, violent percussion, twisted pads and distortions that will strom through your brain and shake up every certainty in your mind. the project is a fusion of sounds created by the visionary artistic ideas of italian duo steve lorenz and low manuel through combining their differentiating synthesizers.

the symbiosis piece by malcolm pointon was very interesting and is the kind of use synthesizers should be put to. synthesizers should explore new sounds rather than imitate conventional ones... practical electronics magazine c.1975 malcolm pointon was born in 1940, stoke on trent. he spent his life and career in tape, synthesizer and keys, academia, sound, music and machine. here, for the first time, public information and ian helliwell present the rarely heard works of malcolm pointon. with permission given by malcolms widow barbara, helliwell has compiled an lp of material taken from master tapes of home-recorded, never released electronic material.

ltd electro release , be fast

camila fuchs (meaning fox in german) are the london based experimental electronic duo of camila de laborde and daniel hermann-collini (from mexico and munich respectively). after pursuing solo endeavours in various projects both camila and daniel left their native countries and gravitated towards london due to its vibrant and eclectic attitudes to different cultures and the arts.

frischer electro-pop von australiens neuem dream-team venus ii, bestehend aus jarrad brown (eagle & the worm, dorsal fins) und ryan grieve (canyons). das debütalbum des duos ist benannt nach seinem ersten hit inside your sun, bei dem stimmiges songwriting auf glasklare produktion trifft, in einer abmischung von chris colonna (the vines, jagwar ma, alison wonderland).

with their debut lp corolla for antime, the berlin-based trio soft grid captures the explosive energy of its celebrated live shows. soft grid was started in 2014 in an abandoned hospital ward by jana sotzko (of dropout patrol) and theresa stroetges (alias golden diskó ship), who had previously been working together in the improvisation project epiphany now.

double vinyl release with download code for the full album included.

following on from wax stag’s acclaimed 2015 album ii, old habits return with a new split 12” featuring 5 tracks from some of the finest underground electronic talent melbourne has to offer.
one time pressing, strictly limited to 300 copies.

jacques chez laques, is the pseudonym of a truly -cosmic disco- veteran. he has reworked seven handpicked tracks from his amazing record collection. top leftfield disco action ranging from synth - electronic to balearic beats.

bopsides first release for 2016 comes from label owner tadd mullinix, releasing under his birth name for the first time since 2002s panes on ghostly international. this album is comprised of 3 long form experimental electro-acoustic compositions, 2 of which clock in around the 15 minute mark, and another clocking in around 9 minutes, taking you fully into the imagination of an artist who is constantly experimenting and redefining the sonic landscape. recorded on a variety of equipment and instruments, these 3 recordings capture a human side and sense of playfulness, while at the same time taking you into the heart of darkness.

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

lp in gatefold printed on uncoated paper and includes cd. the cd included in the lp version features the 12 tracks of the album in the same order. since the release of the album catapulte in 2013, media have been used to describing chevalrex music as miniature symphonies. for this album, rémy poncet, the handyman that plays himself all the instruments, writes his own lyrics and even makes his own cover, has decided to keep the same path but meanwhile, has grown in melodic power and maturity. i finally let my teen life behind, and from now on, offer me some peaks he sings in aussi loin. with this new release, there is reason to wager that chevalrex will be one of the future pearls that will be used as a reference for those who will venture out on the roads of french pop

monoton ‘monotonprodukt 02’, also known as mp02, is the debut album of austrian electronic maverick konrad becker. out in 1980 it was a precursor of the minimal techno dub sound that was starting to be popular more than 15 years after. the album has been reissued by desire a couple of years ago and a new pressing is in the work. anyway it’s time to launch a remix ep with new (and not so new) producers giving crédit to the work of the austrian master. on the a side we find 3 new artists paying their dues : sergie rezza, whose debut album out on desire was critically acclaimed, abdulla rashim (abdulla rashim records / northern electronics / semantica) and also opal tapes’ boss stephen bishop own basic house. the b-side is a great megamix of the album tracks by the one and only ambient/electronica veteran scanner !

after the first ricardo tobar remix edition (featuring remixes by john tejada and fairmont) on cocoon recordings we are proud to present the next chapter with remixes by lawrence and midnight operator (mathew and nathan jonson). 2016 seems to continue as we started it: with high quality music by great artists presenting us amazing techno in an unique and tasty style. midnight operator, the joint project of the two jonson brothers, picked tobars angora for their remix and the result appears very fresh and housey. their bassline programming adds a nice italo-disco vibe to their version of angora.

serious time is joane skylers forth novel following orz and the skyler&kinlaw lp on reckno and ssssssssss on boomkat editions. serious time births you into a tangerine tinted-sci fi like inauguration of gently pulsating, rising and falling synths, you find yourself stumbling out of bed after a night on the alcoholic blue milk, opening your space blinds to multiple suns rising over some big pyramid building strewn in lights and a couple of flying cars knocking about the sky which is foggy probably. load up all your favourite cubase (circa 1998) plug ins and run through them at a progressive velocity, tapping the ^ key repeatedly, until you reach enlightenment.

limited edition of 300 copies. kunlun is but one of the many aliases for french artist max p. who’s known to the world as the man behind percussion driven psychedelia projects like high wolf and black zone myth chant.kunlun is but one of the many aliases for french artist max p. whos known to the world as the man behind percussion driven psychedelia projects like high wolf and black zone myth chant.

amplify records welcome dans mon salon for their second release! three electro tinged cuts straight from the ocean floor, shimmering synth arpeggios and shuffling machine stutters.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

yuyay records advances to physical goods: the six track ep -endomorphism- by sophus y. lie is the imprint s first vinyl record being released. shining light on a melancholic side of electro, the exceptional and uncommon sound design invites you to settle down and take your time listening. and yet, your endorphins will jump

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

hatcp is the collaborative project of the brothers lucchese, already appeared and active in the enklav crew under the names of evn and mudwise.

soon after label boss dj dis.co began working with the always human tapes label in late 2014 to license tracks for the last doubt vinyl release, a kinship was born. dj dis.co dug deep into the prolific always human tapes record label back catalog and curated a selection of tracks and songs that seemed appropriate for vinyl release. the various artist compilation is a balanced blend of ambient tools and left of center dancefloor gems. dj dis.co isnt the only one to take notice of the burgeoning tape label, a number of always human tapes tracks featured prominently on the june 2015 karen gwyer truancy mix.

seth troxler continues to shed light on the frontiers of his musical interest and offers up the next record on soft touch - his imprint specialising in the more celestial strains of indie, rock, electronica and everything in between. this third instalment comes from a fresh nomadic trio: aou who align their esoteric set up and a wide range of influences to present their ‘gordo laika’ ep.

with grace cores luminously warm debut ep, krsna, the artist has offer up a hi-energy provocative style blended with possessed chanting, modern pop, post-rave and hypnotic trance. these elements have come together to occupy a remarkably weird place all its own. taking cues and hint from pop-inspired releases, krsna slowly progresses from atmospheric and dreamy uplifting melodies to increased tempos with powerful, lilting synths and addictive, pounding and relentless drum kicks. it showcases a deconstructed panoramic set of tracks that shimmer with confidence and wonder created by the unique inner logic of grace cores sound world. finally entering brainspaces this fall, the result is a records that sounds both focused and coherent, flowing with a conceptual ease that leaves the listener completely fulfilled and open-jawed.

elegies-in-waiting to the monotonous dread of exploitative labour, dosed with elliptical distortion, industrial noise and ear-crushing bass. in the lineage of pan sonic, sun o))), and the more gruelling scott walker productions. vex d veteran roly porter drops by with a sci-fi reinvention of council flat, trading in if s mogadon footwork and megaton polyrhythms for a less apocalyptic, more introspective blend of modern classical, dark ambient and dirty stinking breakbeat. pressing on 180 gram vinyl.

mastered by daddy kev
full sleeve artwork, designed by the pressure
limited to 500 copies worldwide.

bleep are proud to release the debut ep of a mysterious producer named zap francis. these beats first aired on black milk’s boiler room set about a year ago but other than that, not much is known about zap francis.

here is what being with your back to a psychedelic wall and deciding you got to go diy makes you do. raw, crisp, and simply honest 115 bpm organ techno with a distorted soul. two takes of it featuring a left-handed chord intro so surreal the exposition will softly draw you in before you realise you just got caught in drum loop heaven. this is a white label release with music played from the heart and live recorded straight to l/r on an old used cassette tape. mastered and cut by matt & barry at alchemy in london. the record comes in a black cover with a handwritten and burgundy riso printed 120g paper inlay.

cestrian, the darker and more fiercely electronic incarnation of ali renault (dissident, cyber dance, human shield) provides the suitably titled * annihilator* for future flashs second release. witness relentlessly driving, pure electrical energy, biting 606 percussion and raging 101 basses. perseus trax provides the remix here, letting moody pads and screaming machines weave their way round a slightly more jacked drum palette as boiling acid arpeggiates.

mkfn return to touchin bass after last years *substrate ep* with their latest offering, *this divide ep*. through a sustained and methodical exploration of studio techniques, the trio of babar raza (us), ovais hassan (uk) and fahad ahmad (canada) continue to refine and evolve their signature sound. manipulated sounds accent the meticulous rhythms to form the foundation upon which this release is defined. over the course of these four tracks, mkfn create a sense of place inviting listeners to traverse landscapes that exist independent of any singular perception or experience.

cartoon soundtrack alike electronica with elements of jazz, funk...

runddans ist ein 39-minütiges werk von abstruser schönheit und brillianz, das für die doppel-lp auf 45 rpm in seine bestandteile zerlegt wird.die sensation ist zweifellos die teilnahme des classic-rock-veteranen todd rundgren, singer/songwriter, progrocker und produzent in den glorreichen 1970ern, der sich nie scheute, mit musikern jüngerer generationen zusammenzuarbeiten, sei es tame impala, daft punk, nine inch nails oder sogar tyler, the creator. seine beiden mitstreiter sind der norwegische musiker emil nikolaisen, mitglied der psychrock-band serena-maneesh (4ad), sowie (hans-peter) lindstrom, neben prins thomas und todd terje der profilierteste vertreter des typischen cosmic/space-disco-sounds made in norway.

aaaas debut album *shiva watts* sounds both vivid and complex, capturing the raw energy of the mexican producers praised live performances at mutek, boiler room and elsewhere. it is a direct result of tireless, disciplined experimentation with analogue hardware. the 16 tracks on *shiva watts*, which is available for the first time ever on vinyl through the berlin-based antime label, take their cues from a variety of musical styles, most notably acid, combining elements of hard-hitting techno, textural idm, dry-but-funky electro and trance-inducing house with lush ambient-leaning interludes. *shiva watts* is an album which celebrates stylistic and emotional ambiguity, which provides the perfect soundtrack for a world yet to come - and everything that will follow after that. the vinyl lp includes a download code.

next silent steps release with 2 tracks from mick finesse plus remixes by eomac and octave.

Électromagnétisme, migraine et météorologie is an electronic mantra in 4 acts, an organic and hypnotic musical composition based on noise and drone, a music for industrial and diy analog sound addicts. discover the dark world of gakona and his apocalyptic vision of electronic cultures.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

two years after his debut single he returns with a five track ep featuring i wonder why and four other tracks. his previous work was recognised early by the fader but instead of pumping out more releases, he took his time and the result is a great progression as a producer. not only was the ep recorded at his home, different rooms were actually sampled in the process. all with an increased number of textured synths en better drumlines blending into an ep with a very organic sound.

love surrender original and three other takes + two synthetic messages from studio styrka. that is what this vinyl contains. love surrender has a more synthier style than the tracks recently released on bio rhythm.

simon/off steps up to the plate with his second ep for phuture shock musik entitled molecules ep - a fitting sequel to 2011s similarly themed planetary communication ep.

zex model is the project (started in september 2012) of paul von aphid, a young russian musician who re-imagining and re-modeling the classic sound of 80s wax trax and antlers bands, by adding a personal twist of his own experience living in urban dystopia.
limited pressing on grey vinyl, download code included.

limitierte 12inch mit zwei tracks aus dem neuen jackson and his computerband-album glow mit den originalen plus zwei neuen remixes von jackson himself sowie dem mann der stunde an der schnittstelle zwischen hip hop und electro, hudson mohawke (tnght).

after years sound tracking the dancehalls of bristol via their considered selections as djs, brotherly pair the kelly twins add label bosses to their cvs with the establishment of happy skull. the label kick offs in illustrious fashion with a collaborative release between two of bristols most interesting producers, kowton and hyetal. adopting the name systems of desire, the pair worked on a track together, before going off to produce their own individual versions entitled *control* and *consumption*, the results are exactly the intriguing cross between kowtons raw, crunchy, grime influenced techno and hyetal’s glistening synth work you would imagine.

central control unit has found out that the residential area in zone 2 no onger develops in concordance with >city< expansion. breach of initial protocol suspected. control system for energy distribution signals a slowdown in activity. planning for urban integration is no longer working between the original core and external super-structures

(numb remix) room full of records edition of japanese space jams, galax including a member of acid mother temples in it ranks. 180g-vinyl!

zweites album von rainbow arabia. zum hoeren gibts ihren eigenen sound - irgendwo zwischen synthie, melodien, neon, hypnotischer atmosphaere und diversen reminiszenzen.

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

drew lustman aka faltydl zählt zu den angesagtesten elektronik-produzenten der vergangenen jahre. mit *she sleeps* veröffentlicht er nun den stärksten track aus seinem aktuellen album *harcourage*. die single wird als zwei separat erhältliche 12 inches veröffentlicht. *she sleeps* enthält einen gastauftritt von friendly fires-sänger ed mcfarlane. *she sleeps part 2* beinhaltet fantastische remixe von martyn und 2000 black! hit!
pressung auf weißem vinyl.

part one of the double lp with full-on dark ambient and sinister soundscapes...

200 ever made. hand made unique covers wrapped, in cellophane envelopes. pressure lost: a sci-fi novel in eight chapters about loss of pressure. in a part of the world where there are no rules, deep in the jungle where nothing that lives is safe, a mysterious artifact has been uncovered. nothing like it has ever been on earth before. it comes from the future, the thing that wont die, in the nightmare that wont end. your future is in his hands. once you go in, you dont come out... nature won is the collaborative project of rasmus mobius and morten bang larsen. rasmus mobius has previously released two albums, as half of melk in 2005, and his solo effort >medicine walk< from 2006, both on statler & waldorf. on this new full-length, morten and rasmus has crafted a new sound, like a tv tuned into a dead channel and the rainbow reflection of a laserdisc.

the micronaut (rostock , germany) with his debut longplay on acker records

nice price deal !!! die erste limitierte 12inch aus dem vierten leila album (vÖ: januar 2012) bringt den darken und härteren track >(disappointed cloud) anyway< feat. mount sims on vocals, plus instrumental. die flipside enthält zwei exklusive non-albumtracks. limitiert auf weltweit 500 stück.

hiding behind their three character website is a belgian duo called goldffinch whose steep vision of dancefloor techno marries loveable little phrases of awkward computer conversation with the kind of kick drums that will rattle the windows of your neighbours house when your soundsystem is tweaked perfectly. goldffinch may well be a duo bent on keeping things simple but when the end result, which is built out of such minimal layers, is so arresting, there’s no need to change the formula. not one bit.

ruede hagelsteins >sweaty balls< and >heaven is on fire< got remixed by benjamin theves (kitsune), dj kaos and fcs north

taken from the forthcoming album !!knives was produced during the album sessions, but works best as a single for djs as its a massive club track. paul woolford has been the track playing in every set recently. this is the first single to be released from >the truth<, paul woolfords new artist album, and this is the only way vinyl fans can get hold of tracks from paul woolford presents bobby peru >the truth<. knives is purpose built for sound systems the world over. direct floor techno with some quick edits and quirky touches.

blondies >heart of glass< gets the electro-treatment by product 01!

after a 12 inch for the souterrain transmissions label and a split lp with ducktails on no fun productions, dracula lewis delivers his long-awaited debut full length u$e your illu$ion$, a title which evokes an imaginary deviant glamour which is synonymous with the teasing nature and sense of mystery which is a part of dracula lewis world. working with an abundance of pop based ideas with an abstract mentality, the record brings to mind, in manner and tone, hallucinatory avant strategies that were typical of the second wave of industrial.

limited edition of 500 copies in gatefold sleeve ¹ 24 x 12 inch professionally printed poster ¹ white vinyl - download card.
kenneth anger may not necessarily be the name that will come to mind when listening for the first time - distracted, confused, disoriented - to puce moments debut album. yet it is the only one that will seem relevant upon second listen -narcotic, infernal, fascinating. puce moment does not only borrow a title (of his eighth short film, made in 1949) from the baron noir of experi?mental cinema . ghostly wanderings, satanic masses, mystical romances, mechanical hell: eve?rything in the duo from lille (france) and their album in form of an invocation to ancient sybarites authorities refers to the californian filmmakers obsessions.

dark entries returns to the new jersey basement studio of smersh to unearth a 4-track selection from the

brussels based young producer lostsoundbytes develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations. drum machines dives into the mud, acid lifts, synthetiseur flying over the swamp and gusts of claps . after split release on land of dance & lost dogs entertainment, he gives a slice of weird acid-industrial-house and makes no compromises on activities records.

alien jams presents planet bangs, the 4th album from nochexxx, following on from 2015s dirt-driven apocalyptic electro jaunt plot defender (type recordings). this six track lp plants another stick in the mud, showcasing the producers love for oddball tape-saturated electronic delirium. planet bangs is clearly an ecosystem in distress..., metawitch s clanging rocks paves the way for creepy unsettling yelps and 303 squelch - an acid drenched broomstick joyride over mounds of rolling subs and hilly sines-waves - on stickshift, straight-jacketed conga loops barely spit enough voltage to hold pace, like a sputtering raymond scott machine in respiratory collapse. wafting familiar smoke signals originally lit by 90s era warp and detroit techno, overhound springs out the trap with a booty bounce towards the finish line. artwork by zeke clough. 180g vinyl, mastered by rupert clervaux.

fliessender, innerlicher dialog zwischen verschmelzenden identitäten. produziert von john roberts für cello, sequencer und zwei stimmen. die platte kommt im vollfarbcover mit bedruckter innenhülle.

a1 is a deeply psychotic acid death march into confusion, so minimal and primitive (kick, snare, acidsquelch) it will challenge every beard and armpit and might even hypnotize the dj to the point he cannot mix in the next one. a2 is a straight up commodore 64 sid track with mongoloid data elephants tooting over a wobbly and tarded electroish beat. b1 is a dystopic dreamy rave stomper, starting out kinda datacuddly but gets more and more serious, with choirs of fable mooers taking you into that virtual bad trip you need. b2 continues as expected with more c64 sid madness, so snary i cant even determine if its in 115 or 230bpm.

first time on vinyl expanded reissue of 2001 s we are eyes, we are builders by brooklyn s (now relocated to l.a.) soviet. originally released on plastiq musiq on cd and later reissued on tape in 2011 and cd in 2003, it is a synth pop masterpiece of the highest caliber. in uenced by all the greats, soviet s rst album is a shining star distinguishing itself from the electroclash movement of the time. beautiful, warm new romantic pop songs occupy this double lp and will certainly appeal to fans of early dare era human league and depeche mode s a broken frame. side d features 5 previously unreleased tracks. remastered for vinyl by martin bowes at the cage, uk.

roughneck psycho-house from r.b. on his first outing for dog in the night. three moody ultra saturated wild-ass tracks made for the adventerous club dj. jack is in the eye of the beholder, can you dig it?

fashion flesh is the solo-output moniker of john talaga, based in bay city, usa, whose music first came to our attention back in 2016 with the release of an excellent 7-inch on detroit s est. 83 records. he should have been in the radiophonic workshop, but he was in the wrong place, wrong decade. instead, withdrawn comes as his first full-length album and makes up for the perfect introduction to talaga s synthesis of original and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices — built from one s own design and heavily modified beyond audible recognition or return. from torn memories of pleasant dreams to plasticine free jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations, fashion flesh highlights the beauty of confusion and anxiety throughout the breathing and illusive meanderings of his tape manipulations and hard copy cut-ups.