brand new single from transition studios based label ringo recordings, featuring the others and distinction. if daft punk did dubstep it might sound like this. >disko< is pure party fire.

sonic art is an imprint that is fondly remembered. its the sister label to brockies undiluted and even though its only had two previous releases it is held in high regard, probably because they were both sick! now they are back, in the able hands of dj kane. so, we bring you sonic art release 3, in the capable hands of tyke and callide, do not miss set style, its one of the best underground tracks of 2010

incl dizzi remix

after a string of releases on local action, buraka som sistemas enchufada and his own deep teknologi label, t. williams drops his debut ptn release, the euphoric synth and syncopated drum laden peoples choice.

ltd one sided dubstep bomb

second album by digital mystikz, released as limited triple 12 inch vinyl on their dmz imprint.

debut release from new signing hugh crewdson jones, soon to be followed by his full length release >gravity<, scheduled fto hit the shops early next year. his music could be described as an upbeat and playful concoction of electronic music, taking in influences from techno, jazz, 2-step, dubstep, your doorstepË poses the question of what might happen if you threw polar bear, flying lotus, aphex twin and maybe even the streets in a room together.</ br>comes with code for free digital download of this ep.

super limited pressing! glaxo babyËa year ohm from his blinding debut albumm vindicatrix exhumes mj and traverses reversing deer thru an alphabet forestËlimitedËthis will not heng around longitudeËbuy before you tryËbm

taken from the album >hokarangen space program<, including a remix by throwing snow.

silent killer returns following the success last years >everyone bleeds<, and this time hes brought co-producer breaker along and a star studded list of collaborators on >amongst villains<. everyone who is currently making waves in the world of hard drum n bass makes a contribution, yet the album is surprisingly diverse, melodic, and memorable.

whether throwing down techno-informed steppers for tempa or creating juke-fuelled hysteria around crustaceans for loefahs swamp81 imprint, headhunter (and his addison groove alias) always brings a startling level of sophistication to his productions. these two cuts bear the same high standards while also revealing a little more about his sonic palette. >lost prophet< surges forth on a rock solid four-to-the-floor propulsion, offset by snappy top end percussion before being swathed in haunting pads and dubby fx. >chasing dragons< chimes in on an instantly upbeat tip, pummelling a soca rhythm against an undulating melody. deep without being downbeat and immaculately crafted, idle004 adds ever more breadth to the legacies of headhunter, idle hands and ultimately bristol music.

angrier and louder than ever ruff attacks with a fearless tearout dubstep rave material from niveau zero and 2methylbulbe1ol! both artists demonstrate how heavy, powerfull, dark and efficient this genre can be! niveau zero with a frantic dub metal-step assault drops a sick and ruff treatment to sepulturas classic, roots bloody roots! step up and get ready for some serious headbanging! on the flip, >glocken< from the new french dubstep producer 2methylbulbe1ol, rocks out another territory of darkness, glitched-up and hardcore dubstep rave! this one is gonna be rinsed out no doubt! tipped for fans of excision, 16bit, borgore or broken note, this excellent ruff release is guaranteed to pack dancefloors and ruin a few subwoofers.

two of dubsteps most sought after dub plates finally make it on to 180 gram wax. japanese dubstep don goth-trad, coming out on malas highly esteemed deep medi musik. these productions are bass heavy, intelligent and devastating on any sound system.

massive support on these two tracks. mary anne hobbs, hatcha, benga, skream, etc etc. benton is one of the dubstep scenes brightest up and coming stars, he has some serious talent when it comes to production with his tunes getting support from some of the leading names in the dubstep scene including n-type, hatcha & distance to name a few. tes la rok is a dubstep dj & music producer from east helsinki, finland. he was one of the first international names to break thru in the scene few years ago. walsh says his style is very energetic and his sets full of uptempo tracks, >i m really into the more techy, futuristic side of the sound. mystical pads, staggered beat patterns, weighty sub bass Ë i love it mate!<

silent killer returns following the success last years >everyone bleeds<, and this time hes brought co-producer breaker along and a star studded list of collaborators on >amongst villains<. everyone who is currently making waves in the world of hard drum n bass makes a contribution, yet the album is surprisingly diverse, melodic, and memorable.

introducing the official debut single from jam city.
following on from his smash hit vinyl-only refixes ep, released on night slugs in the summer, which sold out almost as soon as it was released, >magic drops< gives a glimpse of whats to come from the young south london producer.
since being announced by the music press as >the most exciting prospect in house< as long as a year ago, jam city has kept a low profile, all the while building up a large body of work that is as cohesive as it is startlingly original. night slugs will be putting out much of this material in the near future - more announcements on that soon.

earlier this year, girl unit dropped his debut >irl< ep on night slugs, introducing to the world his unique style of futuristic, 808-driven club trax. now after months of anticipation, comes his mammoth followup in the form of the intergalactic smash hit >wut<.

benny ill and j. king who are both part of the horsepower collective team up under their own names for their first outing on deep medi. not only have benny and j. king delivered two killer tracks with kosmic 78 & lithium soular, but have teamed up with wicked wax pictures who have created two sci-fi / horror videos to accompany the music.

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

with the massive >it was written<, chasing shadows dark production style broke through. having now had two double-sided h.e.n.c.h releases, >dr sin / the end and >ill / amirah< and their track >dream on< forming the crescendo for the hench mixtape vol. 1, these talented producers are rapidly becoming household names within the dubstep fraternity. once again this duo brings to the table two tracks that have been the talk amongst all who have bared witness in the club. two distinctive, destructive productions that are guaranteed to cause delight.

available only for a short time as a strictly-limited white label pressing, the singles lead side is a beautiful remix by two heavyweight bass music pioneers , appleblim (co-founder of skull disco, head of applepips) and peverelist (owner of legendary bristol label punch drunk). together they take >promises< into a wonderful six-minute stepper-haze somewhere between berlin and bristol, with a deeper-than-deep sub bass, anchored underneath dubbed-out piano and vocal, and a euphoric synth floating through it all. the original album version appears on the flipside.

limited vinyl pressing. led by >blind night errand< from the duos much-hyped debut album >crooks & lovers<, the ep follows with a new >day glo< mix of past track >william<. the ep finishes with a live recording of >maybes<, still mount kimbies crowning moment, from a show at berlins berghain.

brand new noisia single, you know its hot!! including the massive excision & datsik remix...

roskas kicks and snares/rks is back with another big release, and this time it comes courtesy of jamie george with the hotly anticipated flying saucer. first picked up by dj oneman, making it a feature on his rinse mix cd, support for this track has grown and grown with well known acts such as toddla t, hot chip and tomb crew repping it hard. combining elements of ukg, house and dubstep jamie has created an instant classic that has worked hard to earn this release and the plays of djs all across the country.

this is the first part in volume three of the producer series. it features a new production from night slugs mosca, one of the years most exciting producers whose releases like >nike< & >square one< have expanded underground uk dance music in new directions. burgaboy remixes, chopping & pitching things up to create an unstoppable bass burner. he transforms the track with a garage 4/4 & adds a seriously addictive wobbler of a bassline - simply a killer remix! on the flip norwich based sully provides a superbly fluid serving of tech - garage in the vein of pangea or hessle audio productions.

>quest for the sonic bounty< is horsepowers stunning return lp, the first in six years by these foundational dubstep producers.

hugely anticipated release from the numbers crew and taz.

double disc compilation that features some of the best artists and tracks from grime scene: boy better know, tinchy stryder, chipmunk, jme, skepta, p money, ghetts, wiley, flow dan, little dee, crazy titch, frisco and many more.

>these will be dancefloor and airwave devastators for me in the not too distant future. dangerous!< ? mistajam (bbc radio 1)
two of dj hypes heaviest hitters, original sin and taxman, take to the mixing desk on the latest playaz ep, already kicking up a storm in clubs across the globe. while the first half epitomises the dancefloor drum & bass sound these two are known for, the second portion of the ep is dedicated to an excursion into 140bpm dubstep territory.

jakwob takes >lassitude< into dubstep territory, while sigma delivers a huge vip mix.

this version of feist & chilly gonzaless >limit to your love< will be the first taste of his debut album due in early 2011. re-worked, recorded and produced entirely alone in his bedroom, this single is also the first time listener will have had the chance to hear james incredibly soulful voice. matching a heart-stoppingly emotional delivery to a speaker-busting, foundation-crumbling bassline, this is a simply exceptional piece of music, the natural successor to massive attacks unfinished sympathy as the ultimate expression of uk urban emotion. >limit to your love< is more than just a cover, its a glimpse into james blakes world. many have already heard ltyl shaking the foundations of james dj sets this year. as dubstep fragments into the mainstream consciousness james blake boldly sets out his stall as one of the most credible and forward thinking artists to emerge in years.

limited to 500 copies worldwide.bristol based skinnz unleashes his debut solo release after more than 5 years in the game! his productions date back to an appearance on a destructive recordings compilation back in 2005 alongside the likes of skream, toastyboy, distance and vexd. more recently his collabs with i.d have seen releases on labels such as pinchs earwax and double science. >keep it gutta< features soaring synthetic soul chords, like jokers >purple wow< sound with aggro elements sublimated into a crisp urban elegance. >euphorbia< strays into martyn/joy orbison territory, its fizzing drone chords and soul vocal samples compressed around a bassier but grime-inclined beat to breathless effect! currently receiving heavy radio1 / 1xtra support from mistajam and ras kwame, along with mary anne hobbs, pinch, mensah, i.d, baobinga, akira kiteshi, jayglo & more!

the fourth release on the project squared label marks our first year in existence. asusu, the artist who graced the first project squared 12 inch a year ago, returns with >no kya<, a 144bpm track of introspective, impeccable sound design, a tightly controlled swung beat reminiscent of garage and a deep bass line.

part 3 of a limited series of 12 inch vinyl taken from >triangulation (interpretations)< album. the joe made an immediate impact on the scene with his 12 inches on hessle audio and applepips over the past year, his rework of >so you think you re special< has a slowly blossoming groove underpinning stuttering percussion, jangling keys and an expertly playful melody that opens out across the sparse background. finally, south londons deadboy offers an understated modern jungle remix of before with skittering hats and heavy bass that cant fail to light up floors and faces.

with an increasing fanbase and tracks released on argon, dub police and roska kicks & snares accompanied with resident plays at londons prestigious fabric nightclub heat is steadily rising around the kent-based selector.

man like me are no strangers to us here at black butter records, fans of some of their more recent tracks such as >london town< we so had to get involved with this new ep. the band are best known for their ska, grime, indie blend. their brazen lyrics are less self-conscious than some of their musical counterparts, and revel in the realities, perks and calamity of being a young londoner.

n type presents two fresh cuts from the man otherwise known as the mc of drum & bass outfit pendulum. ben delivers a pair of beastly rollers - proper dubstep for the mind body and soul. watch your bass bins!

dubbel dutch (a.k.a. marc glasser) is a new york born dj and producer whose releases >trollsta< and >throw-back ep (palms out sounds)< have made waves and seen treatment by mount kimbie, bok bok, l-vis 1990, sinden, toddla t, jamie xx and many more leaders of the uk-house scene. most recently his track >throwback< has won the favor of 5 stars in dj magazine as well as the top spot in their april issues >pick of the month<. now hailing from austin, texas, dubbel dutch brews up a style that fuses elements of uk funky, tech house, us club music, & grime that fits perfectly in almost any djs sets.

lynx and detail recordings follow up the hugely successful debut >keep it low< with the next single. >for the rebels< featuring sense mc has the tonality and vibe of the good old days of drum and bass, when artists like roni size were picking up mercury prizes for their song-writing and highly credible way of portraying an otherwise throwaway dance culture. however if you need something more direct to grab your attention, then detail resident producers seeds huge dubstep remix on the flip does it. trumping their >keep it low< remix in a big way showing they have all the qualities to rival the productions of hugely successful acts like chase and status. both mixes are extremely commercially viable without a gimmick, autotune or fake tan in sight! lynxs trademark attention to detail production shine through and teamed up with sense mcs amazing lyrics and flow theres nothing more to do than raise your arms for the rebels!

when we released aardvarcks nosestep as part of his well well well ep in the summer of 2007 it cause quite a stir in the then formative dubstep scene, almost anybody played that track. now we re-release it with a new version by cosmin trg, who transformed it into a strong acidic stepper, 2010 style. on the b-side we find an unreleased nubian mindz remix from aardvarcks spoken release from 2001. we didnt release it at the time, but with the whole new future house movement coming strong, the timing couldnt be more perfect

for this tune hem and terrible shock take apart an 80s soul lp, add some sci-fi synths, lazy drums and a sprinkling of analogue fx. after many painstaking hours of recording the duo take a well earned coffee break, then return to the studio just in time to see the back of the light-footed blunted robots man shortstuff as he runs off chuckling >your vocals are mine now!<. revenge plans are made, vehicles are fuelled up in preparation ? but these activities are cut short by the arrival of an email from the culprit ? it seems that he took the files back to his hq for what he describes as a refix ? with the engines still running, hem and shox check out the file and find it to be a work of genius ? what they hear is an accelerated kaleidoscopic fusion of on-beat claps and snares in a peak-time northern soul style, super heavy subbass hits and hectic syncopated keyboard chops.

after a year dominated with collaborations (the great lengths remix double pack), fresh blood and inveterate genre renegades (illum spheres titan ep & altered natives the bitch/crop duster respectively) we at 3024 came to the conclusion a new martyn release was perhaps overdue. not so much an album preview as a standalone document of a year spent expanding dance floor horizons over (a great many) seas. 3024s milestone 10th release arrives in november with 2 brand new martyn tracks as lefthander clatters in on heavily filtered drums, flickering high hats & garbled radio transmissions before a carousel synth melody breaks through the percussive murk accompanied by a roaming bass line that prioritises restraint over bludgeon. dubbed out ambience rapidly takes root in the gaps between concrete snares & dissonant brass stabs as bass and synths elevate themselves for one last round of call & response sparring before dissolving back into barely audible dialogue. steam age industrial monolith shook up swaps slink for haunted metronomic brutality, snapping quickly into focus first with relentless kicks before bass akin to an atari2600 playing berghain looms over the clouded horizon. offsetting the claustrophobia is the first hints of melody as an impossibly slight piano phrase creeps in, countering rhythmical pummelling with ghost in the machine delicacy. classically spastic 808 tendrils are underpinned by soaring synth strings as proceedings draw to a juddering close. capturing 3024s musical progress with typical accuracy erosies latest sleeve design is perhaps his best yet, echoing the back to basics theme with beautifully austere monochrome geometry curdling into something altogether more volatile at the edges

skrillex is a young talent hailing from los angeles. with big support from deadmau5 himself and currently on tour in the us with him, skrillex is already keeping up with the big hitters. he brings us an ep of such eclecticism that it has something for every dance floor, every stereo and everyone who is into good quality electronica

pupajim has been making serious shockwaves of late in the world of bass and reggae with an angelic voice that sounds straight off an 80s dancehall 7¸, most recently hooked up to riddims by the likes of disrupt and king midas sound. voicing this tune by tayo & acid rockers for the already-mighty scotch bonnet side-label scrub a dub, he puts his distinctive stamp on the modern steppers classic that is ÁvampayaaÒ, which comes on wax with a head-spinning array of remixes. rsd pulls out all the stops to apply his signature bristol roots sound on a sure roller re-rub. marcus visionary steps up the pace with a jump up banger pumping the same hot kwaito-house blood as lvÒs ÁboomslangÒ or jumping back slashÒs soon-come Ágranadilla lollyÒ (hey, weÒre getting to that, ok?). last, everyoneÒs favourite mayor of starkville starkey piles on the layers of his gutter-tech style and colour-burst swirling synths. this is a limited edition press, so grab it before itÒs gone

following on from their debut 12inch >i like triangles< on backyard records, italian beach babes are proud to announce hounds of hate second offering the 3 track 12 inch head anthem.
this london trio drop syrupy euphoria hits for the very late night. their heavy, low-tech sound evokes, in their words, >a synthetic weave stuffed in a floppy drive< or >vaseline smeared on a trax record<. hounds of hate have catalogued diverse movements from their tweens by recreating exact sounds and recording techniques from that era. the conflict is in the naivete of their candid homage opposed by their own pessimism and tendency towards irony.

mensahs debut release on the hench imprint, pulse 80s, turned heads with its stylish production and out-of-the-box approach. his follow-up release, >untitled future funk ep<, was all the talk on the blogs and his remix of baby ds >let me be your fantasy< has been hailed as one of the hallmark dubstep tracks of 2010. with each new release mensahs studio skills and fresh thinking stand out ever clearer. this latest offering will be no disappointmentË

top notch tune , incl carl craig re edit !!

after a bit of a pause, andrea returns with an invigorated sense of funk and a bad case of scuffed shelltoes. >retail juke< opens up with an impatient metronome and sparkling rhodes keys ushering in spasmodic sample edits and unregimented drums, honing that slow-fast thing that s impossible to describe and so bizarrely effective. >write-off> sounds like an ice cream van taking a wrong turning and ending up wheel-deep in some hyperrealist dayglo forest without satnav or a working sense of direction to hand. still, its quite melancholy in its own fidgety way.

don carlos (born euvin spencer) legendary reggae artist ? born and raised in western kingston, jamaica, in a district notoriously known as waterhouse, which incidentally is also a musical spawning ground for many of reggaes greatest ever talents, such as king tubby, original member of black uhuru, the jays, junior reid and king jammy to name but a few, don carlos started his singing career back in 1973, as one of the original members of the aforementioned roots vocal group black uhuru. don played a prominent role in the recordings of the highly acclaimed love crisis (black sounds of freedom) album, for producer prince jammy in 1977. don reached the peak of his solo career during the heydays of the eighties dancehall mania thus celebrating his impact with five top ten hits between 1982 ? 1985, reggae hit such as >late night blues<0, >dice cup<, >hog & goat<, >i m not getting crazy<, >laser beam<, >young girl< and >favorite cup< are forever hailed as classics! the latter of which is included in this narco.hz 12 inch special for your enjoyment.

pearson sound, aka david kennedy, returns to hessle audio for his second solo 12 inch on the label. he lives in leeds & co-owns hessle audio with ben ufo and pangaea. this is hessle audios 16th release - once again effortlessly blurring the boundaries of house, techno, funky, dubstep to devastating effect.

>over< is a dubstep remix of the timeless portishead classic.

kokeshi kicks off the autum season with a couple unique yet complimentary remixes of two of lungs most epic tunes. featuring limited edition black & white marbled vinyl (we like monochrome cant you tell?) as well as all the usual digital formats for those who arent collectors. kryptic minds are on fire this year! they have shown a new side to their sound with the most gorgeous refix of the already brilliant >afterlife< tune by lung which debuted on kokeshi at the end of 2009 to rave reviews for its epic emotive dreamlike sound. irrelevant, who has signed his debut lp to kokeshi due out in 2011, renders >broken< with his lowfi emotive style which showcases his brilliant abilities as a dubstep / electronica artist . a side support from skream, mary anne hobbs via radio 1, dj flight (rinse fm), kryptic minds among others.

300 hand-numbered copies for the world, each sheathed in individually hand-painted sleeves. no repress, means no repress. punch drunk, bristols esteemed electronic music imprint, celebrates its 20th release with a strictly limited edition 12 inch single. this double a-side is also the official debut release by shadowy bristol-based experimental electronic musician ekoplekz. as such, it represents something of a departure for the label, for here is an artist who shuns modern digital production techniques in favour of primitive analogue devices, lo-fi cassette recorders and a spontaneous, improvised approach to composition. taking inspiration from >radiophonic< soundtracks, early dub reggae, krautrock and post-punk d.i.y. experimentors like cabaret voltaire, throbbing gristle and robert rental, ekoplekz is intent on introducing a new generation to the kind of raw eruptions of sound that first gave birth to the uks electronic underground over 30 years ago.

spun presents neuro dub. its the new style, the perfect blend of neuro dnb and dubstep.

lmd skunkworks is a new project on lick my deck recordings that will focus on releasing dubstep, uk funky/garage and futuristic beats.
the first release is by nocturnal sunshine aka maya jane coles ...

part 2 of a series of limited 12 inch remixes taken from scubas >triangulation (interpretations)< album. on this 12 inch scubas back with the old skool vibes on >you got me (i got you)< but confidently skips the line by keeping it firmly in this moment. the listless beauty of >before< is embued with a spine tingling warmth on scubas luscious opening re-edit, >before (after)<.

>guacha< is the follow up single to the son of kick release >revolution abc< ep.
this monstrous slab of bass driven, hip hop fuelled beatmastery lined with the most catchy lyrical chant from new yorks natalia clavier. its a club banger, its a commercial radio hit, its underground. once again son of kick nailed it by crossing boundaries and ticking boxes other producers cant.
alongside the original, son of kick looked to the talents of disiz, grems and micro coz for added power for the >guacha rekix< version. additionally, >revolution b<, an equally massive tune from his aforementioned ep, was added to the vinyl 12 inch. alternative artwork on 12 inch cardboard and free download-code included.

inc john roberts remix (dial )

the final part of the epic remix album. you ve had the burial sampler, youve had the cd, youve had ep1 & ep2 and now its time for the final piece of this massive jigsaw. and what a piece it is marcel dettmann second remix of satellite type 2 is a masterpiece, it captures the essence of the original along with its energy. first class mix from berlins finest. on the flip we have metalheadz new boy pedestrian, and with support from giles peterson and more this guy is really making waves right now. the remix encapsulates the sound of the uk right now, people call it future garage we just call it good music. expect more from pedestrian and metalheadz in the future

limited to 300 copies worldwide .. be fast to get your 12inch!

Ähnlich john peel legt mit david rodigan eine weitere (radio-)dj-legende & genre-trendsetter seine fabric-cd auf! >fabric live 54< ist ein credo des weltweit bekanntesten reggae-dj & -multiplikators, der einen intensiven einblick in die entwicklung des genres gibt, und aufzeigt, wieso reggae/dub solch einen einfluss auf andere genres wie hip hop, house & dubstep haben konnte.

incl interpretations !!

denmarks most forward thinking export trentemøller announces a new single on his own -in my room- label, twisting 60s psychedelia into a modern electronic-punk beatdown, complete with remixes from none other than andrew weatherall, lulu rouge and trentemøller himself. packed with overdriven synth and guitar textures, live/processed drums and a pacy, apocalyptic vibe, the original version of the remarkable -silver surfer, ghost rider go!!!- taken from the new album ,-into the great wide yonder- is perhaps anders trentemøllers ode to some of the many other spectrums of electronic music and noise that he loves

one of heaviest 12 inches of this year from dubpolice. this is the 46th release from the vinyl giants and it belongs to emalkay with crusader (levels) & power tool on the flip. this is definitely one that everyone is trying to get their hands on and will be bagged on sight!