Übercode ouvre is the eagerly awaited album from panzerballett, a unique jazz-metal quintet that fuses intricate metal riffs with jazz improvisation, humor, and high-level musicianship.
ursprünglich 2006 auf robin balls label groove pleasure (kat.-nr. gpl11) veröffentlicht, war „don’t put up wit dat“ die erste zusammenarbeit dieser beiden angesehenen djs, produzenten und labelchefs. mit dem wiederaufleben des tech house der frühen 2000er jahre und dem erneuten interesse am charakteristischen south london sound erzielen originalkopien dieses underground-juwels auf discogs preise von weit über 100 £. als unerbittlicher, treibender track mit purer tech-house-handwerkskunst war dieser titel bei crate diggern und kennern gleichermaßen sehr gefragt – und jetzt ist er endlich wieder auf vinyl erhältlich.
our exploration of ballet mechaniques old dat archives, stack full of unreleased material from the 90 s era, continues with our sixth release and materializes into the third volume of the 1992-1999 collection series. like the previous two volumes of the series did, also this ep brings to lights the diverse and varied approach of jeroen s productions: an a side featuring more ravey and uplifting tunes, and a b side focused on funk fuelled electro and idm.
more understated than previous releases from dave, but carrying the same depth, essence and sentimentality that runs through all of his music. expansive landscapes on this one, a real trip.
vinyl-erstauflage der 2016er ep double hélice- des belgischen rap-duos caballero & jeanjass, das damals nur auf cd erschien. die beiden unterhalten ihr publikum mit technischer brillianz, humor, selbstironie und einer sensibilität für farbenfrohe lyrics. weisses vinyl.
b-stock! cover with seam split. vinyl unaffected & mint. die tracks wurden zwischen 1992 und 1999 produziert und erstrecken sich über verschiedene stile. alle haben den unverwechselbaren und sehr einzigartigen sound von ballet mechanique: emotional, episch, ravey, funky, romantisch...
die tracks wurden zwischen 1992 und 1999 produziert und erstrecken sich über verschiedene stile. alle haben den unverwechselbaren und sehr einzigartigen sound von ballet mechanique: emotional, episch, ravey, funky, romantisch...
die tracks wurden zwischen 1992 und 1999 produziert und erstrecken sich über verschiedene stile. alle haben den unverwechselbaren und sehr einzigartigen sound von ballet mechanique: emotional, episch, ravey, funky, romantisch...
MUSIC COLLECTION: DRAGON BALL TV ORIGINAL SOUNDTRACKS (LP)
12 Inch LP 24.09.25
pressed and printed in japan, japanese obi and original booklet reproduction, original released in 1986 for dragon ball fans and vinyl collectors alike
the berlin based kashpitzky is back on be as one with elevate ep, showcasing once again his well crafted signature grooves and structured melodies with 3 original tracks. backed up by a straight forward raw remix by the english matador Ø phase.
clear vinyl - mit seinem brandneuen album last man dancing übersetzt jake shears seine lebenslange liebe zur clubkultur in seine bisher ambitionierteste popmusik. auf dem neuen album fährt jake shears mit seinen rollschuhen durch die popkultur, ohne rücksicht auf verluste. das album wurde von jake shears und einem engen team von kollaborateuren auf hochglanz poliert, darunter kylie minogue, jane fonda, amber martin und big freedia
20th anniversary coloured reissue of the 2003 white stripes album, including the über-hit “seven nation army”. red smoke (1. lp) & clear with red & black smoke
RISE JAMAICA: JAMAICAN INDEPENDENCE SPECIAL (YELLOW & GREEN 2LP)
Coloured 2x12 Inch 03.08.22
trojan records celebrates the 60th anniversary of jamaican independence with a special compilation of 28 tracks on transparent green and yellow coloured double vinyl, housed in a gatefold sleeve.
der -a state of trance yearmix 2020- mit den besten trance-tracks des jahres im mix von armin van buuren. die komplette cd1 mit 56 top-tracks auf einer doppel-vinyl. feat. cosmic gate (2x), solarstone, ferry corsten (2x), markus schulz, above & beyond (3x), bt, gareth emery (3x) sowie ganze 12 tunes von armin van buuren himself.
for fans of electronica, idm, techno. all artists: dk, félicia atkinson, jimmy edgar, laurel halo, luca durán, lucrecia dalt, mehmet aslan, michal turtle, neue grafik, nick höppner, object blue, oso leone, parco palaz
bruno pronsato returns with his new album, a face wasted on the theatre, written & produced in collaboration with the israeli musician, yonatan levi.
pronsato and levi have been collaborating intermittently since 2014, with levi adding bass guitar to tracks on both pronsato’s us drag lp from last year and 2016’s ndf ep, cruel is the color, as well as contrabass on a track on pronsato’s archangel lp from 2014.
written in the afternoons and between two different studios in berlin’s prenzlauer berg, the album spans eight tracks, with yonatan levi playing on bass guitar on six of them. it also features guest appearances by downtown composer/producer peter gordon and israeli saxophonist yonatan yudkowitz on “bring me a kill.”
limitierte ep mit 4 remixes zum moby & the void pacific choir-album -these systems are falling- (2016), insipiert durch die gleichnamige hollywood-animation von max fleischer aus den 1930er jahren. die 4 remixes kommen von nava ryan, zarva, blanck mass und moby selbst.
del the funky homosapien and amp live have teamed for gate 13. the full-length collaborative album pairs the hieroglyphics veteran and grammy nominee with the zion i and unified highway co-founder. after working together during amp’s authorized radiohead remix project, these friends from their oakland days embark on 15 tracks that fuse hip-hop, funk, edm, and more, with guests including goapele and eligh. as they explore their overlapping chemistry and challenging music to a new place, this album may be another portal into something progressive, futuristic, and fun.
sent from a nearby star system, from one world to ours. wondering the streets with misguided importance. how du is new to our planet, but does not yet know why he is here, only that he must heal himself and all those he meets in order to find his home. an inherent feeling that he has arrived to protect and serve others from the deepest patterns of evil overwhelms him. evil that spreads through the mind in conscious frequencies of the brain. areas we call the shadow realms of oneself. unable to communicate in the correct language his correspondence with earth people can only be transmitted through sound and melody. music is his language and his tool. this is the landing. deep garage with a minimal spin and a broken beat format. a story in sounds. best served on the rocks. shouts to the bristol crew. banoffee x