the best of sparks on triple vinyl, housed in a trifold sleeve.

an amalgamation of two separate 12 inch 180g lps in one 6mm spine, gatefold sleeve, download code, poly lined inners. remastered from the original tapes.

an amalgamation of two separate 12 inch 180g lps in one 6mm spine, gatefold sleeve, download code, poly lined inners. the initial run will be an rsd exclusive pressed on transparent red vinyl. remastered from the original tapes.

vinyl release of danny wolfers aka legowelts unfolding the future with amateur space jazz.

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

five track vinyl compilation with different tracks from duyster, fairmont, gisberto, sigward, mattheis

a new addition to the kill the dj stable is something that, for us, really counts....

cd edition in 2-panel digipack, 20-page booklet with exclusive pictures and notes from jeanne moreau, franois truffaut and cyrius bassiak (aka. serge reznavi).an emblematic actress and a memorable figure of the french chanson scene, jeanne moreau passed away in 2017. she started singing as an amateur in theatre like the comŽdie franaise, but always wanted Òto sing balladsÓ. the man who wrote her first songs was her friend: the painter cyrus bassiak (pseudonym of serge rezvani) and like for many other artists jacques canetti was the one who brought her to a recording studio to record her first songs in 1963. this album pays homage to jeanne moreau by compiling for the very first time all the songs written by cyrus bassiak, including 4 songs that were nowhere to be found until today.

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

random coloured double vinyl.

heavyweight 180g black vinyl incl download card

ltd box set, 2lp+cd, translucent yellow vinyl

2005 techno / house classic from oliver hacke.

music from season 1 & 2 of the netflix original series sex education. the 180 gram vinyl lp includes a download code.

dj haus enters the unknown is a yearly compilation looking back at the last 12 months of uttu releases - some obvious highlights but emphasis on overlooked b sides too. it’s also an opportunity to work with friends outside of the uttu label by including exclusive collaborations and tracks from the uttu extended family. ahead of the full compilation release uttu present a triple vinyl edition of the exclusive tracks and collaborations featuring: legowelt, dj deeon, dj seinfeld, dj normal 4, marquis hawkes, dj boring & many more.

sombrero galaxy (also known as messier object 104, m104 or ngc 4594) is an unbarred spiral galaxy in the constellation virgo located 31 million light-years (9.5 mpc)2 from earth. the galaxy has a diameter of approximately 50.000 light-years, 30% the size of the milky way. it has a bright nucleus, an unusually large central bulge, and a prominent dust lane in its inclined disk. the dark dust lane and the bulge give this galaxy the appearance of a sombrero. astronomers initially thought that the halo was small and light, indicative of a spiral galaxy, but spitzer found that the halo around the sombrero galaxy is larger and more massive than previously thought, indicative of a giant elliptical galaxy.3 the galaxy has an apparent magnitude of +9.0, making it easily visible with amateur telescopes, and it is considered by some authors to be the brightest galaxy within a radius of 10 megaparsecs of the milky way. its large bulge, its central supermassive black hole, and its dust lane all attract the attention of professional astronomers.

growing bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per-cussion obsessives for a supernatural mission into the heart of the rhythm. dressed in the pitch black of du&#776,,sseldorf stands wolf mu&#776,,ller, master of the tropical drums and seven time salon des amateur breakdance champion. repping cologne and berlin is niklas wandt, germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted euro dance. standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a crash bandicoot victory dance... so stretch out and step in to ‚instrumentalmusik von der mitte der world

what attracts us to chilean-born artist ricardo tobar is the notion of intersection, and although fusion is nothing new, as a concept it will always pull our heartstrings. applying influence is amateur, we see this over and over again as we endure trend-driven appropriation of cultures the world over, but the epiphany when an artist finds true synergy between heritage and influence is a pivotal moment that the inspired will seek, even though it may take the length of one’s career to behold. as pretentious as that may sound, it is precisely the hybrid born from that place of intersection that excites us at the esp institute, the a plus b that equals 3. we hear this in ricardos music the latin american instinct in his drums and percussion, sometimes tightly aligned with body movements and other times hauntingly mis-aligned and chaotic, intersects with his rock influence of ethereal (micro) melodies that slowly layer and layer until were climbing a glorious (macro) wall of sound but most importantly we hear where these different parts of his life come together to further create one unique voice. on both sides of his esp institute debut liturgia, tobar couples one pulsing dance-driven track with another atmospheric and immersive track, requiring we educate ourselves in the polarity of this language he’s building, one that will expand to tell a broader story later this year with his debut album. we welcome ricardo tobar, another forward-thinking artist, to the esp institute, and are proud to support any direction his compass points from here, as we believe hell never follow but will always lead.

roots vocalist barry brown has an inimitable style that has long made him a favourite of reggae enthusiasts. drawing from the popular phrasing of horace andy, but morphing it into his own delivery through the kind of wordless slurring that occasionally resembles the sound of a quacking duck, brown found his way into the jamaican music scene through the many amateur west kingston talent contests of the early 1970s, along with fellow aspiring talents such as johnnie clarke, sugar minott and the african brothers, and the mighty diamonds. he also honed his vocal skills on local west kingston sound systems such as tape tone, together with other young dancehall-oriented youth such as barrington levy, sammy dread, roy taylor and tristan palmer. there are still conflicting claims as to who was the first to record brown, with production veteran bunny ‘striker’ lee and sugar minott among the contenders, but in any case, during the late 1970s and early 1980s, he produced a range of captivating work for various producers, much of which is rightly coveted today. ‘ital rock’ appeared on barry’s 1983 lp i’m still waiting, issued by rocktone international, a spin-off of sugar minott’s black roots outfit, based in queens, new york (with a further branch in toronto), the b-side has dean fraser’s previously unreleased electrifying saxophone cut, rescued from dub plate obscurity by jah fingers.

duff breaks is composed of 40 breaks and sound effects compiled for easy use in any set or production. a companion for any serious dj or amateur record collector. duff breaks is the frst of an essential vinyl series transforming the sound of music and helping funky beats and drops conquer the world.

(sean johnston & oyvind morken rmxs) theres a new kid in town! well, the kid behind it aint all that new, but the label is, so we will stick to our claim. after having been super quiet on the output front for a good few years now, oslo dj andoccasional full pupp producer marius circus is back with boom and a boing and a tschak, having decided to launch his own label.

after seven years legowelt s smackos alias returns with a vampire goes west ....an all out amateur spacejazz spiritual ambient eruption on smudgey cassettetape. in library grey jewel case, comes with multifunctional self adhesive dome refrigerator magnet

culled over the naïve bedroom sessions of early university, “chillax” is akin to blaring an extra hot mixtape from a junky deck in your car on your way to cape canaveral to see the last space shuttle leave earth, all while trying to speed run kirby’s dream land on your sister’s gameboy color.
heavy sampling tends to drive this jeep and give it some character, many popular/unknown gems lifted from various dusty tapes and wax procured from thrift stores and vinyl throughout northern florida, cheap drum machines are clumsily slammed against it all and keep everything in a familiarly dance-y zone, while amateur chords and melodies are provided via guitar center synths and youtube ripped commodore 64 blips and stabs (note the cheeky nintendo voices as outliers). a fusion of analog discoveries and pixelated memories (melded together by the relentless florida heat), its an apt soundtrack for long and wistful road trips.

radio slave, spencer parker and mr. ties return under their b.a.d.s moniker with remixes of last years iconic hous-o-matik hom-o-patik release. b.a.d.s. is an acronym of berlin amateur dramatics society, the project was established by edwards, parker and de nittis for the original release in tribute to berlins homopatik party, the monthly event series helmed by mr. ties himself. in the house of ties remix a syncopated breakdown erupts into a frenzy of rumbling kicks, infectious vox and montefioris charismatic saxophone. in contrast, parkers reinterpretation is more mesmerising in nature with echoing stabs, reverberating vocals and eerie organ chords.

matt edwards (radio slave) returns to his rekids label under the guise of b.a.d.s (berlin amateur dramatics society) - a new project cooked up with spencer parker and francesco de nittis aka mr ties, in order to release this track he made especially for an appearance at de nittis homopatik party at berlin s about blank last year. since debuting the track it has gone on to become not only an anthem for the part itself (the a capella has become a regular a favourite mr ties opener for homopatik sets), but a goto crowdpleaser for the handful djs such as nina kraviz who have drawn for its infections energy over the past year. imbued with the with all the infamous mischief of homopatik and the historical clubbing lineage the party is rooted within within, hous-o-matik hom-o-patik does everything you would expect it to: it gets the party started. b.a.d.s will return later in the year with spencer parker and mr ties own versions of the track

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

detail is 20 year old daniil marin from kiev, ukraine. initially influenced by technical itch, detail has carved out a niche for himself and stepped up his production skills to create world class dnb with dance floor production power. with releases already on c.i.a., proximity and support from noisia, the upbeats, break & klute and forthcoming releases on: symmetry, dispatch, utopia music & demand – detail is definitely a brand new talent soon to be on everyones lips. daniil is also a keen amateur health & fashion photographer and one day hopes to contribute to the readers wives section of fiesta.

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.

new shags! typically retarded but strangely enticing chi-haya house that swings like a tit. produced by an auxiliary member of the new kids turbo and his socially challenged compadre from the coastal region. furtherly fidled with by an anger management trainee from the second division saturday amateur football team.

introducing jos lieferink, amateur astronomer and electronic musician from the hague. since the mid 1970s phochos has been dabbling with organs and synthesizers, releasing an incredible number of cds and tapes on his own orion records label. phochos has long been a treasured secret, hidden from the general public in a maze of porch housing. secretely admired by the west coast cognoscenti, who finally decided to share him with the world, cause music, like, wants to be free, you know! >interface phrase 1< is a deep dutch techno banger, very much in the style of old ross 154. glaciers is a classic ambient phochos track from the early 2000 s. released on limited edtion icy cold clear vinyl.

international amateur rifle shooting champion, julio bashmore, has just returned victorious from the world championships in helsinki, finland. whilst there he was inspired by the local landscape and has delivered these two beautifully scandinavian ice cold classics.
the release is number three in a five part series of coloured 10 inch vinyl, strictly limited to 350 copies each. all vinyl are coloured and numbered, with hand screen-printed sleeves.
each vinyl order includes a download code for instant mp3 / flac / wav format.

lyrical wit is in abundance, magnified by russell maels soaring falsetto gymnastics. failure with the opposite sex is a recurring topic, from the adolescent fumblings of amateur hour to the resignation of falling in love with myself again. its easy to see why the teenage morrissey was a dedicated fan. the track that really grabbed the publics attention was this town aint big enough for both of us, a classic stomper with a gravity defying melody. 1974s kimono my house is the sound of sparks firing on all four cylinders, providing one of the most curious and comical albums of the 70s. freddie mercury wasnt the only operatic rocker on the block in the mid 70s. the genre was pretty much taken to its logical conclusion by ron and russell mael, the decidedly odd couple who formed the nucleus of sparks. dropping references to immanuel kant and yehudi menuhin, these boys werent your average dumb rock band. kimono my house was their third album, recorded after the brothers had relocated from la to london (where tolerance of tongue in cheek pomp pop was obviously much higher).

massive uk techno / electro mover !! a teenage fascination with the outer reaches of contemporary music (beefheart, psychic tv, non, pharaoh saunders, the fall) and stints in various bands saw wright ditch the physics degree and return to york university to study music technology. by the start of 1992 he had made the jump from enthusiastic amateur to record his first tracks with john dalby in the local finsbury park studios in york under the guise of germ.

without any doubt: a monster tune!! for all border community & james holden fans !!

digipack with 12 page lyric booklet

ltd.edition 3 cd box set incl. veiculo, the amateur view, music is a hungry ghost + extensive linernotes and remixes by four tet, daniel miller & gareth jones and mira calix

great combination of olivers crisp angular techno & zizis vocals & the lo-fi but intricate use of electronics.

incl bonus disc of covers, instrumentals & rarities