pressed on clear coloured vinyl

kauf is a l.a.-based singer and composer of exquisite synth-heavy vocal backed scores. fort romeau is a house music producer from uk. one is remixing the other. the result couldnt be better: music for ballroom dancing and putting your greasy leather jacket over your tuxedo and wearing biker boots to a cocktail dress. comes with extended vocal and instrumental mix.

incl acid jerks, fort knox 5, dj absolutely shit remixes. tip!

2005 album now on red double vinyl ! mike shinoda from linkin park !

emotional tech house incl fort romeau & rebollo mixes

fort romeau back on ghostly international with a new longplayer. limited first pressing of 1500 copies on silver halide vinyl (gray + black marbled), download code included.

incl acemos remix

synth laden banger, hypnotic

fort romeau follows his recent release on ghostly international and his bbc radio 1 essential mix with four new psychedelic house cuts on munich’s permanent vacation.

fort romeau follows his recent release on ghostly international and his bbc radio 1 essential mix with four new psychedelic house cuts on munich’s permanent vacation.

coming off the acclaim of pablo — designated by pitchfork as “best new music” and a candidate for the song of summer 2018 — greene drops a three tracker for ghostly’s spectral sound imprint that finds him in fine form.

dark matters label head amirali returns with the expertly crafted odyssey ep, employing his vital understanding of space and texture to construct a highly emotive release featuring a remix from fort romeau.

fort romeau returns with his first 12inch of 2018 following a string of releases on live at robert johnson, running back and ghostly international as well as appearances on compilations from rush hour, cocoon, and mule musiq. on the a side, pablo unfurls with swirling arpeggios which build to a euphoric crescendo while the more heady terracotta explores polyphonic syncopated fm sequences and ambiguous chord progressions.

for their second release on the label, dgtl records asked another one of its festival shows regulars: fort romeau. after playing at three different dgtl editions, and an upcoming fourth during ade, the organization also wanted to propagate his sound with an ep on their imprint. the release consists of two multi-layered compositions, untitled ii and a familiar place, and will be available on the 13th of october.

fort romeaus second outing for running back is another exercise in dance floor synthesis. starting where its predecessor saku left us with the green shimmer of a fairlight, emulators you might have guessed it greets us with the grey realism of an e-mu ii. purchased first by none other than stevie wonder, immortalised in ferris buellers ode to absenteeism and the original loon sampler, there is nothing this machine cannot do for you the same goes for fort romeau. his disco-informed, trance-induced tracks that usually end on a high note, are elevated by ambient soundscapes that end with a bang and sugarcoat your warm-up slots, while bird-heavy bonus beats that stand up on their own or help you out in the mix. nice like a stick of liquo-rice.

reasons marks fort romeaus first full solo release since 2016s secrets & lies on live at robert johnson, having previously released records with ghostly international, running back and his own cin cin imprint. the title track sees the development of the producers interest in playing with the human voice, developing a harmonic and rhythmic hook which builds to a crescendo of wailing synths. c.e.m is a focused dance floor workout built around syncopated sequences which ebb and flow creating a constantly evolving pattern of tension and release. on the final track satellite 2 a pair of beautiful duelling sequences unfurl giving a sense of weightlessness and provide the perfect epilogue to a record that marks the continuing evolution of the producers unique sound.

brothers danny and kieran clancy continue their run of highly infectious, club-centric singles, releasing once again on their own krankbrother imprint which has built up a consistent catalogue of music since the labels inception in 2015.

fresh on the back of the release of his third album good luck and do your best this summer, gold panda signs off an acclaimed 2016 with a very limited 12 of three remixes of music taken from his latest record. having previously re-worked the panda track community, berlin-resident fort romeau once again takes the reigns with a gorgeous, nine-minute pulsing, electro-heavy recreation of the track time eater complete with ghostly synth motifs that twirl around japanese instrumentation culminating in a frenetic release. us producer john roberts, who himself released one of the best deep house records of the year, remixes chiba nights, transforming it into a thumping, acid-tinged affair that mixes space and warped electronics beautifully.

co founder fort romeau give us 2 cuts of arpeggiohouse ready for the dance floor while honey sound system’s bezier delivers that top tier hi nrg sound that has become his signature.

re:works is the result of a groundbreaking project that sees the rich catalogue of decca classics being opened to some of the worlds foremost electronic producers, seeking to further establish the common ground between the historic and modern day aspects of musical composition.

ramona is proud to present fort romeaus second installment for her live at robert johnson audio enterprise. his take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. ramona is still in love. stay gold, ramona

cin cin, a series of split 12’s from fort romeau (ghostly int. / running back / robert johnson) and warm’s ali tillett. each instalment bringing together friends old and new in a spirit of collaboration and togetherness. kicking things off is label boss fort romeau and ex ostgut ton honcho and panorama bar man nick höppner. “untitled” sees fort romeau whip out the 909 for some acidtechnohousemusic while nick indulges in some ukg influences with steppers “stay” and “splicing hues”

spectral sound has assembled four distinctive but complementary producers to flesh out fort romeaus remix, frankfurt versions. remixes coming from roman fluegel,orson wells, massimiliano pagliara and tuff city kids.

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

2x12 inch standard weight black vinyl inserted into black paper dust sleeves
2-panel art sleeve printed jacket with 5mm spine on matte laminate stock with gold foil accent
vinyl includes download card

fort romeaus debut for ramona and her live at robert johnson audio enterprise couldnt be any better. a london resident and leading member of the current ghostly international family, fort romeaus take on neo dance, post-disco and proto-house is as unmistakable as it is dreamlike. ramona is in love.

fort romeau continues to roll out thoughtfully detailed productions for ghostly in 2013. in march, the london-based producer released the chicago house influenced *sw9* single on ghostlys sub-label spectral sound, and showed his versatile house rhythms in july with its follow-up, the jetee / desire single. 2014 will see his debut album for ghostly — it is his second full-length record, with his debut album kingdoms being released last year on la outsider dance institution 100% silk. in the meantime, he continues to forge masterful house on this four-track ep, entitled stay / true.

a warm and affectionate take on the sound of chicago house, mixing thick analog pad sounds with a 4/4 kic

swedish duo fort not are back with their sophomore album -depressed for success-.

limited edition 2lp on silver vinyl, in gatefold sleeve with liner notes

standard version 2lp on black vinyl in gatefold sleeve with liner notes.

new album from singer and multi-instrumentalist leyla mccalla.

the essential chicks compilation fort the first time on vinyl.

die sechste ausgabe des londoner labels nuances de nuit setzt ihre reihe interessanter elektronischer musik mit vier neuen tracks von james andrew, nathan pinder, the trip und tip top fort.

original motion picture score from the movie “the last of the mohicans” on vinyl lp.

cool remixes !!

roman flügel’s debut single on mule

incl. fort romeau, bawrut, david mayer remixes

die dub-legende und daniel boyle setzen ihre fruchtbare, 2014 mit “back on the controls” gestartete kollaboration fort.

(re-issue of the much longed for 2013 lp with alternate artwork). samo dj and max stenerudh have billed the record as a conceptual soundtrack set in kowloon’s walled city, an ex military fort in hong kong that became notorious for its dense population, triad connections and lack of governmental control. it was demolished in the mid 1990s, but has served as the influence for plenty of projects since, and should provide a suitably shadowy backdrop for kwc 92s fractured sounds.

a.g. returns with all-start cast, featuring the likes of diamond d, lord finesse, alchemist and more. for this album, he’s on his a-game, from beginning to end. touching on topics from the hip hop biz, street tales and political hypocrisy.
the taste of ambrosia is a full meal serving for mature rap devotees who’ve grown tired of contemporary rhymesayer laziness. joined by guests including diamond d, a-bless and thirstin howl iii, a.g. backs up his claim that he is ill enough to paint his own portrait, and illustrates and vision of rap immortality that hardcore heads and fellow legacy mcs alike can worship eternally.
limited edition of 500 copies on black vinyl.

veteran nyc producer and dfa regular juan maclean hops on the rnt wagon for a rolling ep of drum-machine driven grooves for the reserve sub-imprint. the record starts with the peak-time stomper fine time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of dont stop for nothing. everybody clap leads off side b with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the ep closes out on the dubbier tip with the eponymous panic in fort greene park, a synthy and smooth slow burner. all around beautifully produced and eminently playable, señor maclean has made himself a most welcome addition to the razor-n-tape family with this dynamic ep

acid jazz führt die reihe der leroy hutson wiederveröffentlichungen fort und bringt am 11.05. die klassiker -closer to the source- und -the man!- heraus. hutson belebt die cd der remasterten wiederveröffentlichung seines 1978 erschienenen klassikers -closer to the source- mit den bonustracks -in the mood- im single edit und „reality“, sowie umfassenden sleeve-notes vom soul-experten tony rounce. - lp mit printed inner sleeve, originale trackliste

acid jazz führt die reihe der leroy hutson wiederveröffentlichungen fort und bringt die klassiker -closer to the source- und -the man!- heraus. auf der cd der reissue des 1974 veröffentlichten albums the man! befindet sich die schwer aufzufindende mono-version von ella weez als bonustrack. die lp kommt abermals mit ausführlichen sleeve notes und dem ursprünglichen tracklisting. lp mit printed inner sleeve, originale trackliste

panorama bar regular bwana unites his dual loves of vintage 90s electro and classic progressive trance on this three track ep for duskys 17 steps label. achieving widespread critical acclaim with last years techno homage to the akira soundtrack - capsules pride - on luckyme, bwana has since released eps on his club ready home aus and fort romeaus cin cin, as well as appearing on 17 steps with a cult remix of duskys ingrid is a hybri - itself something of a panorama bar favourite. on this ep, the illustrious producer presents three contrasting but cohesive tracks in the dark acidic three way is the hard way, hypnotic dark trance builder hell is other robots and classic electro homage on patrol for their control. completing the package, the inimitable avalon emerson bends three way is the hard way’ into a glitchy, percussive groover that builds crunchy layers of dark drums around the original’s twisted sonics.

nice price deal !!! incl los hermanos remix. house heads, be on the lookout for a deep descending piano hook echoing through a club near you. last seen wearing shuffling tambourines on its 909 kick, it communicates through the medium of gospel vocal and is thought to be armed with a killer bassline. this threat to society is the latest release from dublin s eamonn doyle, following up his last plate >red shift< in fine style. as the journey continues doyler keeps it deep and raw, holding fort in a fashion that will appeal to all seekers of deepest waters. on the flip, detroits gerard mitchell reworks the track in drive mode with one of those classic detroit style basslines that keeps him at the forefront of todays techno producers. another essential 12inch from d1

washington, dc native joe quarterman had his first hit in 1973, an instant funk classic that was part of the capital city’s red hot 70s funk scene. “so much trouble on my mind” is a party rocking anthem still being sampled and played over 40 years later. fort knox five recently got quarterman back in the studio to record a new song, the stripped down funk banger “don’t go”.

bergen’s christian tilt returns to norwegian label ploink with his debut album ‘alt skjedde jæla fort’ this september. norwegian christian tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the zenker brothers, margaret dygas and ploink label head thomas urv at clubs such as berghain, jaeger and Østre - all in the last year. here though we see christian tilt make a return to ploink for a second time with a five track lp comprised of an intricate cross-section of syncopated rhythms and dubbed-out techno. ‘dos were the days’ slowly builds hi-hats and punchy kick drums, before a deep-synth melody drives the composition forward. up next is the stripped back ‘btl’ that combines otherworldly aesthetics with a steady bass rattle throughout, before the gritty ‘a visit from france’ unleashes a dark low-end, murky synth drones and frantic pad sequences. a relentless 9 minute affair titled ‘i only work late nights’ then swells and pulsates over an unremitting beat, before ‘Øreverk’ rounds off the package with frenzied clangs, muted hits and rhythmic percussion.