‘streetlight soul’ is the inaugural release on new imprint gnosis. this four track ep is the fifth myriadd record, following 12-s for crème organization, pinkman and signals. the past decade has seen releases from the artist under a variety of pseudonyms including acid phreex (djax-up-beats), mantra (bunker, abstract acid, solar one music) and monofonix (iwari, cataclyst). across the ep, myriadd remoulds the template of vintage chicago house, acid and deep house into his vision of modern house music. opening with midnight obsession , working a dark hypnotic bassline into an endless groove of crisp jacking drums and soul stirring melody, all primed for maximum effect at 4am when lost in the smoke and strobes. visions of love is driven by a juno bassline, a classic palette of tumbling, infectiously funky drums, warm, enveloping synth atmospherics and elevated by lush, celestial string work which comes off like some fantasy mr fingers + virgo psychedelic jam. the ep’s titular track goes deeper into the night with 909 claps, off-kilter snare hits, melancholy synth and ethereal melodies that ascend and dissolve into neon clouds. closer back to nature is a trip into blissed out, tropical house sounding like a lost balearic classic re-tweaked for the 21st century..

incl download code , since a few years mrz is steadily shaping his dancefloor sensitivity on zürich s underground and sophisticated parties. its not a suprise you can whitness mrz s flow on his new productions becoming more natural as it does when he performs live. these three tracks plus instrumental are only a pick of many great new tracks, so we hope you are going to like our selection: title track konterversum is just as you d be sneaking in a stairway and catching a couple - to our surprise - having a dispute while the party booms behind the door. subversly charming. multiversum does somehow picture how it feels trying to quit a conversation at phone - while riding an edgy but flowing groove. circaversum is basically held in swiss german dialect and we let you guess what they are talking about. we insisted on an instrumental version of the track for those not so much inclined into three-guys-jacking-the-mic-in-the-studio. it was worth it.

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

when a label within thirteen catalog releases has only one of them branded as various artists, than the focus on this release seems to be really interesting. exactly that is the case with dreizehn and its three protagonists.

reissue of a unknown b-side of an early belgian trance outfit release. before they made euro trance they made this heavenly balearic gem. it screamed for lauer remixes and he provided…
unless you have been sleeping it should be pretty obvious that wph head honcho red d has a weak spot for early belgian trance stuff. before trance was even known as trance that is… the early 90ies were the post new beat era in belgium and loads of producers were experimenting with new sounds to steer away from the blatantly commercial new beat chart stuff. so that is when the magic started happening.

the summer of 2015 sees gruuv celebrate 5 years in the game. we have put together a brand new compilation featuring 25 of our favourite artists, which will be released as 6 x 4 track vinyl releases every two weeks throughout the summer and features artwork from the renowned victoria topping. each ep will be released on limited edition vinyl, with a free poster and sticker inside, uniquely stamped from 001 - 500.
thanks to everyone involved, all around the world. music provides the greatest unity. it strips away indifferences, supersedes language, nationality, culture, all defining human factors, and leaves one common thing we can all interpret, sound.

capturing the spirit of the season, when the electronic music community leaves its darkened rooms and heads back to nature, feathered sun are here with the perfect accompaniment.

well respected french dj and producer dj deep joins the l.i.e.s. roster with a new three track ep paying homage to the days of old when house and techno were a fresh and exciting music revolution. this ep perfectly balances the sounds and energy of the past and renewed vibrance and resurgance of what s happening now in paris. repress

our main man from hamburg, mr. tilman tausendfreund – try to pronounce that when you are drunk – is back on frank music after appearances on dérive, hypercolour and the likes. and he’s back with heart on his first full 12&#8243,,, ep. tilman makes music you should dance to (twenty nine years). music for dreamers (in my dreams). and finally music for all days and all nights. “all night long” even sounds like a long lost ladomat2000 tune. tilman is part of the extended smallville family and a dj you shouldnt miss when being in sweet rainy city. tili we salute you.

the second jungle wonz release on trax, again with harry dennis gorgeous vocals, was sub-licensed to both new york label vendetta and breakout in the uk (both subsidiaries of a&m), with some fine remixes by former area resident justin strauss. -this was one of the first house songs i ever heard when i was like 14- recalls felix da housecat. -marshall jefferson has been a huge influence on all my basslines. people usually think that basslines come from 80 s pop bands but they came from marshall jefferson. marshall jefferson is probably the best house producer of all time for this period.-

with his big releases on terminal m, material, bitten, area remote etc. spanish dj and producer danny serrano is definitely on the run and delivering consistent high quality clubtracks since years. it was in 2009 when he had his first release on bouq (together with mendo) so it was about time to return to amir & butch s label.

it is no easy task to blend the cerebral with the soulful - the two tend to stand at opposing corners in the deep house world and producers are often forced to choose one or the other - to mix both is a lofty aim. maddermodes may not have set out with this merger in mind when launching the project - mental space - but the end result is striking in its effortless fusion. released under the artists own label, shift coordinate points, the ep consists of two tracks: mental space and human science. the titles, of course, lead one to assume there will be a strong degree of technicality and complexity behind the songs and indeed there is, what is surprising is the level of personality and moodiness that also exists.

the second release from the hlanganani label lives up to its mo to provide a platform for talented producers from south africa to shine, focusing here on deep sixty, aka young and fast-rising producer johannesburg producer thabiso mamogwa. back in 2010, the producer made it to london to take part in the red bull music academy, which is when the hlang team first heard the tracks that make up the mme hayo ep whilst some studio time on the same trip with todd soundmurderer osborn resulted in the thursday nights track which mamogwa previously self-released. in addition to deep sixty s own deep terror mix of mme hayo, the label have coaxed some fine remixes out of esa and william kouam djoko.

the -i love vinyl - open air- has established itself in the beautiful thuringian north and attracts more and more vinyl fans every year. this is due not only to the familiar, nature-loving atmosphere between fields, meadows and forests on the southern slopes of the kyffhaeuser mountains, but also due to the attention to detail when it comes to decoration, line-up and most important the sound. since 2009 ‘i love vinyl’ attracts international celebrities like monika kruse, panpot, dj hell, mousse t., karotte, andhim, alle farben, oliver koletzki, tiefschwarz, modeselektor, tobi neumann, mathias kaden, daniel stefanik, thomas schumacher, blawan, dapayk & padberg, douglas greed and jake the rapper. the official compilation for i love vinyl open air in 2015 hosts three of this years main artists wankelmut, bebetta and markus suckut. all tracks on this 12inch are first time exclusive vinyl cuts.

the next release on first music comes from profile with a beautiful picture cover! its a musical journey and a bomb tool for the upcoming summer months! we doubt that estonian-born artist viive kuks could imagine in 1984 that her euau-forte >viljandi vaade< (trnl. view of viljandi) will be on the record sleeve of a dubtechno record in 2015. moreover, that the birthplace of the music is also viljandi and that the graphics plate was stolen during turbulent times when a lot of countries were liberated. it was quite an off-chance and hard to believe that profile found a copy of the work at his grandparents place, framed and photographed the work for his 2nd vinyl release. and here it is, through countless threads and connections, through the memories of our forefathers. pure liberation.

nicolas villebrun, half of society of silence and acid square dance, is putting out his first solo album on fragil musique, accurately titled « snare roll lp ». villebrun only needed a couple of recording sessions during a short period of time, to put the whole thing out from a unique set up. although an accomplished musician, tite seems to leave his technical skills aside when crafting his music, embracing all the spontaneity one would expect from a techno producer. listening to the lp, the title starts to make sense. when the snares are not rolling, the smooth basslines take over, strongly dragging bodies towards the dance floor. hungry man, move into hell, a white track, and the amazing the bell glides are among those. basslines curved as a horse s behind, subtly swifting through the air, are playing around with smartly spread out rhythms and textures. tite comes up with nine commonly grounded tracks, but with the necessary talent and sharpness to produce a resolutely fine, homogeneous, and yet diversified techno lp.

there are two things, that really set terre des pommes apart from all other labels with all their cool dj friends : a: no cool dj friends, b: the ceo himself aka saap really listens to all demos he receives, honestly.. to him running a label is all about fresh blood and unexpected new talents! even when it comes to remixers.. no wonder the lucky chaps that go by the beautiful name of schlango mango hit the jackpot when hiding a minidisc in saaps daily italian food delivery.. still chewing on spuma di pizza-schnitzel the boss called them up and made the deal.. schlango mango met gerd janson and shan at a lan party in the shire. they shared similar interests.. the rest is histology ..

on their 2013 debut album voyage, l.a. duo de lux introduced their singular sound, a fusion of post-punk, disco, funk and synth wizardry. fun though voyage was, described by the guardian as -intricate, witty, inventive, dazzling and by dj mag as fresh, immediate, for their follow-up, de lux felt compelled to add an element of social commentary to the mix.

warehouse copies of this great remix package - limited white vinyl in printed sleeve.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

it’s not often that a breakthrough producer manages to cause major hype after just one release but when that artist is from the uk, putting out a brilliant ep on moodymann’s mahogani music, you start to realize how it happened in dan shake’s case. now its time for dan to build on this incredible start and from the way things are looking it’s safe to say it’s all going in the right direction. another rising star from the uk is wolf music regular medlar who has been making serious waves the last 5 years. remixes for the likes of glenn astro and disclosure have all helped put him in the spotlight and his debut lp sleep from 2013 delivered in spades. so when the news that these two were joining forces for a collaborative project reached us here at d.o.g we wanted in on the action.

point g is back with a double pack of goodies to riot the summer , * you* is that kind of raise your hands deep and stormy cut that is the perfect an apocalyptic sunrise mood where * air* sets a dronish meditative vibe on a super fat beat with a heavy sub bass when * strike a pause* is that carnival vogueing oriented groove , * adg* is a tribute to a deep groove the radio show that alex from tokyo, dj deep and dj gregory had in 94 in paris on a week midaymix very stompy jersey styl , then your all set , summer s here

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

secret stashs *twin cities* compilation rekindled the career of minneapolis soul singer sonny knight, who only released one 7 inch back in 1965. this album was 50 years in the making, with a new energetic & young backing band in tow his dynamic presence and vocal power quickly returned! real organic soul!

up first, juice machine is a barreling cut with pinging drums that ride up and down in infectious style. carefully treated vocals echo up top and add a dub flavour as subtle rave horns and old school motifs also colour the groove. when remixed by re.you, the track becomes a more subdued, deeper cut with spraying synths and a sense of late night paranoia in the grooves. lastly, badass acid is a minimal cut with warm pads, hiccuping sine waves and a growing sense of synthetic tension. it s a masterful bit of slow burning craftsmanship that has icy hi hats to die for.

legendary bronx-bred hip-hop duo camp lo burst onto the scene in 1997, when their classic debut album uptown saturday night (and its anthemic single *luchini*) introduced fans to the los intricate flows and cutting-edge slang editorials. nearly two decades later, geechi suede and sonny cheeba are back with ragtime hightimes, a brand new album produced by longtime collaborator ski beatz. the album finds camp lo and ski beatz pushing past boundaries while staying true to their creative vision.

slowmotion is born from a collaboration between hakim murphy and vince noog. noog has been rocking more on the techno tip over the years with releases on his label, but when the collaboration took place, beat-down feels appeared causing some house jams to develop. the ep is called beats from lugdunum, but why? lugdunum is the old school name for lyon and the surrounding areas, and these tunes were conceptualized, composed, and beated right there.

joey longo has had a long & varied music career since the 1980s, from regular global dj spots to producing hip hop records for krs one to spearheading the deep nyc house sound that he is most well known for. the raw shit is a classic pal joey ep, featuring a handful of his trademark hip hop & jazz infused tracks, all sample laden & with dope chopped up drums & ultra deep synth pads that occupy that sweet late night spot somewhere between the burrell brothers & maw. released in 1995 & still sought after by music lovers today the ep is the perfect marriage of house music with b-boy sensibilities, raw indeed! remastered, repressed & re-released for 2015 in conjunction with king street records, new york city.

the furnace series is a two-part compilation of music inspired by a special room in the montreal apartment shared by booma collective from 2012-2014. when venues to throw parties became scarce, booma used this room leading to the fire escape in the back of the apartment known as the furnace as a space for small gatherings among close friends. the furnace series is a collection of memories of those intimate parties and impromptu jam sessions. part one features four tracks by booma collective founders and friends, beginning with psyche, a hypnotic, dub-techno inspired composition with oscillating, piercing sounds, evoking whistling flurries. solparas garden in the furnace echoes the hollowed-out concrete architecture of the furnace itself, filling up then emptying its atmosphere with layered drum machines and ghostly voices. cf01 is the result of feedback experimentation carefully arranged into a slow tribal jam. oren ratowsky. producer of booma collectives first vinyl release, rounds off the b side with gorby, an eleven and a half minute exploration of his mastery of analog synthesizers.

soul notes snx series is bound to be relaunched with a va output that contains some of the usual suspects from the soul notes camp. kastil, adryiano, unseth and dj pegasuz lay down a bang for the buck 12 inch that carefully moves between various colours within the snx palette.

heavyweight 180 gram vinyl in gatefold sleeve, download code included.

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

the second album from matt skiba and the sekrets as limited edition 180 gram vinyl pressing, including the entire album on cd.

the gift is a series dj house shoes started to spotlight under the radar producers. pressed in a limited edition of 300 copies on 180 gram vinyl. raj mahal was a colleague of house shoes in the detroit hip-hop scene in the 1990s, a scene he joined just about the time fantastic volume one was recorded (1996). when he moved to chicago and refined his style, there was widespread talk that raj would follow in the footseps of other detroit alumni by releasing a proper album. that album has finally come.

timeless horizons is a compilation of songs originally released on three private press lps: auf der suche (1984), zeitlos (1986) and new horizons (1988). original copies are almost impossible to find these days and change hands for serious sums, so welcome the timeless horizons... dont you agree that music is best when it is not easy to describe it? just like the music of wolfgang barthel, matthias böhm and reinhold bauer. their amalgamation of oriental folk, percussive rock and a good bit of blues will let you drift away, dream, dance... into the storm.

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

for her trolldans release, skirt has chosen an arresting cover by john bauer depicting a shining princess dressed all in white, seemingly revered by four trolls struck by her beauty. but as the title of the ep tells, its a mirage. when the music starts, you just know the trolls are done for.

following his eps *remember* (music of deep intrigue, cloaked in an atmospheric fog - resident advisor) and *when the watchman saw the light*, gacha returns to apollo records with another contemplative and composed record, his debut album *send two sunsets*. the album spans many moods and textures - the sparse pads of opening/closing tracks *abandoned city* and *blue distance*, soothing static of *waterfall* and guitar work. limited edition translucent blue vinyl with download code included.

bit trip ep sees the return of another well known 8bit talent - snilloc is back with a massive release! after the broad success of 800 ep, the hungarian producer now has four new tracks ready & waiting to be played out loud. these babies are made for the club & each production has a unique vibe carried through tight drums. elso & tripless are energy loaded peak time bombs, perfect when the crowd is feeling it! once you get in deep, what u like & chic le moste is exactly what you need. slow evolving groovers with just the right amount of tools - we are sure you will enjoy this quality release from start to finish as much as we do!

phase insane is proud to present el carton, the first collaboration between the madrilenians gale talk andunkle fon. this massive work will not leave anybody indifferent, as it is really unusual having music as original as the one they bring us. gale talk and unkle fon bring us two huge dark techno tracks produced over really deep melodic and groovy elements. these songs generate a massive effect in the dance floor as they are based in very hypnotic sounds which make listeners get into the groove from the very first moment. if this looks great, it becomes better when you listen the fantastic remix of el carton produced by the brooklyn based duo loud neighbor.
support early supported by richie hawting, maceo plex, joseph capriaty, paco osuna, anderson noise, cicuendez, franco bianco and many more.

rat life returns with the pagan rites on catalog number 4. little is known about the band from sweden, first signals were received in 2010 when they submitted their track 03 to the ifm demo contest. in october last year rat life sent out a submarine to search the swedish coast line for the small hut where the duo records their songs (apologies to the swedish authorities at this point, who confused our research with a russian military threat). all four tracks are packed with bittersweet melancholia, reflecting the neverending darkness of cold scandinavian winter, still the midnight sun is always in sight on the horizon! already recorded between 2008 - 2013, rat life records is very happy to finally make this music available on vinyl.

2nd release for kovyazin d on chiwax. we are more then happy about this great 4 trackes full of acid, jack & groove! pressing on transparent blue vinyl.

>when i asked, in turn, to depart with his help, he too denied me nothing. he gave me a leather bag, made from the flayed hide of a nine-year old ox, and imprisoned all the winds there. the son of cronos had made him the winds’ keeper, able to raise or calm them as he wished.< panta rhei 004.1 is the first half of the aeolus-series, starting with novaesian vinyldebutant sebastian gummersbachs deep house anthem >don t judge me< on recto and niccolo cupos oriental downtempo groover >subsolanus< thereunder. strictly limited to 200 mixed-coloured 7-vinyl, neither will it ever be repressed no digitally available!

early support from kasper bjorke, michael mayer & dan ghenacia. when you feel me part 1 feat. two great originals and two remixes, one by fellow french luminary chris carrier, and the other by usa deep house and techno talent jus ed.

1 copy per customer / 1 platte pro kunde max
ternesc is new label from blawan, and for its first outing presents his first solo 12 inch since that hinge finger release. believe us when we say that * warm tonal touch* is blawan in utmost killer form.