written and produced by fred peterkin (publishing) lush culture recordings / recorded at new life studios berlin de

limited blue coloured 2x12 inch vinyl, housed in a gatefold sleeve with download code included.

played by kaiserdisco, secret cinema, stephan bodzin, hanne und lore, the glitz, alan fitzpatrick, mihai popoviciu, dubfire, emerson and many more..

big deep detroit mover.. ltd backstock

pampas favourite barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, holy love was the name, and purple drank the undeniable track of the year it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. while he last left us falling down the rabbit hole, axel boman’s newest concern is upward, forward, accelerated motion.

12inch vinyl with full cover print

limited vinyl release of the second album from musician and sound designer patricia wolf.

feasley’s video game soundtrack for “going under” on limited pink & blue coloured 180 gram double vinyl.

straight techno, electro tracks on 180g vinyl.

the grooves stagger along in a casual manner, like modes of club dust in the early morning sun. the samples are tripping, the bassline tight as a spanner, sending the corners of your mouth on an upward run

central with a proper longplayer for help recordings.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

the fourth instalment of moxies compilation series is back, presenting this exclusive 4 track vinyl sampler thoughtfully curated line-up of artists. featuring friends of on loop, up-and-coming producers and prominent names alike. stepping up to open this 12 sampler is the maghreban, adding his trademark touch to an off-kilter remix of steve spaceks ‘gimmi da love. lisbons violet is up next, laying down her energetic signature breakbeat sound on ‘antifa beats. flipping over, the b-side begins with nathan micays infectious builder ‘basic plumbing, paving the way for louise chens ‘reach (raw mix) a solid house number. on loop has continued on a straight upward trajectory since it began, with 2017s volume 3 securing a nomination in dj mags end of year awards for best compilation, and the imprint earning a place in mixmags 20 best record labels of 2017. as the label steps things up, so does moxies nts radio show, now moving to a weekly slot and cementing its place as a staple dance show for the station with regular parties at manchesters soup kitchen, edinburghs sneaky petes and londons pickle factory. with an international tour to be announced this year, things are just getting started for the dj & radio host.

2017 saw the arrival of pin up club here at the bordello with a superb three tracker, friends of the vortex. now the dutch partnership are back. this time a quartet of tracks has been selected to produce the forever machine. the bold bars of friends of the vortex, the romantic rushes and soundtrack silhouettes are all present with new elements being introduced to further develop a truly unique style. breathy vocals and melancholy are countered by warm synthlines in the brooding -valis- before the lonesome -is there anybody out there?- blooms into a daringly bright work of disco dimensions. opening the flip is the title piece. smouldering, -the forever machine- burns with quivering chords that rise ever skyward on a column of tight rhythms as lyrics spiral ever upward. -a deepness in the sky- is a perfect illustration of pin up club s ability to transform burgeoning sombre sounds into tempered elation, rumbling strings and fragile percussion intermingling for a heady finale. welcome back to bordello a parigi guys, welcome back to pin up club.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 1 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from shanti celeste, traxxploitation, benedikt and admin. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. opening up sampler 3.1 is bristol dj shanti celeste, kicking off the compilation with deep bongo cut moved, followed by traxxploitations exploration of jazzy chicago house in ‘honey pot. on the flip, benedikt switches things up with high-octane track ‘mnemonic, before admin winds things down with dreamy percussive number ‘space cadet. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 2 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from throwing shade, sandboards, addison groove and fotomachine. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. throwing shade kicks off the a side of sampler 3.2, laying down celestial melodics and a dark low-end on ‘floors, before new zealand duo sandboards provide pad- drive top ‘miss brimstone dub. addison grooves jazz-soaked chugger ‘soma opens the b side, leaving fotomachine to close proceedings with hazy groove-filled cut ‘ibidun. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

the second release from ftp explores the sweet spot between detroit ghetto-tech, juke, and jungle. the opening track, “phonky no. 69,” is designed for maximum level booty dropping effect. it starts with a raunchy vocal hook over a booming electro beat, before unleashing nasty breaks, at which point the dance floor is guaranteed to pop off. handle with care when deploying this bomb, the first release from dj dr-660. the second track on the a side paces upward and into juke territory. it fills up the sonic space with lush pads and crisp jungle breaks, before breaking down to thick rhodes chords, in eternal rashad fashion. the b side opens with a track from the mysterious newcomer shadow moses, who teases with some euphoric pads, before launching a massive lardossian missile that heads straight for the booty. the compilation closes with a electro beat executed with surgical precision and care, filled with hypnotic percussive elements and a life-affirming baseline. it was lovingly distilled and synthesized in frankfurt directly from the detroit source.

chicago’s carington pierre, also known as lanzo, has bestowed evidence of his cosmic hip hop beatology to the cold busted label in the form of a new album, omnipotent. previously recording for blvnt records and the natural selection label, lanzo specializes in a style of experimental hip hop that draws from boom-bap, soulful downtempo, and atmospheres that lean toward the celestial. lanzo and his trusty mpc 1000 have been actively producing since 2008 and omnipotent confrms his upward trajectory, presenting ffteen tasty sonic morsels that groove in a confdent but abstract fashion. highlights include “comfort zone” which envelopes a swinging rhythm in dreamy strings, distant voices, and rolling bass, and the odd but appealing “gutter balls”, featuring some deliciously drunken synths. there’s also the melancholy quiet storm of “colours”, “against the wall” and its heavily processed beat magic, and the loping sci-f jazz of “between friends”. omnipotent is a heady listen, displaying textures and swirls that accentuate the sturdiness of its drum beats. lanzo has provided a distinctive soundtrack that’s ready-made for day blazing or night groovin’.

h.takahashi, tokyo based architect and sound designer follows up his revered collection where to be? on where to now? records with raum, a full length lp suite of meditative pulse minimalism. raum draws its cues from a melting pot of closely connected yet wholly individual strands of minimalism - from the japanese minimalist works from the likes of hiroshi yoshimura and satoshi ashikawa, to masters such as erik satie and john cage, and ambient leaders brian eno and roedelius, takahashi soaks this historical influence and rings it out it through a modern filter to create a record of stillness, ethereal beauty, and transcendent energy. takahashi composes all of his music on his iphone, and this is no gimmick, rather a conscious decision which allows takahashi to constantly create on the go without the constraints of space, and for takahashi raum serves as a mediation on the relationship between sound and its environment. for takahashi this creative process feels something like an invisible phenomenon taking over & mutating these constantly changing spaces into abstract sound, creating a brief pseudo space which expresses and highlights the features of the environment for a moment in time.” although perhaps quite an abstract statement of intent, when deeply immersed into takahashi’s pieces this idea of slowly gliding through different architectural spaces is naturally conjured through the gentle repetitive pulse which runs through his work and the playful unstructured tonality of objects which weave around this forward (or upward) motion. raum was created across the city of tokyo, be it a café / park / office / road / platform / subway these pieces explore the power sound holds to emotionally enhance and mutate the listeners environment. the power of the music presented is in that which is barely there, embracing space, silence, and cyclical repetition. the music is to help us function - it s music to work to, to sleep to, to help us find a sense of space and oneness within a world that is increasingly wild and untameable.

georgex brings a poised balance and combination to his tracks of melancholic sounds over more aggressive beats. the titles reflecting a journey that took him to musical places unimagined in his studio beforehand. music is the pathway to his dreams while sunny days in greece also inspire certain feelings in his sound. emotionally charged the bridge features spacious zitar lines and emotive strings that send you upward while the rough and ready groove keeps your feet on the ground. in my dream sprinkles a lighter more airy atmosphere over the dance floor drawing the listener in to it s hypnotic spell.

written & produced by roboknob. mixed by stefan goldmann. mastered by rashad becker. info: weve said it before: technos vanguard can be found in the east right now. sofias quirky techno underground is densifying. evolving around the diviat slon parties (residents: stefak & stefan goldmann), the beton nights, the indoors offspins of artmospheric festival and unannounced appearances of kink under his cyrillic guise, raw and rave-infused techno is increasingly defining the citys sound of the small hours. roboknob are part of this movement, and this is their debut ep. a live hardware duo, yasen and stanislav drop rugged, noisy machine jams around the bulgarian capital and have been regulars at artmospheric. the ep’s tracks have been distilled from their live repertoire and mixed by stefan goldmann into sharply defined form with added bite.dexydi is greek for acid - the corrosive liquid, not the music. accordingly, its heavy-handed single-note bass attack will cut through anything.spellbind is more bouncy with frantic upward movements, distorted percussive fallout and a seasick bass foundation. liulka handles two layers of time rubbing off of each other: quirky and pushing high in the sky, against the bass drum mechanics down low. a suitable acoustic symbol for sofias state of techno.

following last years dangerously good depatterning lp, ipman returns to tectonic to deliver his latest instalment in bass-driven technoid mutations. constrict jumps straight into the deep end at 140bpm, diving head first into pulsing waves of warping, dynamic synth layers swimming back up to the surface for air. as the intro build peaks, the track effortlessly strikes when the bass drops in, charging the techno synth interplay with a sort of 3/4-step type rhythm shaping the movements. impeccable dance floor music that sits in an undefined zone between the worlds of techno, dubstep and somewhere yet defined. flip then for running man, which sees a sharp drop in tempo, bringing the speed down to 120bpm but maintaining the energetic build of constrict. starting from an almost empty space, running man takes an upward momentum, building and layering percussion and sonic textures as the heat of the chase takes full effect. dark and deadly, this is one for fans of sci-fi sonics and dread vibrations.

few nolder has created a fitting second ep for gardens of god’s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. ’&#8203,,,ace of space’ confidently delivers three original tracks that build upon an already solid reputation. “&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer”sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack‘&#8203,,,balance’isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the “&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel”. while ‘&#8203,,,teaser’, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. “&#8203,,,the m&#8203,,, elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track ‘&#8203,,,ace of space’ nolder wants you to imagine “&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula”. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

holiday 80s sophomore whiskey disco ep exhibits the upward trajectory of the mysterious polish duo. their first ep showcased slower, smoother sounds, whereas these four songs showcase the grittier side of polish music, one slightly less fashionable, until now. each song is dance-floor-proven to turn out. from the sexy psychedelia of truncheon man and male jeziora to the left-ward jazz house of juhas zmarl and fm cool of letnia milosc. many wd buyers thought their first ep to be finest record on the label, get mokotuff before it s gone too.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

clark liefert den soundtrack für die von warp films co-produzierte serie “the last panthers” auf sky atlantic. dabei bricht er mit seiner bisherigen diskografie und kombiniert - im stile zeitgenössischer künstler wie mica levi, mogwai, jon hopkins oder olafur arnalds - naturklänge mit klinischen, maschinell produzierten geräuschen und einer experimentellen, erforschenden attitüde. die limitierte vinyl-lp erscheint inklusive downloadcode.

london based producer alex around has been a mover n shaker on the scene for sometime now and looks set to further his upward trajectory with this meaty 3 tracker on geddes nofitstate label. diffuser is a subtle groove with a blissed out touch whilst homespun wisdom opts for a deeper tripped out route. djebali provides the remix of diffuser on the flip, toughening up the drums to lend the track a houser edge.

back in 2013, futureboogie released the fade ep by outboxx, a record that received critical acclaim from the who’s who of music press, helping to propel outboxx on the upward trajectory they’ve managed to maintain since those early releases. unsurprisingly, futureboogie are delighted to get the pair back for more.

wouter de moor debuts on ovum! with previous eps on heavyweight imprints such as get physical and poker flat, dutch up-and-comer wouter de moors latest release on ovum recordings maintains his strong upward trajectory towards the big leagues

• irelands chief ambassador for the nastier side of techno hits hard with a new four tracker on this prestigous label • very limited white vinyl
sunil sharpe is ireland s chief ambassador for the nastier side of techno, sonically on a sharp upward (downward?) trajectory since the actual 90s and frequently mentioned in the same sentences, promotional material, and internet blog postings as words like surgeon, truss, karenn plus other assorted terms that mean a great deal to those in the know.
dj support from: ben sims, blawan, truss, norman nodge, and, lakker, rebekah, clouds, randomer, bas mooy, j. tijn, svreca, manni dee, mr jones, marcel heese, ontal, minimum syndicat, dave tarrida, lag, tomohiko sagae, bleaching agent, martyn hare, anfs, mike darkfloor

bossmusik is back, presenting new stockholm duo subdued kamel. helgrillad kamel / studsande kamel ep further defines the sound of bossmusik: rolling trax with attitude, aptly focusing on forward and upward motion through percussive drive and atmosphere. helgrillad kamel is the roller track with high tempo, multiple kick drums and a playful collage of sound textures. studsande kamel is the stomper, keeping feet planted to the ground with deep bass and a powerful snare, aiming heads to the sky with intriguing build-up and a backdrop of propelling resonance.

after a years absence, sudden drop return with leif yet again at the controls. after his superbly received lp dinas oleu for uk imprint fear of flying, the welsh maestros sound continues on its upward trajectory with this beautifully constructed four tracke from the more peak time warm vibes of solstice, the deeper feelings of with your sincere heart or the more musical once there was nothing and sintra

this is a whole new level of weird - intones a disembodied voice on proximas thermal vision the lead track of his new 12 inch for tempa. it is a perfect summary of its disorienting appeal: winding upwards through a tense opening, it abruptly explodes into a turbulent salvo of percussion. its monstrous chunks of sound chop violently back and forth from speaker to speaker, assaulting dancers from all sides and broadsiding the senses, while sub-bass blasts upward from beneath. it is both alien and astonishingly intense, poised to detonate on dancefloors without ever resorting to stereotypical club banger tricks. it is easy to hear why proximas tracks have become regulars in dubstep scene figurehead youngstas record bag.

making a techno shift, midnight shifts third release sees recondite on his upward trajectory pair up with the relatively reserved julien h mulder. both outputs possess a stripped down aesthetic, but while the former shows up straight up and shiny, the latter introduces lightness and play. a tightly packed, hardworking 4-track ep that will serve the many moods of a dj well.

new brooklyn label drops 4 tracks of forward thinking, upward reaching techno featuring anton zap, 12 x 12, l’estasi dell’oro, n’conduit. rave reviews on every site everywhere.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

this latest release from hizatron and bashley galvanises the usual wigflexian- gloop with a more industrial edge and a superb implementation of found sounds. a darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. the depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call wigflex home. hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable tron swagger but the familiar sound is accelerated by new influences from bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment hizas signature grooves.

3x12 inch vinyl pack great techhouse pack for a spezial price

eintakts new compilation >liquid garden< makes this summer to an evergreen. extraordinary airy and deep sound combined with the ease of sunlight warming the skin is everything whats needed to create a smile on your soul. der dritte raum, quantec, einklang freier frequenzen and bekeschus tribute their brilliant acoustic artwork to this team-playing vinyl. just steadily surprising …

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

talented australian newcomer jamie lloyd continues his upward trajectory with his debut album trouble within released internationally in september following two successful eps in 2006. the album has been getting the remix treatment from some of our favourite producers ahead of its global release with the first 12 to surface featuring remixes from berlin duo trickski (sonar kollektiv) and zwicker (compost black label)

cruising (a-side): get into the hypnotic groove of this huge track, constantly building, moving and shaking. you re locked in an upward spiral of hedonistic abandon on a packed dancefloor. think of Âme s recent burner: >rej<. it s that good !! ambition buddy… (b-side): come and meet tim s funky friend catchy josé. he likes to get down on the electro funky grooves of his wunderkid friend, very late in the morning –think tiefschwarz break-dancing in africa… played by anja schneider (mobilee)

clark liefert den soundtrack fźr die von warp films co-produzierte serie the last panthers auf sky atlantic. dabei bricht er mit seiner bisherigen diskografie und kombiniert im stile zeitgenšssischer kźnstler wie mica levi, mogwai, jon hopkins oder olafur arnalds naturklŠnge mit klinischen, maschinell produzierten gerŠuschen und einer experimentellen, erforschenden attitźde. die auflagen der tontrŠgerformate sind limitiert. nach der streng limitierten cd-erstauflage im hardcover-format wird der soundtrack jetzt als digipak langfristig lieferbar gemacht.

clark liefert den soundtrack fźr die von warp films co-produzierte serie -the last panthers- auf sky atlantic. dabei bricht er mit seiner bisherigen diskografie und kombiniert - im stile zeitgenšssischer kźnstler wie mica levi, mogwai, jon hopkins oder olafur arnalds - naturklŠnge mit klinischen, maschinell produzierten gerŠuschen und einer experimentellen, erforschenden attitźde. die auflagen der tontrŠgerformate sind limitiert.