1986, chicago. jody fingers finch is 18, not yet able to gain access to all of the spaces in which his first production will soon get airplay. he saves up the cash himself and records it in the basement of staple singers member bob murphy, who prefers the moniker bm recording studio. one 8-track reel-to-reel machine, one afternoon, $200 cash. a handful of cuts are recorded, including a stripped-raw, bare-bones track jody calls jack your big booty, an undercover piéce de résistance about his friends mothers backside. another is dubbed whistle worm, a meandering, experimental ride, riddled with strange noises and staccato high hats. bob murphy is likely confused. the tracks are brutally raw, lo-fi at best
