The second record for the celebrations of the 50th Uncanny Valley release is peppered with familiar faces and artists who will release for the first time on the Dresden based label. After Uncanny Valley 50.1 anticipated the coming summer, Uncanny Valley 50.7 creates a slightly menacing heat lightning. The perfect soundtrack for the phenomenon that is commonly known as Aurora Polaris. The American-Australian duo The Golden Filter make their debut on Uncanny Valley. And it's a tailor-made start. THE PULL is centered around minimalistic drum work, dystopian pads and sparse vocal dots that aim for an inward catharsis. A returnee after eight years is mysterious Mayan Gold from Dresden. His KOMM UND ENTSPANNE (means come and relax) rides on acidic waves and embracing synths, which develop an enormous pull effect on the dance floor. Norwegian Charlotte Bendiks' first track on Uncanny Valley continues the sound language she developed on Comeme. PASCO is a Percussion-heavy track that sounds just as compelling as it is disturbingly beautiful. Music to lose your mind to. Finally, Austin-based artist Katrina Fairlee teams up with Uncanny Valley-stable Sneaker for the psychedelic drum lesson that is OAK.