here it is! the much-awaited debut artist album for subliminal containing some of harry romeros biggest smashes (i go back with robert owens and corruption) and plenty of smoking new jams. funky uptempo house, wicked acid-driven electronic house and plenty of cool vocals all over this three-disc, 12-track collection. this is one quality package that is sure to please.

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

12 funky latin, disco and jazz influenced house tracks, compiled by claudio coccoluto for mixmag.

supported and played by mark henning, laurent garnier, dubfire, slam, fra, luciano, karotte, chloee, acid pauli, mike callander, deetron, animaltek, 2000 and one, dj t., michael reinboth, dj hell, jack rock and butane. >careless< is a beautiful house track, which gets a great pop music turn in the second half. >m92 sternhauven< amazes with a soulful >for every man theres a woman<- vocal on a kicking techno beat

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

you need the beat of mimique. on our first publication you can hear the driving beats, warm female vocals and harmonious melodies in the breaks always touch your heart. including andy kohlmann remix!

imagine >din da da<, martin circus and bostich all wrapped up into one long play club slammer! kenny dope strikes again with this flawless mixed tune. ken seamlessly connects these three classics and adds a hard pounding batucada house beat over them that makes this the record that everyone who is anyone will pound.

bassbuero a.k.a. thomas ingold and his partner björn müller are long-year resident djs and promoters in our hive club and come around the corner with a smooth customer debut. the title could not be any more designative, as with this is not house music we have a knotless and outstanding 90s number with lots of pathos and - declaredly - they have looked over some shoulders of big protagonists from france. when the vocoder chords are crossing swords with this insane bassline, every ravers heart must beat at least one octave higher. this is the tune for a perfect sunrise and big feelings on the floor. on the flip we have gruber & nuernberg, some good pals of bassbuero that played in hive several times as well - they contribute a complete antipole to the the original. almost a bit trancey they spin the chords over a straight old school house groove, never let the basic spirit of the original out of sight and though don t forget to leave their very own traces on this remix. in addition we have - as with every release - a digital exclusive bonus track, that certainly does not deserve the rating house music - lets call it rather fidget than deep. but be sure, its all gone will blow your mind out.

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

here we go again.now, strictly chosen invited terje bakke. the young producer from norway surprised us with three interesting groovy tunes and now we re proud to present his debut-ep on striclty chosen! chere madame: simple beat, surrounded by a groovin, subtil melody. the hypnotic vocalpart round off the package! horsel: drivin rythms, will make you go wet on the dancefloor, get in touch with the fresh bakkesound! coolcat (dub): hear the dubby housegroove and feel the smile on your face. chilled tunes, ready for the beach, relax and listen

marc feind was born in scotland and raised in germany. he was influenced by punk, kraftwerk and funk. as a dj he played chicago house and played siegessäule at love parade. his cover version of the german punk band extrabreit is a mixture of electro/punk, house and break beat. the ep comes with two mixes and traxx by stereo jack and two anonymous techno big name djs/producers.

crocosmia x sees dana ruh engaging with the sound of house. ramaria flava initiates a desperate groovy beat with clear and energetic vocals that open us out into peaktime. the track was made for us to dance! opuntia the bloomy intro of this ep comes with the voice of the artist yorba. calm and serene she tells us about her passion for rythm and sound while cumulatively the floor of funky house beats expands. the continuiation we find on the b-side is deep, dubby and clear. the beat wriggles around the hookline and here we have the track del sur. the sound of an organ goes ahead with different voices.

marbert rocel veröffentlichen nun ihr wunderbares zweites album auch auf vinyl. das ständig land auf, land ab tourende trio aus erfurt kombiniert minimal house, electronica, jazz und elegante pop-musik in einer absolut souveränen weise.
inklusive poster und mp3 download-code.

keith tucker is also known as k-1 and for releases on direct beat and puzzlebox. here he delivers a 3 track ep that is in between straight up electro and classic detroit techno stuff. very nice and warm melodies and mysterious female vocals.

much more bmore with dj class and dj technix!

the hype is certainly to be believed for this amazing lp. the lineup is stunning. deathmachine, the speed freak, drokz, tripped, mystification, al twisted & sadistic, tones, and many more besides all contribute amazing tracks to this 3x12 inch lp. limited to only 250 copies this is one that will be highly sought after in the future.

one of the most popular italian dj reviseited to my beat ?

a great vocal affair in the tradition of marshall jeffersons move your body, ltd warehouse found

basics labelowner boriqua tribez skips number 9 and moves straight to the celebration for the summer with the 10th release already in this amazing serie of hot funky techno! the tenth release asks for a special treat and that is for sure with this >best of< decade/remixes! no less than superstart dj ben sims steps in for the remix and if you heard him playout lately you know what to expect. funky rolling techno, subtle moving your feet into the climax of the party. the flip is for daisychain & dj murphy with their version of the boriqua tribez track natasha. this certainly is another storming remix, starting of with a very high energy beat and the vocals from the orignal bursting in the bassline mayhem with a capitol bbbb! huge summer anthems!

swedish brandy productions is proud to present a sweet and deep vinyl sampler of andre zimmas new album entitled the calm & the turbulence part 1. on this release you will find four original mind expanding beat joints from their album and two remixes from sygaire (1/6 of jazzanova) and slope. sygaire brings us a grooving disco/ boogie remix of hope is on the way. the slope mix of time exists in memories takes us further with a hypnotizing deep pumping tech-house dub. simply real music for real people. do not sleep. andre zimma aka slope is made up of daniel paul and dj honesty - both live in berlin. the story begins in 1996, the year in which the urberliner daniel paul bumps into the cologne immigrant honesty during a party at berlins alternative cultural centre tacheles and they decide to join forces on a common music project - slope is born. daniel and honesty then spend countless nights together, nowadays producing a progressive fusion of house, boogie, and techno flavoured with jazz and soul

james duncans le systeme records in pleased to present a new ep by nyc native carlos hernandez. carlos has released on basenotic, rong, and danny wangs balihu label and appeared live with arthurs landing and metro area. 3 tracks of disco influenced sonic gold here. the 9 minute disco epic >bank beat< on side 1 should be rocking dance floors and dj sets for years to come. side 2 brings two other flavors of carlos personal take on disco and soul.

its new, and tropical. 6 electro/dance tracks on this lp/ep from james pants, sounding like a follow-up to his debut album >welcome<. check!

this 12inch release comes with two functional tracks which enables the electronic music scene in excitement. the a-site kicks off with >fesselfete<: the designers of the track - j÷rg dinsher and julia husler- implemented a rhythmically complex track with this release. detached from insipid song-structures, the galloping beat leads through the eight minutes of the track. shifting hi-hats and smacking beat-elements, snuggle around the groove and influence in a spectacular style the sensed speed. the extra bass- pressure catapulting the - full of character - >fesselfete< directly to the floors of the clubs, where it scores with memorable features and powerful impression. the second a-site comes with danny d.s enthralling >lederpeter<. danny doesnt dilly-dally and starts >lederpeter< with a bulletproof beat. an atmospheric mood and a deep bassline creat the perfect balance between crisp and soft. he succeeds in creating a wonderful and intelligent transparency. the spell of monotonous passages gets an individual boost from a fantastic kick.

club monsters from both continents, better than the ufcs us vs uk show! the latest 12 inch from top billin brings you classic raw baltimore club beats with remixes from uks hottest producers! diamond k is a bmore og with his da horsemen crew & high rolla records, and he teamed up with baltimores finest al ripken jr to make 2 future classics of club music, >hands in the air< and >single ladies single fellas<. as this is a special occasion, the remixes need to be good good so who else better to give these tracks the bass treatment and a grimey club feel than bok bok & tes la rok (aka trusta, his funky alias). 2 other remixes come from nycs finest, cobra krames and torontos beat wonderboy lunice. real club music will never die!

always looking for the perfect beat! this is the aspiration of every dj. and with wanted beatz the goal gets a whole piece closer to the perfect beat. so minimal lounge gives with glow box the answer to the question was still open. this killer track is just groovin and conjures at the latest with the onset vocal everyone a smile on his face. although no one understands a word. the label-head madison flies with his remix straight towards the floor, shift up a higher gear and turning glow box in a true peak-time bomb. lepetri (ostwind records) rounds off this release wonderfully and kicks off all remaining questions on the dance floor. definitely a must-have for this summer.

mkl the man that brought us the thought provoking 3 generations slavery days returns to spiritual life reworking this organic female vocal. teaming up with soy sos again mkl delivers a smooth almost broken beat version, with beautiful strings and live jazzy double bass. on the flip a smoked dub take that really works out the vocal through a maze of trippy tape delays. mkls productions are simply amazing.

one of the major players in oslos disco scene joachim dyrdahl aka diskjokke returns to full pupp with his new original track takt raver, a shiny example for his melodic, epic yet jacking style where almost fragile melodic fragments, stomping grooves, simmering acidlines and air-horns magically gel together. label boss and discoverer prins thomas takes us on a space walk with his marvelous psychedelic remix of 1987 which will appear in its original version on diskjokkes forthcoming second album on smalltown supersound. on the flip excentric duo and food geeks ost & kjex ( diynamic ) serve up a whole menu with several courses and a huge variety of flavours: their remix of interpolations makes itÆs entree as a jerky, crunchy afro-beat style funker followed by aromatic, earthy house chords before a well-rounded finish of tangy acid lines and hints of bitter-sweet melodies. sink your teeth (and ears) into this!!!

the longawaited counterpart to the world famous: eve by day !! big with: anja schneider, adam beyer, joris voorn, steve bug, joel mull, dominik eulberg, james holden, laurent garnier, solomun, ripperton after admired releases on poker flat and of course connaisseur, things were a bit quiet around patrick chardronnet. these days are over now! patrick returns with a big bang offering this wonderful double a-side on connaisseur recordings and opens a new chapter of his delightfully, trippy & emotional adventures. enchanting, mesmeric and deeply touching, these two up-building tracks are reinforcing chardronnets hypnotic side once again. boggler is a simple and reduced spacer that features wonderfully processed drums and an endless arpeggio hypnosis. the track works highly effective only with a few elements until the beat comes back after a massive break. underlined with a strong sub-bassline, the whole track starts to fly away and is taking the whole dancing crowd with on its journey. eve by night – a counterpart to >eve by day<, patricks biggest hit so far, starts rather smoothly and upbuilding. then the track turns to a skipping, complex and meandering monster, which is jacked-up with some dirty hats and a playful synth theme. the theme deconstructs more and more and a logarithm assembles the parts of the theme to a new and unexpected melody experience. sophisticated !

nice price deal !!! 2001 release by karim sahraoui aka the soul monkey.

special 7 inch version with two extra phat beat tools by kenny dope, featuring yello on >everybody beats<.

have you heard? grandmas doing the bird to the latest rock-breaking teen sensation, the wig-flipping chain & the gang. >(i ve got) privilege< is the latest volume in our international pop underground series of 7 inch 45 rpm records. young and old alike love the beat, the cranked riffs, just the overall vibe! you may, too, as soon as this package slides under your door. ian svenonius and chums have really come up with a winner of a dance task master, a real double-a side plate. chain (o.k., ian) croons on the first side, espousing the joys of being part of the privileged class. then he gets real confused about the relationship between cars and music (isnt it obvious?) on >detroit music<. >(i ve got) privilege< was recorded by calvin johnson at dub narcotic studio here in olympia, wash. breaking all the chains, in the best possible way.

killer ep from eddie leader rollin old school vibes with a remix from detroit legend rolando.

the vinyl a side of release no.002 is brought by one of the label owners himself. alex niggemann. jewels is a track that gives you the sensation or maybe a vague feeling that something wild is going to happen. alex niggemann builds up the tention slowly. with a deep beat and some ethnical vocals he combines the secrets of an ancient world with the nowadays club scene. the warm toned percussions groove at a pace that definitely makes you move your feet, then your hips follow until your whole body moves to the rythmn. with lots of athmospheric details alex niggemann has created an audio piece to start perfect open air dj sets with. listening closely to it one can determine bells, street noises, sounds of goats or sheeps and a crowd talking. these elements are floating timelessly and combine into a hypnotic wave of sounds. to create a striking dynamic the producer has used calmness within intense passages. but the slightly more suble moments soon open up and harmonic string chords form into the arrangement which are eclapsing in the vocal hook line, one can barely not memorize. after former releases at labels such as hi-freaks and kindisch the recenty formed soulfooled is proud to present this munich dj and producer team with a staggering new track, findling & lihab created a deephouse mix with ol times combining smooth vocals with raw edgy chords.

after several eps for audiolab, planet kick, abralcore, psychik genocide and more, psiko now drops his debut-album - a heavy double 12 inch featuring 8 cuts of hard-hitting mayhem!

for release number 5 well rounded goes deep with the debut release from donga & blake.
label owner donga met blake when both djd at brightons forward thinking drum n bass night carbon spinning similar shades of the deeper end of dubstep. this lead to the idea of hooking up in the studio, and whilst initial experiments at 140bpm were promising, it wasnt until they decided to lower the tempos to housier speeds that their sound clicked into place. this sound is a balanced fusion of soulful house, deep textured techno and rhythms absorbed from garage, funky and broken beat. these 3 immaculate tracks have a simple appeal but also contain many layered sonic details for the closer listener.

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

escape from new york >singles collection< contains the groups full discography. the group comprising of british record producers john falleti, mike whitford, nigel swanston & tim cox (who also recorded as airstrip-one) penned these two gems in the early 80s at a time when italo disco & new wave were the flavour of the day. >fire in my heart< needs little introduction, an incredible slow-mo balearic masterpiece with rapturous vocals. now worth a pretty penny this originally was released on uk rollerball records in 1984.

first ep from their forthcoming album due late 2010, tonton funk kicks off with a heavy beat in an futuristic old-school dance ambiance. combining different styles to perfection, tonton funk announces the return of the famed duo. they complete their comeback with the help of les petits pilous, boys noize records very own enfants terribles, who offer an incredibly effective nu-dance dark version. franz & shape add their own acid techno ambiance to make this track a dancefloor tune. toxic avenger finishes the job with an electric remix, using heavy drums & dynamite bass!

leading spanish deephouse lables deep explorer and cornuta continue to exchange the pleasantries: after the recent stunning 4 tracker by cornuta boss - featuring new version of modern deephouse classics like >sleep scott heron<, deep explorer head honcho dubbyman pays it back with the equally fantastic >king of motown< featuring vocals snippets of motor city silkiest over a loose percussive beat with organ stabs and beautiful string backings. cornuta don hugo giner - better known as w&p hgg - adds a marvelous version displaying a melodic sensibility close to vintage larry heard. the hard funkin 80s electro boogie style >funky orgy< closes the sizzling hot 12inch in fine style.

anyone who ever has listened to a live performance or a record of illeist collective knows of the difficulty to describe the sound they come up with. some say its big beat, some say its rock, electro or dance music. and as always, the truth is somewhere in between, somewhere along the lines of bands such as soulwax, digitalism or friendly fire. and the best way to find out is to listen to their energy-loaded, genre transcending and - most importantly - uncompromising music.

rotterdams finest house label comes with some amazing modern club jackers! under & soares deliver an epic house track called arabisch of 8.3 minutes that goes on and on and keeps the crowd focussed for every single beat. and hypnotic is also the word for the vivanco remix! more focus on percussion and a warmer groove, deep layers of sounds and samples of chanting vocals turn this into a peak time monster that leaves no one standing with their back against the wall! big with the reboot s & villalobos s. dont sleep!

the third baud release was created by don williams. the label-operator of mojuba, a.r.t.less and wandering contributes the ep >dynamic rain<. the title track opens the a-side. carried away by a kick-drum and completed by funky rotating sound objects, which will create hypnotic moments on the dance floor. then the a-side seamlessly moves into the dropping and beat-less >rain reprise<. soft sound drops serve as the clock-generator to complete this side. the b-side track >glis groove< emerges with a rolling beat and chord attacks, to finally lose itself in a bleeping, synthy-cloud

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a true deep house anthem back then and stuttgarts most famous son, motor city drum ensemble steps up with two contrasting but equally excellent remixes. the >other thing dub< revisits the raw cuts sound that mcde is famous for - nelsons vocal expertly chopped up over organic piano grooves and a chugging beat. the second vocal mix stays truer to the tough beats and metallic synths of websters original, a real chicago feel provided by the ebullient hats and dubby bass line.

wir resident daniel mehlhart reports back with his customary brand of compelling sound synthesis and frenetically grooving beat patterns.

on his first release, >muskelminne ep<, gunnar delivers an indian summer love song, >massagerutin 1<, some deep and glistering morning music with the track >morgonanga< and ends with the raw but perfect bonus beat, >lilla huset pa prärien<. or as gunnar jonsson puts it: >i just want to have a good time with music, no steroids, no tricks, just some soft grooves and some hardware fun. i love older electronic instruments, the way they look and sound makes me feel good inside and gets me going.< eat healthy and ride a bike between the studio sessions that is gunnar jonssons vibe. it is our wish that this ep will end many summer night dance floors.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

percussive elements slowly but surely set the tracks in motion. the fist peak is followed by a spooky collage of bizarre sounds and atmospherics, held together securely by the reliably straight house beat! enjoy!

ooooooh yeeeaaah!!! haasten is here! one of technos fastest rising stars brings his strongest ep to date with two huge tracks you will be hearing lot of this summer! egbert returns to gem… >haasten< (translates into hurrying) has been destroying crowds during egberts live sets around the globe for the past few months. a dark commanding bass line that skips over the beat is accompanied by a retro sounding orchestral jab to create what is looking to become one of this years biggest techno tracks! the b-side >yourself< has also proven to be a crowd pleaser and is paving the way for the future of percussion based techno. the punishing drums, deep basses, narrow mids and rattling hats kick ass throughout the track before taking a break for 30 seconds to introduce some melody and continue on mercilessly afterwards. a mean f*cking package!