limited and numbered 25th anniversary edition on 180 gram vinyl, including lyrics sheet and poster.

stratosphere is back. magical and looping techno label by japanese producer ko-ta relaunches. japan import! straight limited copies. detroitish techno groover.

light blue coloured vinyl.

white vinyl pressing.

all-female hard rock act thundermother

recorded live in may 2021 at yellowhammer brewing in huntsville, alabama.

re-issue of the 1998 debut album from duster on gold dust coloured vinyl.

re-issue of the 1998 debut album from duster on tropical solution green coloured vinyl.

tikita celebrates 5 years anniversary with these lost and found tracks from the japanese legend!

deep, hypnotising atmospherics driven by incredibly effective broken rhythms. man band are proud to present twoman (konrad wehrmeister & jakob hohmann)

byron the aquarius fires up the mpc for a journey into the stratosphere, bringing the heat for ele records 3rdedition with planet rock, a jazz infected keyboard jam with chopped hip hop samples echoing into the cosmos. cozy bear follows with nudi riddim a delectable mix of african percussion, jazz samples and acidic basslines. on the b side we find more hip hop infused methodology, with glenn davis digging into salsouls back catalogue with his huge summer anthem holdin on. finally, unknown artist is back on ele following on from the huge anthem ru$h. this time it s back to the mpc with a daft punk style 90s disco banger fade (never know).

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

from sci-fi to lo-fi lod presents a journey inside analog machines and science fiction movies. two producers from different countries had split the release with their sounds and their musical attitudes. lost soundbytes is a brussels based young producer that develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations, as drum machines & synthetisers like poly 61, acidlab bassline 3, wardolf blofeld. sebastian swarm comes from glasgow his three tracks are full lo-fi acid music, imprinted by a cosmic sight and chicago house quotes. enjoy the trip!

der aus baltimore stammende künstler michael collins, der sich bisher vor allem mit seinem indie-psych projekt run dmt in fachkreisen einen namen gemacht hat, kehrt als salvia plath mit einem neuen album auf domino zurück! in den letzten drei jahren wohnte er in diversen us-amerikanischen städten und nahm in dieser zeit sein wunderschönes neues album *the bardo story* auf. dieses neue schaffenswerk ist eine interessante mischung aus psych-pop, folk und ambient mit anlehnungen an monty phyton, dukes of stratosphere und der magical mystery tour. der vinyl-lp liegt ein downloadcode bei.

la fleurs certified hit, the flowerhead ep, launched her power plant records imprint into the stratosphere in 2010. following the flowerhead ep would be no easy task, but its one that young danish talent jesper ryom takes in his stride. the second chapter of power plant records story exists within jesper ryoms refined musical universe, where samples and live guitar merge and mesh for a kaleidescopic whole thats greater than its parts. as ryom drifts in a dream-dance state, he delves further into sonic experimentation, but is ever mindful of the dancer and the dj.

lost obscurity from the master kerri chandler gets a full reissuing from nycs slow to speak imprint. continuing in the series of classic house re-illuminations, >core 1994 – stratosphere e.p.< unearths one of chandlers most ingenious and flooring moments from early in the new jersey legends rise to underground sainthood.

amazing old skool jazzy deep house licks.

next up on eglo records after the hugely successful vacuum ep by floating points its the debut release of west londons stevie j aka funkineven 1956, featuring hackneys new queen of funk & soul, fatima on vocal duties. 1xtras benji b has already been going mad over it, and the track is slowly building a reputation at a number londons underground jams and warehouse parties. sonically it occupies a similar stratosphere to dam funk, sa ra, bugz in the atitic, dorian concept, joker etc, but with a west london twist and deeply crafted vocal melody.

let me do yore starts off in tribal mode and then adds triangle and shakers to its relaxed percussive groove before shuttling off into the stratosphere where sheets of synthetic slivers dart past at lightning speed, the tracks bottom heavy pulse builds in intensity as claps and soulful voice swirls bring a delirious vibe to the proceedings. following a detroit tinged intro, a moment of truth slides into place with congas and claps helping it find its way. sizzling hi hats and a thumping kick drum deepen the groove while a funky bass line provides hip shaking accompaniment and marks the return of a house legend, who’s still at his best. soul never goes out of style, right?!

jazzy deephouse various artists ep

deluxe edition pressed on triple vinyl housed in a wide spine jacket with full color picture sleeves., ltd to 1000

2022 repress! the exaltics make their debut on clone westcoast series. this the first volume in a triptych of their stark, futuristic sound yet showing a more melancholic and introspective side this time. you can almost hear the longing for other places

ltd blue vinyl repress - following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

limited expanded edition of the “hyperspace” album from beck, housed in a sleeve with holografic artwork.

ltd clear gold 12inch in a gatefold

3 killertracks alles richtig gemacht!!!!

kashawar presents his -resonate lp-, an explosive ensemble of rave-infused techno which travels beyond boundaries to defy the typical groove of 4x4 dance music.&#8203,, this&#8203,, album&#8203,, is purposely designed to transport you somewhere far away, catapulting you beyond the techno stratosphere!

beck’s new album “hyperspace” on 180 gram vinyl, housed in a gatefold sleeve

3rd album from paul woolford under his special request moniker. limited pressing on magenta and green coloured double vinyl with download code included.

phase 2... with more acidic techno

an all-time rave classic gets the gerd janson re-loving as he works his magic on the 1992 anthem dont go. 26 years on from it s first release, gerd takes the tempo down a notch laying out that all too familiar drum break, instantly recognisable piano line and julie mcdermott s timeless vocals. his subtle touches and added weight, behind a pounding kick, are sure to set any dancefloor alight. about as euphoric as they get - if this doesn t do the business then god help us all. on the b side, belfast s ejeca flips don t go into a heavy-hitting, rave tinged, techno bomb. his inventive sampling turns the synth stabs and vocals on their heads, making them almost indistinguishable, but no less impactful, from the original. it s over four and a half minutes till the iconic chord progression is heard in it s initial form, before ejeca throws it back into a rapid fire, industrial thumper. lastly, gerd serves up a vip dub mix echoing claps and synth lines into the stratosphere, whilst leaving the vocals at bay, save a short cry of don t go from julie towards the end of the track, allowing those anthemic elements to do the talking. a modern touch on an all-time classic from gerd with a complete reinterpretation from ejeca, this is a heavyweight release and one thats already being played by the biggest and the best out there.

kerri chanler , adesse versions, dj deep, matrix, demuja & more

following up lou karsh’s excellent “ataraxia” ep we’re hitting up australia once again, such is the level of burgeoning talent down under. this time it’s the turn of sydney native e davd.

on a mission is exactly that, a mission of love, a mission of peace . the positive vocals hark back to those of early 90s house tracks, which created unity through music and clubbing. the rhythmic beat of the drum is determined, as percussive layers build and the vocals bleed into the synths. francois k provides two variations of the track. his remix features more prominent drumbeats driven by a growling bassline. on his rockers dub version, francois goes all out and dubs us into the stratosphere. up next is the michael mayer remix, with a more electronic take on the original with driving synths and a whirring, throbbing bass-line.

in recent times alex pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. he joins us as pletnev for aztec code / daywalker, a 12inch combining his abundant influences to take us to bizarre, far-off places.

following on from the odd pair of sox that was oddsox vol. 1, we have been busy curating our next journey and we have recruited some fine talent to guide us on this ride. we go across the globe, straddle the stratosphere before going on an interstellar adventure. leading the way is switzerlands m44k. gaining a proper reputation online for his sublime edits and lo-fi cuts (last years e-beamz with dj seinfield for example), we have caught m44k on a serious deep exploration with infectious bassline and dreamy pads. we couldnt think of a better way to lift off oddsox vol. 2 than marsone. parisian, larry houl, follows up with algerian flag on the moon. another elbow moving bassline that youll be humming nonstop, and some sumptuous, glorious pads. working closely with flabaire in secret value orchestra and a release on london imprint feelings ldn, larry is absolutely one to look out for! flipping over to the b, let your mind and soul wander with mesta. with a delightful release on blind jacks journey and his own label dropping serious heat from harrison bdp, aleksandir delivers a divine blend of dream house and rough, rugged, rumbling bass. bringing us back down to earth is a man from portland, who is on some serious form. coming to our attention with his release on 100% silk, akasha systems deep and dark astral jam ends the cosmic trip with a bang. support and love from: dabj, dom capello, eclair fifi, peach, trp, red rackem, mark archer, marco bernardi, grant, fabrice lig, derek carr, piff records and more.

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

ok. this is an anthem. you know “dance” already, right? huge pal joey jam from way back in 1990? the one that flips carl bean’s “i was born this way” into the stratosphere? yeah, that’s it! except this is that track reimagined by 2 killer producers, flipped and edited into the cosmos by the new jersey legend kerri chandler and the west coast’s onionz, probably the only producers who could touch such a stone cold classic and actually bring something to the table! originally out in 2002 these 2 edits / mixes are total weapons, you need this 12” in your bag. everything is touched, tweaked and blended in just the right way and full respect is given to the mixes. this isn’t no fly by night re-edit thing, this is heavyweights bringing us some heat and their interpretation of a track that was obviously a huge deal for them on a personal level. do not snooze on this, masterfully repressed, with the full consent of everyone involved and remastered on a solid 12” for you all.

following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

announcing meridian, the newest vinyl release from pjotr g and dubiosity! it all begins with meridian, filled to the brim with distorted kicks, acid sounds and uplifting synths that take you out of your day to day life. if meridian is the booster that launches you into the stratosphere, circle in a world of squares is the engine that pushes you that bit further away from reality: elevating, haunting sounds entrance you and pull you further into fantasy. buried alive, with its echoes and shattering kick, remind you that you are very far away from home, and invite you to take comfort in your new surroundings. finally, apex gives you a sense of calm. you may be floating off into space or re-entering the atmosphere, but it doesn’t matter: you’re surrounded by hypnotizing synths and high hats, and everything seems alright.

rat life is back with more unheard material from the hidden bedroom studios of east germany. one day in metropia - is a project that was active around the year 2008 - operating out of the concrete suburbs of dresden. its main focus were live appearances in the citie s underground electronic music circle. just a few signals of its enormous creative output were published on various sound carriers to this day. so it was time to release some more of this large bulk of data that has been lurking on storage devices for years. rat life s operator credit 00 is proud to be allowed to contribute a remix version to this sonic document. have a nice day in metropia!

3 of shadow child’s connected collaboration album tracks get a makeover from rimbaudian, mj cole and bodhi. rising talent rimbaudian reworks the only solo track from the project, steak fingers, and takes the original bumping stripped back groove on a more melodic journey with its stunning arpeggios and new string parts. the backbone of the original remains but be prepared to take a trip to a new stratosphere, with his stripped version which is included too. bodhi step up next to remix gacid, twisting and turning the original acid patterns and grooves to make a special rework that gives a nod to early detroit with new drum programming and pads. the welsh duo bring the heat. mj cole delivers what must be one of his finest remixes. um the collaboration with bodhi, already offers a trip that flirts with jungle, lo-fi and the hypnotic but mj cole brings his signature vibe to the table with new keys, groove and provides something that feels as if it belongs in the realms of his seminal hit sincere.

bassiani records 3rd 12-inch release bas003 include tracks by japanese techno artists: wata igarashi, iori, dj nobu and takaaki itoh.

if mega-psychedelic tripping house excursions are your thing then it s entirely possible that derrick carter s sound patrol orchestra may have exactly what you need. no exaggeration. tripping among the stars indeed. the other version of this jam lifted from the sweetened - no lemon lp from 1994 is maybe a little better known, but these mixes right here are worthy of all your attention too! 3 non-stop funk excursions into the cosmos with derrick and co. joining you and guiding you with their cosmic voices. it s hard to pick a favourite as all included are very different beasts yet somehow essential. honestly, this ep kinda shits on most things that you may hear currently and this stuff is from 1997. the still trippin mix is definitely a standout, a free, weaving, 12 minute plus colliding jam that just opens up and evolves real lovely, exactly the kind of record you want to hear around 7am on a smoky dance-floor somewhere. pure after hours perfection. the other mixes are just as potent, with a heavy cowbell laden dc dub mix that s brimming over with live drums and handclaps and a superb bass laden wamdue kids mix that takes off into the stratosphere of deep. basically, this whole record has it covered. literally, it shouldn t leave your bag anytime soon. essential new (old) school chicago gear that just won t quit. thank the heavens we all get the chance to trip again with this beautiful repress! essential. remastered and repressed with the involvement and welcome assistance of the mr.derrick carter, chicago usa.

with gilles peterson singing their praise and rave reviews from the likes of wax poetics, record collector and songlines, last year, nomade orquestra’s self-titled debut album launched them from humble beginnings to international recognition. nomade orquestra return from the stratosphere via brazil with their second offering: entremundos (between worlds).
pressing on 180 gram vinyl.