(limited edition cassette) sprezzatura is the 4th full length album by in flagranti which will be released on their own codek imprint on april 14th 2017. the album, which features 30 previously unreleased tracks, will be physically released as a cassette mix, an idea which was inspired by a legendary record shop called disco piu in italy.

mark rae is the man behind one of the key uk music movements of the last 25 years. as a founder of the shop fat city records and the label grand central, mark worked with some of the worlds biggest artists going on to earn several platinumm discs with his work as one half of the highly respected production duo rae & christian. this project is a worlds first autobiography and album, the release is packaged as a gatefold 10 inch which opens out to the book held within. the 40 000 word book covers the author mark rae s journey through the music industry. it follows the creation and dissolution of fat city and grand central records, rae & christian and yesking. the underground club scenes of manchester, gang wars, success, failure, working with bobby womack, jay z and the pharcyde. the project has been supported by whosampled, dj magazine, vice and the tate modern. the artwork is exceptional featuring an historical montage throughout the inner gatefold sleeve. the music features guest vocals from tony d who was a big influence in the original grand central records sound, soul king pete simpson, multi instrumentalist shawn lee and kate rogers.

detroit house guests ist ein kollaboratives projekt, das adult. bereits in den frühen 2000ern erdacht hatten. analog der idee eines künstlerstipendiums, luden adult. unter der prämisse des gemeinsamen lebens und arbeitens verschiedene musiker für einen zeitraum von je drei wochen zu sich ins studio ein. das resultat ist ein album, das sie nicht zu unrecht ein anthropologisches klangexperiment nennen. das werk bietet kollaborationen mit einer ganzen reihe verschiedener künstler*innen, darunter douglas j mccarthy von nitzer ebb, michael gira von swans, shannon funchess von light asylum, robert aiki aubrey lowe alias lichens, der österreichischen thereministin dorit chrysler und der multidisziplinären künstlerin lun*na menoh. bis heute haben adult. auf verschiedenen labels wie ghostly international, thrill jockey und clone records, sowie ihrem eigenen label ersatz audio veröffentlicht. dazu gesellen sich remixe für künstler wie tuxedomoon, john foxx und den pet shop boys.
das doppel-vinyl erscheint inklusive downloadcode.

the brainchild of the so-called fairy godmother of house” abigail adams, during the mid-80s and early 90s movin records defined the new jersey sound. a regular at the iconic roxy roller disco in new york, adams skate-shop-turned-record-store was instrumental in supplying club resident tony humphries with the hottest records that everybody wanted to dance to. danny krivit, larry levan and timmy regisford were also adams friends and regulars at the store.

brand new transatlantyk release contains elusive synth works of sasha zakrevska aka poly chain. she likes to call herself a ukrainian ambient chavette and the title of her debut album is a tongue-in-cheek spin on eno s classic. music for candy shops is much more sticky and syrupy than its famous predecessor though. in every track on this record poly chain s rich and warm synth textures are glazed with another layer of radioactive sweeting. from atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it s all there. let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. use with caution! available as a 200 copies only vinyl lp

a bit about the artist: wahono, real name harsya wahono is an artist from indonesia. he graduated from berklee school of music studying jazz performance. he had a brief stint in nyc working with the good people at other records before they unfortunately closed shop in 2016. he is now back in indonesia where he runs the label divisi62. this is his first release and we look forward to many more.

great 1988 summer of love old school acid house release, recorded with analog machines tr909, tr808, tr707, tb303, sh101, juno106, dr.boss220, korg ms2000. pressed in random acid colours, including full color info/cover sheet. recorded by joppy mister & hennie v. from well known dutch vinyl acid label and former record shop boss. marvellous oldschool acid house tracks in limited edition hq vinyl pressing. bass ik records vs. dance drugstore records – vinyl only!

brutaz unleash their first three ­tracker coming from jules venturini, a continental expat supposedly having ties with a famous nunmetal band and a certain second­hand record shop. shameless melodies joined with a darker, churning grooves, pushed to the edge of with a gentle dose of distortion.

omni am came into existence from the disparate musical tastes of adam collins and marky star during the strict 90s chicago house scene. making use of a wider palette of sounds and rhythms, the two formed an act around an eclectic live pa and their unique vision of unpredictable house music. with resident advisor calling it as good as house music can possibly get, beat dis is a breakbeat salute to house music and was featured on fabric records tyrant 2 by craig richards + lee burridge. dangerous is a minimal tech classic with omni am s signature rule-breaking style. originally released on swag, the song deepened the groups long relationship with the south london record shop and its crew. presented now for the first time with updated masters, this release is for fans requesting these rare songs, and also for a newer generation who are eager for their own copies

hand crafted from field recordings, junk percussion and charity shop keyboards, top002 sees scissorwork on wax for the first time. with an uncompromising diy approach to building tracks and attention to detail, he has distinguished himself from the crowd and gained real momentum since tracks started to appear online in early 2016.

after numerous parties, concerts and one year of running a local record shop in leipzig, the vary crew releases its first vinyl release.
the record features long time friends al dobson jr, tito wun, salomo, repeat pattern, hubert daviz, strange u and esgar.

escorting sarah, a diy techno project that explores musical desires through the fetish of wax and the lust of hardware, return for a second instalment. kicking off with ‘video shop’, cavernous drums and discordant vocal shards rip throughout whilst ‘curb crawler’ is , a heady wall of sound that delves deep with a serious punch. ‘hotline’ rounds things off with a laser guided assault on the senses.

it seemed like neo ouija, a norfolk based idm imprint, had closed up shop. four years of silence suggested that founder lee norris, aka metamatics, had decided to call it a day. but looks can be deceiving. 2016 saw the boss release a cd album of fluid acid, squelching electro and heartfelt electronics. shipwrec are now bringing four choice cuts from bodypop to the vinyl faithful. proudly sitting on the difficult to define shelf, norris seamlessly shifts from frigid winter moods to warming autumnal sunshine. old-school sounds are rewired, softened by delicate keys and steady beats. machine music morphs into organic matter. acid coils, echoed bleeps and clicks grow and blossom into vivid audio vistas with metamatics, once again, proving his musical mastery

groovepressure is excited to be re-releasing two tracks from the first ever groovepressure release. resonators is groovepressure honcho robin ball and long time school friend salman montiero. made in 1999 in a very small studio in robin s house, robin remembers -getting them pressed and taking them to the shops i loved in london to see if they would sell them and getting a really good reaction from the shop staff. not that it was going to be a big commercial success or anything like that, more because the tracks had a unique sound and i think still do today. the underground scene then was a lot more freestyle but even in that atmosphere it was an unusual release. since then it s been one of the most sort after releases from the groovepressure back catalogue. it s an exciting time to be re-releasing this with the re-emergence of the label. booma and shuzzbuzz have been re-mastered and remixed by robin ball.

coling strange lands on lies.. going to hit hard, this one..tip! collin strange has a long and storied history in the new york city underground music scene of the nineties. from owning a record shop in the east village, to working at distributers, to playing in bands of all sorts, to producing music alone, strange was around at one of the most vibrant (and transitional) times in the l.e.s., just on the cusp of guliani s culture crackdown which choked the life out of the city, forcing many to leave. currently located in seattle, strange has picked up where he left off years ago plugging in the gear and churning out blistering acid cuts with a very d.i.y. edge that brings to mind drop bass network, unit moebius, or free party french acid of old. coming full circle these tracks are completely at home on l.i.e.s. and will undoubtedly thrash any soundsystem in sight. play at maximum volume for total disruption

the almost ungoogleable producer, dj and record shop owner takes over the dance floor with three intoxicating, raw cuts with a blurry reminiscence to disco that falls somewhere between house and techno.

a subtly appealing tape in a pink cover with an imposing artwork of highly erotic nuances: this cassette, originally promoted as candy-coloured sex-shop electronics, is the absolute gem of internazionale s discography and is clearly destined to become a timeless modern classic. together with the track the charnel house, included on the compilation ny dansk romantik, the excellent craftsmanship of elegy for the victors quickly evoked the loyal admiration of listeners worldwide who were captivated by its charm. this earned the danish artist a cult status and established him as an accomplished composer. the ambient music with an industrial flair of his earlier releases becomes organic in elegy for the victors and acquires life: a life depicting gorgeously melodious passages which tell a story of happy sadness or of sad happiness. such narrative is constructed by means of a lo-fi but majestic and emotionally charged sensitivity, gentle waves of haunting loops, cinematic samples and sweet maritime sounds which will hypnotise you. this is the long-awaited remastered vinyl reissue with a new artwork which, beautifully and more appropriately, captures the melancholic essence of a masterpiece of rarefied elegance.

following on from david morales appearance on the label earlier this year, rekids tap up shed and ryan elliott for a pair of percussive reimaginations. well known for remixes of the thompson twins, shawn christopher, clive griffin and the pet shop boys, morales red zone moniker was conceived during the def mix legends formative years at the renowned club sharing the same name. 50 weapons and monkeytowns shed adopts his head high alter ego for a remix that draws the originals vocals into the spotlight before planting thunderous kick drums beneath whilst dusty pads operate above. meanwhile, ostgut ton affiliate ryan elliott crafts a reimagination that incorporates breaky percussion, a rumbling low end and sweeping astral synths.

auf ulrich schnauss 5tem studio-album “no further ahead than today” regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die längst zu seinem markenzeichen geworden sind. diese sollten fans von künstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes für pop-künstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade für die decca-compilation “re:works” bachs “prelude in c” neu in szene gesetzt.
“no further ahead than today” ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stücke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer präsent. spätestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen überträgt.
die doppel-lp erscheint im klappcover inklusive downloadcode.

aquatic techno-electro tracks on this new possblthings label produced by robyrt hecht, milium and xy0815 delivering funk driven electro funk tracks to this leipzig based record shop that is widen its activities with the start of this fresh new label!!

daniel meuzard aka feater originally hails from a small mountain village in the western austrian alps. the music producer with north african roots calls vienna his home for quite some time now. for more than ten years he has been involved in electronic music and working with analog synthesizers and classic tape recording. as an owner of a studio equipment shop he was able to get his hands on a wide variety of equipment. experimenting with different instruments and recording techniques helped him to develop his own musical ideas. in 2013 he released the 7inch vinyl single digital love on paradeis garage. in february 2015 he recorded his debut album waste the time on a 8track tape recorder and finalized it together with the producer and recording engineer sam irl in the summer of 2015. as a member of the finishgermanaustrian group skymax (along with stilettiana & sam irl) he released the vinyl ep trucker trans on his own label called international major label

clouded house 3 is an an ode to the classic splice & dice - nostalgia in a freshly squeezed sleeve. bumping, grindin’ and other forms of expressive dancing are highly encouraged.

ruis is a new limited vinyl only label of ruiskamer, a record shop near by amsterdam, the netherlands. founded by the guys of karton label. in the first week of 2014 they release their first ruis vinyl, a 180 gram hand-stamped and numbered record with a limited number of copies, a very special ep by archie hamilton & stathis lazarides. pressing on grey coloured & marbled vinyl.

nice price deal !!! excellent pet shop boys cover version will make every crowd go insane

there’s much to be said for chance meetings. vitruvians – in their words, “a meeting of minds, cultures, styles and experiences, powered by music, and designed by faith” – owe their very existence to once such random encounter.
in the summer of 2014, producers frankie valentine and thomas “t-ash” sciurpa bumped into each other in a london shoe shop. over a fine selection of brogues and loafers, the conversation drifted onto music. the duo quickly realized they had much in common, and a plan began to form: they would get together and make music as vitruvians, using the alias as a vehicle for their collaborative work.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

joy dexon club is the new mini lp from the hands of repitch recordings’ co-founder ascion and it genuinely sums up his eclectic vision and diverse and restless music making philosophy.
the six tracks offered on this mini album follow a narrative and vital progression, translating vibrant, stormy feelings into frequencies that spoil us to carefully listen to it. fast techno with leading acidic patterns, intelligent harsh beats, dense psychedelic electro sounds building up atmospheric structures with an utterly personal approach. this is a must-have for electronic music admirers.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

after completing his debut 12- for 100% silk (which saw a release in feb 2016) hubert clarke jr spent most of 2015 focused on pushing the music of others, through sydney s newest record store, outer time inner space. owning and being surrounded by a literal shop full of records provided motivation and inspiration but left little time for writing.

bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, lmye (lend me your ears) are the latet in that tradition. two friends who met, and for a period recorded above the idle hands shop on stokes croft. they made their debut on funkineven’s apron label earlier in 2016 with the ‘cali 76’. here they keep things closer to home with a release on idle hands.
‘manhattan’ is as indebted to ’70s us funk as it is to ’90s uk garage. a house tune that has turned heads on the various mixes it has found itself on over the last year.
over on the flip shanti celeste turns in a brilliant remix, one of her best we think.

club lonely strike back with 3 midwestern ghetto tribal rave trax from the club lonely residents. limited numbers act fast!

played by neuman (maddisco edits), eddie c
emotional especial comes together with future nuggets for a -special- one-off collaboration. reinterpreting the music of steaua de mare are four remixes from rising (eastern) stars khidja and mehmet aslan. the first in a short series of especial -specials- - where new artists are brought together for unique releases - we start by teaming up with future nuggets to present again the sonic offshoot in the unique band, steaua de mare. returning in remix form, songs from their self-titled album, as well as extra additions, are specially reworked. first khidja take album track babadag to new psychedelic depths, adding multiple layers of guitar and synths, all inexhaustibly dubbed and re-dubbed until a whole new track emerges for the more discerning minds. next mehmet aslan is focused on the dance-floor, carefully reconstructing new track shop into a club orientated groove, aiming straight at the feet with inevitable results. on the flip, mehmet then reworks album highlight, doamne ce greseala am, amassing tension in careful, subtle ways, crafting a version that is a proper meeting of hearts and minds. to finish, khidja return to remix the previously unreleased 1 septembrie. going to great lengths in managing a myriad of details, with balearic, kraut, pseudo-disco and exotica reverberations all pulsating, here then are on point examples of remix manipulation. a perfect way to start this series and showcase these wonderful artists.

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline—a subtle playing field composed solely with a rare 1970’s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then—all affirming damien’s less-is-more ideology. with side b’s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine’s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

we’re getting almost regular here with our releases so maybe it’s about time to put a section in your shop for our label? maybe it’s a bit premature to start demanding things out of you...what do we know. so it’s time to hit you with number 6 and this one certainly smells like summer. split secs are a los angeles based duo made of some serious local mainstays travis kirschbaum and alexandre mouracade (aka sonns). they’ve put out a bunch of great records over the years on kompakt, jolly jams, throne of blood. they happen to also be behind the machine limited imprint too. impressed yet?

swag classics centeres around some sought after reissue fare from the croydons legendary swag records label. these are 2 expensive double a side vinyl cuts - almost unaffordable if bough 2nd hand. so this is a very democratioc re release for fans of the label
(if any)think croydon and a few things come to mind, kate moss, punk band the damned, crystal palace football club, peep show and of course dubstep, the now world conquering music genre that will forever be linked to the south london suburb. what you never hear though, is any mention of tech house, another world conquering music genre. and to be honest we’re a little bit peeved about that. because if tech house has a spiritual home it’s croydon, and that is due mainly to swag records and the people that gravitated towards the humble west croydon record shop and studio.

on this 7” smoke signals showcase their effortless sense for melody with a lush cloudy dub aesthetic. the result is like hearing jackie mitto trying a few presets in the synth shop. enjoy responsibly.

though theyre both originally from kansas, chrissy & hawley met in chicago, and began working together on songs that unite their very different individual styles: emotional dance music with catchy melodies and thoughtful lyrics in the tradition of yazoo, pet shop boys, arthur russell, kid creole & the coconuts, larry levan, and patrick cowley. their debut album comes hot on the heels of an ep on smartbar’s own northside ‘82 imprint, which has won over tastemakers like the black madonna, jackie house & jason kendig (honey soundsystem), prince rama, and avalon emerson. “some of the most earnest and charming pop music i’ve heard in years” - avalon emerson “iÕve been obsessing over ‘photoboothÕ” - jason kendig nite owl co-founder chrissy is a genre-bending dj / producer, known for releases on labels like classic, freerange, razor-n-tape, planet mu, and hypercolour, his influential “my year of mixtapes” blog, and his dj residency at the legendary chicago nightclub smartbar. hawley shoffner is a chicago-based singer-songwriter with a distinctive, immediately recognizable voice in the tradition of karen o, kathleen hanna, or siouxsie sioux. 2lp includes special insert and digital download code

floating astronomical objects and the void in between – jon hester enters the dystopian circle with four gravity manipulating techno tracks coming directly through the wormhole. jon hester got his start in the midwest us, living in chicago, minneapolis, and connecting with detroit. after years on the dance floor he took to the decks, going on to work in a record shop, host his own events, and hold residencies that developed his sound. music production and a move to berlin followed, but dancing and mixing are still the inspirations that drive him to create. his dj sets are built on physical rhythms and adventurous programming, effortlessly combining diverse varieties of techno and house. with an engaging presence and a knack for telling a story, he builds a unique connection with each audience, and works any room until it sweats.

following on from last years exceptional ‘obsession ep’ from art crime is a budding young talent by the name of will lister. originally from lyme regis, will moved up to london to attend goldsmiths university and in his spare time he helps us out behind the counter here at the shop. when he’s not here at the shop you can also hear him playing records on his balamii radio show or his monthly club night, ‘the aten’. ‘the phantom ep’ is his production debut and we’re extremely happy to be putting it out on our main imprint. the title track opens up the ep with heavily reverbed pads, echoed claps, crunchy percussion and repetitive synth stabs that all work together to create spaced-out atmosphere that’s full of twist and turns. flipping over to the b-side, ‘after the light’ picks up the pace with a driving high-hat rhythm and full-bodied kicks that underpin warm piano keys and smooth synth lines. ‘agency’ closes proceedings by turning up the intensity to full with a masterclass in building tension.

support by dave clarke, efdemin, jonas kopp, dj hyperactive, truncate, rolando, mark broom, raiz, kyle geiger, green velvet, marcel fengler, marcelus, submerge, electric rescue, the advent, ben long, dan curtin, sasha carassi, hd substance, paul mac, turbo turbognd label head s-file returns with his new two track techno banger release digital disorder and transmission. his last release spandau90 and bleaching was a charted in all digital and vinyl shop sales charts and was supported from ben sims, dave clarke, marcel dettmann, laurent garnier, james ...

great debut release and new label from a rubadub shop regular featuring tracks from shop regulars. tip. this first release is made up of 3 tracks from my friends and 1 from myself. there’s no concept here other than putting out music that was otherwise not going to see the light of day. the first track is by bleaker who put out a 12inch on unknown to the unknown last year, the second by miz aka big miz whos been putting out music on dixon avenue basement jams, the third by the burrell connection who has a release on west end communications and a track on a craig knows released compilation and the last track is from myself which got a play on big mizs boiler room set. these tracks were all sent to me around the same time and it felt right to make a place for them on a record. bleaker, miz and the burrell connection have all been making waves in scotland and beyond and these 3 tracks are proof that the attention is warranted. and i dont think my track is too bad either.

london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

l.m.y.e. (lend me your ears) are two bristol based friends who met via the idle hands record shop which is central to the city s burgeoning house scene. the pair combine their love for digging with a taste for the sound of classic 70 s and 80 s studio hardware.

part 2 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with edward snowden, hans zimmer, the orb, pet shop boys and many more. the double 12 inch release comes in gatefold sleeve and includes a download code (valid thru 31.12.2017).

new york house legend david morales arrives on radio slave’s rekids for a vinyl only release. homage to his formative years at the influential club of the same name, morales’ red zone project is the moniker which the def mix veteran produced many of his seminal remixes under, from the thompson twins to shawn christopher, clive griffin to overweight pooch and propaganda to the pet shop boys. rekindling the pseudonym for a vinyl only appearance on matt edwards’ renowned imprint, the release initiates with a robust dancefloor workout titled ‘don’t go’ that’s laced with heady melodies and energetic hats. meanwhile, ‘tribal funk’ is a more rhythmic cut featuring thudding drums, deep chords and compelling vocal samples.

on a fishing trip two years ago, the two main guys behind africaine 808: d leyers and nomad - went to a tackle shop to buy some creepy crawlies (saltwater worms), not knowing that they were about to make a life changing discovery. in front of the shop a blind man was jammming on a little electronic organ, stomping his feet, singing, growling and basically making a scene. the boys were quite impressed with the fella, who introduced himself as blind double d . they offered to bring him home and record him. he turned the offer down, but offered instead that they could record him on the spot in front of the tackle shop - if they bought him a bottle of good bourbon. he explained that he would never set foot into a studio again in his life: he was sick of music production and the music industry in general, and that he just wanted this bottle of bourbon and to be left alone. the boys got him the bottle, and recorded blind d.d. on the spot with a tape recorder they borrowed from the tackle shop. unfortunately, the tape was stored in one of the tackle boxes over the trip, and some of the creepy crawlies crawled into the tape and stank it all up. this added some extra funk to the recording. with dirk and nomad s usual studio trickery and production skills, they created the two versions of this very very funky, creepy, stanky track. we hope you ll enjoy it as much as we do.

h-productions proudly presents >green light< by cari lekebusch. this is the fourth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997. since the beginning of the 1990s, caris brainchild label platform h-productions has been changing and re-inventing itself numerous times. and at this moment it takes the shape of 3 different catalog numbers running at the same time. the hyb releases will be exclusive vinyl releases only, and the hpx numbers will be digital only. as a cherry ontop we have the special hybrid catalog that will only be found in our bandcamp online shop. -with warm regards from stockholm-

from piero umiliani, legendary soundtrack composer for numerous italian movies of the 60s and 70s, and the man behind mah na mah na (muppet show, benny hill, sesame street), the omnicron label (sound library works) and the sound work shop recording studio. for fans of experimental music, avant garde, synth experimentations, ennio morricone, riz ortolani, giallo movies, mondo movies, soft erotica, and wonderfully weird stuff. the album is fully remastered for new levels of enjoyment.