moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

daniel munkelberg has come to the attention of record labels across germany, with his experimental minimal-techno sound. this ep kicks off with an epic j alexander remix, together with ronald christoph on co-production duties. friends electric records head man j alexanderÆs remix massively beefs up the original track ôdigamö adding one of the most hypnotic synth lines you are ever likely to hear, layer upon layer ofá oberheim synths and 909 percussion combine with the quirky samples from the original to create a instant techno classic. other tracks on the ep include a darker, but dance floor friendly journey into minimalism with a san miguel remix and another daniel mukelberg original named musteki

we are delighted to announce the wagon repair debut of montreal native stephen beaupre. one half of crackhaus, a long time collaboration with deadbeat, stephen has recently released solo material on labels from musique risque and ~scape, and put out his debut album on mutek’s own imprint in 2006. in honour of the great ancient persian empire, ‘achaemenid’ roams stridently with tight kick, clangorous melodic cascades and prodding rhythmic tones. ethereal string pads and moaning atmospherics imply conflict, narrated by catchy vocal passages from beyond the murky depths. a reverberant rhythmic synth line injects life into ‘lotus eaters’, with static vocal samples and penetrative melodic tones forming sonic structures around deep tom and rattled hat. grossly intoxicating, elements lull into a mellow haze before reanimating into a wildfire finale.

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

drawing you in with its hypnotic nursery rhyme riffs, breathy samples, crushing bass and huge hyncopated drums which create pay tvs libidinously rare grooves coming on like a 21st century serge gainsbourg with added dancefloor savvy.

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

the first single from her upcoming wagon repair debut album and her first release of 2009, dinky (aka alejandra iglesias) is ably following up on the momentum gathered from her 2008 album may be later on vakant. in a decade of releases on labels from cocoon and traum to carpark and crosstown rebels, dinky continues to cement her place amongst technos most enterprising producers with four new tracks. opener wind mesmerizes with repetitive keys looped over a straight kick. chirped tones pulse curiously amidst descending melodic chimes in a steadily evolving elemental journey that equally evokes reich and contemporaries (and new label mates) cobblestone jazz. outro establishes territory with intoxicating arpeggio melodies, while wet hair plunges us into submarine depths. dripping with resonance and reverb, sporadic metallic tones color a dense mix of murky pads and sharp beats. interrupted briefly by an epic symphonic interlude, wet hair continues its descent into deep and dark territories to close. the eps closer, butterfly floats with squeaked melodic tones and breathy vocals taking lead over a busy percussive base. saturated with a variety of sounds from indigenous samples to wobbly bass and deep detuned keys, butterfly takes us on a winding scenic route, disorienting and enchanting in equal measure.

the latest gigolo release is one for the summer! aptly titled hot it comes courtesy of ivano coppola and christian prommer, the former being one of italia s most respected dj s and the latter being, amongst other things, one of the main collaborators for hells critically acclaimed album teufelswerk. taking a sample from willie ninjas classic record hot and building a track around the chords and the vocal leads us to our starting point ivano coppola plastic mix!
ivano coppola has been the resident dj at milan s plastic club since 1992, so it is fair to say that he knows what works on a dance floor, or, to use a popular phrase, what is hot and what is not. it is with this historical knowledge that we find the genesis of our track. i found it necessary to go back in the past, to start producing once again in a 90 style - using samples. the next step was to come back into the future and reach out to christian prommer, highly respected by many including ivan i consider (christian prommer) one of the best producers of the moment! he loved the idea, the remix was huge, and so we decided to co-produce the record. simple!!!
but, for christian this was more then a remix, hence the co-production credit! i liked the idea of translating an early 90 s house-music-sample in to a sample-style-percussive-techno-tune. lots of live played drums and percussion in this one, of course. i only later learned that the sample we used is from one of my house music heroes, maws louie vega. naturally the record found its way into the hands of gigolo in the best way possible, and in the tradition of such a great record label – i played it at the gigolo night in munich and hell came to me dancing and took the tune into his heart.

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

sandy warez joins the isr team as he opens his doors to his maniac mansion. 4 blistering cuts sure to rip thru your speakers. this ep mixes hardcore & techno with mashed up samples, slick high hats, and of course the all powerful kick drum make this ep a new isr classic!

20 years time, when vinyl diggers are hunting the most obscure house and techno treasures from the 90s and noughties, theyll probably turn to expert patrick specke for assistance. this dj and producer from düsseldorf is dedicated to the machines that he uses to craft his metallic, shimmying tunes - but hes equally committed to collecting the best pieces of vinyl that walk the earth. you can hear it in his tracks for this desolat release: a solid understanding of the space between the beats and the subtly textured samples that help make up a fine dance-floor groove. tracks like get me out and bitchual linestepper use tight drum loops to build the kind of stealth attack that lends itself to dancefloor damage. on naggin me the building blocks that make up the classiest 4/4 recordings are reshuffled and stretched out - from here to mars and back

hot on the heels of the highly acclaimed borrowed 4 comes the next installment. after the eighties-fest of its predecessor, borrowed 5 brings us up to date(ish) with a couple of funked-up dj-friendly house stormers guaranteed to make your dancefloor move! track a kicks things off in style with a couple of naughty samples from a cartoon monkey band (who could that be?) building into clav keys and vocoded vocals. a party tune! ,pure and simple. miss this at your peril! track b takes things deeper with a locked-in and tracky groove built for the early hours. check out the vocal snips and acid riffs!. this has been doing the rounds for a few weeks and feedback has been crazy, a must have!

a new member to the 4lux family the talented alex agore! his productions are drenched with pumping beats, catchy riffs and funky deep grooves. to give some quick references we could say that alexs 1st twelve for 4lux is reminiscent of some of moodymann and theo parrish tunes fused with some dj sneaks uplifting spirits. 4 tracks with the syncopated collage of quiet jingling, subtle handclaps, keyboard melodies, and soul-drenched vocal samples and phat phat basslines! this will sell out even faster then the previous kez ym release on 4lux. you missed that one? don t sleep on this! essential house record.

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

the mysterious yet prolific berliner, lars wickinger, returns to living with this fantastic new ep. three solid yet mesmerising and catchy dancefloor tracks. since his last visit to the label lars has been refining his sound even further. releasing on more trendy labels than you can shake a stick at and even investing in real life hardware! oh yes hardware! remember that? the awkwardly titled alicia @ the wonderland is a tight, rolling, pleasing tease of a song that finally delivers in superb style - one you have to play all the way to the end! when that vocal drops, oh my, dancefloor craziness for sure. greenland is a tight bouncy number with an infectious groove and well placed vocal snatches and more than forgivable sax samples. the swing side of the moon somewhat lives up to its name with it s swinging dark vibe - perfect b2 material. classy stuff all the way through.

beeing together in the studio for a while - here s the results: take me to mabayi features a nine minute ecstating ride - accentuated by a pulsating, hypnotic, rhythmic and gradually building melody and compelling breakdown. 100% sure with ricardo villalobos, loco dice, mathias kaden. la trutruka - golden version combine emotive slackin house beats with synthesizer washes and constant, rolling rhythmic underlay, straight and right down to the last detail with the la trutruka riff - for those who knows and some vocal samples. these are three small dissertations that connect rhythm based house-paced hills with modern dance music and experiments with synthetic song structures

lotd remains steadfast in its endeavours to offer the best in left field electronic dance music with these 2 tracks from tony lionni. golden is an eight and a half minute journey beginning with stripped down detroit ish synths and ending in more lush, piano & percussion driven territory, with vocal samples being laid overtop the entire ride. epic stuff. the warrior is a deep, late night affair with shades of chicago jack & echoes of basic channel dubness. both of these tracks display tonys depth of musical knowledge while having there sights set firmly in the now & beyond.

while working on their upcoming second subsonic park album, alex azary and gabriel le mar have sent out prelistening demos, loops and samples to various friends and artists. the response was amazing and ended in some new remixes which have now been cut on vinyl for subsonic park’s new 12&#8243,,, which gives a slight preview to their new album, due for release in june. the 12” features a deep but pushy discodub remix of “code two” by new york based brendon moeller aka beat pharmacy and on the flipside an uplifting techhouse remix of “find u tonight” by aku aku, one of berlin’s upcoming nu school producers. the digital release also features a dubby and atmospheric deep house remix of “zoologic” by dutch deep tech producer martin oude kempers aka quantum dubstar

monster house track! also big with: someone else, mathias kaden, ptoile, markus schatz, frankie, karotte, alexx, audio werner, barbara preisinger, antislash, ark, nick curly, kabale & liebe !! moritz piske send us directky to the dancefloor with this monster house track! with the remix of pit draengler, this two tracker keeps alive the spirit of what makes house music groovy, jackin and funky and the samples used, keep us in mind how huge is to mix up jazz to house. the vinyl is provided with a special picture from the renounded malian photographer malick sidibÚ. he made this picture in 1962, time he was taking picture of surprise parties in bamako. a big thanks to andre magnin who gave the opportunity to associate the music with this amazing picture and artist!

two among best italian producers alex d elia e nihil young arrive at label capsula! after many releases on great techno labels as definitive recordings with john acquaviva, paradigma musik, to their own label frequenza, this one on capsula edition especial sounds to be a chemical ep. 3 tracks with different shades, from deep style on experimental techno in chemical pregnancy, to minimal rhythms and bright tones in restless night, to the track sidera where classical samples are mixed together to create an emotional atmosphere. capsula music guarantee!

desolat is proud to announce that desolat x series goes on with livio & roby pres. premiesku, a project from romanian duo livio & roby, in collaboration with their pal george g. solid, swinging four to the floor patterns take inspiration from classic deep house, detroit techno and tech house. switched up and deconstructed, the result is a hypnotic brew that will see them representing desolat for the first time at cocoon at amnesia this year alongside loco dice and martin buttrich. on this release youll hear snippets of a surreal and breathy flute over top of a thudding kick and a bumping bass-line, or fleeting samples of reed pipe, vocals, ragtime piano or brass dancing on top of technotic, simmering loops

big with: richie hawtin, dubfire, dj hell, mandy, dj t, james what, ralph lawson... well what can we say, two tracks that could not be more different from well know mainz/ germany based artist butch aka bülent gürler. the a side >destruction< is a track that so perfectly fits into the scene of german minimal house, we think it will be eaten up immediately by the dj scene. the flipside track >muskatnuss< is more challenging and made for the advanced djs. this track is weird, funky, housey and more on the side of the new school of house we get nowadays from cecille and similar labels. the track makes use of samples from butchs most sought after sample libaries that include fantastic cartoon sounds he has cut up and arranged rhythmically. a stunning performance!

john talabot is a youngster from barcelona with a rather special way of approaching music. borrowing his schools name for his alias and the most diverse samples for his music, he produces expansive and iconoclastic housey tracks. his influences range from flamenco to northern soul, from african music to traditional asian songs and he s inspiration sources go from the profound and sensual house of moodyman and labels such as sound signature or kdj to disco music, chicago house, pop or techno, whatever he likes. sounds like a bass kick and a sampler, he says us in his myspace, no less. this young producer and tireless musical tracker has the ability not just to find the appropriate samples but also to conjugate them wisely. in a great exercise of sonic inventiveness, guitars, strings and keyboards are combined in his tracks with rhythms and vocals with african reminiscences, to give us his own vision of house music, original and personal, but yet very effective. cliche allergic, songs like naomi, korlee or afrika sound cosmic and tremendously emotional without losing sight of the dance floor (thats what we call fat beats). his tracks are organic, human, full of life, the kind of music that keeps not only your foot moving but also your heart tingling.

kinky movement aka andy mcloughlin, lee eden and john symms have become the producers for the outfit and since early 2004 they have released their music on some of the worlds top deep house labels including tango recordings, mobile trax, drop music, myna music, flavor recordings, amenti music. this 3 track ep for the superb smoke city music an offshoot of hudd traxx members slum science & hoodfellas, is a wicked bumpy affair with familiar sounds & samples including donald byrds classic æwind parade

evil activities combined forces with superstar hardcore dj panic for the new neophyte release! the boys kick off with the title track invincible on the a side... the raging kickdrums, massive synth works and cool samples by mc alee make this track another heavyweight party slammer which is already causing total mayhem on all international hardcore floors. the flipside starts with the terrific dj neophyte & tha playah remix of the (already) hardcore classic quiet dedication, this floorfiller receives a typical neophyte & playah rework and is now ready to rock the world... this 12inch finishes with the bonus track nothing, a powerful hardcore track containing vocals by mc ruffian.

the international freakshow theatre is opening its doors for 2009s spring season. coming along with the sunny weather we bring you another minimal house weapon that is deep, dark and dangerous! the 3 producers who are responsible for chainletters ep belong to the next generation of the clubmusic business. these young guns are mirco violi, fabio gianelli & sercan. during the last year they already were able to proof that the sound they are creating is definitely more than capable of competing within the international clubmusic scene. with releases on imprints like underground limited, off or welt sounds they gained tons of positive feedback. the well balanced and textured grooves these guys deliver are all carefully crafted while the subliminal vocal samples and stunnin effects keep the perception fully occupied as well as offering various mixing opportunities in the process. on the flipside of international freakshow no.12 youll find another phat, tribalsih minimal housetune done by them called mugatu says as well as some more hypnotic house remix of get around by berlin based till von sein who also created some really successful tracks in the past on labels like dirt crew records, morris audio or trenton, that gained full support of various top names

after a recent guest performance on seuil’s eklo label, michael melchner - the young producer and dj from nuremberg - is back with another stunning ep for cargo edition. melchner is the resident-dj of the ‘kiss klub“ party series at nuremberg’s famous club ‘die rakete’, and music aficionados will have had their eye on this up-and-coming artist for a while now. this time around michael melchner dishes up three top-notch house tracks for us. “you understand“ is techhouse at its best, where he deftly holds and rides that balance between deepness and the dancefloor. a continously forward-pushing bassline is combined with a mysterious vocal sample and restrained breaks. „wooob“ grabs you with its devastatingly simple rhythm, while the bassline cuts through with a high dose of funk. topping the track off we have a vocal loop that shows off michael’s affection to the musical beginnings of house. this ties in nicely with the ep closer »just a skip« which reminisces over the sound of chicago. profound melodies, skillfully arranged vocal samples and a whole heap of soul suggest that michael melchner may just have produced a modern house classic. so again, just like on his first ep for cargo edition in may last year, michael melchner has managed to paint a musical portrait combining the present and the past into one classic moment.

a driving house groover peppered with some inspirtational vocal samples.. for fans of lindstroem and prins thomas

peppelino is here with his first hit release on patterns! with his fusing elements of funky techno and electro, peppelino has seen excellent reviews and response, with many tracks charting high in download sales, appearing on dj charts worldwide, played on radio stations and web casts. he has worked to spread his sound to other parts of the world, and with an increasing amount of tracks and remixes being signed, and a very busy 2009 ahead. funky beats and catchy samples do the trick! lets go crazy on the dancefloor!!

on >respect yourself< ron keeps things deep with fuzzy vocal samples and sonic washes that make you just feel good. the chant and conga rhythms pop out of the mix and keep things moving. you also get the dub that gives you space to play with followed by a beat track w/no vocals

244 km!! thats the distance between berlin and hamburg. this is what hauke freer and matthias reiling do as often as possible to visit each others studios and start fighting over bass lines and kick drums. after some top notch releases on the real soon and morris audio record labels we are very pleased to welcome a four tracker from the duo at hairy claw hq. the boys open up the ep with swashbuckler, hypnotic, minimal grooves with snatches of percussion and spun in samples. very go round carries on the minimal grooves but juxtaposes jazzy snatches and wonky stabs. foot the bill introduces tribal rhythms and samples, whilst drum fest black betty rounds things off with a percussive and left field slant. a varied and impressive debut from hauke and matthias on hairy claw.

new big boomb by tognarelli & bertani. mixes by amorhouse, kris mafia and fennel! includes samples from the famous 80s yello track the race!

schliessfach musik is a new techno label in berlin / germany. as a sublabel from zylinder records the first 10inch maxi single limited to 1000 pcs is comig out. the track >fundamente< on side a was created by the label owner of zylinder records marco fender. clear structures and the variety of samples bound this track to a big club tune. the resident of club watergate (berlin) jens bond designed the track on side b using his modern minimal shuffle sounds made in berlin.

you cant fool me, david is the starting point for the new founded label called what! what! records and especially for mike okay himself. the release is dominated by the interaction of electronic sounds and organic samples which, as a unit, builds up a sporty groove hilariously. the package is completed by fat remixes of tom deluxx, the sexinvaders and silkersoft.

bosconi is back with his third release featuring the naughty quitèfrut guys, label boss fabio della torre and his parisian-berliner mate mattako. the orginal tracks are the spontaneous results of two afterhourmakingmusic studio sessions and what came out are two proper minimal kickass bass throbbers, dry but fat dj-tool house that take inspiration from daniel bell, baby ford, zip and mike ink works. the production is concentrated on the use of analogue instruments that give the tracks a deep and warm feeling with an oldskool vibe. ?absoluca? is a trippy and hypnotic blend of tight and intricate grooves enriched by subliminal cinematic samples, tropical atmospheres and sinister male voices. special guest on bosconi this time are robsoul boss phil weeks and didier allyne under their p&d guise who drop out a very effective dance mania style remix of absoluca, a dancefloor smasher tool that goes straight to the point, strongs 909 kicks and aggressive hi hats those take you back to the chicago warehouse party time, and we think ron hardy wont have disappointed this at all !! last track called at some point? is a deep driving techno track that open your senses, the groove is detroity and the sounds of synths draw into your brain and don?t let go. open your mind to the sounds of nature!!

twenty nine, originally being released three years ago, now coming in an updated 2009 mix by mr. broom. extreme significant signals and hideous voice samples embedded in a stunning hypnotic groove will transform every clubs peak time into a roller coaster of euphoria

winter here and cold sounds also, this time warm up engine s drivers are grovskopa and agony forces, joined in remix duties by label s boss oscar mulero. grovskopa ignites the flame on b side with jauhar, and industrialized piece of dark techno with an analogue bassline as a starring ,resting on top of an abstract and metallic beat, salted with hypnotic vocal samples and atmospheres. a peak time weapon for the hard ones. closing b side oramics by agony forces investigate in the same field, nearly industrial beats, crunchy and dark, sinewave sequences, fat bassdrums and again an hypnotic and lisergic feel. as the the track goes on, pads and synth atmos do the job adding a mellow edge to the dark side. alone on a side, oscar mulero s rework of jauhar is pure floor action, substracting atmospheres and focusing on rythms and beats. giving a straight ahead approach to the original. electronic body music for the 21st century.

speedcore 4 tracker!! includes scratch samples...

1999 classic!! do you want contains samples from mfsbs the zip and west street mobs ooh baby!!

september 2008, nima gorji is spending 1 month at the house of his friend babalow baba ifa leri oma in ibiza. in cuban santeria, a babalow is the father of secrets, a shaman, a spiritual guide. the philosophy of ifa was brought by the slaves from afrika, especially nigeria, to the caribbean islands. it became santeria in cuba, vodoo in haiti, condomble in brasil. the yoruba language is used in the santerias books and the ceremonies as chants. nima assisted to some ceremonies where the babalow is cleaning somones soul, energy, or aura, and establish a direct conection with a special energy called orisha. each orisha has specific attributes like a color, tools, beads, and various patterns of percussion rhythm. nima is listening to all these beats coming directly from cuba, he samples some parts, and produces a new ep : azul y verde. we are blue is a tribute to yemaya, the mother of the sea. she represents maternity, fertility, and life on earth in general. her color is blue and her number 7. the chant is performed by lazaro ross a cuban artist who died in 2005. lazaro was a legendary akpwon, or lead singer in the yoruba tradition. warriors is a tribute to oggun, another main orisha. he represents the force and the work of human kind. he is working with metal, and he always carry a knife. his color is green and his number is 3.

limited repress! banging 4 tracker produced by french no.1 female hardcore dj. contains samples from the movie >irreversible<.

a groove grinding disco house tune that will fill any floors!!! proper filtered house style!!! samples a very rare italo disco record! grab it now, its limited!!!

played & supported by markus kavka, phil weeks, stephan bodzin, tim green, perc, alex bau, gianni vitello, greg delon, koen groeneveld, dole & kom and many more!karateklub no. 30!!! tastiest and sweetest things in here! jenn brings along some sugary tracks with melting vocal samples and many opportunities for getting enjoyed. her candy bag is filled up with amazing minimal techhouse grooves. a little taste experience in any case. somebody here who can drop a miraculously pan-coat on it? yes! mike wall dished the candy up with his excellent remix and finally makes ervery mouth watering. candy store – open 24 h

wabernde basslinien treffen auf reduzierte claps und kicks, und bouncen mit smart eingesetzten samples um die wette. >my shit is on< ist ein ordentlicher dancefloor happen, der mit seiner b-boy-attitüde bewusst an die achtziger angelehnt ist und den spassfaktor des hiphop in den vordergrund stellt

opening with orchestral provenance usual alternative has all the epic presence of a lord of the rings re enactment society annual dance and dinner. working up to the drop with classical samples before hitting with one of the heaviest basslines we ve heard all year (alright, its only january, thats not the point...).

oblios smooth sound and spacious pads fit perfect in to the so called balearic vibe. if you are not in a rush and have a moment to listen, you will enjoy the typical oblio melodies and chord progressions. like all oblio songs there is lots of synth and arpeggios and no samples.

aroma goes into its 11th year of bringing you quality house music from europe and for the first release of the year we have the honor bring you a brand new 3 tracker from little man big called holy smoke ep. the man behind this project is no one other then gavin belton who is also half of the littlemen. so knowing this you certainly know you are up to some great deep funky house music from the heart of nottingham and opening track shine is bulls eye straight away as this track wont fail on any serious dance floor, guaranteed! both other cuts monastic and thumper play in a genius way around with some amazing vocal samples that make it impossible to stand still and irresistible to not dance to! great start for the new year with this triple a side ep!

new massive link release, with his particular and wellknown house & sax sound, this time using samples from mamakossa... a future hit!!!!