it has been a while coming and here it finally is: chasing unicorns inaugural record. courtesy of howsons groove and backed with biiig remixes from fybe:one and arkist.

deafaid is a small independent record label and starts here with his first vinyl. with deaf-aid, the hearing impaired people are also able to perceive sound waves from their environments, which are mapped as speech or music in their open minded brains. they translated these sound waves into music and bring them to >deaf ears< with the help of yet unknown ghosts and their machines. the true beauty lies in the artists microcosm. incl tracks by giriu dvasios, ohmikron, drykruand slownoise

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

luaka bop will release william onyeabor - what?!, for which the label partnered with moog to commission remixes and covers of the remarkably elusive african electronic artist william onyeabor, on 2lp vinyl for record store day, april 19. the collection features reworkings of world psychedelic classics 5: who is william onyeabor?, one of the most critically acclaimed albums of 2013. in the absence of participation from onyeabor, who long ago turned his back on music, luaka bop continues to engage other artists to create work, inspired by onyeabor, in various mediums. william onyeabor - what?! opens with hot chips cover of the onyeabor landmark *atomic bomb* and also includes jd twitchs (optimo) cover of *why go to war?*.

um den record store day 2014 zu feiern, präsentiert bbe zwei vorher unreleaste juwelen, geremixt von glasgows antwort auf walter gibbons, al kent. *when did you stop* von the js wurde sträflicherweise übersehen nach dem eigetnlichen release 1977 - mit ausnahme einiger dancefloors im norden englands. gleichzeitig war sandy barbers *i think i ll do some stepping on my own* ein großer hit, der allerdings keinen großartigen kommerziellen erfolg verbuchen konnte.

limited record store day 2014 release! etched 12inch - exclusive rsd remix white label in a paper sleeve with holes + basic sticker on the front (artist + title + cat + legal notice + barcode)

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

adrian niculae is pleased to announce his second release under his own motif imprint. electrip ep comes with two tracks, revealing again his own typical approach to micro house. a smooth bass line with melodic synths on side a merged with a groovy, percussive track with a taste of acid on side b. another excellent work coming from romania, 180gr quality record with full artwork.

arma label announces its eighth release. san propers pet=master ep is the second extended play record in a row produced by the label in year 2014.

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

pedro vian is pettres new alter ego (hivern discs) and half of the duo aster (hivern discs / mathematics recordings). after releasing several tarcks in different record labels and sharing his dj sets around europe, pedro vian launches his own platform with the purpose to promote new coming artists and publish his most intimate productions. under the brand name. modern obscure music he will present his first release in mid april 2014 in an analog format.

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

this is the first full-ep from denmarks erosion flow aka henrik koefed having made his first appearance on wax at the end of 2013 with his his spaced-out edit of nexts too close. this record, manmakemusics first release of 2014, pitches the breadth of koefods sound-running swinging, gritty house against grime-infused 4/4 and off beat electronica. this ep shows the damage that erosion flow can do!

while some of you might think of planet rhythm as one of those old labels from back in the day, it may not necessarily be the correct judgement. not only is it a product of its past achievements, but it is also pushing things forward in the present time, with woo york being one of a few new artists emerging from the imprints recent catalogue. that said, 2014 starts with ukrainian duo taking over planet rhythm headquarters as the labels proprietors and getting in charge of all of its future development. first out of press is the duos own ep highlighting their shift towards brand new, hardware-driven studio setup. from abstract tb-303-ish structures of acid rain, through the building peaks of analogue swamp, a perfect example of stripping functional techno, to come closers uplifting trance-y melodies and the closing sequence of strobe 1, this record is shaping up to be woo yorks strongest release to date.

the story behind this record begins in 2004 on newbury street in boston massachusetts. juice belushi founding member paul foley is dressed head to toe in 80s regalia, including vest, fingerless leather gloves, fedora and chain connecting nose-ring to ear pierce. its like a scene out of michael jacksons bad, minus the dancing. at his feet is a boom box blasting freestyle and 80s electro-funk, hes handing out mix cds. needless to say we were intrigued!

no needs to introduce house legend chez damier, outstanding guest for this special release. after a fruitful collaboration with siler & dima on balance, they decided to continue the adventure working on a new and more developed project. french connection is the meeting of chez damier and his new disciples siler & dima and the talented new comer thomas zander, orchestrated by chez damiers willingness to transmit and share his unique experience. the idea is also to create a musical bridge between popcorn records and balance us, chez damiers record label. starting from a mutual musical basis in order to create an original and a club version each, popcorn records presents the fruit of this second collaboration before a special vinyl dedicated to remixes, to come on balance

(double vinyl + cd) the dutch dj and producers first record as tripeo arrived in 2012, and the moniker became an outlet for a more direct side of his techno sound. anipintiros, features eight tracks of purist techno. early support from blawan, rodhad

sequencias number 10 should give anyone unfamiliar with the label a good idea of what we are about. three very different artists have given us three very different tracks—collectively forming a sort of manifesto. experimentation, rhythm and reflection are all given equal weight on this record. as with everything we present, it is all in the service of expressing the flawed and the human.

for nearly a decade, tycho has been known as the musical alias of scott hansen, but with the release of awake – his second lp for ghostly international – the solo project has evolved into a three-piece band. relating closer to post-rock than ambient soundscapes, the record is situated in the present, sounding more like hansen than drawing from his influences. this is, in many ways, the first true tycho record.
the vinyl lp comes with download code.

for its inaugural release, spring theory has tapped san francisco producer avalon emerson for a three-track ep. its called church of somawhich, before you get any funny ideas about huxlean wonder drugs, is actually a reference to san franciscos industrial south of market district, which has been an epicenter for dance music since time immemorial. the record pays homage to her long nights spent dancing and djing in one particularly loved soma warehouse.

shadi megallaa, taimur agha and fahad haider are the 3 wise men behind the second ark of ashes self-titled release. untitled is the deeper cut on their debut 3 track ep, whereas eleven eleven and streets of hope are more big room oriented. ark to ashes is a record label conceived in brooklyn, realized in abu dhabi & fantasizes about the universe. it was founded in 2013 by shadi megallaa.

>emmanuel first release on arts had a strong impact on me, i had the feeling it was the kind of record that djs like to keep in their record box in order to use as a turning point in their set. we got in contact and after hearing a few demos, and exchanging emails, he produced this record especially for deeply rooted. i hope youll enjoy it as much as i do!< dj deep

superb little discovery, first record from i.n.d. from paris, bringing a tribe oldschool feeling in the ptit gris style, with a pinch of oriental sample and a solid 175 bpm. b side stands a mental acid techno tribe tune, sweet dancefloor sound. cut at final tweek for a loud clean sound.

beyond plastic is a mixtape in book format about artists and vinyl labels that press music on »black gold«. it does not only trace the various processes entailed in the making of a record – from sound-production to the pressing plant and beyond – but also seeks to depict the blood, sweat and tears that goes into it.
the book includes interviews and articles of 60hertz, smallville, liebe*detail, pingipung, acker records, decks.de, de:bug, giegling, brothers in love, dubplates & mastering, aim vinyl, fauxpas musik, oye records, ortloff, kann, rand muzik, uncanny valley, freude am tanzen and workshop.
– edited and designed by alex ketzer (www.alexketzer.com)
– 288 pages, format a5 (210 x 148 mm)
– 19 extensive interviews
– 250+ pictures (coloured & b/w)
– 300+ cross references, accessible via short urls
– including audio-cd with tracks by the interviewee
– printed by gallery print
– isbn 978-3-00-043687-1

we will use this opportunity to pressnt you the new record label tit0 (tit zero recordings) by serbias famous dj and producer dejan milicevic.

the new metronomy album, love letters, has a title that speaks volumes about sensations and modes of communication, about things that have always been there, and will always be here. its no coincidence either. this is a record that wants to be timeless. in its execution, love letters tries to do fresh things in an old-fashioned way. it takes richer methods of recording and injects them with the shock of the new of tight electronics, and experiments in sound. it does so not to be retro, but to embrace the quality standards of the past. it also aims to be up there with the greats, reaching for those old stars.

the first release on our brazil 45s imprint. 1000 press, packaged in brazil 45s house bags.
*deixa eu dizer* is an absolute essential brazilian record, as sampled by marcelo d2 on one of our favourite brazilian hip hop records *desafabo*. the track features on her stunning album of the same name has never been released on 7 inch.
cizinhas track was originally released on rozenblit and has been a firm favourite of ours for a while, although we know nothing about the track.

telrae tracks is a sub label of telrae. the first record comes by van bonn who has recorded two tracks.
the a-side *on land* has the continuous mode character of early monolake music and conveys a powerful and intense feeling coming in waves.
*wave* on the flip side is a ghost track without any redundant sounds. no stunts just sounds that unite at certain outskirts to create a slight psychedelic experience. when the track stops you fall deep, because it is also a soundtrack.

130 limited is a new born label, downtempo techno down to 130 bpm, inroducing the first record from nico pluto, from brittany. 2 solid electro tekhouse tunes, trippy and progressive. loud sound 45 rpm mastered and cut by shane the cutter!

stompin at the savoy – live (1983) was a major commercial success for rufus and chaka khan, reaching #4 on billboards r&b albums charts. this double-record set features three sides of live material recorded over multiple dates at the savoy theatre in new york. the band stunned packed audiences with an energetic set of old favorites and new material, such as *tell me something good*, *you got the love*, *sweet thing*, *at midnight (my love will lift you up)*, and *do you love what you feel* as well as *what cha gonna do for me* from khans 1981 solo album of the same name. the d-side includes four new studio recordings of which two were released as singles, *aint nobody* and *one million kisses*. *aint nobody* became rufus final #1 r&b hit and won them a grammy award for best r&b performance by a duo or group with vocal in 1984. the song was featured in the movie breakin and its soundtrack.
pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

boozoo bajou are now sitting in the 12th year since they put out their first record. now the duo drop the record of their career with their new album *4* on the legendary r&s sister label, apollo records.

re issue of the first kms release by juan atkins & kevin saunderson under their kreem production alias. originally first penned in 1986 this is one of the first detroit classics of the time. remastered in 2014 and pressed in original 1987 artwork. a must have for your record collection.

rising concern dan shake has achieved what no other has in over a decade: with his debut release in the music world, he has become the very first producer without a detroit heritage or residency to land a release on moodymanns prestigious record label mahogani music. based in london, the former leeds student secured the feat in a charmingly anachronistic fashion: having just watched kenny dixon jr perform alongside the 3 chairs at dimensions festival, dan simply handed over a demo cd with a collection of unreleased tracks. moodymann was hooked almost instantantly, taking the first plunge on welcoming an outsider into his tight-knit crew of detroit strong artists. citing influence from the layered percussive rhythms of afrobeat pioneers such as tony allen and fela kuti, the soul-drenched sampling of j dilla and the kind of dark, dense grooves laid out by contemporary producers such as flying lotus and motor city drum ensemble, dans situation in winding up on a label renowned for encompassing all those traits is obviously a blessing for the young producer.

this reissue comprises the entire 1991 matter lp, as well a bonus 7inch record containing 2 tracks never before released on vinyl. all songs on >matter< were recorded and mixed by tobias freund (pink elln). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the vinyl is housed in a jacket featuring the photographic traces of a high-energy photon hitting a proton. each lp includes a 2-sided insert with original album reviews, press clippings, liner notes by atom and photos.

following on from killawatts bring down the walls ep at the tail end of last year osiris music continues to expand their sonic boundaries as they move in 2014, with their first release of the year coming in the form of sleepers simulation theory ep. experimenting for the very first time with fm synthesis, the ep features seven tracks of thunderous production the majority of sounds for which sleeper drew from a mere four oscillators in a bid to recalibrate his production skills. the resulting record is far more than the sum of its component parts and, save for the skulking, static soaked tension of meth, moves with relentless force and purpose throughout.the simulation theory ep sees sleeper taking his already deft grasp of both dubstep and techno production and fusing them to a body of pummelling forward momentum perfectly suited to set osiris music off on what promises to be a bold and progressive year.

ressurrecting the decrepit corpse of american music, the production #god# everyone has been waiting for to help break free from the mental slavery imposed on you by bullshit record labels and djs with no fucking clue.

fontarrians debut effort for berlin-based label antime offers a glimpse into a fragile yet eclectic spectrum consisting of loopy vocal bits, slowly unwinding washes of dream like ambience, distinctively (s)tumbling almost jazzy percussions and an ever-present, blissful warmth. the latter emanates from and sucks you into what seems to be a world of its own. like a lo-fi attempt at capturing momentary twists of the heart through 10 significantly diverse tracks - imperfect nonetheless - the album feels like a mixtape you ve set out to record for someone special, but somehow never got around to.

nice price deal !!! alexey volkov who returns to the label with his interwave ep, comprising 4 killer tracks. known for his releases on planete rouge, this producer started his career in northwestern russia ( saint petersburg) in 1997 as a local underground techno dj, enthusiastic record collector and music experimenter. volkov takes much of his inspiration from early synthesizer music and the industrial music scene, as well as artist such as daniel miller, chrislo haas. he also taken inspiration from 80s ebm and new / synth/ dark wave scene from belgium, france and germany. as well as planete rouge, he has also recently released music on semantica. his interwave ep is dark, raw and full of character.

the infameous edit of -savage skeelo- was first released on a canadian various artists record, back in 2006. it got broad recognition among the highest echelons of djing.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

second release of the french label dance around 88. all tracks recorded live machines. vinyl only. the old fashioned guy. ringard in french, find his inspiration in several styles : between acid house, old school raw house, deep house and deep techno. his productions, reflect of 10 years collecting vinyls, are made only with the spontaneity of a live act >one shot< on machines. owner of dance around 88, his aim is to propose a label where you can find different flavors on the same record. let there be house!

limited to 200 copies!
william durant iii is the studio project of lucretio, steve murphy and the legendary dj octopus. together with caio (muscle records) they have released the infamous underground ep *the dove ultimatum* on vae victis records with the pseudonym of durant. they produce their music in the brenta studios only with machines and recording on tape just the first take. together with caio, madì grey and chevel they have founded the independent record label muscle records to promote and spread the sound of brenta, the river which run through the little towns from where they come from, in the venetic swamp.

wild oats is proud to present jay daniels karmatic equations ep. this is his second release, the first being *scorpio rising* out on sound signature. although a newcomer, jay is already known for his rhythmic vigor and twangy synth leads. starting out as just a dj, jay has seamlessly made his way into production, he is a natural and already being praised by some of the best in detroit. the 5 track ep comes as double-vinyl and outfitted in a full color reverse board record sleeve and full color center labels.

tip! past, present and future! mr templar?? svek? the persuader?? jesper dahlback?? we think this record dont need a lot of words. just be fast to get your hands on this amazing series! shrinked.

adam x was very much deep in it in 92: 23 years in the record-releasing game and counting to be exact. could be longer, as thats just going by his discography. founder of sonic groove, also known as traversable wormhole & amdx-71. its enough to know that the man is still seriously killing it, and this is absolutely no exception: acidic, metallic, raw and driving techno for the true heads.

moj001 delivers to you five tracks from little nobody which fascinatingly branch through diverse genres and influences which here, on the one record alone, manage to represent this artists wide variety as well as nicolas. judging from this artists extensive bio, since hes delved through techno, idm, hip hop, jazz, disco, electro, etc, the wide-spectrum approach becomes evident. like many artists from the 1990s, little nobody brings with him the healthy baggage of music with a message, polemic subjects, thoughts, ideas, humor, you name it. this comes as an aural statement: music has the power to challenge us, the way in which we perceive the world, and points out things which could potentially generate change for the better — if we only stopped and considered looking that much deeper. so this record couldnt come at a better time, a period in which we live where everything is disposable and a numbed societys music attempts to reach out for our consciousness — posing for us the opportunity to stop and think.

gravitas, talib kwelis sixth solo album, began to take shape in may, during the weeks following the release of kwelis fifth solo album, prisoner of conscious. loaded with guests, prisoner of conscious was well received and reviewed, and gained talib many new fans to add to his already large following. however, kweli soon found himself wanting to record more personal material and really document his journey thru music. when singer ryan leslie, who created the platform that kweli is using to sell gravitas, approached him with the idea of selling direct to fan, songs that were just rough ideas began to fully form in kwelis head.

lets enter the year with a very precious record for us and on which we rely to make inroads in your hearts too. its a 12inch limited edition, 300 numbered copies