limited edition super loud double vinyl, part 2 of 2.
the music on this two volumes of 2x12 lp features tracks that were the soundtrack to voguing, the dance style that erupted in new york city between 1988–1995.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

brooklyns own lets play house returns with its first release of the new year: a couple of original house jams by chicken lips dean meredith—here teaming up with fellow londoners ben shenton and tim silver—and a couple of remixes, courtesy of the mysterious house maven chicago damn and production guru brennan green. as usual, the party-starters behind lph (jacques renault from runaway and on the prowl, editor nik mercer, and tobs james friedman) have assembled a four-track 12 inch fit to be played at their biweekly ragers as well as any other dancefloor hungry for something a little unexpected.

jay shepheards retrofit imprint reaches its seventh release with this fine ep of old school sounds with an undeniably modern feel. >hefty done me right< begins proceedings with a house-disco hybrid sporting a particularly meaty analogue bassline, 80s electro vocal samples and shimmering pop synths, while >the electric model< marries a distinctly kraftwerk-esque motorik vibe with balearic disco sweeps and horns. on the flip, >one night in puzon< opens with a tense rising string line, broken with a crystalline piano mosaic and deep squelching bass. finally, tw closes proceedings with his own dub take on >hefty done me right<, amping up the electro feel of the original with an mpc cut-up style reworking filled with heavy vocal samples and rolling piano stabs, transplanting the original from its italian roots to 80s harlem.

london-based deep house label ornate music come through with another gem in the shape of the latest ep from dubbyman, filled with robust, beatdown grooves. the ep opens with >time & sensibility<, creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >kirigi is coming<, meanwhile, showcases dubbymans excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. finally >uuuuhhhh!!!!< closes the ep with its breathy intro and low slung filtered grooves combining with bubbling laser sound effect

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

first copies only via decks.de !!! recore records return with its third release, >death of a musicbox ep<, compliments of oli furness - an artist who has been steadily releasing his 90s infused house tracks on various uk labels over the past few years and developed a refined, mature style of production that draws on classic house and garage tropes

with davidchristoph we have a fresh, fulminant dj battle, which stands for extravagant work behind the decks! feasting up to the point of ecstasy, dancing in great profusion and music that forces you to move your body, are just 3 maxims they act on. for patterns the boys show their diversity in styles, resulting in a more subttle techno style than you might know patterns for, but for sure this is an effective piece of vinyl! perfect dancefloor material.

the launch of a new electronic dance label based on the same ethos as their legendary club nights. electro elvis & lula give you…. wang trax. the first release is by long time resident radioactive man. wang trax will be staying true to there underground roots as all output will be released on vinyl as well as digitally we hope you enjoy listening to music as much as we have had finding it! laurent garnier (dj various) >electro at its best!! full radio & club support from me< billy nasty: >great ep from mr tenniswood showing exactly why he is the number 1 machine funk specialist.< freq nasty: >love it! im very happy real electro is coming back and r.a.m. is the don.<

ltd to 100 copies! maximal 1 copy per customer / maximal 1 exemplar pro kunde!! super solid 12inch single from sex tags manias dj sotofett - excellent 45rpm uk-style cut and pressing. full side is ultra bouncy, see: tropical house take on mid-80s instr. lovers rock with metallic and dreamy synth break down . flip side starts with crispy tr-909 hip-hop (feat. don papa on organ and dynamo dreesen on efx), last out is a psychedelic afro-house track with a marvelous flute solo.

lime dubs returns with a really sharp ep by brazilian alex mind. the power of the release lies in the electronic but yet melodic style consisting of bright synths and basses all perfectly coming together on 3 very strong and well produced tracks.

space ranger is back on patrol. moving house and a peaktime affair plus a couple of remixes coming from moscow and barcelona. this is a hell of a 12 inch! another set of remixes (the last one) off of their stunning debut album >what about the magnetic fields?<. this time its moscovians lipelis & simple symmetry from the super hip pompeya who team up for an el debarge-style cosmic funk-pop affair, while barcelona resident barbena takes things the deep-house way. you also get the original and house monster >music< in the package. it doesnt get much better than this.

a mind focused in the future in every sense, characterized by a high sense of professionally. these are maybe the best words to describe nico lahs, young musician of worldwides underground music scene. its the tale of a child full of dreams, a tale about his love for drums grew up til today, becoming a true complete symbiosis with music at 360°. nicos figure is complex like a puzzle, the result of a youth written by experiences and extremes hardly recognizable in common places. behind his deep expression he hides at one side the charm of a party animal and on the other side the perfect accuracy of the pure musician, all features that leave, in a way or another, an unforgettable sign in every person who gets in contact with him. with a so particular personality and a always strong desire of freshness nico is able to transformevery performance, every set in every contest, unique in its own way. today his music is appreciated and supported by the biggest professionists and lovers of the international underground scene: a clear sign that the role of this musician in the futures global panorama will be as an absolute protagonist.

for the final of a season that was once again exploring the limits of party culture, maetrik celebrated an extraordinary energetic state of emergency for more than one hour. the resulting live cd is reflecting that matchless mixture of pumping deep house, energetic soul and adrenaline-enriched noise that maetrik presented already on such renowned labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform

truncates 4th release with more raw, energetic warehouse style tracks with remixes from drumcell (droid behavior) and mike gervais (timefog).

the time has come to welcome jacob korn from the uncanny valley in dresden to the mild pitch camp.weve been eager to work out an ep with jacob since his amazing live appearance at our labels first anniversary party in 2010 and at last,it is here!expect the funkiest ghost train ride ever,accompanied by remixes from funfair operators manuel tur & langenberg.we just love it.

xosar release featuring a blend of deep detroit-style techno and leftfield ghost house, two originals and two remixes by legowelt. tip!

mrsk on skudge! their fellow swede and long time friend drops his debut on the label and smashes it! tip! the label say: in time, skudge releases the second and rugged release on skudge presents. mrsk does things in his own style, where stripped, waveish sounds builds onto each other.

alland byallo gained global attention producing for definitive labels like poker flat and liebedetail, hosting san francisco s legendary kontrol party and performing at world-famous venues like berlin s panoramabar and watergate, and detroit s annual demf, byallo looks forward to showcasing his more private side through bad animal, expect more organic productions, vocals and raw emotion.
the label s intimate feel is realized in the title track of its inaugural release, >thirsty eyes< an evocative song about a pained, passive aggressive young woman who is oblivious of her own condition. built upon a sinister bass line and raw, soul-drenched vocal, this lo-fi tune builds to an eerie yet frenzied crescendo then explodes into a percussive workout perfect for peak time. remixes from the wildly in-demand techno trio dop. dop drops a spacey, acid-laced, psychedelic monster. finally >open windows< byallo s other original piece, pays homage to the past with a look towards the future, this bass-heavy techno/house tune opens with an old-school build-up then chugs along accented by an ethereal vocal and energetic stabs designed to get the dance floor moving.

apartment records 2nd release comes from irelands analogue-obsessed soul assassins, tr one. on the a-side, drum dance is a fusion of beatdown with a minimal techno aesthetic, creating a hypnotic journey through the duos machines. the b-side serves up 2 alternative takes. john heckles debut remix takes a heaving, lo-fi approach to the originals drums while layering it with wistful synths, before juju & jordashs dub version closes off proceedings in their inimitable style, expansive yet claustrophobic at the one time.

art department are back on the mothership crosstown to kick off 2012 in lurid style with a slice of slow burning, chugging disco-tech and pendulum beats in new single >touch you gently<. the b-side is taken care of with a powerful brenann green rework of >tell me why<, from the much lauded album >the drawing board<.

in classic wolf + lamb records style, the label family revisits the warm and enthralling productions that make up not so lonely ep from the formidable duo lonely c (charles levine, half of soul clap) & baby prince (the lamb half of wolf + lamb). tanner ross, fresh from his highly sought after no.19 release >b side / 4 u< returns home with a remix of >i remember those days< another trademark bass led dancefloor destroyer with softly sung male vocals from charles levine aka lonely c.

the last record in wunderkind gerry reads trilogy of 12 inches arrives to round off the first stellar year for fourth wave. all by myself carelessly builds and chops through a dusty loop and brooding male vocal, like a inebriated bum woozily recalling all but forgotten nights dancing at the music box in the early 80s. continuing on the chicago theme, gerry cracks out a jazzy sample and clipped vocals on what a mess blending in his own unique style the unlikely bedfellows of disco house and drone. drone disco house, anybody?

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

simply a streak of creative energy: in fall 2010, the swiss 8-piece funk-orchestra gmf - grand mothers funck released their 7-track ep >gmf feat. akil the mc<, limited edition on vinyl only, which was sent to selected djs all around the world. in 2011, gmf completed their full-length cd-album >the proud egyptian< (ch: sony music/ internat.: glm-impulso) and toured excessively with their special guest akil the mc (jurassic 5). meanwhile, their vinyl-ep was playing on turntables in england, germany and france and many remixes were being made?
breakbeat paradise recordings is now proud to present a brilliant collection of remixes by europes finest funk- and breakbeat-djs mr. confuse (d), breakbeat junkie (uk), zamali (b), farside (ch), kalumenos (ch) and last but not least: bbps own badboe (dk).

cmm va001 is the first out of a two part various artists ep release from this new & passionate uk based label whos aim is to introduce and showcase some of the first signings they made. the labels aim is to be a home for new and established producers/artists who can showcase their talents & be free to express their musical output without being labeled or pigeonholed to one style or vibe. simply put, music is the key not the genre.

following on from his massive cross genre hit >computation<, dismantle hits us again with his first release on terrain, n-types jungle influenced dubstep label. both tracks have been kept very exclusive, to keep the dubplate vibe alive.
broke: deep dark and dangerous, rolling breaks and tribal percussion alongside jungalist pads and thunderous bass. this one tears down the dance in the best way possible. dark, but energetic, a staple in n-type set.
times up: similar darkness but more steppy. this one hits you hard with tearing hoovers, powerful lfos and all the atmosphere from a 90s warehouse rave, in a 2011 style.
supported by n-type, hatcha, walsh, youngsta and benton

hot new upcoming priknitzkombinat! alle drei zusammen? eigentlich sind es 4 musikschaffende, die sich in form von 3 acts auf der neuen prignitzkombinat vereinen. allen voran kenny lane, der mit seinen tracks bereits international für aufsehen sorgte. insbesondere in frankreich ist er nach seiner veröffentlichung auf dem label fragil kein unbekannter mehr. unser french-mann kenny steuert mit >disjacked< einen groovigen pianotrack bei. das producerduo und liveesemble tswitscha & knarxx hofft mit >rise of the spring< auf den nächsten frühling. mit gefühlvollen klängen halten die beiden ausschau nach sonne und wärme, um uns über die kalte jahreszeit zu bringen. als dritter im bunde gibt es vom veteran des kombinats l60 mit >all that< einen retro angehauchten track im body work style auf unserer priko 004. wie ihr seht oder vielmehr auch hören könnt, gibt es eine facettenreiche mischung, die ein stück weit auch den musikalischen querschnitt unseres kombinats repräsentiert.

theshining are morgan zarate and acyde, a produc-tion/dj duo who decided to put the sum of their mu-sicianship and influences together. the result is hip-hop influenced beats, with sound-system inspired vo-cals, the sound of after hours, dark clubs and the morning after. heyyou is their first single, a glorious flash of psy-che style keys and hard hip-hop drums, with the un-forgettable chorus hey you…know you think youre a star, a much needed call to arms to stop posing and hit the dance-floor. tell me (im wrong) continues where heyyou lea-ves off, a glimpse into their dark side, with a stom-ping rhythm backed by a triumphant horn section: like a conversation between rick rubin & fela kuti

7 year old spaniard alberto pascual is the latest techno talent to be welcomed into the plus 8 fold with vertigo, his debut ep for the label. a skilled dj and live performer, pascual has been producing since 2004, with over 30 releases to his name, all of which pursue a direct and powerful techno style. its much the same on vertigo, the title track of this ep which hits loopy depths immediately. dramatic fx, crunchy hats and tension mounting hisses fill out the spaces between the beats, but the militant, marching groove never wavers. truchas rancias is more reserved: economical arrangements characterise the techno eeriness this time, forever hinting something is just around the corner but never quite showing you. final vinyl cut continuous learning is more unhinged, with swirling synths, dripping water sounds and shadowy voice sounds all coming together like classic plus 8 weaponry.

white rabbits giovanni damico is a house producer from italy. his style is hard to define as all tracks have their own original concept. it is the love for music that you can instantly hear in giovannis perception of house music. house music is dancemusic and the feel in the drums and use of samples make sure of that.

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

four stripped down, hypnotic tribal-cuts by harmonious thelonious aka stefan schwander of antonelli electr. fame. he perfectly describes his style as >american minimalists vs. african drumming vs. european sequencing<.

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

first part of the dekmantel anniversary series featuring two house tracks from juju & jordash and morphosis! to celebrate dekmantels five year anniversary, the amsterdam based label will release a compilation which features tracks from friends and artists who have performed at the successful dekmantel s parties. in a series of five eps the label presents the genres that they have become know for throughout the netherlands and beyond: quality house and techno in the tradition off all the good that came out of detroit and chicago when it comes to electronic music. both dutch and international producers are featured on this comprehensive compilation. the last part will be released in the last week of march as dekmantel then will celebrate their anniversary with a big party in amsterdam.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

lukes angers big set opening tune gets a release ! limited 10 inch format... after receiving huge feedback as an opener for lukes recent livesets, warble tone finally makes it onto wax! promos of warble tone have since been picked up and rinsed by across the board djs such as kanji kinetic, kid606, warlock, billy nasty, jerome hill, michael forshaw to name but a few. quaint samples of a english gentleman telling you how to set up your hi-fi equipment, juxtapose over a driving bassline, a tongue-in-cheek reference to the wobble bass so prolific in todays dance music. flip for the b-side and flooglebinder for some serious dirty bass-driven techno, anger-style! this one is for the big soundsystems, tried and tested!

ales boek alias alex long delivers yet another fine ep filled with four hot peak time techno-house tunes for the cold winter days to come! he sure loves his chords and stabbs and has turned his style into his distinctive sound, that can easily cross the bridge between techno and house! but once again let the music speak for itself!

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

after the first release result 001 from alex flatner / hermanez with remxes by christian burkhardt and leon the second release result002 is produced by olene kadar including a big markus fix remix oldeholtwolte – olene – kadar - these three exotic terms describe an extraordinary musician. olene kadar, who is also known as henk van zwol from oldeholtwolde, is an intriguing personality with a remarkable sense for music and hairstyle. in 2007 the young dutchman supplied the nightlife with a series of rocking live-sets in places like the sugar factory and studio 80 in amsterdam. he surprised many a friend and competitor and he has accomplished the fact of you reading his biography. thanks. anotable remark is that this outstanding man has shaped a huge passion for music and creativity. because of his a-typical way of performing he is seen as the most promising liveact of this moment. after an unequalled performance at studio 80 daniel mumbling sanchez already called him the dutch alphex twin coaxingly however, because this is not how henk sees himself. the next critic of his performance at the mos ferry party at the distillery in leipzig, had a more catchy description: chaotic, unconventional , freaky , flachen und minimale beats, verzerrungen, zahlreiche breaks, sublimierter wahnsinn!

far out recordings celebrate a funky south american christmas with the release of a special and very limited –, to just 100 sets worldwide –, edition heavyweight vinyl lp double pack from the labels two biggest artists azymuth & banda black rio. their albums were two of the records of the year in the latin / funk / dance / world market and here the perfect combination come together to party through the end of 2011 brazilian style. presented together for the first time this quality package of legendary artistsl, brilliant acclaimed new recordings and stunning reversible artwork (azymuth by andy votel and banda black rio by paul flack) will become highly sought-after as with far outs previous exclusive, limited five seven inch vinyl set for record store day.

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

true soul brings together two london based producers in ues and alex magno. having released and remixed as individuals, the destination house ep brings the two friends together with a double-header of choice house cuts. you can feel the warmth flooding from barbados.elegantly deep, its simple bassline throbs like a musical heartbeat as the rasping hi-hat pierce the ever-present blanket of the single note synth. destination house comes outta the oldschool. warm bass, crisp percussion and smooth key stabs are matched with a persuasive vocal sample and some downtown traffic to create a fresh cut that tips its hat to the past. stepping up on the remix is young dutch talent tom ruijg, who sets about polishing his own version of destination house in some style. adding a little more muscle and holding the keys till the final third, tom rounds out the ep in style.

soundway continue their journey into colombia with this limited edition 45 featuring two bolts of colombian dancefloor thunder. both songs were originally released on the legendary discos tropical label and are re-issued here for the first time out of south america.!side a features a version of the party standard ‘tequila’ by orquesta tropicana. blaring horns, hand claps and shouts for tequila combine for a latin dancefloor classic. side b is a version of the legendary fania salsa track ‘lluvia con nieve’ that was originally released in 1964 on the new york label. sonora tropical re-recorded the track for discos tropical and has remained unavailable outside of colombia until now.

studyman gives us his definition of minimal techno through decabarets third release. pushing forwards the standards set in the early 90s by some detroit pioneers studyman developed his own style that will stir things up on the dancefloor. four proper techno tools in the vein of robert hood and early jeff mills.

repress of ultra rare detroit electro record, including remixes by peanut butter wolf, maxmillion dunbar, steve summers and legowelt. heavy!
originally recorded in detroit, 1982 by the late danan potts a.k.a. superlife. at that time danan was hanging around the recording institute of detroit where juan atkins was training in production. danan was interested in atkins style of dance music and quickly recorded >go bananas<. bananas was released locally on southern sun records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

simpel, aber kraftvoll, kurz stürzt sich der schwer zu definierende musiker und performer tobi binär aka binär in kosmische soundgebilde. seine erste vinyl - lp >stern< verkörpert den langen und breiten musikalischen spektrumsweg. die person binär ist eng mit den schlag- und nicht schlafwörtern: absoluter schwung – statt halben sachen verbunden. der gebürtige weltenbürger hat in den vergangenen jahren seinen lebensmittelpunkt in wien gefunden und zeigt mit dieser gefundenen ruhe in der mixtur auf. die früheren vorgänger trotzen und überzeugten, aber gleichwohl durch den fast stetig gut gefassten klang. der neue träger birgt eine alleine mit den gut assoziierenden titeln >first party< und >the last party<, dass dazwischen ein neuer schwung durch >stern< zu erwarten ist. vielleicht am beginn ein wenig überraschend für eingefleischte binär fans, aber sicher ein grund stern zu erwerben.

the next release coming out of the roska camp is this smart vinyl-only followup to the roska allstars release. this second instalment brings more of the same versatile movements from some fantastic producers currently leading the way for upfront danceable material. main man roska signs up terror danjah to pull of a smart remix of his track >without it<. its somewhat of a guilty pleasure hearing both artists signature idents in one song, terror with his evil gremlin laugh and roska with his ubiquitous shout out! however its all about the arrangement here as terror reforms those original trumpet sounds and adds some heavy distorted bass. j:kenzo serves up >let it move< which is all out pure electro style with punchy drums and dirty synths, again lending to the surprising nature of this labels output. tickles completes the vinyl only package with >da growler<. drums are tougher than iron and bass harder than rock as tickles blends funky, dubstep and house into his own dance-floor destructive mould. all three records show a different side to the current uk bass and funky scene, yet they somehow could only belong on kicks & snares. a fine package for a burgeoning label.

wonderful remastered reissue of nancy martins >cant believe<, a deep italo/proto house cut from back in 1982 recorded by canadian producer domenic sciullo. featuring an awesome phat analogue italo-style bassline, great sexy vocals and an irresistible chugging groove that gets the floor bouncing, it became an anthem in the underground clubs of chicago, championed by the likes of frankie knuckles and ron hardy. released here on the original neige records label which features the full length long version of this killer and also the highly useful instrumental version. essential