crossing returns with cracking and dreamy techno from pfirter, avion, doka and stefan rein. the label from avion strikes with its 7th installment releasing a package of 4 new techno slices from different producers showing what crossing stands for. the release starts with ‘sut‘ a track from the argentinian producer pfirter which creates an outer atmosphere with its pad, surrounding percussions and space running frequencies carried by this straight deep bass drum. a beauty. avion doesn’t take any captives and kicks the floor with a never ending trip of industrial percussions, noises, a heavy drum and a groove that will grab and never leave you. an explosive killer. for doka time is running in a different way. his ‘mural‘ comes with a melancholic bassline and rhythmic drum work to bring this imaginery painting from the wall into notes. surreal but true techno. stefan rein is closing the release with a bang. the ‘amorphous material‘ will never get tired and brings with metallic snares, hats and rides a kick’in weapon which includes a synth pad that will give you a smile in every moment you hear it. a clear definition of techno and its madness.

the women break vases against the walls
and the men drink too much,
crawling in and out of beds.
alone with everybody,
we are all trapped.

hey everyone, dont be alarmed as we understand that you just heard of us a few weeks back. here we are again with another doobified doozie of a 12inch. from the furthest reaches of the canadian west coast comes a concoction by three well known faces that have a long history of working together, they prefer to remain anonymous for this 12inch for reasons beyond us. were not that good at keeping secrets and have a suspicion that you hear the rambling house that is emitted from this trio brings to your ears will recall something very familiar. johnny lumière and the triads, originally conceived as side characters of the adventures of t-bar and salary man cartoon (never published). the music was recorded during break intervals in the cartoon writing sessions (still seeking illustrator). file this under mystified house with a splash of sunshine. ps:weve been doing our own printed sleeves for the last few records from a really cool print house here in berlin. we think they look unique as they are a print/ fold out designed by our friend dave girard. people seem to be into them and figured we should say that as we are only doing limited runs of them.

over the mountains is segues second album on silent season, a follow up to pacifica which was released to much praise in 2013. over the mountains continues the course in true segue fashion with an album full of dubbed out atmospheric grooves and deep organic structures. the sound is consumed by nature—immense, enveloping nature in jordan sauers never-ending quest to capture the sublime. the record feels like a nostalgic dream swirling in melodies and buzzing with nature sounds. over the mountains is honourably another awe-inspiring album of lush landscapes by this canadian artist

büchsenöffner vol.2 – never spreiz a running system

her beauty too radiant to be beheld. stark and striking, at once an object of desire and lust. carved by the hand of a king, brought to life by the gods, hers is a story now captured in modern day ivory, vinyl. her image, one that embodies earth and heaven, now marries two worlds, eastern atmospherics and western aromatics. like the first glimpse of the fabled temptress, these first sounds of galatea will never to be forgotten.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we’ve seen his debut with the dancefloor bomb ‘akachi’ and a collaborative follow-up release with long-time cohorts red axes. we’re now excited to enter a new chapter with moscoman’s debut full-length album ‘a shot in the light’. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscoman’s unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place—thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. this music is deliberate, almost cheeky with a youthful sense of optimism running throughout, and even in its most aggressive moment there is always an element of hope.

repress - the original process of re-mixing records was intended to provide an alternative listening experience which had been optimized for people who went out to dance at discos. john was one of the early pioneers who loved music, understood his craft and had respect for the creative work from which his mixes were derived.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

&apos’s music veers between abstract, experimental compositions and more beat driven tracks, all held together by a defined aesthetic of sonic impurities and random patterns thrown up by algorithmic computations. in &apos’s music compositional decisions are not merely reliant on himself but also on a range of processes from constrained randomness to full fledged neural networks. that is to say, the ‘instruments’ he creates have -to a certain extent- a mind of their own. there will always be a dynamic between the musician and something else that triggers, proposes or decides what will happen to the music.it is exactly from this human-machine interaction that &apos extrapolates his musical ideas that are both intricate and detailed while never losing an overall sense of emotional value. his first solo project ‘lichtdrank’ is a selection of four tracks made during his time studying sonology at the hague’s royal conservatory and the time following. it is the third and final installment of bepotel s startuplabel trilogy. previously, he has released music together with walrus and sagat under several musical projects like smaakwaterval and bepotel. the artwork of the lichtdrank ep is based on screenshots from an interactive multiplayer video game where the musical universe of &apos can be explored.

five crispy cuts of dusty acid house and uk techno on the a-side featuring idm leaning bass and ambient on the b-side.

limited box set 3 x vinyl - 2 x dvd - 2 x cd - floppy disk (!!) - usb - biography - photos - postcards - stickers special remarks: never before seen for an electronic artist. complete discography of the past 25 years on usb, 3 x vinyl with all new remixes, cd greatest hits, cd live sets, dvd documentary, dvd animation film, bio, floppy disk w. samples from first track 1991 and much more ! tracklist: complete discography + new rmxs & unreleased material shortinfo: secret cinema has been making music for 25 years!

the ep entitled deceased unknown, a seemingly morbid piece of art (art/music) but look a little deeper! this ep sees b12 pick up the pace from their previous firescope release brokenunbroken “coduktor” an organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. a spiritual experience ? “dont look down” 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. don’t look down where is the question “blue and green capsule” a pumping kick drum sets the pace for this track which builds up using classic b12 style drums. the swirling pads and sliding melodies interlaced make this track reminiscent of “epillion” as featured on the classic b12 album “time tourist” on warp records in 1996. a track you can move your feet as well as your head to “minor decay” brain decay , world decay , urban decay , human decay , music decay, unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. a new hope finished in glorious red with black splatter vinyl with exclusive artwork by sarah sparkes

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

disparate producers with complimentary sounds, evil needle and sivey met in an online beat community 6 years ago and to this day have never met in real life. nonetheless, they present their first official ep, ‘constructive interference’, to the world. ‘constructive interference’ was created over the span of 3 years and embodies the unique soundscapes of each producer. evil needle, based in strasbourg france just on the border of germany pulls inspiration from traditional hip hop, neo-soul and trap music while seamlessly weaving in open synths and chunky chord progressions. manchester, uk-based sivey incorporates soulful beat-oriented music with what he calls “emotional highs and lows that are still musically stimulating” adding a beautifully uptempo sensibility.

harder acidic schranz techno

2lp+download ! in my room proudly presents fixion, the fourth full-length offering from anders trentemoller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

limited deluxe collectors edition 2lp,180g, gatefold with spot varnish+mp3 download+download bonus track rework! in my room proudly presents fixion, the fourth full-length offering from anders trentemoeller. with fixion, anders has crafted a logical successor to 2013s lost - a record that in many ways managed to truly capture the visceral live experience of trentemoeller as a full-band. in much the same manner that lost built on from the somber cinematic classic that was into the great wide yonder, fixion has embraced the danish artists trademark melancholy and matured it into something uniquely atmospheric and darkly romantic

two years after the release of his acclaimed debut ep on i m a cliche, jakarta s best kept secret is back on cosmo vitelli s imprint with four terrific original tracks. jonathan kusuma is a producer who has managed in the space of a few releases and remixes to develop a signature sound which mostly relies on taking disco and ebm elements and putting them in new and unexpected contexts, offering us a glimpse of what modern dance music would sound like if house and techno had never existed. narcotic, hedonistic, abstract and particularly efficient on the dancefloor, kusuma s music is always about quality and never about quantity and so we are particularly thrilled to share with the world the four new tracks that constitute this ep.

ben sun returns to delusions for his 4th release on the label including three more tracks which show the australian via london on his best form yet. full moon kicks off the tides ep at full throttle with a muscular conga-led disco house roller. slurping 909 hats and the most twisted of synth solos courtesy of regular collaborator fantastic man (and his beloved juno 60) provide the icing on this simple bass-cake which never fails to energize the dancefloor in the most special of ways. star ritual drops next, going heavy on the percussion once again for a minimal stripped back drum tool which packs a mighty punch. dubbed out vocal hits punctuate the beautifully loose groove with subtle hints of afrobeat implied by the bassline making for a warm summer track dripping with tropical vibes. finally we have glass waves bringing the ep to a glorious close, all chiming synths, bouncing moog bass and waves of chords layering on top of a heavy drum track. ben repping an early 90’s blissed out nu groove mood on this one and managing to sound as fresh as ever in the process

nothing lasts but nothing is lost – terence mckenna first solo ep by zanias after her keluar and linea aspera projects. this evolution culminates in a mature but radical project. radicalism has never relied completely on the means to deliver it. it also requires a relationship to society, to culture, at any given time. a solid background must be included in the formula as well. once certain stability is reached, there is no other way more than taking additional risks in order to produce new work of interest. finding different mechanisms to corrupt the methodical linearity that underlies artistic production. corrupting means finding possibilities to create an accident, possibilities to contradict, to prove anomalies within the frame of reference of that new thought is actually possible.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

lobster theremin finally welcome back one of the original lt fam, with imre kiss taking the reigns for a full on raw-power white label. with two lucid and hazy releases for lt in his wake, plus an excellent contribution to the proto sites catalogue, imre finally returns with a rough and overdriven in-the-dance ep of floor-crushing fire.

french stuff from masomenos for your turntable, we are never getting tired of the unmistakable sound straight from paris.

finish techno pioneer and dum records boss kimmo rapatti aka mono junk and melody boy 2000 is back with another fine ep of some of his greatest tracks. all three have been released before now, but never all together on the same ep. a1 sound stealer was released in 2007 under the melody boy 200 alias and since then has been hugely sought after, often fetching high prices on discogs. it is a high impact techno track with racing drums and chattery percussion that will take any floor by storm. a2 all alone, again as melody boy 2000, has only been released on cd before now, as part of a label compilation back in 2002. this one is deep and rubbery, spaced out and elastic and is full of moodiness and melody. both b-side tracks were written as mono junk and both were written in 1992. first up, apache acid came on vinyl own music man and is a face melting, hundred miler per hour banger with manic 303s buried within. finally, ‘beyond the darkness’ was a key early techno track to come from finland and has previously been released on dum010. says the artist of the track, “an ensoniq asr-10 arrived on the market and studio engineer perttu bought it right away, but i never liked to use sounds that someone else had made. we sampled the track’s bassline, strings and others from my jx-3p separately and mixed it all together.” the result is an atmospheric track with swirling pads, icy synths and form drums that will make people march, no doubt.

the label offers to the artists involved in the project the possibility to gather and experiment a unique sound setting. inside a large concrete silo, the sound endlessly twirl sand spins around. a narrow door made of cast iron gives access to this cylindrical space where everything is surrounded by a red glowing darkness.the sound experience is intro-spective and utterly physical.these moments of residenciesunfold as timeless wanderings within the circovonlutions of this vibratile space our first issue is the inauguration of different musicians matches, whom, so far, never had collaborated together.

from the leath-meister: the limited especial specials continues with 4 remixes of jaakko eino kalevi s dreamzone ep. featuring a heavy weight line up of tom noble, heatsick, peaking lights and vezurro, this is an all-bases-covered masterclass is taking jaakko s pop leanings and giving them some boogie, dub and italo sparkle. hot on the heels of the steaua de mare remixes comes 4 retakes of jaakko eino kalevi s idiosyncratic pop stylings. licensed from weird world records, this sees the multi-instrumentalists original dreamzone ep handed over for readjustment. the up, up boogie vibes of tom nobles calling card create his best remix to take. no fun maybe jaakko s ladies love hymn, but with tom s distinctive never ending bass and hats loops moving hips, a keys solo and vocal interplay ensure sublime perfection. next steven warwick s superb heatsick project implants his twisted casio-rawness in to jaakkos world, marrying memories ghostly vocals into a mix of afro-clipped beats and lo-fi melody that just fits. so happy to finally welcome in friends, family and inspiration, peaking lights in to the family. aaron and indra s uplifting dub love comes alive in this remix, with live bass grooves, vibing keys and jaakko s unique vocal riding-a-riddim all night long. to close up and coming vezurro return to no fun, providing an italo love ode that can only move hearts into a true rimini 84 summer affair. cant you see that i m dancing?

the grasso is greener in bologna: home to two of the most well-connected collectors in italy. suppliers to the likes of kenny dope, phil asher and dimitri, gino and federico have carved their crate craft to insane levels over the last 30+ years. as shown on this detailed, widescreen boogie, funk and disco collection for bbc.

the time has come for another artful something vinyl. influenced by strong orbital gravity forces, stl aka stephan laubner transmits deep and moody generated soundwaves once again from his headquarter place out into the world. these 12 inches are able to maneuver eventful emotional vibrations from out of morphic fields and active surroundings, steep surely and on-target, straight home and interior. with three dimension-bending tracks, this release lifts off and comes in queue with, and on top of the existing vast beauty of the something catalog - which in abstract channels actually and already can give soulfood possibly forever. svs29 continues to hold on functional proven techniques and sense-intensities and includes besides genuine new never heard reality checking digs, some well known rare energy loaded twists, remastered today. it shouldn’t be unmentioned that this vinyl comes in limited quantities, and as usual in good shape with an unmistakable drowned tonal aesthetic, that will resonate deep & low till the edge of imagination. with a far visionated flair and an awareness for primary instincts, something vinyl series 29 is taking you through the hatch of space and time in order to make you feel, dance and excite your sweeping senses. now please enjoy and groove in!

sensation/clear was phantasys momentous fiftieth release, and the first studio transmission from daniel avery since his acclaimed lp, drone logic. now, both tracks are remixed in distinctive fashion by two fellow outliers on the fringes of psychedelic, experimental techno. acclaimed producer and eaux records mastermind rrose commits a typically ambitious and sonically experimental redux to sensation. while retaining much of the originals hypnotic, almost celestial groove, its atmospherics are transformed into something altogether more alien and overwhelming, culminating in an epic yet utterly earned conclusion of visceral noise. abdulla rashim meanwhile guides the sound of clear into deeper territory still, engineering an initially unassuming remix that ultimately reveals layer upon layer of painstaking detail. polyrhythmic bass lines interlock expertly from the beginning, gradually unfolding while never relenting.

“sway”, a beautiful and groovy instrumental jazz-rock record, is the debut album by sante palumbo, a pianist who grew up musically in the northern italy jazz scene. his ‘bandmates’ - hugo heredia, sergio farina, marco ratti and lino liguori - make palumbo and his orchestra a real supergroup! never reissued on vinyl since its first release in 1973, its unique sound makes it a cult lp, deeply sought after by collectors all over the world. the vinyl release includes a cd-copy of the album.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we’ve seen his debut with the dancefloor bomb akachi and a collaborative follow-up release with long-time cohorts red axes. we’re now excited to enter a new chapter with moscoman’s debut full-length album a shot in the light. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscomans unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place, thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. mexican cola bottle baby is our lead single, an optimistic dancefloor-filler that rides a disco rhythm, full of odd-ball percussion, over a swollen house bassline as we’re lead through clusters of synthesized mating calls via infectious melodic whistling. if there is a tune that sums up our idea of summer, bright as a cloudless day yet thick as a tropical heat, and is as wacky as we are here, then this is it.

40th anniversary 2lp gatefold edition, features newly mixed outtakes from the jungle room sessions. engineered at the legendary sam phillips recording service in memphis, tennessee.

nice price deal !!! shaded records present the first chapter of a melancholy tale, together with artwork from the beautiful city of saint petersburg. apocalyptic techno brings us closer to a precipice - in the forms of a collective march. everybody has been aware of that movement towards an abyss, but shaded records whisper insistently that we have to move further - towards the drop. we simply must dance.listen to events in the background: wars are ongoing, gods fall from the sky, and markets collapse. nonetheless, the march goes on. this is techno from a frozen megapolis for those who are willing to surrender all hope - but will never do so.

folamour is the co-founder of moonrise hill material, lready released on fauxpas musik, d.ko records, luv dancin records. have been pushing sunny, soulful and housy wax and cds for few years now, all around france and else. equally influenced by french 90’s house, soul, gospel and hip-hop, folamours first release on noire & blanche sits in this great line of records you like to play at home or in the club.

nice price deal !!! this sampler offers you two brand new and unreleased tracks, from rauwkost and m.i.r.k.o., next to a track by jarett sennels, that has never been out on vinyl. no nonsense, just good music!

nice price deal !!! this sampler offers you two brand new and unreleased tracks, from rauwkost and m.i.r.k.o., next to a track by jarett sennels, that has never been out on vinyl. no nonsense, just good music!

welcome to the rocksteady sound from jamaica. towards the end of 1965 some say due to the extreme heatwave that was hitting the island the people that followed the sound system dances demanded a slower beat so they could still move and groove to the all night musical night affairs. so the jerky ska swing was slowed down to a steady beat that also allowed the songs cut at this time to shine throgh. so sit back and enjoy the tunes that rocked this islands between 1966-1968 the rocksteady sound that hit that town..

nice price deal !!! next phat 12 inch on smalltown supersound incl. ariel pink, oneohtrix point never, mark mcguire remixes!

nice price deal !!! from album opener >underground< the sonic spectrum unfolds over the ensuing 12 tracks to leave the listener in no doubt that this is the rawest and most direct record das pop have ever recorded. gone are the synthesizers and sequencers of previous albums, to be replaced with the simple sound of three musicians in a studio. as stephen daewale put it: theyre such a brilliant live band that we wanted to capture that on tape. so we literally just recorded them playing together in a room. and because theyre such good musicians and songwriters, the results sounded amazing.
includes full release on cd.

point of view welcomes a long time friend to the family, federico molinari delivering 2 wonderful cuts ready to be dropped this summer. on the a side we got a crazy, trippy melody perfect for the next after party you will never forget. the b side sees a funky-tech tune in pure molinari style.

the green moon rises over the freshly scorched post-apocalyptic earth, as one last droid emerges from the mass wreckage of the last crumpled city. that droid is neon x. snow bone returns to lt with another ferocious four-track ep, following on from his remote viewer ep, mystic vision black label and black patterns lp from last year. tape-driven techno never got it so hard.. this time driving the desk with stress-pelting rave alarms, scuffed & crunchin city-escape bass lines, scattered snare-morphed-into-laser modular experiments and hissed-up mix-downs to melt any and all sound systems.

nice price deal !!! 1982 disco album by trilark, released by ny based handshake records.

nice price deal !!! this new p recordings is going to be an absolute killer.. 2 famous producers, your never going to guess who touch this track in an incredible way. starting of with a minimal grooving rhythm, the track slowly builds and builds to a incredible dancefloor climax with vox and everything. in the break you will hear kylie doing whats shes best at. the flip side is a minimal impression of plastic dreams. another well known classic, touched by another of our favorite hot shot producers

nice price deal !!! meridian is a perfect example of dj 3000s evolution as a producer. the mark of a good producer is to never stop growing, once you do, you are condemned to making the same record over and over again and hoping no one notices. this record is the perfect marriage between the percussive staples of the motech sound, and a new lighter exploration of sound elements by dj 3000. >meridian< dares you to sit still while listening to it, or to stand on the wall if you are near a dance floor. its ability to make you dance as well as captivating your ear if you are sitting and listening illustrates the dynamic flexibility of the motech sound.

we keep things rolling right along on kolour ltd 10’s with a bit of a special one for us for volume 3.
ever since we heard never gonna leave you from leipzig boys m.ono & luvless - it was an instant classic. originally released on o*rs on 2012, and with the kind help of label owner filburt, we’re thrilled to be able to give this timeless tune a second platform in 2016 to shine once again.
on the flip, the boys come correct once again with losing memory - a fresh new joint that was again, love at first listen for us.

andrzej nowak is a polish early computer music composer who never found proper place in official contemporary music world. tracks produced between 1987 and 1994 as a score for never screened animation movies (the producer didn’t like them). lines of simple sounds, interrupted by primitive electronic trumpet and other fake instruments. are you sure it’s a film score? what was the thing that producer didn’t like? weird harmonies or too much rhythm?

re-issue of william onyeabors first lp, originally released in 1977 on his wilfilms records imprint (wrlp1001).

waking up in the middle of the night, feeling the gentle touch of moss on your bare skin and overwhelmed by the eery yet calming atmosphere of unknown surroundings. a location no one ever goes to, a destination unreachable by common means, but a place blurring the lines between having a dream and a state of mind. welcome to talabout. stavroz managed to create a wholesome, comforting soundtrack for a place, which no words can describe. take a rest, lay down, close your eyes and listen to a story told in an orchestral fashion, with such profession and ear for details like luise never heard before. we are deeply impressed and thankful alike to be able to present this musical masterpiece. a heartly welcome to stavroz, everyone.