“metamorfosi lp” is bichord’s first full length offering for the planet rhythm imprint after their “quadrivium ep” (2016) was met with critically acclaim by techno aficionados and lovers of adventurous soundscapes alike.
the new lp is a split two with the a-side showcasing the more techno oriented works and the b-side showing the duo’s set of ambiences and lush tone. this lenghty effort is the duo’s first full artist album out of many to come.

ahead of the release of a full length album by the same title, honey soundsystem records presents 3 breakout tracks on 12- vinyl from octo octa s -where are we going?-. side a features the -new school- breaks pumper -move on (let go) (de-stress mix) and the peak-time synth heavy tear jerker -on your lips.- on the flip we share the 9 and a half minute aquatic house opus -where are we going? pt. 2- “do you feel better?” — is the line maya bouldry-morrison aka octo octa repeats like a mantra on the final track of “where are we going?” her newest and second studio lp. “it was the question every single person asked me after coming out as transgender,” she told us “overall i do, but no, i don’t feel better at every moment, which is why the track slips out with a dour bass drone in addition to a beautiful pad. these days, both emotions are ever-present for me.” it is precisely this candor and intensity that immediately drew us in when maya sent over the lp to consider for the honey soundsystem label. as djs we are always looking for music that can speak in our sets, not just the highest caliber productions, but songs that represent the changing landscape of the queer dance-floor. “where are we going?” reads like a diary. with track titles like “no more pain (promises to a younger self)” and “move on (let go) (de-stress mix)” you can’t avoid the autobiographical messages of these songs, but maya leaves no booty un-shaken - this is still 9 four-to-the-floor house and techno beauties to rock your body. her willingness to even model for the cover art of this lp, proved this is a side to octo octa we ve never seen or heard before, an artist ready to let her fans experience an intimacy as deep as the synths and lead lines she has gained notoriety for. applying her years of international dj’ing, this album flows with intention and has effortlessly found its way back into our headphones and home stereo systems repeatedly - pro-tip: you can even have sex to it. needless to say this is the first time in a decade honey soundsystem has thrown itself at a contemporary lp and we know once you hear it, you will know where we are goin

invisible city editions is proud to officially re-release the sublime extended 12inch version of praise jah with soaring vocals and wild electronics. big tip!. oluko imo was a trinidadian born multi-instrumentalist, founder of the legendary spiritual afro jazz groups mansa musa and the black truth rhythm band. he moved to new york city in the 80s and divided his time between teaching music there and touring africa with fela kuti as both his manager and part of the band. praise jah is imo’s crowning achievement. an elevated electronic mantra that perfectly fuses synthy soca disco with his spiritual afro-trinidadian leanings. its a timeless piece of music that sounds as visionary today as it did when it emerged from the aether back in 1979. limited pressing with embossed sleeve, designed by zeitype.

lisbon based techno producer re:axis returns to planet rhythm for his sophomore solo 12 inch called inbalance ep.
for the follow up to the 2015 release light & shadows ep, re:axis comes up with a 4-track release that threads into deep territories and showcases a deep but firm dance floor focused side to the producers work. furthermore, the lisbon based producer carefully carved up a vary of cutting edge synth patches and dance floor sounds that come together on each individual track and together form the thoroughly curated inbalance ep for planet rhythm.

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkan’s phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian). 2014 saw u’s debut ‘haven in a heartfelt world’ ep described as -giddy electronic fuzz that packs the subtlest of punches descends into dense glitch noise then returns triumphant gritty and melodic” (crack magazine) and “distorted dreamstates” (ransom note). after the deranged chamber­edits of vienna for where to now?, u returns to the well­trodden path between flattery and irreverence in dance music with a special edition 2-­track 12- for phantasy sound. friendly ghost enters with a splay of combat­bongos, a thin synthetic aura draws over the fluctuating rhythms before a strangely negative bassline sets the pace in nu­wave perpetual motion, inevitably spiraling back on itself into a clattering reversal. on the flip ascension hymn rushes headlong into a mechanical shunter, abruptly dragged back by a frail and singular voice reciting an uncertain mantra of self­fulfilment over this blunted hardcore epic spanning 13 minutes. pressed to heavyweight vinyl, designed and printed by the artist in an edition of 300ish.

thule records camp is hitting it hard these days. this time its a collaboration between two pioneers within the icelandic techno scene. on the a-side, we have static, a hypnotic groove with indistinguishable voices and shimmering dub chords, and Útkall, minimalistic dub techno mantra. on the flipside we have the heavily-rhythmic sedna, where the drums and bass compliment each other in such a way that it might cause involuntary muscle movements, and at last timelaps, a delicate minimalistic voyage. ohm is best known for his releases on force inc with exos. octal industries, a veteran who has already gained a respectable reputation within the idm community under his ruxpin pseudonym, returns to his origins with this collaboration. thule records is considered by many to be a pioneer in the field of dub-influenced techno music and was a starting point for many of iceland‘s most renowned electronic musicians.

recorded in one take after a trip to the zoo last autumn, here is the first new track from the undisputed king of home-disco. superstar. check that b-side too. home recorded vocals straight from the heart, with the brooding braindance synths. tip for the boombox crew! limited edition. as hypnotic and floor-shaking as ever, keep on rocking keeps you on your toes through twists and turns, focused on a central mantra, it is what jamie principle s fathers lullaby might have sounded if had tried to put his son to sleep with his best impression of michael jackson and leroy burgess. the b-side is a powerhouse reimagining turned to a delightful 11 from the mysterious dj im sorry.

“i still hang around” goes the deep haus mantra from clouded house (lobster distribution) label boss lukas lyrestam. stockholm born but currently based in london he had this to say about the record… “hang around is equal parts club-tool and introspective banger, for the moment you should be leaving but you got nowhere else to go. scandinavian masters is a solid gold thumper harkening back to the glory days of jesper parnevik.” ”on the flip-side two alternative versions give the tracks new legs. common labour alumni powel (fresh off a tour with lee burridges’ all day i dream outfit) delivers a smooth house odyssey remix while x-kalay mainstay kask goes 100% techno on a remix that takes no prisoners. make sure to keep an eye on the estonian upstart as he debuts on common labour in 2017 with an ep of his very own.” hang around ep is a vinyl only release, limited to 250 copies worldwide.

following up from his critically acclaimed industrial flecked debut album on skudge white, bristol’s october comes correct with a new series of 10” records, each featuring under-polished no frills club cuts aimed straight at the floor, rough enough to strip paint from the walls.

making his hot creations debut is belfast s very own phil kieran with make a change and heavyweights nathan barato and matrixxman on remixes. acting as a teaser this release is the precursor to kieran s soon coming album blinded by the sun on jamie jones and lee foss s almighty label in october. make a change sees synths and drum machines being brought together by a simple vocal that acts a mantra, i wanted to send out a positive message onto the dance floor that could empower people. inspired by events and people in the world over history that have made a difference by standing up for what they believe in. phil kieran

taken from the acclaimed debut lp ‘the soft bounce’, phantasy is proud to present expansive remixes of two album tracks. daniel avery ramps up the atmosphere with an airy, drifting electronic mantra, pulsing with gliding motorik propulsion perfect for late night escapades. on the flip side, btu, an amalgamation of phantasy producers babe terror and u, take album closer ‘third mynd’ and recast it as a mind opening sixteen minute collage of found sound, drone and atmosphere, a psychedelic opus befitting jon savage’s otherworldly speech. two very distinct trips into the outer reaches of electronic sound. toto, we are not in kansas anymore ...

last spotted on the exaltics’ solar one imprint and the hague’s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). ‘access consciousness’ is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk’s ‘man machine’ aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

a live version of björk’s highly-acclaimed eighth studio album ‘vulnicura’ on double 12 inch vinyl, packaged in special vulnicura wound die-cut gatefold sleeve.
the album is made up of björk’s favourite performances from her 2015 tour, including all songs on vulnicura plus some of favourites from previous works.
the songs were performed live with the alarm will sound & heritage orchestras, and critically acclaimed artists the haxan cloak & arca. the artwork was designed by m/m paris.

four new loose and beautiful metropolitan house grooves from prolific nyc producer j albert aka jio albert whose mantra (as always) is to keep it simple, and of course, keep it strictly j! in addition to the grime beats he’s been releasing on soundcloud under the dj osom alias, jio has also explored other genres with a recent black opal release and a 12inch on his own exotic dance records imprint. strictly j, though is his scruffy take classic house on zones more into the hot music-soho vibes. characterized by busy percussion, off-kilter downtown beats, stops and starts, scattered breaks, and weirdly breezy melodies, these tracks are roomy def down for the summer. interestingly enough, i was subletting jios room last summer in ridgewood, queens and was sitting next to him as he made some of these tracks while i worked my tech support job. he was listening to a lot of buddy rich, bill evans, and jeremy steig at the time.

interior groove traveler, and recent resident of canada’s “left coast”, unknown mobile has honoured us the privilege to issue his first 12-inch record. the three cuts hike through rolling levels of melodic foley and pensive oral snippets, laid over tough low-end and resonant harmonies. percussion is sparse yet carefully woven around patterns that wash in & out. while “no motion” and “rhododendron” induce a state of calming limbo, “mantra” offers a celebration of dance.

midgar welcomes the bordeaux based von grall delivering four dense, immersive cuts. first of the list, *a secant line*, is an acidic and powerful mantra, opening the gates of sonic virtuality. in the second track, *the slope*, fast paced rhythmics and cold ambiances bring some severity to the record. on the bside, the melodic and slightly dreamy excursion *apply the definition*, while *limit value* close the record with a solemn concoction of offbeats drums and mechanic nightbirds.

one of the founding members of apollonia, shonky was responsible for his label’s very first release back in 2012 with ‘the minneapolis touch’. outside of working on the trio’s debut lp ‘tour a tour’, shonky has been relatively quiet on the solo tip. here on apollonia’s 25th release we’re treated to four new cuts from the berlin-based parisian, kicking off with plombie&#768,,re (plumber in english). shonky injects a variety of unusual sounds, which revolve around a jaunty bassline, while voices dip in and out of the background, repeating the mantra ‘house music’ together with other difficult to decipher vocal clips. the track has a catchy rhythm that bounces along with aplomb. up next ‘house me’ is a sleazy, mischievous cut with a deadly low end and a seductive vocal that urges you to ‘house me’. as the bassline rumbles, high pitched effects add a hypnotic element to the track. badboy business.on the b-side we have ‘perchee’, which is powered by cleverly layered percussion, which is almost ‘live’ sounding. another one of those ‘shonky’ basslines gets us straight into the groove, with utterly contagious beats – this is one to shake the dance floor down its core. finally, ‘cosmopolis’ has that inner city realness flowing through with the chatter of a street corner in the background, a killer b-line and one of those classic vocal samples that is oh so familiar and gets you nodding your head as soon as you hear it. and there it is, four dance floor cuts with plenty of depth and groove in true shonky style… c est formidable!

heeeeeeeeello everybody! i know this is everybody are waiting for!!!! all same as usual. limited press & no repress as you know. please can you send your order as quickly as possible. i will fulfil the order by the order date so if you want to get full qty, please send order early! ell...now a non-invisible visits the snaker library,-mood hut(mh), a canadian pacific musician collective / label / vibe etc-although made from 8 different producers, in flexible combinations and otherwise solo, consistently maintaining“that- sound. mh shows us through 360°+ dimension of their unique character in this #007. the package includes 10 synthy, drummy, funny, moody, spooky ...y, y, tracks, from their un-archived stock. smoke it softly and breathe with it deeply. highlights include the smooth touch of j. jutson, the love from l. butler, spiritual, the badlands by i. wyatt, smokey perspective by t.matt, hard punch by d. reynolds, funny guy c. thiessen, nice colors of green by mustone, the untouchable e.a. wilson and the belated disco mantra from chris wang.

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

andreas tilliander returns to kontra-musik in a grand style with his second tm404 album. titled acidub , this highly anticipated release is much more of an evolution than a repetition of the first superbly self-restricted album, where tilliander even decided to use only one of the two roland tb-303 waveforms. acidub is a more playful and open listening experience, no doubt inspired by his extensive live touring with the tm404 concept. in fact, you can almost hear tilliander s flock of acid machines breaking free from the restrained modus operandi. every sound is like a migratory bird with a heart yearning for high altitude and favourable winds.

release no.4 on omena ltd is a special one. after delivering a whole jar of tasty tracks for sleazy beats recordings, boogie cafe and banoffee pies in 2015, bristol s admin a.k.a adam wickens waved the magic wand over his sample library and put together three new ones. spirit boogie you say? yes, it s a beautiful thing.

boys noize präsentiert zwei neue, analoge, industrial-inspirierte, massive club-tunes. die a-side “midnight” basiert auf dem dunklen, gesprochenen club-mantra “midnight, 1am, 2am, 3am, 4am... 9am, 10, let s do it again” über roughe breaks und verzerrtem höhlenbass. die flip ist eine makellose hommage an den ebm/new beat-klassiker “los ninos del parque” und klingt wie eine gemeinschaftsproduktion der kinder von liaisons dangereuses, frankie goes to hollywood und silent servant. massive energie! vinyl-only. limitiert auf 300 stück weltweit.

the organ grinder mints his new record label with a bulked up reissue of a gem from his back catalogue that will make djs - and dancers - very happy. far from throwaway, this is music rooted in the 90s us garage sound of kerri chandler, masters at work and early todd edwards, with the intensity of true deep house and the light rhythmic touch of ukg. obsession originally came out almost 5 years ago, but there s simplicity in its skittering rhythm and a mantra of rising minor-note synth hits that keep it burning into the dancefloor. x rated hits like its inverted counterpart, with a more heavily weighted drum groove and garage stabs that spiral down your spine. physicality finishes the ep with cunningly-sampled soul music, sung notes of passion belted out over a tense background of keys and rhodes chords, weaving an atmosphere that only comes out of expertly woven harmony

vulnicura strings ist eine von streichinstrumenten eingespielte version von björks gefeiertem achten studioalbum »vulnicura«. um einige der arrangements einzuspielen, verwendete björk die weltweit einzige viola organista, ein ursprünglich von leonardo da vinci entworfenes instrument, dessen bau sein erfinder allerdings nicht mehr erlebte. das instrument versetzt mittels eines traktionsriemens einzelne saiten in schwingung (ähnlich einer geige), wobei die saiten durch das anspielen von klaviertasten ausgewählt werden (ähnlich einer orgel). das instrument wurde in krakau von seinem erbauer s&#322,,,,,,awomir zubrzycki aufgenommen, der damit das album zur vollendung brachte.

after a succesful remix for monkeeplatez second vinyl cut, greenville massive returns to the berlin house imprint to release their latest 4 track ep with their characteristic melodic house sound with 2 original tracks. on remix duties the duo has invited monkeeplatez´ own eintier. young fast-shooter dayne s delivers a deep house cut to complete the package.

comes with exclusive cut out gatefold sleeve and download code of the album.

die ultimative musikalische reise: der londoner dj präsentiert seine hip-hop-band. die vinyl-lp erscheint inklusive downloadcode.

as summer slowly fades, michael clifford recalls those calming, intense moments, that merge the good feeling of inner warmth with deep sound. today, deep often gets misused as a cheap tag for music, not deep at all. clifford really takes you on a journey towards your inner core. garnered in warm, low slung and minimalistically dubby beats, and sparse yet lofty snyths, his deepology ep needs no prayers for deepness. it simply is the mantra of depth. lost in the groove, based in the stealth of bass, coloured in shades of electronic yet organically warm tones.

‘streetlight soul’ is the inaugural release on new imprint gnosis. this four track ep is the fifth myriadd record, following 12-s for crème organization, pinkman and signals. the past decade has seen releases from the artist under a variety of pseudonyms including acid phreex (djax-up-beats), mantra (bunker, abstract acid, solar one music) and monofonix (iwari, cataclyst). across the ep, myriadd remoulds the template of vintage chicago house, acid and deep house into his vision of modern house music. opening with midnight obsession , working a dark hypnotic bassline into an endless groove of crisp jacking drums and soul stirring melody, all primed for maximum effect at 4am when lost in the smoke and strobes. visions of love is driven by a juno bassline, a classic palette of tumbling, infectiously funky drums, warm, enveloping synth atmospherics and elevated by lush, celestial string work which comes off like some fantasy mr fingers + virgo psychedelic jam. the ep’s titular track goes deeper into the night with 909 claps, off-kilter snare hits, melancholy synth and ethereal melodies that ascend and dissolve into neon clouds. closer back to nature is a trip into blissed out, tropical house sounding like a lost balearic classic re-tweaked for the 21st century..

psyth launches with the debut ep from rob shields. with a delicate urgency driven by a pulsating post-punk bassline, shards lavishes layer upon rich layer of sound, evoking the cool grooves of peaking lights and chromatics, while a shimmering vocal sample from rebecca sawyer adds an otherworldly sense of longing that echoes through the soul of the release. silhouetted appears more conventional and dance-floor friendly next to shards, but under the surface is something unique and strangely exotic. a mantra-like melody loop gives a nod to minimalist composer terry riley and his solo organ works, while world instruments such as an african kalimba and tibetan singing bowl only heighten the hypnotic and intoxicating quality even further.

mystery producer myriadd goes deep again on this 4 trackers! myriadd is craig stainton, a producer that has also released as acid phreex and mantra on labels such as pinkman, signals and creme organization, to where he returns now with a new four track ep that explores plenty of mystic house and techno territory.

its all about the bangin keeping with the theme of the ep, the duo lay down a maximum big room monster intended for the last wallflower as well as the serious party-animal. minimalistic 4×4 married to magical chords with the hot & cool vocal tradeoff. celebration techno. large mechanics (modulation dub mix) stripped & delivered proper by detroits own dj k1. straight, no chaser. alien fm mantra (station to station id) not a track, but a vocal id directly from the groups antenna/used as a dj tool voice over in sets. eerie broadcasted vocal concept and description left clear of music. a puzzlebox recordings staple

deluxe edition auf 180 gramm doppel-vinyl im klappcover mit exclusivem acetat-artwork und downloadcode.
auf ihrem neuen album *vulnicura* verarbeitete björk die gescheiterte beziehung zu ihrem lebenspartner matthew barney. aus dem liebesleid heraus entsteht ein wunderschönes album, auf dem björk mit sanfterer stimme singt als gewohnt. das passt zur gesamtaussage des albums. björk geht liebevoll mit sich um, denn das geheimnis ist, die liebe zu sich selbst wiederzuentdecken. es ist ein steiniger weg mit gutem ende. man scheitert, trauert und geht letztlich als neuer mensch aus einer krise hervor. björk findet mit »vulnicura« zu einer direkteren form der musik zurück. sie beweist: nicht nur zeit heilt wunden – musik tut es auch.

tom demac tears down the gazelle twin original compositions and rebuilds them with feverish candor. *belly of the beast* pounds hard with rubbery percussion and rattling hats like chains, the gazelle twin chants her mantra *i ll beat them all at their own game…* demacs padded cell like production is most definitely some of the best work we have heard him do to date, and this dark sound aesthetic spills into his take on *guts*. like an electro take on a john carpenter score, demac carves out a futuristic and desolate take on gazelle twins celebration of urge resistance and taking pleasure in the complexity of the mind.

purveyors of fine underground music, joes bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. limited to 300 copies worldwide, the next release features three tribal, exotic & leftfield tracks from italian producer jose manuel with an added remix from the joes bakery band. music to be played by the pool or under the discoball

after the release of lil louis *fable* (in conjunction with diamond records), gramaphone records is proud to present the inaugural release on its very own imprint! gramaphone house buyer, queen! resident, and balance recordings artist, garrett david, steps up to task at hand to deliver this masterfully-crafted ep, a new room.

detroit techno legend anthony -shake- shakir is a person who should need no introduction. he has been a long time veteran of the scene since the late 1980s, releasing music using many different pseudonyms and working alongside other heavy hitters including, carl craig, keith tucker, juan atkins and many more throughout his long career. a career that has seen him consistently on the cutting edge of techno, releasing ground breaking records, setting up seminal record labels and building near mythical status within the global electronic music community.

point g is back for a new release that features 8 new tracks for a triple pack limited vinyl only...
in the meantime the release let us know that those new cuts will be included ( for most of them )in a long format “ point g live season 1 “ that features what point g has been performing live in the clubs latelyfrom “the hunt “ to “balea” thru “surdo” or “kond “ the pack goes from the floor to the celling. unmissable

long established detroit talent keith worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, the price of non-conformance. t.p.o.n.c. is a conceptual project that takes you on a virtual walk through the streets of detroit. from a musical standpoint, the sound and feel of t.p.o.n.c. aligns with worthy’s own dna, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition. always striving to create his own path, and never allowing everyone else’s “norm” to become his influence, worthy really excels in this long player format. in total, t.p.o.n.c. consists of 14 tracks (including 8 songs and 6 interludes) all crafted to convey a vision of what non-conformance looks and sounds like. t.p.o.n.c. has range, from the boom-bap of the drums to the unorthodox patterns and key structures, this project evokes a sense of individualism that often gets lost in todays modern world of musical proliferation. in true detroit fashion, and in tandem with the spirit of aesthetic audios own mantra, t.p.o.n.c. maintains, the rule is there are no rules.

relax your body is a killer slice of narcotic, mid-tempo italian heaviness from way back in the late 80s. coming out on italys full time label, an italo disco imprint that embraced the burgeoning house scene in italy, and finding favor across europe and the uk with djs like andrew weatherall, its klf sampling groove and spoken, authoritative, mantra-like lyrics no doubt sound tracked some of the headiest moments in the corners of darkened, dry ice filled dance-floors throughout 1989 and beyond.

Électromagnétisme, migraine et météorologie is an electronic mantra in 4 acts, an organic and hypnotic musical composition based on noise and drone, a music for industrial and diy analog sound addicts. discover the dark world of gakona and his apocalyptic vision of electronic cultures.

special remarks: limited edition ep, 300 copies, vinyl only.

merck 274350 with its propulsive mechanical basslines, industrial-strength percussion, and a germanic vocodered mantra, this teutonic panzer tank of a track takes absolutely no prisoners - an electronic matter of fact statement inspired by the passing of time, fate, circumstance, and synchronicity. holland s misanthropic high priest of psychedelic, doomy, dark house & techno, drvg cvltvre, delivers a trippy interpretation, turning the track into a lysergic love letter to this iconic chemical catalyst, maintaining the dynamic bassline of the original but adding a nagging 303 line to deliver an explosive 3am dancefloor device. one step closer to heaven begins with a metronomic, rhythmic new beat stomp and a nagging insidious synth refrain that recalls the more electronic side of new order. muscular synth riffs then drop in and out of the mix, taking the track into dark ebm territory and ramping up the pressure before the influences of giorgio moroder and cerrone come to the fore, propelling the track into a rapture of hypnotic celestial electronic disco.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

super abwechslungsreiche 10 inch. von afro (mawa) über flamingos (deep house) und ivory (tribal house) zu mantra (minimal techno) . alles drine .
masaaki yoshida aka anchorsong has been winning friends here in the uk and internationally throughout europe with his live shows, and yes we do mean live: yoshidas music is created with a sampler and a keyboard, from scratch at his gigs. sometimes these sounds are augmented by a string quartet.

infrastructure is proud to introduce the debut record from campbell irvine, the 23 year-old outsider talent who hails from australia and has recently re-located to berlin. part industrial mantra, part musique concrete, this immersive and captivating debut continues infrastructures re-launch, bringing genuine new talent to the table.

on the a side of their *lovecream ep* schlepp geist & benotmane give a very seductive proposition and at the same time they created an irresistible mantra: *my head is burning, you make my machine clean, my love cream is waiting, so let s become a dream team.* if this is not convincing to move your feet, the b side will do. because here hides the next ear catcher. *stuck in my head* is to be taken literally. simon jinadus fascinating and soulful vocal performance burns itself into your mind with the same strength as on his guest appearance for deep house icon jimpster. as usual *lovecream ep* comes as a 10inch vinyl release in a limited edition and numbered by hand.

seit dem letzten jahr gehören joy adegoke und wim janssens als joy wellboy zur bpitch control-familie. neben ihrem beitrag für die where the wind blows-compilation gehörte auch ihr debütalbum yorokobis mantra zu den highlights des pbc-jahres 2013. nach ihrer single mickey remedy kommt nun ihr lp-opener before the sunrise in vier unterschiedlichen versionen. diese stammen von bpc-urgestein kiki, innervisions-mitbegründer dixon und matthew patterson curry alias safety scissors plus radio edit (early bird version)!
btw: tracklist mistake on the vinyl : dixon mix you will find on b1, and safety scissors remix on a2

vasundhara ep flows across the edges of two orders, the natural and the human one, and their mutual cohabitation into the figure of the shaman. the journey starts with epileptic heritage: the reminiscence of an ancient holy disease as primordial key to touch the invisible core of the nature, a spasmodic harmony led by a broken cadenza and distortions.leaving the self and becoming part of the whole. erratic rituals portrays this moment of involving other beings into a state of consciousness through rituals:a collective mystical ecstasy of glitchs and percussive mantra.