following daphnis exhilarating treatment of runnin, the dusty squawk-box psychedelia of sinkane is again prepared for dance floor omnipresence with remixes from germanys tuff city kids and barker & baumecker.

interplanetary criminal returns to time is now with four future ukg classics in the making. 2022 repress on black vinyl.

making his debut in january is cuban producer and dj, hioll who has run his own successful imprint abstraction since 2017, the first electronic music label to come from cuba. gaining recognition with support from big names across the industry, and releases from artists including from x-alex, gøwther, inglawt, bas mooy and temudo. the label also provides home for his own powerful, hypnotic and linear techno productions with hints of new school rave.

soulful and jazzy vibes from josh milan and wipe the needle.

played by amelie lens! manchester-based dj/producer rudosa launches his new imprint moments in time with an massive techno release from the boss himself. rudosa has been making impressions in the techno scene for over a decade by releasing an intelligent, yet driving strain of music on the likes of intec, second state and we are the brave. with the lead track of this first release being supported heavily by the likes of amelie lens, richie hawtin and pan-pot to name a few, starting his own label came as the natural next step for this well-honed sound smith.

mysterious talent clouds of kouros returns to their self-titled imprint to deliver the second ep on the label, with three fresh cuts making up their houghton time ep.

2018 repress , genius of time for running back! finally making the esteemed juno jam - known and dearly loved since john talabots dj-kicks contribution - available to a wider public for the first time, the gothenburg couple draw a whole tribal-vodoo-house-ep around it. percussion happy and as spiritual as a green mass, it would make joe claussell proud. bass drum, djungel muzik!

the mythical liquid pegasus returns - this time on clandestine boogie, firmly setting out his stall as one of the best around when it comes to modern synth boogie. ‘makin it hot opens up proceedings, synth stabs and squelchy basslines a plenty, married with layers of intricate melodies and a vocoder transported straight from the 80 s. matt hughes takes on remix duties converting that squelchy bass synth into a more straight up funk bass guitar, adding shuffling high hats and weaving in a little jazz flute for added effect. on the flip side it s prime low rider cruising courtesy of sparkle combining a full-bodied bass, cosmic pads and woozy synth flurries to create a soundtrack perfect for late night coasting. to close out the e.p. dave allison adds his own sparkle to the track, upping the tempo, adding a range of hazy arps and sweeping synthesis alongside a perfectly executed bass breakdown, taking sparkle from midnight cruiser to boogie bomb.

originally released on anthony shakirs frictional recordings in 97, fbks knobs & switches is set to drop on rekids newly launched re-issue label r-time records. since his debut fbk has had a prolific career spanning a number of decades, releasing on rekids, barba records, and the now defunct diametric. this release follows on from the sir lord comixx re-issue, giving classic tracks the acknowledgement they didnt initially get first time round. the release starts with the robust kicks and stuttering hats of rollin on 6/4 as murky notes make their way into the mix, making way for the sci-fi inspired synths and infectious claps of reservations & misgivings. packed with fast paced drums, feedback employs a sultry bassline and euphoric harmonies until skipping percussion and echoing effects conclude the package in the tet offensive.

syncopated percussion and murky atmospherics form the basis of mutual romance before dicicco introduces an ominous melody to generate the duskiest track on the package. virgo love affair then meanders forward with tight kicks and a hypnotising chord sequence before making way for the deep and scintillating filling pieces. concluding the release, how we live combines organic drums with sweeping effects whilst distorted keys operate throughout.

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.

italian trio agents of time make their ellum debut with a weighty, two track release. magma shares remnants of label head maceo plexs own formidable style, with compelling synths, punchy claps and a rumbling bassline. obsidian is finally seeing a release after causing heat from fur coat’s feature in their bbc essential mix a few months ago. heady, powerful, stirring, expertly crafted, adjectives that are regularly used for ellum releases and agents of time have confidently followed their predecessor’s footsteps. agents of time are andrea di ceglie, fedele ladisa and luigi tutolo. making music together since july 2013, they have clocked up an album on stem records and the massive polina ep on correspondent. their supporters include dixon, agoria and tiga, and their sound has been brought to over 20 countries through a live platform with analogic instruments.

after 3 years of hosting and co-hosting several successful events the guys at vbx decided to expand their musical horizon in the form of a vinyl only label. none other then vbx mainstay ferro is responsible for the kickoff ep. >time will tell< perfectly showcases the various facets of ferro s musical persona. the a-side track >time< is the most introspective and hypnotic on this ep. the background atmospherics swell and fall, while the rhythm steadily chugs forward, slowly making you lose your sense of time. the growling sounds and heavy kicks that form the backbone of >mushin< make this track the most straightforward club banger of the bunch, while still maintaining an edge through the intricate sampling of armand van helden s >the funk phenomenon<. ferro rounds up the ep with >opening the seven<, nagging vocal snips serve as a melodic hook while distorted rhythmical elements give the track its typical ferro sense of swing.

after waiting 3 long years, and finally getting the multi track session to do a b side, im proud to present the star blazers cover version of the masterpiece danger zone which was originally done my midnight express. many should be familiar with detroit producer recloose, while back in new zealand he assembled a band who called them selves star blazers (an ode to the 70s legendary japanimation series and a big hit on bostons tv38.. indeed recloose is from massachusetts) and they recorded a few cover tunes.upon hearing this i knew it was special. while most modern covers miss the mark, purely emulating and sounding like a cheap imitation, leaving me wanting to just play the original. they flip the tempo, swing and vibe, straight up owning this and making it their own.

making their first appearance on the label, venezuelan deep house masters sergio munoz and israel sunshine aka fur coat are the next to release on the mighty hot creations. title track *there s no time* sees the darker side of the talented duo for an epic experience on the dance floor with deep growling basslines complemented with powerful electronic keys and dramatic builds.

our man daniil marin aka detail from kiev, ukraine returns to commercial suicide with perhaps his best release yet, its fucking unbelievable. detail started making music at 16. influenced by technical itch music, has carved out a niche for himself and stepped up his production skills to create techstep dnb with a dancefloor power. with releases on c.i.a., proximity, etc. support by noisia, the upbeats, break, klute and forthcoming releases on such labels like: symmetry, dispatch, utopia music & demand – detail is definitely one sexy motherfucker.
pressing on transparent, green colored vinyl.

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

18 year old alfie is the latest signing to space + time records. his dancefloor-attuned production has already garnered support from key djs around the world & on the likes of radio 1, xfm & rinse, and blogs such as xlr8r and resident advisor. the youngest ever to play fabric at a precocious 16, he is rapidly making a very good name for himself and carving out a reputation as a fine producer and superb dj, having played sets at the likes of the found warehouse party, corsica studios (church), the nest in dalston, audio in brighton and nye at digital alongside julio bashmore, with plenty more in the diary. joining the package is citizen, leading light of kerri chandlers madtech records, who brings his big room dynamics to lead track hy-brasil.

the question of time label teams up with portuguese producer alvaro brites for a brand new ep of quality house grooves…
london based question of time have been making all the right moves this year, releasing records from the likes of aqob, tingle town and label boss j daniel and garnering support from the djs such as terry francis, xpress-2 & silicone soul. with an emphasis on quality electronic music, encompassing the best of house and techno, the imprint draws on its considerable history whilst looking firmly forwards in partnership with some of the best producers around.

nice price deal !!! a uk dance music legend and pioneer, wookie returns with his first new material in 6 years with >2 us<. first making a dent with big club tracks such as >scrappy< and >storm<, his crowning achievement was top 10 hit >battle<, brand new label space + time snapped up >2 us< to be its first release as soon as they heard it. radio support has come from: annie mac, skream & benga, rob da bank, toddla t, nick grimshaw & friction.
the legend is back! – annie mac
set to be one of the tunes of the summer – mistajam
a massive influence on us both – skream & benga

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

australian producer philip mcgarva aka microworld is well known for his releases on transmat and styrax, both of which instantly became sought-after techno classics. dutch label adepth audio is proud to present microworlds new >time before techno< ep, with the title track another classic in the making.
microworlds signature is clearly evident throughout - the slow smooth build-up, with every new sound revealing extra dimensions within the music. definitely an after hours track that will go straight to your soul. the second track >ism< is a minimal but effective rhythm, a driving bassline, a catchy synthesizer and vocal sample that will stick in your head. canadian producer arthur oskan chose to remix >ism< and rebuild it into a pulsating 9 minute club track overflowing with warm synthesizers.

repress of the 2001 release!!

play the game is a sophisticate vision in true house music, those . elegant and deep sound . great songs and voice are making the difference . a perfect deep house, hi tech sound , such deluxe sound to play.the original is gorgeous.

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

ceephaxs drive time k7 was released as a bonus cassette with his first album, and is a cult classic. half an hour of music per side, ranging from banging vocal acid to the deepest and darkest side of ambient, with everything in between. the 27 tracks are a perfect description of andy jenkinson s original music universe, his roots. it took about quite a while to transfer it onto acetate, it was one of the most challenging vinyl cut that anyone can imagine. the making of this record is kind of similar to homer s iliad. the stamper was then stored for several years, safe from the dangers of heat and daylight. just like for the nicest bottles of wine. firtcask records just took this jewel out of the cellar...

the spatulacity crew is proud to present some more fresh talent with real time hand motions prime time man lotion ep! these two have been making major waves with blistering originals and remixes over the last year or so, and break ya neck and who got it are probably two of the hottest examples of what these guys are capable of. unbelievable studio trickery in the vein of spatula city label bosses the sound republic, rthm deliver funky grooves, dancefloor firestarters, and were without question one of the most talked about artists at this years wmc. this is only the beginning of what will surely be a long career for this nashville duo. chicagos sexual chocolate (of junky trunk records fame) delivers a nasty dubsided esque wobbly bassline stomper of a remix for break ya neck while the original funks, shuffles, and grooved its way in to the boxes of all of the underground heavy hitters with massive support from dj mes, the sound republic, diz, raoul belmans, justin martin, the inland knights, and more.

a1 time (original mix) produced by !nfrajazz guitar & bass : freddy fernandez, trumpet : yohan speissegger a2 time (basek s east side remix) b1 el farouki remix b2 tom pooks remix. top notched production here with detroit/soul & berlin electro influences together with the infrajazz personal sounding. making of this a nice package & another classy release for the chocoflash label.

reissued on vinyl for the first time, lp includes japanese obi-strip

reissued on vinyl for the first time, lp with japanese obi-strip

incl. their 70s mega hit when you re in love with a beatuful woman & sexy eyes !

black vinyl. ranges welcomes elias. with an exclusive reminiscent dub ep. the a-side opens with the expansive soundscapes in “aquatic”, followed by a beautifully designed 4/4 dub action in “red lantern”. the b-side puts emphasis on faster shades of dub. “severe” delivers a reminiscent chord action accompanied by peak-time grooves. “fm therapy” and “fog” showcase a darker edge of dub with raw energy supported by cold yet evocative atmospheres. a compelling collection of 5 diverse tracks making a unique contribution to the label catalog.

ranges welcomes elias. with an exclusive reminiscent dub ep. the a-side opens with the expansive soundscapes in “aquatic”, followed by a beautifully designed 4/4 dub action in “red lantern”. the b-side puts emphasis on faster shades of dub. “severe” delivers a reminiscent chord action accompanied by peak-time grooves. “fm therapy” and “fog” showcase a darker edge of dub with raw energy supported by cold yet evocative atmospheres. a compelling collection of 5 diverse tracks making a unique contribution to the label catalog. limited 12” pressing!

2024 repress - its been quite a while since we’ve last seen our next artist on watergate records. it was 2014 when he dropped his watergate mix and ep so it is with great pleasure that we welcome back the legendary kerri chandler. ‘checkmate’ is the epitome of a kerri chandler classic and has all the makings of a timeless future classic. with bold, soulful keys and massive analog drums ‘checkmate’ elevates any dance floor’s intensity to meteoric levels. to give an extra perspective to the single we invited another icon, steve rachmad to remix the original and he delivers an incredibly soulful techno revision while watergate mainstay cinthie hands over a expertly crafted modern twist with classic appeal. no matter what your searching for, there is a gem for you here. welcome back kerri!

get physical presents: cocada is a brand new compilation put together in cooperation with the brazil music conference, and is compiled and mixed by local and long time star leo janeiro. all bar one of the 14 tracks is exclusive, and all come from exciting brazilian talents, making for a great window into the scene. Ôcocada is a word that evokes strong childhood memories for all brazilians. it is a delicious coconut sweet which, says the label, is a little surprise in the middle of an ordinary day that makes you appreciate all the good things of brazil. as such, it is a perfect name for this selection which features tracks from big and emerging names alike. under the name cocada well be launching music and organizing workshops and parties, in order to bring greater visibility to the electronic music being produced in brazil and throughout latin america, says get physicals managing director roland leesker. our desire is to create an international platform both for emerging underground producers and well-known artists, a&r manager matt plessis adds. cocada is very sweet and we want to give the world an opportunity to taste some of those powerful delights that have been produced in brazil,. among the albums more established producers is hnqo, who runs the playperview label and has released on hot creations. his track Ôsorrow is a moody cut with a shapeshifting lead synth that brings a zoned out feel.

incl famous female vocals, huge tip!!

strictly limited pressing of 500 units. deluxe neon pink marble & lp2 orange coloured vinyl with insert.

standard black vinyl