mathew jonson s first own release on his new lab. another intense dark trip into mystery house . side b features an incredible minimised more open space live edit of the same theme

cool minimal remixes by mathew jonson & richard davis

ultraphat minimal electrofied techhouse plus a hotter than hot minimal tech >> mathew jonson remix !!

der außerirdische !! oder einfach nur der chef in sachen minimal tech tracks !!!

der mann ist ein phänomen. nach dem furchterregenden gegrabsche um die itiswhatitis 07, dürfte es hier Ähnlich zugehen. also kampfanzug an und rein in den warenkorb :-)..

ultraphat minimal techn track…on the flip mathew jonson strips the guitar from 'slide' and the pads from 'buttaface' and adds hi sown bouncy ananlogue bass-line, dubby hi-hats and crunchy snares, and re-builds a lush, throbbing and distinctly hypnotic techno groove

der minimal Überhit !! played by sven väth, richie hawtin, ricardo villalobos, laurent garnier!!

der kanadische produzent mathew jonson, der auch mit seinem label wagon repair musikgeschichte geschrieben hat, schneidet seine fabric-ausgabe komplett auf sich zu. er beginnt sehr technoid mit seinem bekanntesten projekt, cobblestone jazz, bringt eigene klassiker wie * decompression* in mehreren extended versions, fŠhrt fort mit den remixen fŸr subb-an und tobias. sowie mit seinem engsten kollaborateur the mole, droppt danach unveršffentlichtes material und beendet sein set stilvoll mit seinem acid-mix von inner citys * good life*.

visionquest ist zurück mit dem zweiten teil ihrer vq x-serie, die das 10-jährige bestehen des berüchtigten dance-labels feiert.

incl biesmans, mathewjonson, mala ika, tomthebomb...

remixes by raxon, mathew jonson, hannes bieger

joseph capriati is to release a selection of remixes of his epic 2020 album metamorfosi.

next invade release with a collab from jakob seidensticker & boronas, remixed by m.a., dandy jack & mathew jonson.

1st remix part

ltd to 75 copies , 1 per customer

ltd to 75 copies , 1 per customer

incl rmxs from maceo plex, mathew jonson, plaid, ulrich schnauss

2nd part..

experimental work from mathew jonson (cobblestone jazz)

incl appleblim remix & midnight operator remix (aka mathew jonson and his brother nathan )

maeve kicks off their first label compilation heavy rotations vol 1 , covering all facets of the labels sound with tracks from mano le tough, isolée, oliver deutschmann, ed davenport, aera and more. comes as 3 lp in a specially designed cover consisting of 3 differently printed innersleves in a cut out outersleeve.

after strong releases by jerome sydenham, guti, martin buttrich and the esteemed label leaders the martinez brothers, here we have remixes of stec and chris martinez own out put by first team players. mathew johnson gives us an energetic analogue workout. peggy gou gives us a wistful version of ‘h2 da izzo’ with retro drums, lush strings to give us a straight up, classic house cut. this is also tackled by mayaan nidim who gives us a stripped back, refined take as you would expect from a perlon artist. dj deeon takes on the buoyant ‘stuff in the trunk’ with miss kittin’s playful vocals.

ten years behind the scenes, an anniversary celebration keeping anything alive for a decade is worthy of a kudos-but when it comes to club culture and dance music, 10 years is an admirable milestone indeed. for indigo raw, it represents another opportunity to bring in the left-field, high-grade dance inducers. and this time, the raison detre of the labels tenth anniversary release is a certain infamous duo known as midnight operator. centered around the eponymous creation by nathan and mathew jonson, behind the scenes ep is an ode to the kind of off-kilter, moody techno the pair have become infamous for

pt.ii sees tale of us collaborating with ovend, a french producer whose only prior output is a pair of eps for amandra s ahrpe label. mathew jonson, hunter/game and keith carnal are also among those making their afterlife label debut, while recondite, woo york and aether are back after previously appearing on the label.

apollo proudly presents the all the keys are here ep, sebastian mullaerts beguiling debut on the label following collaborations with mathew jonson, eitan reiter, aril brikha and ulf eriksson, as well as releases for hypercolour, drumcode, mule musiq and kontra musik.

cynosure presents the fifth installment in the focal point compilation series. this time with a focus on various studio collaborations with mike shannon, featuring recorded sessions from mathew jonson to ricardo villalobos. a diverse selection of works ranging from a smooth 100 bpm house with the mole & hreno to a rolling deep techno at 127bpm with matt & mark thibideau. mike pulls a few gems out of the recording vault to share on a stunning triple vinyl gatefold package.

units and measurements is the collaborative project of christopher hreno, mathew jonson and colin de la plante. the project sees these long times friends and veteran producers exploring the limits of hardware based improvisation and deep synthesis and effects programing . documenting a single epic 24 hour session at jonson s mothership studio in berlin, this first release sees the trio exploring some of the headiest ambient and tunneling hypnotic techno to be found in any of their admittedly vast individual back catalogs. this release is without question a portrait of 3 masters of their craft at work, and quite unlike anything else you are likely to hear this year. units and measurements will be available in a double vinyl and digital formats on november 4th via blkrtz, with worldwide distribution via kompakt.

dark matters is proud to announce its fourth release, chromatic dreams, courtesy of label boss amirali. with his avant-garde concoction of electronica, techno and house, the ep is constructed of two original tracks and one remix courtesy of midnight operator, the duo made up of mathew jonson and his brother, nathan. this is amiralis first sonic exercise on the label since the debut release, fearful stay.

after the first ricardo tobar remix edition (featuring remixes by john tejada and fairmont) on cocoon recordings we are proud to present the next chapter with remixes by lawrence and midnight operator (mathew and nathan jonson). 2016 seems to continue as we started it: with high quality music by great artists presenting us amazing techno in an unique and tasty style. midnight operator, the joint project of the two jonson brothers, picked tobars angora for their remix and the result appears very fresh and housey. their bassline programming adds a nice italo-disco vibe to their version of angora.

nice price deal !!! marking the first output of cymasonic s offshot vinyl-only label and collabaration with subwax distribution, the balder ep is a two-hundred copy, hand stamped entry into the world of cymawax. there s no better way to start than with four quality tracks of hot and crunchy norwegian techno with soul by trulz & robin, under their new moniker for otherworldly machine sounds: ksmisk. the duo from oslo have been a force in norway s electronic music scene for over two decades, but their current project is set to bend and exceed all expectations. the title track makes full use of spacial effects to create the kind of landscape deserving of the cavernous exchange of industrial rooms or the breathing walls of smaller sweatboxes. its energetic arpeggiation carries the driving, raw bass line home. less linear and more neurotic, -jonson- squelches its way into existence. next, -water- is as fluid as the name suggests, using deep, delayed dub chords to sustain listeners during its eight minute life. finally, the release ends on -tehjerk- which is full of electricity, heavily charged with distortion and powerful drums before opening up into a euphoric waterfall of melodies. it s fitting that this chronicle should end up pressed onto wax, a monument to the physical launch of cymawax and trulz & robin presenting ksmisk.

ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veröffentlichte: bestes album in der groove, de:bug, bei byte fm und zündfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schließlich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations - the remix chapter 2001-2009 und music is okay (2000), die dritte große werkschau des remix-virtuosen dj koze

mathew jonson & the mole, peter van hoesen and blue hour deliver three of the album tracks in remix form.

after quenums debut album, the richly textured and atmospheric masterpiece * face to face*, serialism prepares to release a striking remix package featuring three distinct voices in electronic music. * basic solution*s raw fluid energy is encased in a pulsing, staccato framework by cesare vs disorder as the meandering bassline emerges and gives way to the original distorting synth line. 5am is first given a more pumping dancefloor sheen by tiefschwarz and next a typically epic and mindbending journey from mathew jonson. lastly frank haag delivers a spooky rework of * ritual* that tightens the groove into a rolling hypnotic head trip that will also move the floor.

with a lengthy discography on influential imprints like his own sub static, triebstoff, dumb unit, contexterrior, and more, falko brocksieper has been a force in the development in deep, minimal sounds for a decade and a half. working alongside label co-head m.i.a., sub static and sublabel karloff released music from prestigious producers - rené breitbarth, mathew jonson, pan/tone, dj slip, shonky, and themselves - from 2001-2010 and established the lasting reputation of falko while identifying their label as a source of quality dancefloor ideas for its decade-long run.

by bursts of silence that seemed woven deafening persistent and grinding agnes earrings, scream, hand drill, it is that it is possible to mix, they will break the hustle and bustle, to listen to all the way from the village interruption. did the richard where am i? his bed was empty. indifferent, in the field miles away pills and his grandmother danced his vision to horrowshow beat repeatedly reckless and unrestrained cruel twist, richard has a gruesome demise of more than 20 contorting mess the limbs of his . in the rush of his early, he had forgotten to shut the door behind him. early support from perc, james ruskin, francois k, four tet, ben ufo, pangaea, pearson sound, 2562, untold, tiga, call super, inigo kennedy, nathan jonson, randomer, errorsmith, cassegrain, paula temple, alex smoke, optimo...

played by marco carola, ame, dixon, nick curly, marco resmann, gel abril, stacey pullen, guy j, osunlade, wankelmut, andre galluzzi, chris wood, m.a.n.d.y., mihai popoviciu, tensnake, brendon collins, matt star.its open air and summertime…. with this new movida record you cant do wrong! starting with a brilliant opener from the french tom ayann with his deep, but groovin “strawbassy” track which you could hear already last summer season in marco carolas sets at amnesia / ibiza and his crowd go crazy then. the bavarian kay rauner aka mindrage delivers us an old-school dub-tech-house track with trippin nasa-like samples….if this is no space-techno, i really dont know where you could find it. last but not least our buddy matt star brings us a new track which he made together with movida label boss and good friend michael peter which you kick for 11 minutes to another galaxy. if you love the sound of guy gerber or mathew jonson, you should listen to this one for sure. the summer season can start right now and here….!

>bridging the gap between the old & the new, the minimal & the maximal, minmax represents a widening of scope as we explore the area between the sounds of classic minus & plus 8. as others subdivide and categorize we bring things back together, opening things up more freely and allow a closer connection to the music that i love and the sounds & textures that many of my dj sets journey through.< richie hawtin

canadian producer/dj nathan jonson, aka hrdvsion, has been making increasing waves in the house world over the last few years with a stream of acclaimed releases for labels such as wagon repair and international deejay gigolo, and remixes for institutions like hypercolour and crosstown rebels.
his >i like the feeling you re giving me ep< for rinse encapsulates many aspects of his sound, drawing strongly both from detroit technos woozy, melody-soaked romanticism and the precision and intricacy of minimalist european house and techno. it is an intoxicating blend. its tracks are immediate and rhythmically compulsive enough to draw dancers deep into its groove, yet find jonson continually tweaking the musics depth of field to disorient the senses.

anlässlich des 10-jährigen band-jubiläums, dass gleichzeitig auch den 10-jährigen geburtstag ihres labels staatsakt bedeutet, covern sich 10 künstler des labels von a-z durch das erst im februar erschienene die türen-album abcdefghijklmnopqrstuvwxyz. mit von der partie sind: locas in love, andreas dorau, frank spilker, bonaparte, die heiterkeit, the european rich kids (ja, panik und jens friebe), zwanie jonson, patric catani, viktor marek mit ashraf sharif khan und stereo total.

first of two exclusive 12inch samplers taken from crosstowns mayan compilation to celebrate the crosstown day zero festival in play del carmen, mexico this december. the album features 13 exclusive tracks, three of which by mathew jonson, fur coat and fosky & bog are featured on this limited sampler.

coloured vinyl bomb alert! hrdvsions prettier than that is a monster,created by a monster and is perfectly suited for the likes of wagon repair. dim the lights, because when this record drops its going to get freaky! on the flip side, midnight operator (the duo of mathew jonson and hrdvsion) bring the noise! dangerous behaviour rains bass in your face! if you caught their live show on boiler room recently then youll understand. these two are ready to take the dance floors by storm this year - a melding of the analog and digital minds.

nach der heiss erwarteten veröffentlichung >ep1 / spock< veröffentlicht mute nun die zweite single-auskopplung >ep2 / single blip<. eine bedrohlich-pumpende bassline durchzieht diesen von dunklen, filterigen synthies dominierten und mit rhythmischen bleeps gefütterten minimal-industrial techno track. neben der treibenden originalversion finden sich noch zwei hochwertige remixe von byetone und mathew jonson auf der b-seite. olaf bender (byetone), einer der gründer des legendären experimental-elektronik labels raster-noton veröffentlichte 2011 sein hochgelobtes album >symeta< welches unter anderen in den jahresbestenlisten von fact & the quietus auftauchte. der kanadier mathew jonson wiederum machte sich in der szene neben seinem gehypten impro-projekt cobblestone jazz und veröffentlichungen auf seinem eigenen label wagon repair unter anderem mit remixen für plastikman, moby und den chemical brothers einen namen. die ep wurde wie auch das album von stefan betke (pole) gemastered und von timothy q wiles gemixt

second single cut from the collaboration album of minilogue & koss aka kuniyuki. a side, original version is cinematic ambient jazz which reminds the sound of ecm. earth tone mix is club friendly dance edit, the sound is like a mixture of mathew jonson and ame. b side, original version of horizon is epic 60min psychedelic techno. this edit version is like a dj tool. its for fans of ricardo villalobos ... and this release is last release on mule electronic. we cant feel good at all to separate the release of techno & house.

arkives analog features 6 pieces of 180 gram vinyl, exclusive tracks and a limited edition poster, presented in a deluxe custom box. (12 songs).... richie hawtins triumphant return to the stage as plastikman in 2010 proved that his best-known alias is as innovative and as relevant as ever. hawtin has taken plastikmans most classic material, originally released between 1993 and 2003, and reworked it for a truly live performance accompanied by mind-bending, synchronized visuals-a sound and light show like no other, one that collapses the distance between present-day festivals and the uncompromisingly underground warehouse parties of the mid 90s. for many attendees, this is their first taste of plastikman...

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

delivered here is phillip charles >controlled input< ep. a collection of phillips music as orignal as it is danceable. while the tracks contain unifying elements, they each stand very clearly apart in their own sound. as we move towards 2011 reference points of mathew jonson, carl craig and redshape spring to mind, but make no mistake... this release is in a sonic space all its own. a true gem for lovers of forward thinking techno and house.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...