the cardigans’ 3rd album from 1996 back on 180 gram vinyl, housed in a gatefold sleeve.

cool funky percussive house , released on vinyl only

2016 album by jedi mind tricks very own vinnie paz with guest spots by ag, oc, hust kingpin, agallah, ghostface killah, ras kass and more.

standout tape from the modern institute aka golden teachers richard mcmaster and laurie pitt originally released digitally back in 2016 and now available physically on pro dubbed c70 cassette with risographed artwork & encased in coalesced molten candy floss blue and pink expandable foam.

supported by tim sweeney, fred everything, osunlade, iron curtis and more

the debut album from eartrader on double vinyl via bedouin records.

slammin house music on tha breakbeat way

cosmin trg is back on his white label operation, sportiv. brixtonstrasse explores an imaginary buffer zone between the urban angst of londons pirate transmissions and the warehouse logic of berlins post-iron curtain freedom and energy explosion. in line with the labels semiotics, gloria is named after the rather unsuccessful 3rd league football club from cosmins home town. its a high octane tribal workout with fuzzy chords, in the vein of 90s luminaries like sterac, bringing back hints of the eras unbridled

two solid tracks of pure machine driven acid house music which were written, produced and mastered in the north. both tracks are certified roy cropper and were mastered by mick clarke (iron blu). thanks for supporting vinyl and keeping it alive. we create to share our passion with like minded souls and aim to bring you the best of the north.

collectors item! yes, one hundred! wow! morris audio s 100th release is a milestone for one of the most productive labels from switzerland. morris audio started 18 years ago, the sublabel morris audio citysport 15 years ago. with a total of more than 150 releases, the labels have been making their marks by presenting different types of electronic music, from techno to minimal to deep house with everything in between. combining established producers and youngsters, morris audio has an impressive artist roaster. remember the likes of dub taylor, jackmate, hakan lidbo, burnski, till von sein, kris wadsworth, iron curtis, oli furness, dash dude, tom ellis & leif or brame just to name a few? the label has been club and home entertainment for years and we celebrate this 100th release with two parts of well crafted tech/house tunes. part 2 is -global house- and features zito mowa (south africa), homeboy shaka (switzerland), and morris lads souichiro masutomi (japan) and italia 90 (uk).

hailing out of montreal, 00:am follow up their killer first release with a four track va e.p. setting their stall out as a label to watch in 2018. the hutchin crew open up proceedings with an ethereal and hypnotic cut, coupling sweeping pads with dreamy keys. next up, dj ok takes things darker layering thudding toms and atmospheric strings with a sci-fi sampled spoken word. on the b side, cromie & iron curtis let the pounding bass sit centre stage interspersed with otherwordly synthwork and that high hat fizz. finally, science fiction steers things on a new wave tip offering up a down-tempo french vocal tinged closer to round off this stellar e.p.

recorded in novalima s home studio in lima, their album “karimba” (hot iron used to mark the cattle, as well as the slaves) takes novalima music into new levels, introducing both new sounds and traditional rhythms like the panalivio, zamacueca, ingá and tondero, while maintaining their distinctive afro and dub sound. their reputation at home allowed them to work with two of the top traditional musicians in the city in what would be their last recorded performance: vocalists pepe vasquez, rosita guzman, and sofia buitron as well as guitarists roberto arguedas and felix casaverde (former guitarist of chabuca granda), in addition to members of the live band.

yes, one hundred! wow! morris audio s 100th release is a milestone for one of the most productive labels from switzerland. morris audio started 18 years ago, the sublabel morris audio citysport 15 years ago. with a total of more than 150 releases, the labels have been making their marks by presenting different types of electronic music, from techno to minimal to deep house with everything in between. combining established producers and youngsters, morris audio has an impressive artist roaster. remember the likes of dub taylor, jackmate, hakan lidbo, burnski, till von sein, kris wadsworth, iron curtis, oli furness, dash dude, tom ellis&leif or brame just to name a few? it has been -club and home entertainment- for years and we celebrate this 100th release with two parts of well-crafted tech/house tunes. part 1 is the more techy one and features morris fella iron curtis, new signing anna wall & corbi, and swiss boys replika and elvis cassetta. collectors item!

this latest work from vanity productions is a turbulence steadied to rest with care, and marks a critical high point in the project’s evolution. as the nom de plume of posh isolation’s co-founder christian stadsgaard, there is a deeply private yet fiercely empathic quality to “only the grains of love remain”. pirouetting between his collaborative work with loke rahbek as damien dubrovnik, as well as the empire line with varg and iron sight, to name just stadsgaard’s most recent activity, the inwardness reserved for vanity productions is perhaps a necessary step. that the emotive experimentation should generate such a touching soliloquy is an arresting watermark, presenting only the grains of love remain as the most eloquent work of the project to date.

das album von 1978 der roots ikone wurde neu aufgelegt! - “africa stand alone” erschien auf dem nur kurze zeit exsistiernde label april records (new jersey, usa). das vokaltrio culture, bestehend aus joseph hil (lead vocals), albert walker und kenneth dayes, hatte sich im harry j recording studio mit toningenieur sylvan morris, dem produzententeam seymour cummings & jaime hatcher sowie den musikern der high lites sons of jah band eingefunden und den kurzweiligen longplayer eingespielt. ein tip für alle reggae vinylsammler und empfehlung für alle fans von culture!

a heart from your shadow is the debut collaborative lp from michael beharie (new york) and teddy rankin-parker (chicago). since graduating together from oberlin college, beharie and rankin-parker each veered into markedly different avenues. beharie joined up with the ever-confounding new york ensemble zs (northern spy, the social registry). rankin-parker became an on-demand cellist for his prowess in the work of improvisation and avant-garde music, lending his talents to a wide array of collaborators such as primus, iron & wine, steve reich, and pauline oliveros. rather than jump into stream-of-concious improvisation, beharie and rankin-parker chose to focus the albums themes via intricately composed pieces. a heart from your shadow could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. produced by michael beharie, mixed carefully by jim o rourke, mastered by james plotkin and cut to lp at d&m berlin. black virgin vinyl housed in poly-lined inner sleeve in reverse board-printed double-width spine jacket with spot uv finishing. first pressing of 300 copies.

schwarzes doppel-vinyl in bedruckten innentaschen im gatefold-cover
die beiden ambient/krautrock/avantgarde-meisterwerke -plight & premonition- (1988) und -flux & mutability- (1989) entstanden ende der 1980er im can-studio bei köln, bestehen aus jeweils zwei überlangen tracks und gelten als klassiker ihres genres. an den aufnahmen waren neben sylvian und czukay auch die beiden can-musiker jaki liebezeit (an beiden alben) und michael karoli sowie marcus stockhausen, trompeter und sohn des berühmten komponisten karl-heinz stockhausen, beteiligt (letztere nur an -flux & mutability-). der re-release auf grönland erscheint in chicen doppelformaten mit neuen linernotes des renommierten britischen journalisten david topp. beide alben sind nicht bestandteil der jüngst erschienenen holger czukay-retrospektive -cinema- und seit ihrer original-veröffentlichung damals auf venture/virgin records und limitierten reissues anfang der 1990er in japan und uk nicht mehr erhältlich gewesen.

played by ben klock! emotional, physical, blunt, modular and exciting. joton on odd even! joton is synonymous with dark techno, iron, futuristic and sensitive, all mixed with the precision and speed of a surgeon. outstanding conceptcover, shrinked and high quality pressing. cut and mastering by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

vantanes >they called him little prince< is the first release of a newly established label from brixton called top brick records. the title track kicks off proceedings with a hypnotising piano sample soon accompanied by a preaching vocal and screeching synths. chez toi follows similar suit this time in the form of grey strings. add dusty highs, throbbing bass stabs and kooky synths you are left with a complete sense of mystery throughout the whole track. looking away ties up the mini ep nicely with trancey synths and twinkly atmospheres throughout creating a highly emotive sign out. dj support: laurent garnier, dj barely legal, danny tenaglia, krywald & farrer, pablo bolivar, phonogenic, dan drastic, john digweed, meat (freebase), j.phlip, martin landsky, kev obrien, ian o donovan, brett johnson, ossie, rob da bank dusky, iron curtis

limited tour edition of 2500 individually numbered copies on transparent audiophile 180 gram vinyl.
the soundtrack was composed by the german ramin djawadi, best known for his grammy-nominated score for iron man, pacific rim, clash of the titans and for the tv series prison break. the fourth season soundtrack also features a single “the rains of castamere” by icelandic post-rock band sigur rós.

the original, previously unreleased soundtrack of the umberto lenzi cannibal movie from 1980. the extremely violent exploitation production “mangiati vivi! (eaten alive!) is still banned in most countries but received on youtube unbelievable 815 000 hits. certainly also because of it’s amazing score which was produced and written by italian composer roberto donati and maria fiamma maglione.

from tillburg to hamburg, from the brutal techno of drvg cvltvre to the distorted synths of fallbeil, that new avengers split ep is an acid trip into the raw sounds of northern europe s diy rave scene some hard stuff for the 21st century punks!

since 2002 dj phast has an established track record in the hip hop scene, as a former itf champion and performing at various venues, together with das efx, mop, smif n wessun, krs one, etc., he has time and time again proven his musical and technical know-how. after years of banging out dope powerful productions and working with a wide array of european artists, the time has finally arrived for him to release his debut album. this record will guide you through the realm of strong southern blues and express its depths of today‘s modern stated black music. so you can expect a grand taste of the blues scene, but without losing the classic charismatic hip hop sample sound elements. be prepared for the rugged & thorough arrival of the creature from the black lagoon!!

phono ghosts (alias of producer neil scrivin - also behind meatbingo) returns with his long-awaited second album released via brand new imprint fonolith. building upon the cassette-raiding, micro-sampling methodology and varied sound landscape of 2013’s chrome position on skam records, solar dream reel is a journey through summery funk, mangled radio jingles, evocative atmospheres and anthemic edit-stomp, all filtered via the shimmery analogue lens of the compact cassette. a sonic exploration of that borderland between the waking world and sleep - a place everyone has been to but few remember - phono ghosts comes back to reality with a selection of vivid polaroids and cassette memories from his visits to the hypnagogic hinterland of the collective unconscious and presents these pure distilled documents for you on four beautiful sides of vinyl. something may have come back with him...

we welcome tim fairplay with his track key to paradox with a remix from iron blu. pressed on a one-sided, hand stamped and numbered standard weight black vinyl release. accompanied by a printed info sheet insert.

5 years since midnight shift’s first release in 2012, the label assembles a collective of artists, most of them are in advance of their full eps releasing later. representing the sounds of the label is this manual of secret moves, up in the sleeves. the mystic motley crew also comprises the alternate sides of familiar faces — amato (the hacker), terry lamborgini (marco bernardi), innyster (seixlack), hodge in a new formation with gramrcy, and an electro moniker from an undisclosed artist: thermocline. from abstract acrobatics to the abrasive and the ultimate gob smack to the floor — the midnight manual.

der norwegische electro-pop-künstler gundelach hat bereits mit seiner debüt-ep und dem song games feat. ary auf sich aufmerksam gemacht. sein verletzlicher singer/songwriter-style auf soft elektronischem klangteppich lässt vergleiche mit james blake oder jamie woon durchaus zu. das debütalbum -baltus- nahm er zwischen oslo und london mit knut sævik (mungolian jetset), john calvert (ghostpoet, nao) und oyvind mathisen (cezinando, nils bech) auf. erste singleauskopplung ist das wundervolle duck hunting, ein analog elektronisches stück in nordic-noir atmosphäre, eindrucksvoll abgerundet mit gundelachs bon iver-eskem falsetto.

traveling through these eighteen ambient cosmic tracks from true heirs of library music, you ll expand the surrounding space. limited to 300 copies.

the empire line present six cyclonic episodes for confined spaces on their debut album, rave. comprised of posh isolation s christian stadgaard (damien dubrovnik, vanity productions), jonas ronnberg (varg), and with isak hansen (iron sight) on tantrums, the trio s marauding live shows have been translated into a slippery set of pummelling techno works, watermarked with florid noise. rave is a celebration of contemporary rave culture, focused on the everlasting and transcendent as the night slips out past the day. with living-for-the-weekend hedonism irretrievably converted into a manicured, violent cliche, building new worlds and forging new modes of intimacy takes an exceptional sincerity. naming some of the crews closest to the empire line in the album s titles, their spaces are examples of just how rave culture persists as a transgressive stronghold in people s lives. ranging from k-hole anthems to jacking, close-range sessions, rave still bears the traces of the group s experimental background, ensuring the tension is kept up through the catharsis.

4 years can feel like a really long time – -long time no see- was achim maerz frst wake up! ep back in 2013, -it s been a while- is his frst track on metal and machines and it s good to see that some things don t change. it s a true achim maerz track – focused on longing melodies, warmly distorted harmonies based on deep house foundations. -listening to machines- features a kickdrum like a steam hammer in factory hall. for the right mind, even a factory can be an inspiring place. benjamin brunn s -iron copper gold- follows his manner of creating timeless and eternal soundscapes. it is less playful and takes the tension to higher grounds. just like metal, it s cold being touched and it doesn t take long until it reaches body temperature. the fourth track express mode- was released on benjamin brunns drop lp in 2015. achim maerz remix sounds like a screwed-down uptempo house track – slow and heavy, but benjamin brunn s quirkiness is undeniably there.

finder is the newest alias of jeroen liebregts, best known as radial (audio assault / mord) and as part of the duo museum (indigo aera / mdr). for this ep on lowercase life he has provided us with four deep and raw techno cuts with an analog feel. as always available in limited edition vinyl with hand made silkscreen printed covers.
early support by: etapp kyle, marcel dettmann, speedy j, shlomo, ame, abstract division, dave clarke, dustin zahn, artefakt, fabrice lig, jeroen search, 2000 and one, par grindvik, luca agnelli, jonas kopp, dax j, wrong assessment, iron curtis, bleak, rebekah, dvs1

alexandre bazin is a member of paris’ legendary grm electronic music studios, and his new album sun dog trail mixes some of the electroacoustic abstractions of the studio’s legacy with a rich emotional and melodic core.

the legendary wu-tang clan is among the most successful and influential groups in hip-hop history. as one of the nine original members, masta killa has been an important part of the wu-tang legacy since the groups debut in 1993. hes contributed verses to countless wu classics (glaciers of ice, winter warz, triumph, duel of the iron mic, wu banga 101), released three critically acclaimed solo albums, and always remained true to the core clan aesthetic: razor-sharp wisdom over dusty, soulful production. now, masta killa is back with a brand new album, loyalty is royalty. the highly-anticipated project boasts an impressive list of guest appearances, including method man, redman, kxng crooked, sean price, rza, gza, prodigy, inspectah deck, cappadonna, and more. as fate would have it, two of those mcs have since passed away, making their contributions particularly special. all praises due to the memories of sean price and prodigy of mobb deep, says mk. two hip hop legends. with production handled by the likes of 9th wonder, illmind, p.f. cuttin, rza, true master, and dame grease, loyalty is royalty delivers the kind of classic hip hop experience fans have come to expect from masta killa.

the latest in a series of releases from the golden pudel affiliated v i s label
•7inch vinyl + c90 tape with download code
•200 copies

after ennio and the sluwe vos, it s time for patron record s third release. the gru ep is coming from the hands of lewski, a young dutch producer/dj who clearly got his inspiration from the darker detroit techno sounds. lewski definitely shows his originality and craft with his debut ep. the four-tracker is full of vintage sounding techno tracks, blasting you into another dimension. laurent garnier, leftfield, carl craig (ernie guerra is his manager), a?me, barely legal, maceo plex, bleaching agent, diz washington/iz & diz, minor science, simeon mobile disco, freund der familie, or:la, marco bernardi, horse meat disco, benjamin damage, danny tenaglia, truncate, kid enigma, iron curtis, randomer, altern-8 + more to follow

music from season 3 of the hbo series game of thrones on 180 gram double vinyl, housed in a gatefold sleeve.

violent sounds… savage grounds released their first three records with lux rec… of which one of the members from this swiss duo is the label boss… this new ep is the first release coming out elsewhere… savage grounds have created a sound of their own… a sort of post-techno which combines elements of techno, elektro, ebm, acid and industrial… but these tracks will for sure also appeal to lovers of analogue synth music… the whole ep sounds like it has been recorded in an one take synth jam… raw and fierce synth sounds for the body and soul…

acid test continues their journey with the return of achterbahn damour. on their first proper release in three years, jool & iron curtis patiently craft an intricate sound world - with the opening track, major-key pads hearken towards a bright future, hi-hats rustle like leaves and on dehaveland, percussive elements fall into beautiful, random unison like factory machines staging an after hours dance. samuel van dijks vaunted vc-118a project steps up for a remix, turning in a taut techno version that unfurls smoke pillars of ghostly ambience. the duo wraps up the four-tracker with an unexpected dreamy electro turn, dont talk to me. throughout acid test 13, they remain in lockstep with the labels ethos - to bend, hammer and flatten acid lines into new, imaginative shapes

the 1980s. neo-liberal excess. crumbling communism. military juntas ruling with an iron fist. and of course, freaked out music. contort yourself are turning back the clock and returning to an unholy fount of inspiration with -80s underground cassette culture volume 1. a buffet of beaten up and brutalised tracks are on offer from unknown outfits and respected experimenters. across two lps expect to find noise reductions, post punk bitterness, no wave grunts, distortion soaked strings and vocals lost in a hail of pain. a road map into the weird and wild world of diy back alley artists who, armed with only a tape and an idea, gave the established music norms a sharp fist to the throat.

for this introduction release from orange woodmachine, keon sakari drops three techno cuts that make no compromise whatsoever. ranging from the more dubby, driving and hypnotizing fused and alter ego to the spooky disrupt , this ep will make minds and bodies melt on the dancefloors. supported by grrove armada, joyce muniz, monty luke, ashworth, alkalino, acid pauli, john digweed, chris fortier, carlos valdes, kevin mc kay, rui da silva, john osborn, carlo, asa808, iron curtis, paco osuna, marco carola

this is a must have record and supplies are extremely limited. long out of print and extremely sought after, david porter’s “i’m afraid the masquerade is over” gets a proper re-issue on 45, but with a special twist. first released in 1972, this groundbreaking masterpiece was mostly overlooked by the masses of that generation. however, twenty plus years later, hip hop producers would revive newfound interests in this cut (and porter’s other works) after sampling bits & pieces of it for some of the most defning songs of the mid 90’s and early 2000’s (who shot ya, duel of the iron mic, it’s over, etc). for this special edition, the original multi-track session was resurrected from the archives, re-polished and re-edited into a brand new mix for your listening pleasure. familiar fans will go emoji crazy once they get a taste of the exclusive new version that boasts new breaks, alternate takes and a louder, fuller instrumental presence among other goodies, creating fresh opportunities for beats and lives mixes. pushing the 9 minute mark, parts 1 & 2 are presented between 2 sides, presenting the all of music in it’s entire glory. original pressings of “i’m afraid the masquerade is over” are not easy to come by. own this collector’s item while you can. “must have” vinyl for dj’s, producers and anyone else on the hunt

the 2nd solo album from wu-tang clan member gza aka the genius, originally released in 1995. one red, one blue vinyl.

4 electro tracks by dj overdose.

south london ordnance debuts on parachute. the british producer marks his first release of 2017 with parallel window, a four track ep featuring three wrought-iron originals and remix from token & blueprint affiliate, sigha. driven and direct, the music marries rolling low end with high energy drum machine percussion and wide angle highs - for the most part eschewing anxious, heads-down austerity in favour of a more uplifting, trancelike approach - spread across multiple bpms. despite the heady, crushed finish - shifts in tone are subtle, developing over prolonged periods, with careful modulation drawing sounds in and out of the sonic hinterland sporadically to create a comfortable atmospheric balance between peak-time dance-floor urgency and hazy mid-set moments. on his remix, sigha hones in on this sentiment - lifting the caustic lead bassline from parallel window and augmenting it with trademark cavernous low end, skittering highs & a rolling lead arp to create a hypnotic, half-time dirge.

‘white punks on e’ is the taste of bike chains rubbing against black leather. heavy cast iron forged across studs and hot-wired organs. the howls from blazed skull hordes jacked up to distortion engines broadcasting into neglected cellar units. it s shrill echoes from the parking lot carried along the financial district, overturning lobotomised business lunches, attache cases and $50 slick-backs. nasty club rock fed through biohazard cassettes, doom arcades, sabres and scorpion tattoos - new blood to rock the neighbourhood and a pleasure to welcome stratton into the fold.

number 2 of three kicks off with the menacing sounds of anastasia vtorova’s (machine woman) 8 minute iron curtain, meandyou co founder herron (sam lewis) made on appearance on the first jheri tracks comp and is back with the percussive stop start vibes of yusmita. sias returns to the fold with his brand of post punk techno on brickfields with sbot & soft stone completing the set.

electro, techno and ambient works from super hexagon co-founder jacob wiltshire. each created with a nod to the past and the future. support comes from the likes of faltydl, james ruskin, klose one, kirsti (null + void), hrdvsion, smash tv, severino, dop, danny tenaglia, deft, xxxy, paco osuna, kristian (amé), iron blu, mamiko motto (nts), dense & pika, martelo (nts), samuel bailey (apple music).

summer might be on its way but we felt things were getting just a little too ‘nice’ over at x-kalay hq. there’s been bare palm tree emojis flying around for time now and not enough hammers, sickles, cheap fags and adidas tracksuits m8.
next up for xk008 we present mysterious russian newcomer, diego tierres and his solar winds ep. based in st petersburg he’s served us up four of the toughest warehouse burners you’re likely to hear this side of the iron curtain. proper raw material, this is straight out the furnace, blow your doors off, no prisoners shit.