re-issue of the 1994 album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.

itÕs already been 5 years since the last zombie zombie album rituels dÕun nouveau monde, after which the group explored other territories by signing 2 film scores, namely loubia hamra by narimane mari and irrŽprochable by sŽbastien marnier, as well as creating the music accompanying a contemporary circus show called slow futur created by martin palisse and elsa guŽrin. wouldnÕt these beautiful parentheses make you want to return to the sources? after 10 years at versatile records, 2017 also marks the decade anniversary of the release of their first album a land for renegades in 2007, at the time considered to be one of the 10 best albums of the year according to rough trade. livity - zombie zombieÕs latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist philippe druillet, who is also the founder of the cult mŽtal hurlant comic series. the title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at the famous island records compass point studio in the bahamas.

beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded ¾private collection® album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two ¾private collections® are already considered classics by the jazz-dance community.

der mehrfach prŠmierte dan snaith veršffentlicht als caribou, daphni (und frŸher manitoba) auf label wie city slang, merge, leaf und domino. wŠhrend seine musik aus electronica, folk, shoegaze und neo-psychedelia mit dem oberbegriff dream-pop sehr gut beschrieben ist, legt er bei seinen dj-sets wert auf einen starken anteil an live-instrumentierung mit dichter, minimaler percussion und spielfreudigem, funk-infiltrierten bass und begibt sich damit in seelenverwandtschaft zu Šhnlich inspirierten kŸnstlern wie four tet oder floating points. dan snaith nutzt die gelegenheit, in der fabric-serie zu veršffentlichen und kreiert ein unikat aus vollstŠndig exklusivem und unveršffentlichten material, bestehend aus 23 eigenen tracks sowie 4 weiteren, exklusiven daphni-edits. - packaging: deluxe-packaging - dŸnne metallbox

the/das ist ein aus der formation bodi bill hervorgegangenes musikprojekt von fabian fenk (gesang) und philipp koller (elektronik, mix), das 2012 in berlin gegrŸndet wurde. der bandname soll eine neutrale bedeutung haben und in keine bestimmte richtung verweisen. ihren sound nennen die beiden techno tenderness, was in etwa chilliger afterhour-musik bzw. new romantic house entspricht. diesen fanden die geneigten hšrer auf bislang Ÿber einer handvoll veršffentlichungen, darunter der lp -freezer- von 2014. dessen innig ersehnter nachfolger erscheint auf dem italienischen, von dj tennis gefŸhrten label life and death. wŠhrend bei frŸheren releases eher der homelistening-aspekt betont wurde, gibt das produzentenduo auf -exit strategies- verstŠrkt clubfreundliche seiten von sich preis. dafŸr vermengen die zwei ziemlich geschickt, geschmackssicher und facettenreich ursprŸnglichen techno berliner prŠgung und organische soundschleifen miteinander und wŸrzen das ganze mit verspielten kinematografischen details. ein aufwŠndiges verfahren, dessen umsetzung von losen skizzen Ÿber die ersten arrangements und immer wieder neuen †berarbeitungen bis zum finalen mix im studio rund drei jahre dauerte.

through the sparkle is a collaboration between french ensemble astr•d and american pianist and composer rachel grimes. rachel grimes is best known for her chamber music project rachelÕs, a hugely influential group formed in 1991 in louisville, kentucky, releasing six studio albums between 1995 and 2005. she has also released a string of contemporary classical works in recent years on labels such as temporary residence. astr•d is a collective of four musicians based in nantes, releasing records on rune grammofon and home normal. after years of mail and email back and forth over the ocean, from nantes to kentucky, astr•d invited rachel to come for a residency to make music together and play shows in france. they gathered for a few days, here and there, in 2012 and 2013 to write songs in cyril and vanina s home studio in the countryside.

to celebrate our 200th release, the fourth installment of the -stil vor talent berlin- compilation series brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of berlin s metaphorical aorta. alexanderplatz Ð or more specifically, its tv tower the fernsehturm Ð is one of the city s most iconic spots, bustling with locals and tourists alike. a stroll through its subjacent u-bahn station exemplifies berlin s multitude and diversity like no other place in the city. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visual

last volume of this compilation series, again a great one.., holding amazing tunes from across the globe that you probably already have been looking for.... tip!! . over the last five years and as many volumes of their beach digginÕ compilations, guts and mambo have explored the reefs of five continents, dredged the sea beds of countless seas and oceans, examined every single seashell with the aim of making sure that no vinyl pearl should escape their notice.

die phase zwischen stunde 0 und globalem impact: erste hip-hop-aufnahmen aus new york.

ambient power duo anjous sophomore statement continues in the vein of their 2014 debut, unfurling a full hour of mesmeric synthetic drift and veiled melodic undertow. comprised of mark nelson (of pioneering post-rock experimentalists labradford and pan american) and robert donne (of labradford, aix em klemm, cristal), the group work largely in long-form suites of sound, alternately spacious and dense. the new lps six pieces embrace flux and ambiguity: drones swell and shudder, hushed currents of noise glitch and dissolve, atmospheres congeal and liquify. as with the participants prior projects, anjou evoke a shadowed, mysterious mood, variously melancholy and transcendent. the album is an accumulation of craftsmanship and experience, blurred forms traced in light and fog.

atmospheric and ambient dub master yagya serves up stars and dust, his seventh full length album and second on delsin. it finds the icelandic artist perfectly pair melody and minimalism to create ten more tender tracks that will sooth both body and mind with a range of very real emotions. electronic but organic, it is another complete work that encourages you to lay back and get lost in sumptuous sound.

leng records veršffentlichen mit magik sunset pt.2 den lang erwarteten zweiten teil und nachfolger von magik cyrkles und magik sunrise. psychemagik entfŸhrt den hšrer erneut auf eine musikalische reise durch psychedelischen funk, cosmic disco, balearic prog rock, middle eastern beats, off-kilter african reggae und unbekanntes terrain.

itÕs the season of the juiciest, sweetest fruit, of shorts, tank tops and thongs, the time of year when you look at life through a dark pair of sunglasses. summer is also the time of year when lovers of soul, disco, funk, bossa, jazz and other similar grooves get together to enjoy the sunny vibrations sampled by guts and mambo from the world over.

limited nice price action !! dj hell steht nicht nur fŸr eine bestimmte art musik, sondern fŸr einen ganzen lifestyle, eine eigene €sthetik Ð und sein neuer mix, body language vol. 9 ist vielleicht die platte, die das facettenreiche gesamtkunstwerk hell am ehesten zu bannen vermag.

eric porter douglass lp for pan is the labels fifth full-length album following contributions from james hoff, valerio tricoli, lee gamble and objekt. the new york artist has been putting out jazz, hip-hop and house-influenced records on deepblak

soundway records, along with the goethe-institute and adaptr.org, present ten cities a new compilation including, amongst many others, the likes of bristol dubstep producer pinch, lisbon-based producer batida and kenyan group just a band

emotional rescue is proud to present the first ever collection of works from spanish song writer javier bergia. as a member of finas africae his name is finally coming to prominence. now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. born in madrid in 1958 to a family steeped in both classical and spanish traditional music, javier s unique mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness . since 1980 he has been an integral part of the ancient music group atrium musicae . in 1984 he founded, with juan alberto arteche and luis delgado, the groundbreaking group finis africae as a sonic investigation into a fusion o f diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. as a solo artist, his career blossomed when, in 1985, he recorded his first lp, the acclaimed recoletos and he has since recorded thirteen solo albums . with luis delgado he recorded the now classic album la fl or de piedra under the name ishinohana and regularly appears with singer ismael serrano. javier has composed music for and collaborated on many documentaries, films and advertisements as well as collaborating on protects with a myriad o f artists including maria del mar bonet, joaquin diaz, vainica doble, marina heredia, pablo guerreo, antonio vega and cafe del mar. today he participates in the sephardic music groups halilem and alquibla , as well as diverse alternative chamber music groups. javier works around the world as composer, arranger and producer and he appears daily with manolo hh on radio nacional de espana.

walking through the skyÉfive years ago christian naujoks, peter m. kersten and richard von der schulenburg started a series of spontaneous recording sessions without any intention or idea. the only thing what held the group together were the immediate results hitting the three musicians straight inside their hearts. jazz as a metaphor of instrumental conversation, improvisation in the most dillettant way, science as a matter of exploring the opposite sound of what instruments were built to, these might be parts of a concept where there was none.

in the ever-expanding universe of deep house, julius steinhoff is far from being a stranger. half of the dynamic duo smallpeople, founder and one of the steersmen behind hamburgs smallville empire (record store/ label/ party curator around the globe) as well as a producer and dj in his own right, steinhoff is closely associated with a group of like-minded people that unite fresh ideas and individualism with a certain consciousness of tradition.

gilles peterson prŠsentiert vierzehn neue, exklusive electronic-geheimtipps aus seinen playlists & dj-sets! die kŸnstler bewegen sich im spannungsfeld zwischen hip hop, bassmusik, deep house, r&b, drum & bass und techno sowie allen subgenres dazwischen. -brownswood electric- veršffentlichte als eine der ersten samplerserien schon frŸhzeitig tracks der heute erfolgreichen acts mount kimbie, 16bit, shlohmo und mosca!

jimi tenor and nicole willis sublime herakles label returns with haunted by hallucinations, the new bandproject from petri tokkannenm mastermind of the fabolous finish soul investigators group. guitarist petri toikkanen, who graces the liner notes of nearly all the soul investigators (home cooking, keep reachin up) releases, as one of the formidable composers of the musical group, makes the debut on this self titled new bands album.

tomorrow we sail is a group of seven musicians, based in leeds, uk. formed in 2009 they have spent the past four years developing their sound into what is now a vast landscape of billowing, reverb-soaked guitars, orchestral strings, piano, organ and multi-layered vocals.

pangaea steht als synonym fŸr subsonische bassmusik. sein zusammen mit pearson sound und ben ufo betriebene dubstep-label hessle audio zŠhlt zu den besten adressen des genres. entsprechend intensiv fŠllt seine arbeit fŸr die fabric-mixserie aus, die gekonnt darken techno mit bassigen sounds verbindet.

facettenreich, spacig und forsche e-gitarrensounds machen dieses album zum musikalischen hochgenuss. incl. dem internationalen hit >teardrop<

iggor cavalera is best known for his part as the drummer of brazilian super-group sepultura. having toured heavily around the globe, winning several best drummer accolades and sold over 10 million records, iggors incredible ability to project emotion and evoke thought through his percussive talents is being given an outlet in the form of his exciting collaboration with his djane wife laima leyton, mixhell.

als meisterliche fusion aus gitarre, synths und beats wurde das asphodells debuetalbum ruled by passion, destroyed by lust von der fachpresse bezeichnet. andrew weatherall und tim fairplay luden daraufhin freunde und nachbarn ein, darunter ivan smagghe, justin robertson und daniel avery, ihre eigenen interpretationen zu erstellen. das ergebnis ist eine elektronische exkursion voller ideenreichtum und stilvielfalt, die es dem hoerer nicht leicht macht, den besten track zu benennen, denn sie sind es alle.

recording artists jimi tenor & nicole willis who are life partners as well as past collaborators, reunite for their new project, artist name cola&jimmu, cola, a kind of pseudonym of nicole and jimmu, associated with the legend of the first emperor of japan, jimnu tenno. both tenor and willis have fronted their own projects over the past decade, willis most recently working with helsinki - based group the soul investigators, for their albums tortured soul & keep reachin up, timmion records 2005, 2013

iggor cavalera is best known for his part as the drummer of brazilian super-group sepultura. having toured heavily around the globe, winning several best drummer accolades and sold over 10 million records, iggors incredible ability to project emotion and evoke thought through his percussive talents is being given an outlet in the form of his exciting collaboration with his djane wife laima leyton, mixhell.

soundway records present kenya special: selected east african recordings from the 1970s & 80s - a treasure-trove of rare and unusual recordings from east africa

das londoner label soul jazz records graebt tiefer und tiefer in den archiven des wohl wichtigsten labels in der geschichte des reggaes. gegruendet vom legendaeren produzenten clement sir coxsone dodd, gilt studio one als das motown des reggaes, alle moeglichen karrieren nahmen hier ihren anfang, ob bob marley oder the skatalites.

black ark singles and dub plates 1972 - 1978!

from the shadows is black sun empires fifth studio album, a high energy, high quality follow-up to 2010s lights nad wires packed with 170bpm plus beats, gut-wrenching basslines and a decidedly exciting take on the drum n bass formula. from the shadows features collaborations with mau5trap signed mc group foreign beggars, new zealand singer-songwriter thomas oliver, czech cinematic scorer rido, fellow dutch dnb stars noisia and more. this is an unbending, unapologetic, fully charged album thats infused with dark and brooding atmospheres.

hunx and his punx is the homoerotic vision of san francisco-based performer/personality hunx, aka seth bogart. carrying the banner of his gay sisters (rob halford, little richard, freddy mercury). hunx is proving himself a legendary child in his own right, charming gays and squares alike with his live shows and candor. the music pays homage to his varied influences (the ronettes, the ramones, al pacinos cruising), hunxs unique style defies genre and serves up equal helpings of 60?s girl group, bubblegum pop, and new wave with all of the hallmarks of the bay area garage rock scene seth emerged from.gay singles compiles all 5 of his sold-out singles released between 2008 and 2009 with a bonus track.

mannequin and sacred bones are honoured to join their forces to offer you one of the best uk new wave reissue from the 80s. uv p¯p were an early 80s post-punk group from the south yorkshire region of england.

>the evolution of afrobeat< - tony allen jungle by night drops their first full studio album on kindred spirits. hidden is the first full studio album from this group of dutch lads, who retain their youthful exuberance and innocent energy, and delve deeper into their own sound. moving slightly away from the afro-beat blueprint that characterized last years self-titled debut lp, the nine-piece have added gamelan tones and studio effects to their afro-funk template, as well as exploring other parts of africa like malis desert soul and djembe rhythms from senegal. after two years of playing, and having performed over 80 gigs last year, the group have settled in their own rhythm, and hidden sees them trying out new ideas and forms.

tomas barfod is fascinated with the idyllic wasteland, unveiling salton sea, that draws from the concept of urban decay.the producer and drummer of the popular danish group whomadewho, with a history of solo and collaborative releases for get physical, turbo, gomma, and kompakt, barfods latest full-length balances contrasts. at times bright with delicate

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.

from the word go, >its all true< has a spring in its step as opening track >itchy fingers< features lofty bpms in a range never explored on record by the group before and then, just as suddenly, the band shift gears to the sparse, brooding >playtime<. from the confident stomp of >you ll improve me< and the sophisticated pop of >a truly happy ending< to the epic album closer of >banana ripple<, >its all true< is by far the junior boys most accomplished album to date.

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

mad decent is proud to announce our very own -mad decent volume 1- compilation, featuring 18 tracks hand selected by our leader diplo from his favorite overlooked remixes of past releases plus a variety of new music from our next crop of artists. the compilation presents a selection of mad decent artist who ve helped shape the labels unique personality since inception. featuring huge new remixes of classics such as bosco delreys -wild one- (reset! remix) and malucas -el tigeraso- (sticky k remix) to unreleased gems like boy 8-bit -house on the hill- and dillon francis -beautician 2.0-, to in your face bangers like ruskos -everyday- (netsky remix). mad decent vol. 1 is as much a showcase of the labels biggest names and tracks as it is an illustration of its incessant efforts to bring new genres and cultures to light. the label has come a long way from the underground philly scene where it all started, collecting a diversified group of artists along the way. from blaqstarr, to rusko, to savage skulls and po po, the sound and influences come from all over the world, and somehow work together to form a unified front of weirdos that make music outside the lines.

overview in the 1980s, as hip hop caught fire around new york, sparky d was coming up in the van dyke projects in brownsville brooklyn. she would go on to be one of the first recorded solo female rappers and rise to hip hop stardom. early in her career she was a pivotal player in what came to be known as the roxanne wars. it all kicked off with utfo s roxanne roxxane followed by roxanne shante s debut roxanne s revenge and then a salvo back at shante with utfo and a female mc known as the real roxanne. sparky d then started a trend that ran for what some say was over a hundred assorted answer records and nearly the rest of the decade by jumping into the roxanne trend with sparky s turn (roxanne, you re through). massive spins and sales throughout the city followed. the success of the cut lead to another handful of 12 releases, and this release, her proper full length debut this is sparky ds world,- produced by her boyfriend and old school legend spyder d. though the record didn t take off to the extent that her label mates boogie down productions found with criminal minded....well, what ever did take off like criminal minded. to this day the release serves as a testament to the power of one of hip hop s first female mcs, after all, this is sparky d s world. traffic entertainment group in partnership with b-boy records is proud to release this extended version of the album, out of print in any format for over 14 years. housed in a handsome 6 panel digipak featuring extended artwork and audio including all the 12-cuts, mixes and instrumentals from sparkys classic -throwdown- and -i can t stop- vinyl singles.

syndromes is the sophomore album from new york electronica duo the golden filter. it is the follow-up to debut voluspa from the the group - consisting of penelope trappes (vocals) and stephen hindman (synthesizers)

maylee todd, one of canada s most exciting new music acts, is spreading an infectious energy around town. with the vocal chords of an angel, charismatic stage presence and a string of soulful pop tunes, this bright, young spark is turning heads by reinventing tropical grooves. following collaborations with the likes of woodhands and henri faberge & the adorables, toronto-based maylee now introduces us to her band pegwee power and their debut album choose your own adventure. the group, which started as a solo act, with just todd on her harp accompanied by a looping station, now consis...

australian pressing of this 2011 collection of rarities and non-album tracks from the queen of modern soul. sharon jones & the dap-kings have developed an international reputation as the #1 group on todays soul scene. soul time is an exploration of the full range of their dynamic sound through 12 songs handpicked by the daptone records gang, each one a precious exclusive. the needle drops on genuine pts. 1 & 2, a supercharged funk arrangement that evokes the late godfather not only with the spirited syncopation of the dap-kings rhythms, but also with the raw power of jones voice. it is performances such as these that have earned her the moniker the female james brown. though it has long been one of their best-selling singles, it makes its album debut here. longer and stronger, written for her 50th birthday, is a deep mid-tempo soul celebration of the strength and determination with which sharon jones has earned her long overdue success. whether youre a lifetime fan, or just getting turned on, sharon jones & the dap-kings have yet again made a record that will blow your mind.

2011 album from the british electronic duo, their first album in seven years. producer/songwriter/frontman richard fearless mixed the album in michigan after recording it in shoreditch, london. trans-love energies, a reference to the 1960s detroit anti-establishment group, features 12 new songs with fearless performing lead vocals on the majority of the tracks. vocalist katie stelmanis from domino band austra guests on three of the tracks.

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

fragments is the sound of a band discovering its true identity: peeling back layers of bouncy math-pop beats and angular guitar hooks, leaving at its core a body of work that swirls with deep intensity and primal emotion. musically, fragments scrapes and slides like tectonic plates between the glistening melodies of foals and the raw drive of the joy formidable, whilst frontman matt holliday emits powerful and heartfelt declarations that leave you feeling like youre sat in a self-help group with the nationals matt berninger taking register.

the thing return with guitars (gasp!) from none other than otomo yoshihide. recorded by jim o rourke live at pit inn in tokyo, shinkjuku crawl documents the different aspects of the thing and how they are shaping and melting together with the wonderful guitar magic of yoshihide. otomo yoshihide first came to international prominence in the 1990s as the leader of the noise rock group ground zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical.