ltd 750 green pieces ! milli vanilli producer (frank farian) ! incl 70s disco hit 1way ticket to the blue !

only 40 copies available!

12 inch + 7 inch

ein highlight in der -reggae anthology--serie wurde als 2lp-set neu aufgelegt. der produzent henry junjo lawes dominierte mit seinem volcano label (und auch soundsystem) von 1980-1985 von jamaika aus die welt des reggae und early dancehall! das doppel-vinyl bietet 28 tracks von den top-acts der stunde, hits und einige raritäten - seite 1 und 2 stellen die sänger vor, während die seiten 3 und 4 den deejays vorbehalten sind. das ganze mit dem gütesiegel der musiker von den roots radics und der high times band, sowie den studios channel one, harry j, joe gibbs und king tubbys studio.

the sub label of sonic groove, -sonic groove experiments-, returns after a 4 year hiatus with a stellar re-release of the electrowave classic -eruption- by beta evers. originally released as a limited edition 12- back in 2005 on beta s own kommando 6 label. now in 2017 the original pressing goes for quite a fortune on the record collecting market. often exceeding €60 for a mint copy. for the first time in a dozen years this release is available on vinyl in its original running order but with very sleak new artwork for the normal asking price of a new store bought 12-.

reissue des inoffiziell dritten albums der elektronikpioniere auf 180 gramm vinyl.

killer 12inch, serious funkin tribal house rework of kamisshake dark beat... flipside with an twisted acid house killer... be fast

4 track ep with serious electro cuts ...a la creme or bunker !!

lenny san is back on planet rhythm. delivered on red marbled vinyl.

big hits from 1978 on 3x pink vinyl incl donna summer, kate bush, earth wind & fire

first 6 album on 180g vinyl !

10x platin debut album ! lacquers cut !

30 era defining tracks that ruled the dancefloor. limited double vinyl release with download code included.

ltd cover artwork edition! part 2 of the captain’s remix issues – big pack for the main room and the basement!

part 2 of the captain’s remix issues – big pack for the main room and the basement!

what a blast – the captain got remixed and bäämm look at this pack!

6 sides of vinyl containing 21 extended 12 inch mixes of essential disco anthems.
housed in a gatefold sleeve with original artwork & pressed on 3x 180g heavyweight black vinyl.
the jacksons / earth, wind & fire / the three degrees / village people / odyssey / patrick juvet / ottawan / eruption / boney m. / tina charles / anita ward / herbie hancock / melba moore

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikari’s flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if it’s about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikaris flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if its about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

aretha franklin’s debüt für das atlantic label ist eines der klassiker einer künstlerin, die man sicherlich auch als die soul-diva schlechthin bezeichnen kann. Über 75 millionen verkaufter tonträger sprechen eine deutliche sprache. 1987 wurde sie als erste frau in die „rock and roll hall of fame“ aufgenommen, dazu kommen insgesamt 18 bisher gewonnene grammy awards. ach ja, nebenbei hat sie auch die meisten chartnotierungen einer weiblichen künstlerin im us-billboard vorzuweisen. beeindruckend.
und das album? eine eruption des soul und des r&b. eine kompetente begleitband (legendäre musiker von muscle shoals und den atlantic studios), mit jerry wexler ein legendärer produzent und eine künstlerin, die beseelt, gefühlvoll und ausdrucksstark singt, ausgezeichnet klavier spielt sind dafür verantwortlich. das album beginnt mit dem bahnbrechenden hit -respect-, (wurde auch für otis redding zum superhit), danach folgen weitere großartige songs wie das titelstück und das gefühlvolle -do right woman - do right man-, tolle cover wie ray charles -drown in my tears- oder sam cooke’s -good times-, um nur die wichtigsten zu nennen.
original mono-aufnahmen, gepresst auf 180 gramm vinyl.

it’s been more than 2 years since i did an original release on my own label. it’s been 9 months since i had an original noir release. i wanted some time without releases. some time to breathe, to think and most importantly time to be creative and to experiment. i have picked 2 productions i felt sounded different to everything else out here.

limited edition black vinyl 300 copies...
ryuji takeuchi provides instruments of discipline with an ep of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience, the ep’s title ‘one’s sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, ryuji finds space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘ambivalence’, ‘sadness’ & ‘sorrow’ crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated, while the final track ‘regret’ is a compelling piece of noisy, ambient minimalism that allows for an austere pause after the eruption of the initial works. it becomes evident that ryuji’s journey as a producer, through periods of hard-techno, deep-minimalism and the more abrasive ventures on huehelix, has created a powerful and nuanced voice that is fully on display in ‘one’s sentiment’.

whitelabel, handstamped, vinyl only! further explorations in electro soul badness from purveyor of fine funk, gary gritness! on this limited 12 hand stamped disc, gritness presents four cover versions of some choice club standards, lovingly replayed and rearranged in his own inimitable style.

from the knowledge gained on our expeditions, we are able to track down the jets fired during each unique eruption and share them with the people of this majestic orb.
the first squirt led us to the yard in hackney, where ross from friends performed live for one of the first few times in his already sparkling career.
>from the performance came a track called ‘champagne’, a wave of sax washing over you accompanied by plinking guitar and of course those fuzzy hi hats that go right to your head.
this track could previously only be experienced by seeing the trio play live or by watching our documentation of the performance, until now.
we’ve printed 300 copies only of this vintage moment from the summer of 2016.

18 extended tracks legendärer disco-hits auf 180 gramm vinyl! enthalten sind original extended 12” mixes von den jacksons, mcfadden & whitehead, boney m., earth, wind & fire und vielen mehr.

dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held, renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco, dreamlike passages, vocoder lullabies, and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control, performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

loft records returns after a fruitful year to kick-start 2017 with three infectious cuts from rising irish talent hammer. the belfast-born producer is well known for his lauded releases on feel my bicep (in collaboration with the label founders) as well as optimo music but production isn t his only facet. hammer has shared dj booths with the likes of hunee, sasha, midland, craig richards and nd_baumecker, whether at his residency at sub club or at his many gigs throughout europe. with loft recordings reflecting on a prosperous 2016, including a class two track release from isaac tichauer, followed by a chart topping remix package featuring hackman, dorsia, lancelot and bicep, hammer s innovative contribution to the imprint looks to follow suit. soaring pads and intricate drums form the overall aesthetic of canna but as the track progresses serene melodies and subtle snare rolls come together to form a harmonious eruption of synths. manaka then shifts to syncopated percussion and spectral nuances before man ray delivers distorted atmospherics and twisted chord sequences to conclude the package.

after seven years legowelt s smackos alias returns with a vampire goes west ....an all out amateur spacejazz spiritual ambient eruption on smudgey cassettetape. in library grey jewel case, comes with multifunctional self adhesive dome refrigerator magnet

minds expanded and bodies soothed by krakataus deep spiritual eruptions, growing bin take us back to the beginning with three impressionistic jazz landscapes from the magical merge. inspired by childhood memories of an iranian oasis, jo lienen let his fingers breeze over the keys like a warm shamal, leading him back through dusty streets and covered markets to his long forgotten kashan.

full color inner sleeve with 3d art by kanika tupathi. vivian is a great acid banger with high frequency jupiter 8 eruptions and a simple raga style melody. the b side a 16 and a half minute take from a live show at the magical alsisar palace in rajastan, india

anno stamm, now with a long player for all city. great previous form for all city and meakusma under this guise but the man behind the anstam output. hot! a structured double pack from anno stamm designed as both a collection of singular parts which work on the dancefloor and blurring together for a coherent full length home stereo listening.

whirling hall of knives is a collaboration between trensmat founders magnetize and the last sound. harsh smouldering circuits and eruptions of panicky white noise have a profoundly unsettling quality, a sense of gnawing paranoia but interspersed with moments of almost euphoric epiphany, as if in the grip of an unshakeable 4am psychosis a growing sense that the door will be kicked in at any second and the world outside will come pouring in. psyche electronics of a particularly greasy and grime-flecked hue... the remix comes courtesy of downwards duo, talker. the american duo of karl meier and jon krohn (a.k.a stave) turn in a heavyweight version of vacuulum on the flip...

schnell vergisst man, dass rival consoles das erste signing auf erased tapes war. mit einer handvoll demos inspirierte ryan lee west einst robert raths im februar 2007 zur label-gründung. nun erscheint das neue album des in london lebenden produzenten. es trägt den namen *howl*. die neun tracks des albums erforschen ein weites spektrum an emotionen, das von dissonanten eruptionen und ursprünglichen rhythmen im titelstück bis zu schwermütigen improvisationen in *3 laments* reicht. ein lange gereiftes, sehr persönliches und dunkel klingendes album.
das doppel-vinyl erscheint inklusive downloadcode.

klamauk are all set to reveal their second release of 2015 with this excellent offering from their very own tilman. this 5 track ep takes in a broad ranging musical spectrum from the warm, emotive house of voyager to the eerie acidic groove of outer space. the ep really shows off the prowess of tilmans productions who has been going from strength to strength of late and is a great addition to the klamauk catalogue.

on his third album, the pennsylvania snake-synth-charmer deepens his approach to aural depravity. ultima ii massage widens a jagged swath through the dudes own weird catalog, each disparate track damaged to the point of contributing to some sort of greater, lurching frankenstein-like state.
pressing on yellow coloured & marbled double 12 inch, download code included.

the latest instalment from last night on earth introduces harry klein artist nico lahs. nico came to us with two original peak time cuts full of melodics and emotion that were a perfect match for the lnoe sound. also featuring on the ep is a super stripped back dub techno workout from the man like deadbeat who has always impressed us highly with his musical abilities.

crazy p return with the final remixes from the when we on album. these three remixes were the exclusive new mixes on the recent digital only remix album, but its only fair that remixes of this quality come out on wax.

we are proud to release the second ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. >eruption< is maybe the most powerfull deep dubby track from the traces album, perfect for the dancefloor. >motion 3< and >motion 2< are beautifull floating dubby tracks. finally morphosis did a remix of >eruption<, pure killer madness for the dancefloor. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.