good things come to those who wait: the second release on the crazylegs label finally arrives in the form of an incendiary solo debut from nottinghams toyc. thats toy see — a name youre likely to hear popping up quite a bit over the coming months fresh from guest appearances on boiler room and bbc radio 1, ruffer and keyframe represent a bold snapshot of toycs unique sound: two dangerous slabs of light-footed, elastic bassweight that you may well recognise from the sets of jackmaster and ben ufo backing up the originals, an old vs new-skool grime soundclash, if you will — 8 bar pioneer youngstar and thrilling belfast newcomer bloom run amok with versions of keyframe. and finally the inimitable danny native twists ruffer into one of the most menacing pieces of dance music youll hear all year

a four-track ep, bemired and evil-eyed, but with room for arnaldo to breathe out and flex a little after his spooked, sparked contribution to blank slate 001. the opener is a dubwise bubbler, with spaced-out keys, free woodblocks, shuffling hi-hats and elastic 303 bass. atmosphere breached is more jazzy and messed-up, running funky organ through sizzling fx, syncopated handclaps and filtered groans. the flip is dancefloor-trained. our pick of the bunch, verano is in a dark, hissing, aqueous world of its own, chugging and stomping, with relentless tambourines, crunchy filtered tribal drums and detuned horns. heads down to close: lost voices and a 909 kick, chattering hi- hats and rattling percussion administer the licks.

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

the third installment in the cobblestone jazz 12? series brings two more tracks. on the a side we find whos future?. full of bubbling elastic bass and deep chord swells, its a laidback affair with a snappy groove to push it along. on the flip is across the nation, a stripped out and up-tempo electro jam with crisp breaks and gated pads. all the elements mingle together to create a thick bed of future funk. another wheel for your wagon.

200 ever made. hand made unique covers wrapped, in cellophane envelopes. pressure lost: a sci-fi novel in eight chapters about loss of pressure. in a part of the world where there are no rules, deep in the jungle where nothing that lives is safe, a mysterious artifact has been uncovered. nothing like it has ever been on earth before. it comes from the future, the thing that wont die, in the nightmare that wont end. your future is in his hands. once you go in, you dont come out... nature won is the collaborative project of rasmus mobius and morten bang larsen. rasmus mobius has previously released two albums, as half of melk in 2005, and his solo effort >medicine walk< from 2006, both on statler & waldorf. on this new full-length, morten and rasmus has crafted a new sound, like a tv tuned into a dead channel and the rainbow reflection of a laserdisc.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

london based dj and producer brackles makes his debut as a rinse artist with his new 12 inch release, released on august 8. brackles has steadily built a name for himself as a dj and producer to watch after he started djing at 15 years old, going on to be a regular at londons world famous fwd>> club night and with his own weekly show on rinse fm.
as a producer he has released several highly sought-after releases for some of the best labels around - planet mu, appleblims apple pips label, berkane sol and numerous releases on his own blunted robots imprint with co-owner shortstuff.
brackles dj sets are renowned party starters, energetic and elastic, effortlessly taking in funky, grime, vintage 2-step and bassline. this 12 inch, a taster from his upcoming rinse presents full length release, encompassing all of that without losing that unique brackles production sound. catch brackles every thursday 3pm-5pm on rinse fm 106.8 fm london and www.rinse.fm

tommy walker 3 has been hiding for a while now, after releasing a slew of material in 2008 (including a release on the sadly defunct dissident). now hes back with >dance music clubbing<, and with a name like this youd probably expect this ep to either be a bit off the wall, or unintentionally awful. we are glad to say it fits into the former category, offering an ep of colourful elastic space disco mixed with a more classic vibe. opener >disconnected< sets the tone with its 80s, verging on hair metal guitar riffs. >mwj1< impresses with its almost seinfeld-esque slap bass, and synth piano stabs while >errational< is characterised by its wonky synth melody and spaced-out laser gurgles. finally >v brains< melds driving live bass with huge slabs of cosmic squelch. if you like your disco fierce, this will definitely be worth a look

peters love of obscure disco and house shows in this solo album - wide ranging influences have gone into the musical hot-pot. take the slo-mo lazy groove of lead track and opener love is the key . this sets the sonic palette, laid back, underground and understated (but cucumber cool) throughout. deliberately absent are the commercial and pseudo-poppy sounds from the visti and meyland 2010 debut. this record is a club affair, less in your face and more all around you . for example lost in space is one part elastic groove, one part melodious, enveloping ambience and one part progressive disco groove. tracks such as i m out the door , bubble bubble and drinking in darkness are more direct, straight dance floor booty-shaking grooves. as is what you would expect from the man who has dj stamped firmly into his dna.

light sounds dark combine forces with fellow marshmallows psychemagik on a ride to the other side and as one would expect from these two a variable treasure trove of a selection plucked from all corners of the known galaxy and far beyond.

retrofit reaches release no. 4 with a solo endeavour from boss jay shepheard that truly encapsulates the labels mantra of referencing vintage house, disco and techno but laying it in a sheen of contemporary sonic dynamism. this is more than evident on the expertly paced >all over my nord< which is driven by a richly elastic analogue bassline riding the slick syncopation. a surfeit of melodic stabs imbues the track with real energy whilst the gradual rise to dominance of a pad wash drenched in detroit atmospherics adds the requisite emotion! this is complemented by the much more immediate >string theory< which opens the b side with a master class in future retro jacking house business whilst >kuderskis groove< bridges the gap between filtered disco aesthetics and deep house bpms with nonchalant ease. prime dj business once again from the retrofit camp.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

boy 8-bits first release for turbo is highlighted by >yard birds<, an otherworldly piece of electro funk with a mammoth elastic bassline and actual birdsong samples!

orange butter ep is a two- track production by the in georgia born artist lado with two remixes by tobias w. (r÷mer records). following his intuition lado gently takes your hand and attends you with distinctive sensitivity for moods and atmospheres on the dancefloor through the nightly frenzy.

djs likin it.. gabriel ananda, sacha funke, jonas kopp, jimpster, losoul, kreon, gavin herlihy, ewan pearson, lee burridge, d’julz, dyed, soundorom, simon baker, valentino kanzyani..

this music works by releasing carbon dioxide gas into a batter through an acid-base reaction, causing bubbles in the wet mixture to expand and thus leavening the mixture. it is used where the batter lacks the elastic structure to hold gas bubbles for more than a few minutes. because carbon dioxide is released at a faster rate through the acid-base reaction than through fermentation, music made by chemical leavening is called >quick compositions. the tracks are made up of an alkaline component, one or more acid salts, and an inert starch (cornstarch in most cases, though potato starch is also used).

this time is all about peak time. alessio and virgil, masters of evil techno, board the boat with two amazing dance floor killers. the power of the one, on side a, has all the elements needed to make the crowd scream and jump: jackin drums and all those layers of crazy synths creating that tension we all love. on side b, kamun brings some elastic mayhem to our ears. again, a dark dense atmosphere is the vehicle over which the tension evolves. this time, its a fat sawtooth synth which adds all that frenzy to this peak time track.

another fresh face for the vastness we like to call minimal techno. a few months ago, javier logares tracks for bar 25s little sub-sister bar25digital went down a storm, so it was about time to introduce his music to the vinyl world of bar 25.
>elastic doll< is a cheeky bouncing piece of minimal techno with a marching bassline and a handful of dancing bleeps at all the right places. this elastic doll will lure you right into afterhour debauchery.
on >the wrong clue< javier dims the lights and sets a more haunting tone with an eerie synth-melody and bleeps, that slowly but surely crawl up your spine. seriously tripping stuff this is.

king dks debut on panevino music is a solid afro latin influenced track titled sho sho sho and featuring no other than wunmi on vocals. panevino is takin the track on a rumbling groovy loop affair, while victor is doing his appearance with a deep dreaming afro ride. sho sho sho is ready for those shakin bootyz on every dancefloor!!!

the eps title track baltic pine bounces an elastic bass with a punch whilst its magical melody evolves out of the groove, taking you skipping away until it breaks into a ebullient cacophony of accordion, piano and brass.

syntax analyzer stands for research of hardtechno algorithms that picks >mushroom on the beach< by albert kraner with high density voltage for your brains. no need to mention mad man dariush gee with twisted tune >what s your fuckin point< that puts straight point with groovy and elastic beats for all you ravers. notorious motormorfoses on a flip with astonishingly musical >cataclisma system world< that will smash you away deep and solid. lastly noizbar, an evil genius of datablender movement, delivers you a tricky track called >separatist< that gives you a lift to your final destination.

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

besides the sublime original version, the >bloodstream ep< also features three exclusive new mixes, each teasing out the songs grace and power in vivid and unexpected ways. the berlin-based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to two separate versions.
schwarz s club mix re-engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. his dub version, meanwhile, builds into a hypnotic instrumental collage of bubbling beats, twinkling pianos and elastic basslines. at over seven minutes long, not a second is wasted.
by contrast, the chic parisian re-edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. it s a playful and vibrant fusion, where soul-baring yorkshire poetry meets sleek french disco chic.

resident weirdo miro pajic is back to kick of 09 for tora! two robotic soul tracks with plenty of sneaky workouts. chop block freaks out the floor complete with elastic bass attacks. la s audio injection continues his hot ride with a fun flipping remix. feet jerking for all. 7robotsspeak has that feel of dark corners , gum on the floor while trying to talk on your mobile. next to a speaker stack

with a prime palindrome inigo kennedy, as always, provides an array of distinctive and original tracks that continue to stand out from the crowd.avoiding titles the music does the talking. bounded by an intro and outro here are four tracks that push the envelope further than most.kicking off with a brutal and driving digital assault a1 has been tearing up sound systems in many ways reminiscent of the seminal asy001.a2 builds on the intricate and mature edge of the asymmetric sound. a strong and evolving melody draws you in over a slow moving atmosphere. underpinned by a classic kennedy rhythm and characteristic of the unique way he layers sounds together.driven by a warmly distorted rolling rhythm b1 turns up the heat once again whilst over the top floats a trademark futuristic atmosphere.b2 dives straight back into the world of digital manipulation. an elastic loop is treated. its pitch slowly grows. the effect is almost imperceptible. the result is hypnotic.

brachial monster hardcore 4 tracker

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

the aside features a nice driven minimal techno tune called >tummy tunes<. on the flip we have the original >elastic body< which starts very slow und build up to a deep techhouse track perfect to start a dj-set. the remix by tactik comes in a more melodic electrofied way

the second dark groovin minimal techno two tracker by seuil (minibar,60sec.) on einmaleins musik after his >elastic breast ep< on einamleins012. support from bastien grine, ben parris, butane, karotte, mark-henning, mike shannon...

stunning 4 tracker by featuring vocalist natacha labelle, its a collision of house, techno, funk with the little detroit touch. support by claude von stroke, dj t, jesse rose, john tejada, laurent garnier, sasse, tobi neumann and many more

still music presents a brand new exclusive solo release by respected manchester dj irfan, the man behind the citys best kept secret, rainy city music. his vision of underground dance music has brought us many quirky hard to find releases under monikers including city people, the elastic band, galera or the tellurians. the music has been championed by a cross section of djs including kenny dope, jazzanova, mr scruff , dj spinna, rich medina, snowboy, bobbito, derrick carter, phil asher, laurent garnier, joe claussell and bugz in the attic

the french jeremy herpe is back with the second output on rrygular !!

cool elastic bubbling minimal techgroover !!

der mann hat einen guten lauf. patrick skoog aka agaric stattet zwischen seinen begehrten we are 10inchs köln einen besuch ab. fetter tintenstrahldrucker-funk

a new label and the first release comes by the hottest us minimal act and alphahouse head andrew rasse aka butane !! and he delivers 3 tracks fully loaded with weidro kitchen samples, creepy sounds in the background and bubbling elastic basslines !!

chris carrier is well known for being the man behind the infamous label adult only active in paris for several years now. oscillating between techno and house with ease, chris has released tracks on get physical, robsoul, adult only, crack&speed and of course on his brand new label catwash in association with dj wild. he also has just remixed marmion schonebergfor superstition in germany. chris carrier has now joined brique rouge answering david duriezs call for more techny material and her e it is ! a superb 3 tracks techno release which is going to make huge waves on the scene

der platzhirsch präsentiert stolz seinen nachwuchs, der munter im unterholz umherläuft. in vier worten: minus rave, plus afterhour

freakin experimental tech tracks for innovative djs

1a freistil-techno mit toller soundauswahl & einem grandiosen break, der unter die haut geht. versprochen !

ambient / experimental album

sebastian inwood has long been regarded as one of drum & bass s most promising producers, with a string of impressive singles on ingredients and hospital testament to his talents. strange system is the bournemouth-based break freaks debut album, and simply sparkles with futurist intent. comprised mainly of tracks that blend sturdy, bass-heavy d&b rhythms with the kind of melodious flourishes that have become hospital s trademark, its an album full to bursting with highlights. these include, but are not limited to, the punishing sub and sweaty, late night vocal samples of xylo, the slick, rolling liquid d&b of powder coated (produced in collaboration with london elektricity, and the d&b rap rinse-out of illaman hook-up weirdos & creepers.

man/machine: viennas elektro guzzi challenge the meaning of >live< in electronic music. bored of laptop sets? with a >classic< setup of guitar, bass and drums elektro guzzi quantize themselves to an unheard level of discipline, tightness and danceability. no computers, no pre-recorded loops, no solos. probably the first time techno is really played live. as sequential as they may sound, they couldnt be more analogue. but however traditional they may look as a band, they certainly do not sound like one. the quest for the ultimate live presentation of techno has come to an end. produced by patrick pulsinger (hercules & love affair, m-plant, cheap), the album is a masterstroke resulting in great dancefloor movers, state of the art analogue recordings and a prime showcase of elektro guzzis incredible creative capabilities. played live with no overdubs, this record breaks down the demarcation line separating man and machine. everything in techno has been done? you aint heard nothing yet. !!! elektro guzzi live at s—nar (barcelona), berghain (berlin), fabric (london), trouw (amsterdam), spring festival (graz), flex (vienna), rote sonne (munich), mellow festival (sofia) and maaaany more