one per customer and shop

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

brand new 7 track vinyl ep from edward scissortongue entitled *the theremin ep*. production by lamplighter, dirty dike, sumgii, miles courtney, eon ra & konchis with cuts by dj sammy b-side. featuring toyface and johannes schaff.

special artwork edition
time to get loose. g*g is a new format for songs that make you giggle.

time to get loose. g*g is a new format for songs that make you giggle.

oskar offermann and his frequent collaborator and label mate edward are two of the brightest rising stars in contemporary deep house music. as head of the esteemed white imprint, offermann has an envious catalog spread across his own label, aim, and japans storied mule musiq, edward has mostly confined his releases to white apart from a single drop on the mysterious giegling, and some outstanding remixes on other powerhouse labels. since their appearance in 2007, the pair of berliners has only one collaboration record between them in spite of a close association, large individual discographies, and frequent pairings behind the decks. it is thus with great ceremony that thema announces their north american vinyl debut with the four-track ep, verses.

played by ricardo villalobos, vinyl only

ganz nach dem motto des zürcher labels enthält die fünfte veröffentlichung von miteinander musik produktionen mehrerer künstler. >sugar hill ep< heisst die platte. die a-seite liefert der berliner exponent des zürcher labels - edward ean. >laboe< ist ein deeper und verträumter track mit dem hang zum dunkeln, der den zuhörer gedankenverloren zur mitreissenden melodie wippen lässt. der remix stammt von dj le roi aus dem hause >get physical<, der aus edward eans original einen neuen stil kreierte und so entstand ein track, der jede tanzfläche zum glühen bringt. für die b-seite der ep ist der zürcher abdel hady verantwortlich. mit >purple valley> komponierte er einen technoiden, aber auch sehr melodiösen track mit einer melancholischen gesamtnote. reartes sphärischer remix ist von der disco-musik inspiriert und bringt auch die verkrampftesten tänzer dazu, ihre glieder ungehemmt über die tanzfläche zu schleudern.

support from: luciano, ame, mano le tough, damian lazarus, charles webster, oliver hafenbauer, einzelkind, laurent garnier, lil tony

marking the release of their debut album ‘dream cargoes‘, tj kong & modular k present ‘end-game‘, the first single to be lifted off the cd on poker flat. shuffling and sparkling with urgent, peak-time electronic disco vibes, ‘end-game‘ is one of the calling cards from their album, which as it happens is jammed packed with stand-out cuts. freaking and peaking over almost 10 minutes, the pair are not afraid of fully exploring and expanding a jam until they have worked it as much as possible! the pumping reference remix leads us into even bigger room zones as an old school techno vibe lifts us up and carries us into the late night. strong, rushing and full of tension, this mix is a guaranteed festival goosebumb moment!

exceptional debut album!!early support by groove magazine, resident advisor, oliver hafenbauer, gerd janson, lawrence more to come.. sometimes things in life never occur as planned. so it happend to edward aka. gilles aiken, when the berlinbased artist was looking for a new apartment. somehow he found himself moving to a very small fairy tale-like village called teupitz in brandenburg, germany. it was there were edward rediccovered his deep love for nature and silence. with long extensive walks along the teupitzer lake he got to the bottom of his true love for house music. within the silence he could still hear a distant pulse of basslines ringing. and after release for giegling, blooming soul and white it was time to make the next step. with all the nature surrounding him, he finally felt able to get all the music out. music which ended up as his debut album, simply called teupitz

for our third instalment on mars recordings weve decided to go for transparent green vinyl! this has nothing to do with aliens, we wouldnt be that obvious, but its the colour chosen by the artists and we think it looks like another great mars package. musically, well edward oberon & paul t have conjured up 2 awesome tracks. >love is< is absolutely sublime with its warm bass line and delicate sounds to the breakdown, while keeping the drums nice and punchy, a great tune to roll out. >absolute< harks back to the deep sounds of old good looking by the likes of big bud or tayla. ridiculous sub-lo bass and deep strings, this is how mars do things and we feel its another quality 12 inch where the music & the packaging matter.

big with: laurent garnier, jennifer cardini, jimpster, robert owens, tristen,.. finally, its there! with two beautiful tracks by edward and a deep remix by one of the head of white music, oskar offermann, the first release of the multi-influenced house label blooming soul records is out. between house and dub, minimal and deepness, this inside out ep plunges you into the depths of the edward mind. are you ready for this hypnotic trip? dancefloor is already out of space and time, so...you must be in

merc music proudly presents new artist edward, a new light emerging from the black country underground. having passed mark e a cd full of left field house music maxa & naxa finally make their way onto vinyl with merc. here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous merc releases this pushes the sound even further.

big with dj koze, superpitcher, julius steinhoff, dorian paic, marc schneider, sven vt, melon any many more... maybe i should give it another chance? i could go early in the morning... maybe the party isn t the real highlight... maybe i am just longing for the condition before and after... maybe i am just tired, maybe i need a little push... who said party anyway? i did... but i also said maybe

here comes edwards follow-up ep. this time he goes a slightly deeper and more direct. it might be the purest music we ve ever heard from the berlin-based producer. all the crazy clubgigs are manifested into hi music now. of course still with the classical edward style somewhere between dark minimal and trancy deephouse aesthetics. >bush of crows< is somewhat of a siginature edward track. but a very rough one this time. with a comfortable paranoia, this track unfolds itself into a little peak time extravaganza. on the flip, he cools everything down with a warm house tune called >the ghetto< and he adds a certain >blockparty romantic< to it... b2. is once again one of those more minimal edward tracks were he masters to be on point with just the core essence o sounds. edward remains a real romantic for sure...

after a couple of artist eps, white is back with a new release of their well-known faces series . this time with an unknown face so far: tristen tristen has been an integral part of the white crew ever since. it was just a matter of time, until he was ready to release some tunes. everybody new, if that guy ever finishes a track, it ll be a bomb. and so it came. a track which announces a state of emergency on the floor. with deep chords and strings, which scream so high right at ya, that you can t resist dancing. on the flipside edward puts out a melancholic ravemonster. but still in edward style! minimal and housy, with a slightly touch of a jazzy trance. but always with an eye for the deep. a track like a dream-like scuba dive... once again edward proofs, that he is one of the most outstanding young producers in the game, right now.

this first vinyl release on coincidence.lmtd is the advent of a new direction that the label has taken. back to the vinyl. back to the approach where a release needs to be perfect before its sent out into the world instead of hurrying to meet monthly download deadlines. back to the essence: the music.

played by: me, agnes, dixon, anthony collins, shinedoe, jazzanova, jimpster, trickski, nick curly, till von sein, innervisions ...

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann‘s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

big with mymy, rüde hagelstein, oliver koletzki. detroit flavoured / berlin drenched afterhour - house action! x-tra hot!

bei -celestial vibration- handelt es sich um das 1978 erstmals veroeffentlichte debuetalbum von edward larry gordon, der vor allem unter seinem pseudonym laraaji bekannt wurde. entdeckt wurde laraaji von niemand geringerem als brian eno, der ihn in einem new yorker park hat spielen hoeren und 1980 auf seinem album -ambient 3: day of radiance- weltweit bekannt wurde. gordons hauptinstrument ist die zither, die er bisweilen elektrisch verstaerkt und wie ein klavier spielt. 1943 in philadelphia geboren, studierte gordon musiktheorie, bevor er nach new york zog. -celestial vibration- erschien 1978 in einer auflage von 500 exemplaren und war quasi seitdem nicht mehr erhaeltlich. die zwei je 24 minuten langen stuecke des albums haben trotz ihres jazzhintergrunds beide einen sehr meditativen charakter, wobei das zweite rhythmisch und kompositorisch ein wenig anspruchsvoller ist. gordon, der in monroe, new york, ein aschram gruendete und mittlerweile einen lach-meditations-workshop betreibt, hat seit seinem debuet mehr als 50 alben mit meditationsmusik veroeffentlicht.

city of women aka jimi tenor and edward vesala

lp, pressed on 180g heavyweight vinyl

punk

strong 4lp box celebration!!

male tears ist eine dark-electro-gruppe, die aus dem sänger james edward und dem synthesizer frank shark besteht. die aus los angeles stammende band, die als soloprojekt begann, etablierte sich 2021 als duo und bewegte sich mit ihrem zweiten album trauma club von den luftigen klängen des ersten selbstbetitelten albums hin zu dunkleren gefilden. style: ebm / wave / synth-pop!

after the release of “right here” in summer 22, fava returns with his debut lp “lifetracks”.

der britische dance-pop-produzent/sänger orlando tobias edward higginbottom aka totally enormous extinct dinosaurs (teed)

die weltberühmten prager philharmoniker spielen die besten scores aus der twilight -filmsaga. aus den episoden twilight: biss zum morgengrauen (2008), new moon: biss zur mittagsstunde (2009), breaking dawn: biss zum ende der nacht teil 1 (2011).

requiem for jazz is a 12-movement suite composed and arranged by angel bat dawid, inspired in part by dialogue from edward o. bland’s 1959 film “the cry of jazz”. limited pressing on purple coloured double vinyl.

requiem for jazz is a 12-movement suite composed and arranged by angel bat dawid, inspired in part by dialogue from edward o. bland’s 1959 film “the cry of jazz”. classic black double vinyl edition.

circoloco records welcomes the giegling collective

from almost techno to almost disco. early support from edward (a1), maayan (a2), konstantin (b1)

vinyl only

limited 3 x 140g 12inch yellow (disc1), yellow (disc2) & blue (disc3) vinyl album. side 4 etched. indie store edition

2xlp incl liner notes insert by edward george (the strangeness of dub, black audio film collective).

33 classic motown songs on audiophile 180 gram black double vinyl.

the sound of love international number 4

limited white label kicks off the new year with a solid new four-tracker ep spanning from disco to jazz-heavy house tracks. definite dancefloor material meets laid back tunes for the afternoon there is something for everyone.

shall not fade celebrates its 6th anniversary with a classy collection of 24 tracks on triple vinyl.

limited edition of 3000 numbered copies on white 180 gram double vinyl.

nr 20! one per customer

ltd to 75 copies , 1 per customer