dixon avenue basement jams feel extremely honoured and stupidly excited to finally be able to announce this! after his first three eps on the label, the much talked about debut album from glasgows big miz is ready to drop on dixon avenue basement jams! from start to finish build/destroy really showcases his effortless feel for the weird funk. from the tweaked out organ solos on hammond groove and the live bass jam of straight thru cru to the straight up brain rattler of gear tension. this is big miz at his undiluted best and cements the fact that he is one of the uks most exciting raw talents. 2018 move aside, the big man has already owned ya.

after their phenomenal debut ep on lany recordings in 2015, sue avenue finally returns with a carefully selected ep that contains two magnificent original tracks, perfectly reflecting what the artist and label stand for. in their authentic style, sue avenue is back from home with laid-back jazzy vibes, which is transcending with a new collab with marta del grandi. while brett johnson delivers a high-class remix of the collab track, label boss maxim lany chose newest member of the lr family wanvel to remix the title track.

kyle dixon & michael stein once again steer away from cliché, maintaining the pace they’ve set for themselves while subtly shifting tactics, just enough to keep fans hooked. their lush, deep music quickly shifts with jarring synth blips and misty, creaky chords whilst slowly descending into darkness. pressing on crystal clear vinyl with blue & white splatter.

kyle dixon & michael stein once again steer away from cliché, maintaining the pace they’ve set for themselves while subtly shifting tactics, just enough to keep fans hooked. their lush, deep music quickly shifts with jarring synth blips and misty, creaky chords whilst slowly descending into darkness. pressing on black 180 gram double vinyl.

nice price deal !!! some things have a special meaning, although not everyone is given to know it, then life becomes a circle, where nothing happens by chance. dark and solid techno: >belief system< is the brand new and big floor ready ep by the italian duo asymptote, mind and soul of suburban avenue label, with a superb remix by the spanish techno legend oscar mulero. a1 >belief system< is a deep and spaced out, 1990s inspired techno journey. a2 is a potent, classy and widely reverberating revisitation of >belief system< track, perfectly executed by the master oscar mulero. b1 >theory of knowledge< and b2 >divided lines< are hard stomping, driving and tripped out tunes >at the beginning we didnt know the path, but our mission was so clear. and its still so<

slam city jams are back with their first compilation. a 4-tracker packed up with five amazing artists from all over the globe. and lets face it: its a breaky affair! starting off with our munich homeboys from coeo. known for their funked up house tunes on toy tonics, they start into complete new realms this time. ‚never going home‘ is the perfect example of a dope broken beat electro tune, that with its weird synth line & smooth breakdown never failed on a gig in the last months. on a2 the man doppelate from london (lets go swimming rec.) exactly hits the spot with mezmerizing synths, tight drum programming and a crunchy acid bassline on ‚four feet up the stairs‘. the flip side starts off with label head honchos rhode & brown, who teamed up with their buddy leo woelfel from austria, both known for releases on toy tonics, public possession or lets play house. here the name ‚more drama (less hysteria) says it all: pure drama on this breaky acid tune! to round up this great package weve got marco lazovic from moscow on b2. he digs deep ‚in the jungle with rolling 707 drums, dreamy synths and this tropical atmosphere we cant get enough of.

part four in alden tyrell s latest project: vorm variaties , a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we consider them to good not to put out, infact we were almost forced to start these series because of them! all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

the 1975 album from bob dylan & the band back on 180 gram double vinyl. housed in a gatefold sleeve

vinyl only, white vinyl - supported by radio slave , slam , terence fixmer...
blumoog music label presents the new release, played by one of the most important detroit productors, who marked the minimal techno history: terrence dixon. two tracks, which take a big deal of electronic innovation and inspired by his unique style, will make the night people dance until the sunrise. italian veteran m.r.e.u.x is back again with two innovative tracks as well, which are composed by rare and experimental sounds with analog machines and are ready to be heard. magnificent ep of an extraordinary dj couple. monster track of quality and experience the musical concept is organized for mentality sought people, an approach to this sound out of the ordinary charts, where search for sonority make this ep single and dedicated to the iperclubbing population!!! low wrapping and atmosfere psychadeliche make this ep an precious object for techno electronic lovers! nothing is taken for granted, this is the difference!

limited vinyl copies , dj reverend p with fresh killer edits

new years deal - chicago basement trax flexes its muscles and enlisted the services of one chicago s crown jewels of the underground in the form of one mr. jordan fields. apparently only deep connections in the scene or a history of teenage friendship yields you access to this sort of magic on vinyl! nothing but pure authentic 1980s + a bonus disco dub?! wow! surely at this point chicago basement trax is looking to reenforce their mythology while also stating the obvious. no doubt this is the pure uncut raw from the man with the plan himself so let s see who wants to see the provenance now? want to trip more? rumour has it vincent floyd is coming next. do what needs to be done and get this now.

the visionary from detroit, terrence dixon, is back to 30d records with an exquisite pack of vanguard tastefully built on techno. this fifth chapter of the exoplanets series is powered with two original cuts and a pair of remixes.
the homonymous title track, “digital ladder”, sinks us to a hypnotic state conducted by a dreamy and evocative sequence. the big dasha rush takes over the message and reframes it getting percussive expressiveness and savoir faire on her remix.
b side starts with the second dixon’s proposal, “this is a test”. same artistic tools, different discourse, shape and result. on this track, experimentalism gets us higher with a fanciful cyclic pattern, garnished with sporadic ascensions, that streams on a subtile bassdrum. 30drop takes the relay to carry up the message to his own stylistic universe constructing a fine solid remix.
“digital ladder” is an abstract and immersive trip to some place beyond the consciousness that relies into the core of the vanguard dancefloor. you can’t miss it!

detroit minimal techno innovator terrence dixon delivers five tracks of mind bending tones, alienated pads and sci-fi bleeps in a unique dystopian soundscape.

alien jams presents a new release by wilted woman called home listener. after releasing the amazing -diary of a woman- on she rocks! earlier this year, ww is back with this sublime 5 track ep. from the onset, playful synth patterns mingle and coalesce, spiralling towards dizzy culminations. at times wobbly and disjointed, ww creates stunning compositions that would work magic on the dancefloor. each track of home listener feels like its own paranormal entity, living organisms that develop and grow as the music unfolds.

unsurprisingly, richard galling, does indeed hail from milwaukee, having released disco inspired jams since about 2012. with his stuff getting plays on the likes of beats in space, he got his name out early. his latest offering is this single that features two original tracks and some remixes too. 303? features the eponymous bass machine all over this deep, arpeggio-heavy tech-disco jam, organ swaps the 303 for a classic robin s-style house organ, and prophet adds some big room bass. also included is a prophet version of clear water, a real late 80s, shep pettibone-style, latin house joint. luke solomons body edit, is absolut dancefloor heat !!

frank went from a stranger to a friend in a heartbeat. the common passion for music and overall values let us to this first project together. grab your board and surf on the soundwaves of analogue gear with which frank created his soulful music. the analogue touch didn t stop with the music though, we tried to retain it through the whole project from the music over the mastering up to the medium itself. vinyl.
a2, b1 and b2 are mixed by m. schneider while a1 is mixed by r. bischoff. mastered by calyx in berlin. the beautiful cover comes from the hands of siiri ta&#776,,,nnler.

evod music is glad to welcome terrence dixon, one of the techno legends from detroit. he needs no presentation, his career started 20 years ago and continues to influence current techno musicians.

lumièreslanuit is glad to introduce to you to jams (llnoff003), third release of its off series by toronto music composer and dj in2deep.

randomer & hodge, alden tyrell & serge and kowton on remix duties... a pretty near perfect basement session even if we say so ourselves . dont stop!!!

toolroom is pleased to showcase two huge remixes of basement jaxx classics, jump n shout and rendez-vu. with huge dj support and radio play on both versions, this is one exclusive vinyl package you do not want to miss!

part three in alden tyrell s latest project: -vorm variaties-, a 5 release series consisting of tracks recorded in the last 2 years. the -vorm variaties- tracks were a -style excercise- for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we found them so good that we were almost forced to start this series. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 -variaties- are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

for their 12th label anniversary, jazz & milk have decided to launch a new series called “twelve inch jams” in order to celebrate vinyl culture and the legendary 12&#8243,,, format! jams002 sounds the bell for the second round of the series including a 10 years re-issue of the classic sam irl cut “you don’t feel enough”. originally released as a b1 tune on his “african dance ep” debut on pulver records in 2007, this jazzy house gem found its way into the record bags of many influential djs over the years. from session victim, glenn astro, max graef to hodini… the record never disappeared in club sets but certainly from discogs a good while ago. so it was about time to give the tune a second life and finally press it on the format it deserves - a whole 12&#8243,,, side. the german production duo session victim are well-known fans of the track describing it as their secret weapon playing it in quite many dj sets for years, including their 2015 appearance for mixmag’s dj lab. hence, it is a great pleasure that session victim contributed a remix to the new release. their absolutely elegant and groove-driven version with a charming 90’s touch to it makes a brillant counterpart to the original with its jazzy piano-, drum- and double bass samples leading to an epic synth break that regularly causes ecstatic moments on the dancefloor.

next up for dixon avenue basement jams they celebrate 5 years of bangin the drums by welcoming i love acid s posthuman to the fold! in preach and temptation we have two deep, dance floor bombs with a darker acid vibe featuring the sensual vocal talents of josh caffe. exit drums on the other hand is straight up 8amwarehouse burner. big!

this summer, the left of centre electronica label greco-roman hits its stride and celebrates 10 years of music. and to celebrate they are reissuing their biggest dance floor records and remixes on a series of ltd edition 12”s.

aleksi perala s second album for the basement series. simulation goes even further down the basement hole than before. trippy, deep techno but still firmly rooted in the colundi sequences.

after moving from london to berlin cromby is back on tenderpark with his second ep for the vinyl label. the young man recreates our love for deep house with two sample-based tracks which showcase his ever advancing skills with the old school akai sampler mpc 2000 xl as well as his cool understanding of mixing haunting melodies with gripping groove patterns. the remix on the flip side comes from hip-hop super producer gone house lover hodini who has collaborated with the talented bass player chez kerim for this funky workout. the cover image shot by achim valbracht is the start of a new artwork series developed by tenderpark art director till sperrle which revolves around critique of investor-driven architechture that has been dominating berlin for several decades now. the speciously precious and glittering image displays a normalised and globally standardised kind of beauty but at the same time reveals a strong sense of loneliness. as always both the mastering and as well as the lacquer cut of this record have been carefully executed by vinyl sound mastermind helmut erler at dubplates & mastering.

figure jams is back with a another fresh and exciting pairing of artists. this time the record is a collection of pure analogue goodness, sparkling ripe with synthesizer magic. the a-side comes courtesy of duo-of-the-moment twr72, who happen to distill perfection through simplicity in their stripped-back productions. while‚polished is a pulsating bit of beatless yet captivating clean-cut loops, their other contribution shows their talent at crafting something lean, dry and punchy, which is still undeniably driving and hypnotic. picking up on the synth-heavy theme of this release is st. petersburgs finest aleksey niktin aka nocow. inspired by the endless baltic winters, the producer packs his tracks with emtions that feel cold but not icy, engulfing the listener in winching waves of melancholic electronica.

electro-chanteuse und ex-model carmen villain überzeugte 2013 auf ihrem debütalbum sleeper mit einer melange aus royal trux und frühen sonic youth. auf dem nachfolger infinite avenue präsentiert sie interessante kollaborationen mit house-produzent matt karmil (mehrere tracks), noise-improvisator helge sten aka deathprod (quietly) und der norwegischen ausnahmesängerin jenny hval (borders). das cover zeigt hollywood-ikone und john cassavetes-partnerin gena rowlands.

sometimes you produce a track with nothing but a dancefloor and a good sound system in mind. twelve inch jams is offering you just that - strictly two a side tunes for the floor cut at 45 revolutions per minute. jazz & milk pays tribute to this classy release format with their new 12inch vinyl series. each record comes in a hand silk-screened printed and stamped sleeve! the series starts off with members

part two in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrells sound signature... on point production skills and stripped down arrangements.

slow jams classics

pbr streetgang return with their first original material of 2017. a limited 300-only pressing on their own bespoke label, streetgang jams ‘late night party line will be the first single from the long-awaited pbr debut album set to be released in december 2017. a party banger for the discerning dance floor with a killer baseline, a seriously hooky diva vocal and a distinct whiff of 80s night club sleaze, this is one of the most distinctive and daring releases pbr have ever made. hot off the back of their acclaimed lost property releases, support and plays have come far and wide from paul woolford, bicep, gerd janson , midland, tensnake, man power, paramida and crazy p

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

all that funk! (officially licensed from the mighty jalapeno records) has had djs begging for a 7inch release since the first listens of basement freaks time machine lp in 2016. the wait is over and this james brown influenced groove is ready for dj’s and fans of funk alike. calling the jams is an exclusive roller skate disco boogie joint influenced by the new york city block party disco scene. the bridge will surely delight fans of early prince vibes. with a fifth full studio album, an enviable catalog of ep’s and remixes, and his extraordinary amount of time playing shows across six continents, basement freaks has been dubbed the hardest working man in funk by his peers. boogieburg proudly presents this glimpse into the world of greece and germany’s ever-evolving basement freaks. past, present, and future.

north harbour grooves returns with an ep by black caviar, full of classy sample house tracks to tear the club apart.

repress of this kerri chandler masterpiece!

black catalogue in collaboration with las plug research unearths this gem from mr. hazeltine aka john tejada originally released in 1998. the a side features the original mix of on the avenue and the mechanic, followed by a mannequin lung remix of the title track on the flip. grimy and dusty!

the second release on figure jams continues to pursue our new concept of pairing certain artists together, this time placing the seasoned swedish sound sculptor patrik skoog alongside abstract division, a collaborative project of paul boex and dave miller, two equally experienced dutch producers. the latter deliver a pair of straight-forward tunes that seemingly stem from the depths of space. with an intimidating backdrop of menacing and rummaging drones they carefully create a constant sense of alarming tension that is never lifted. this abstract threat takes solid shape in patrik skoogs slamming -the field-, a heavy hitter of immense magnitude that despite packing a bouncy punch still stays afloat thanks to its lightly dancing hats. another agile alien grooves closes the ep, with rides zooming in and out, slingering and cutting through the tracks subtly booming body

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

1st release in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties- tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we found them so good that we were almost forced to start this series. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

driving and minimalistic: z.i.p.p.o is back on suburban avenue with his solo ep my elements. detroit infused, the whole package is a perfect revisitation of the old-school sound.

sampler for the upcoming simulation album.

the latest ep on tresor records comes from reduction luminary terrence dixon. detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – from the far future. it took over a decade for its sequel to follow – from the far future pt.2 released in 2012 to great public acclaim. this year, terrence dixon prepared a matchless four track ep, going ever further in his very own tenor of collided electronics and mesmerizing tones. words can simply not describe.

dj boring joins the gang with a deep, vibey three-tracker tailor-made for late nights and early mornings.