hys002 captures an introspective and resolute frame of warmful colors filled with tiny spaces.

limited box edition, incl
2lp + 7 inch
a2 poster
12 inch lp mit instrumental tracks
10 inch vinyl mit 3 excl. tracks
cd
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

2x 12 inch album + 7inch + download voucher !!
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

for this 16th release, the label wanted to add to its panel of artists an emblematic figure of the french house scene for several years. it is thus franck roger who sticks to the production with 4 tracks in the colors of the french label.

meo, pseudonym of daniele mei, is a cosmic dj from rimini, italy. fine corsa was his first record, released in 1985. in those days meo was active in what was later considered to be the most famous afro dance club in italy: melody mecca. this release is an intensely creative hybrid of many styles and many colors. even up until the present day this record continues to be very important in some preeminent european clubs

innervisions continues their collection of hidden gems which drop into their sets every now and then, dipping them into colors of great variety. this double ep marks the 10th edition of the secret weapons series.

we live in the time when rave is the word that is only used when people want to describe a fierce party or to describe colors, styles and some types of electronic music. basically, the word -rave- became sort of a metaphor. but back in the days, it was the name for the revolution, no less than that. warehouse memories was born to give a direction to that revolution, this is rave 001.

we open 2018 with a soulful and fluffy masterpiece by the italian genius broke one. musically located somewhere in between max graef, 4hero and clifford gilberto -this thing called reality- is a perfect example for the successful marriage of jazz, soul and house. the narrative and highly elaborated 4-tracker, once again pressed on 555 individually colored vinyls, pushes the wonky-house-benchmark a little higher. in beautifully diversified arrangements broke interweaves deep and jazzy soundspheres with clubby, high energetic sections – a 12&#8243,,, multi-purpose tool for club use and home application. bigbait027 is the last edition of our random-color series. each of the 555 records is individually colored, colors tend from orange to yellow, shift between blue, red, green and white.

after shifting through a few different monikers the last year deepblak rhythm czar afrikan sciences returns to form. laced always with his elastic funk forward grooves the reciprocity ep continues to build on his legacy. one that has consistently morphed diasporic rhythms into new colors. creating new space on the dance-floor as well inside the mind. four independent yet intertwined tracks all meant to make you oscillate inward outward.

> it felt like a long wait for us, but finally we can present the first artist on our label xxx, jack pattern<. with great honor we introduce to you this collective consists of three producers who live and breath deep in the heart of switzerland. they delivered four diverse and atmospheric stellar dance floor tracks with serious hints to the late 80s. this first vinyl only release on xxx, will be accompanied with custom made artwork by patrick van vliet. patrick s work has evolved from pop surrealistic, psychedelic imagery to a dutch social realism. he incorporates social annoyances and public degeneration from day to day life in his images. these images seem familiar but alienate. alienation by disrupting the familiar with uncanny elements and deviant colors. a perfect mix for this release. xxx is a new label that combines music, art and club nights curated by shmlss. every artist they invite has the freedom to fill in the x.

masaki messaged blueberry records soundcloud and signed an ep within a week. i guess sending demos is still a thing. the concept of the ep is to demonstrate all the colors in masaki s rainbow. a truly gifted studio engineer, there are many styles in which he moves across the mixing board. ark and blessing are pure sound design ticklers. as if he decided to make an updated blue-ray instructional soundtrack. soaring melodies and sub bass anchors the listener is literally pinned done by the pressure and beaten with an ugly beauty unique to masakis style. dolci and ilah both radiate on the dance floor like lost dark rollers from an updated mid 90 s estelia and fraewnuil demonstrate the beautiful thoughtfulness masaki also possesses. like a hidden runout groove, masaki leaves the listener pensive and wrapped in a warm embrace.

this is the third volume of random numbers split series. a cross-section of the italian experimental scene in 5 volumes. each artist is assigned to one side of a c50 tape, in which express his music without compromises. volume 3 is entrusted to somec and von tesla. somec gives us 20 minutes of raw recordings of a mythical machine, a buchla 208, which stops its technology to the 70s. all recorded live with the aid of a computer. in less technical terms, napolis work can be summarized in a handful of eccentric hallucinations – pretentious recreations for quirky programmers – polished fiction. nwh2o is a long journey through interstellar landscapes and claustrophobic extraterrestrial rhythms, transmissions from other times and places. von tesla presents a more romantic vision of his world, divided into a triptych, touch / enter / flesh. dreaming representation of a meeting, where the romantic tones are obfuscated by a drop of lsd, which changes the colors, shapes and volumes. a slow movement toward the transformation of the body, an approach to transhumanism that mingles technology in the body, a genesis of tetzuo (the man of steel / tetzuo shima) of the years 10.

with previous form on colors and love fever, remi mazet returns on relatively new label social joy with a deep and refined trip through house music as played by a true musician. there’s a dusky, cinematic quality to the whole ep, from the captivating intro to the sweet rhodes soul of -safran- and on to the broken wheeze of -jazz e-. -shrine- has a more forthright club-ready veneer, while -jammin- brings furthermore machine-oriented grooves, but at all times the devil is in the details, and this record is most devilish indeed. one for all those craving a little more subtlety and flair in their house music.

1lp, colored vinyl in a gatefold sleeve
the album is a collection of wonderful, emotional and very personal songs. written and performed by peter wangel, the lyrics are inspired by multi award winning, temporary norwegian writer karl ove knausgard and deal with very personal subjects from his own life. “the previous releases were about the “lonely” feelings, the feelings that only existed in me, the feelings i wanted to set free for a long time. the new album is about my life as it is right now, about all the thoughts, expectations, worries and the happiness that comes with a new life as a family. this is a very personal album, but i also hope to express something very ordinary and something that most people can relate to.- also musically the album is a big step forward for wangel, the melodies are still subtle, but offer more nuances and colors.

following the first two elegiac notes to our dear lost cindy, palmbomen ii s third dedication arrives with the last 12inch available independently of the four piece set and a new episode of real talk. throughout memories of cindy pt. 3, voicings from the palmbomen ii paradigm are pared down to their vascular essentials. pumping iridescent, melodic acid house through club fog and californian smog on ultimate lovestory fantasy, teleac, and disappointment island, the nearly hymnal qualities of wilcos funeral and fat director counter the dance cuts and commemorate cindy with colors reminiscent of schmoelling-era tangerine dream as twisted by kai hugos melon

the sweet and soulful harmonies of the whatnauts spanned a 15-year career in which they recorded three albums and numerous singles, ranging from timeless ballads to temptations-esque politically-charged funk to dancefloor boogie. the music of the baltimorebased group, which featured the angelic falsetto lead of billy herndon, gained relevance for a younger generation via samples taken by the likes of de la soul, a tribe called quest and kanye west. this 2-lp set is a career compendium of their best slow jams, funk grooves and 12-inch club tracks, including multiple unreleased and rare sides.

the arrival of marvin parks on today’s musical scene can be considered a very fitting addition to the renaissance of the afro-american jazz crooner panorama, deeply rooted in the black music tradition. having his roots in gospel and in the ’50s and ’60s jazz singers by the likes of nat king cole, johnny hartman and joe williams, marvin parks yet remains by all means an artist of today.
in his debut marvin shapes his light baritone colors within the sound of a well-established group of musicians under the direction and production of nicola conte. the main idea was to create a soundscape to give a different light to well-known standards and some originals.

all pieces are conceived and recorded between the end of 2015 and 2016 between amsterdam and tuscany. the path starts with cristallo di bismuto which is a low-tempo jam marked by dusty 80s drums and deep pads that transport you straight away in an underground nocturnal urban sci-fi scenario. i wish you could shelter me has within a powerful rolling bass part and a solid drum-machine pattern, dx7 s style keys with some romantic melancholic colors. oosterpark laguna is an exotic house groove with a lush pad and a sweet saxophone solo perfect for a sunny warm day. mare aperto is a nostalgic house tune inspired by the early chicago s piano house and the italian golden era of clubbing of the end of 80s early 90s. the release includes a label s sticker inside and a stamp on the inner sleeve.

flesh world is a dream punk group formed in the summer of 2012 in san francisco. the quartet includes scott moore (guitar, synths) jess scott (vocals, guitar) andrew luttrell (bass, backing vocals) sam lefebvre (drums). jess and scott met while loitering around the panhandle district, listening to records, gossiping, and playing live shows around town with their bands (scott plays in hardcore group limp wrist and jess played in the indie pop band brilliant colors).

a dark kingdom, erected from rubble, an arid production clashed with unstructured loops, some of which, though already used, are like reborn from their ashes in a climate of dull violence. jazz, soul, classical, gospel, lyrical grandeur, in an atmosphere of conquest or on a minimalist piano coming straight out of a thriller, the pair of rhyme-makers compete with any instrument, finale temperating by a laid and reflective flow the fiery fangs fel sinks on every bar. this kingdom, fel & finale, will have built it alone, fel sweetenberg taking charge of all the beats delivered to the duo s screened pages in ink, the door ajar only to let dj djaz introduce his turntable s tonearm to scarify the groove with his unique cuts. balancing the forces, bringing their ambition beyond the ill-famed streets that have already crowned them, finale & fel sweetenberg raise the matt colors of a demanding rap, the radiance of their banner now beyond the limits of a detroit-camden axis. two kings, two crowns. a reign: that of hip hop.

limited edition gatefold 12” inch, white vinyl with graphic insert. 300 copies.
‘spes aeterna’ compiles seven sonic representations of the video art by diane drubay. five musicians coming from australia, united states and sweden collaborated with the french video artist to create a deep ambient and experimental drone compilation: zanias, halv drøm, kim boekbinder, dan söderqvist and bixu. the compilation is a right blend of psychoactives colors with textural, emotional and rhythmic soundscapes to expand the idea of sublime and create a strong natural cognitive enhancer. the compilation should be listened facing the video pieces to dive into an introspective state and reach high consciousness. this is the first installation of a trilogy.

„subaquatic modular vibes. vibrant colors, peaceful textures. the feeling of swimming underwater, standing on top of a mountain.“

blackcash & theo get back at it with the latest in this series of funk soul party edits. pleasure bouncy lady is an amazing funk break track, produced by jazz legend wayne henderson of the crusaders. the intro break has been extended, and is one of the all time classic hip hop funk breaks. elements of this track were sampled on brand new funk by dj jazzy jeff & the fresh prince, word to the mother (land) by big daddy kane, and church by de la soul. whatnauts why cant people be colors too is a soul / r&b jam with another heavy break, as sampled by q-tip, pete rock, diamond d, dilla, and oh my god by a tribe called quest featuring busta rhymes.

vinyl only! giant records new release is a limited edition, hand stamped and numbered run, limited to 150 copies. comes from ettore angrisani aka highest sound levels who hails from naples - italy. two killer cuts here from ettore. first cut is - colours of underground - some late night heady vibes here that has all the hallmark s of those great italian deep house classics that have gone before. colors of underground - comes with a remix from grant dell. a nice stripped down dubby groove with dark atmospheric stabs and great use of ettore s tripped out keys. the second cut - sub-remote concept world - see s ettore take us on a dark twisted journey into a druggy spoken word - jam - with a sub bass that will shake many a dancefloor. sub remote world - comes with a sweet remix from sascha dive. sascha s mix lightens the mood and brings a nice subtle house vibe to the track with emotive keys - strings and an infectious peak time bass-line.

a1 the mating dance theme a rush of unavoidable infatuation. the first step of pair-bonding. b1 soft & gentle like her lips rough like daddy playing the piano, sipping on japanese whisky. b2 truth or dare in vivid 70s colors. b3 wood-paneled rooms, cuban cigar smoke, drab tweed suits and jasmine serving that fine remy martin cognac.

good recordbag with a good price. look for different nice colors too. for round about 20x 12 inch vinyls

good recordbag with a good price. look for different nice colors too. for round about 20x 12 inch vinyls

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

2 very long recordings aprox. 13.mins each side. edition of 529 copies in different colors. recorded live session.

this collective of los angeles based musicians and friends come together for their debut 7” vinyl 45. featuring two heat filled instrumental tracks dubbed “eclectic soul,” the bombillias take you on a spacious new atmospheric ride drawing on inspirations from soul jazz, eastern colors, and organ funk.

limited and numbered 2017 rsd release, 180g triple vinyl in tri-fold sleeve.
this triple album brings together the two main strands of fsol’s current output, namely the “from the archives” series and the “environments” albums. comprising a total 48 tracks, 35 of them are new or previously unreleased.

jacques bon motions through the day’s early energy dawning light. true to the record’s title, bon composed the four tracks for his debut ep on beats in space records in the morning sun, reflecting and refracting the colors of daybreak from his compositions. burning spheres aside, bon draws inspiration from his past in paris, where he slung records at daphonics and started the label, smallville with pantha du prince, and his current life in hamburg, where he frequently helms the legendary decks at golden pudel. both cities and their scenes offer crucial cues for bon’s productions across dawning light and past releases for smallville and mule musiq. beginning with licks from his juno 106, filtered through the glide of a tb303 and foundational fits of his roland drum arsenal, bon embraces simplicity in setup to allow for maximum melody. opening track “island” assembles the palette of dawning light, infusing the ep with a warm glow. “we are” twinkles like the first blinks of awakening, dusting away night’s sleep with golden beams trickled onto tangled bed sheets. “aurora” evokes the first rush of the refreshed energy, shaking off yesterday and centering the mind, body, and soul to power through the hours. the record’s title track bounces with youthful optimism, a fitting end for the four-tracker’s mission of morning praise. each 12&#8243,,, on beats in space records features original artwork in considerate and serial form. andrew kuo’s prismatic painting holds dawning light in good polychromatic company, the geometric colors soft-coded entry point for bon’s music.

sun, skyy, earth wind & fire..., brooklyn-based igbo (indigo green brown orange) reflect an elemental foundation of classic 70s and 80s funk and soul through a prism of hip arrangements and decidedly modern production befitting the diverse set of talented stage performers and composers they are. a sun-drenched celebration of life and musical positivity, their sonic palette evokes the same brilliant and playful colors as their name, the two songs presented here (on 45 for the first time) bursting with irresistible charm. it s a breath of uplifting fresh air in today s hyper-serious club landscape.

new album from canadian singer & producer the weeknd, featuring appearances by daft punk, lana del rey, kendrick lamar and future. translucent red double vinyl, housed in a gatefold sleeve.

the coeo boys need no introduction anymore. their two last singles made it into the sets of so many djs. they are among the emerging artists of that new german scene of kids that make house music inspired by old jazz and funk records. the boys are mad about rare vinyl. and they love to make music with a positive spirit. yes, there is something sunny in their tracks. something that instantly makes you want to move. we heard so many mixtapes that started with a coeo track. makes sense: they are perfect to set a vibe. a good mood. but if you know that the coeo boys work in a studio over the roofs of munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night then you understand why coeos music sounds as it sounds

jardín is gabriel garzón-montano’s debut album, out january 2017 on stones throw records. gabriel garzón-montano’s formidable skills have come to fruition on his stones throw debut. “this album came out of wanting to make music that reminds people how beautiful life is and how delicate their heart is,” he said. “i ve always wanted to make music that is healing, comforting, and funky. i named the album jardín hoping for it to create a space for healing when people put it on.
“a garden is full of life, growth and beauty,” gabriel said of choosing that unifying image as the title for his new album. “it makes me think of green and white and all the colors as they appear in different flowers.” that vivid spectrum bursts forth on jardín itself and the album contains references to fruit of all sorts, sour mango, juicy tangerines and sweet peaches.
from the heartache and aching vocals that float over the dusty drums of “crawl” to the stutter-step thump of “bombo fabrika” to the high falsetto he nails on “octave,” garzón-montano proves himself to already be one of 2017’s biggest breakout talents.
the vinyl release includes a download code.

our first release is born from cordoba to berlin, through rosario, as a split ep. ernesto ferreyra delivers -colour blind-, pulsating and adventurous, takes us to a fascinating trip where you can hear colors. on the other side pedro d alessandro, label owner, and rosario city son deep mariano give us -las vueltas-, a unique groove, melodic and explorative engulf us in a sweet atmosphere. one record, two tracks and three friends is the way castelar discos began.

ltd nioce price deal, 50% off , max 1 copy per customer...
more than often, musicians feel that releasing music is giving birth to a baby but no one knows better than women. stefny winter realizes a dream by putting out a collection of meaningful tracks, all made in various important moments of her life. more so, some of the tracks were made while she was pregnant, making this project even more special to her. coming from the 90s as a dj who would juggle between styles, stefny explores with no compromises or time stamp, her various tastes through time. >wind walker< becomes a savory collage of music that wont really stick to standard styles but will become familiar to any ears. limited color-vinyl pressing (one transparent, one white/grey marbled).

raining colors was recorded after returning from the bpm season in mexico.inspired by the slow tempos and crazy rhythms heard while dancing at the sacbe jungle party this was the result.remembrance of breath was created for our performance before last years desert hearts. we felt it would compliment the surroundings of this wonderful outdoor festival.solar flare response was originally created for fun using our friend, colin c s, alchemy plug-in sound pack essential alchemy for loopmasters. we were so excited with how it turned out we decided to turn it into a full piece. these songs reflect the deeper and heavier side of our creative output and the kind of music we enjoy playing at night after the freaks come out.

the colors are stunning. in a single view, i see looking out at the edge of the earth, all the colors of the prism. red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. as i looked upon our home rock, i saw many natural features. i witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. i also saw huge forests, extending along & across several borders as if these divides didnt exist. i watched the extent of one ocean touch the shores of separate continents, then suddenly, a profound thought came over me as i looked down on all this. the birds dont fly this high

channeling the spirit of moodymann, rick wilhite and other such detroit house greats, guilhem monin follows up on the promise of his debut for colors last year with this sizzling slice of rough hewn deep house gold where the samples stay locked in the groove and the atmosphere of the room is captured forever on the record. -social music- would surely not sound out of place on kdj, while -i plan to stay a believer- calls upon the warming tones of rick wade et al amidst an irresistible 909 house bump. -vlg- gets a little more sassy with its choppy edit style, and then -people- brings in a fist-pumping riff to hit the sweet spot later in the night.

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.

belgian duo raw district return to the crosstown rebels label with addicted, teaming up with the formidable aquarius heaven again for the label, this time remixed by the infamous doc martin and keinemusiks rampa. an ex reggae dancehall and hip hop singer aquarius heaven brings the colors of the caribbean to addicted. raw districts flamboyant percussions grinds the beats into a track that stretches the limitations of electronic music. rampas remix illustrates the breadth of his studio skills, as founder of a production company teile, he builds soaring synths and strumming piano to elevate the emotional aspect to addicted equipping it for the early hours of the night. doc martin has earned the respect of many over his extensive career for his timeless style that bridge many genres. his remix is a driving, dub-tastic, tribal take on the original that has been going down a storm!

daniele baldelli producer now has nothing to envy about daniele baldelli the dj. this is demonstrated by the authoritativeness of the first two 12”s of six in the series -cosmic temple” on the mondo groove label. what first strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logoa cosmic. but immediately after the music takes the stage: 3 tracks in -chapter 1- and 3 tracks in -chapter 2-, are able to tell the true mood of the imaginary baldelli’s sound and take them to a land of wonders. chapter 2: the phrasing of zircaloy, and still that yin and yang that composed krebs cycle, with burattini on synth, a race horse deep disco at 120 bpm that goes into stratospheres, and afelio, a lethargic space ballet at 90 bpm.

daniele baldelli producer now has nothing to envy about daniele baldelli the dj. this is demonstrated by the authoritativeness of the first two 12”s of six in the series -cosmic temple” on the mondo groove label. what first strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logoa cosmic. but immediately after the music takes the stage: 3 tracks in -chapter 1- and 3 tracks in -chapter 2-, are able to tell the true mood of the imaginary baldelli’s sound and take them to a land of wonders. chapter 1: numbers like thyratron, with ricky burattini (justofunk) on piano, playing a utopian fusion as if peter daou was weaned at cosmic in lazise (italy) instead of the paradise garage in new york, or inner light, francesca amati with the voice, which is pure 2015 electro-pop, and the rhythmic bass on diffrazione.

the label music for dreams is a sonic kaleidoscope of musical tones and colors. it is an exciting aural journey from danish label boss, dj, event maker, radio host, producer and founder kenneth bagers feeling for all things good as manifested in the diverse offsprings of the music for dreams label. the label has since its day of birth sold over 2 million albums and its artists have been featured on more than 1000 different compilations worldwide.
kenneth bager is one of the most prominent curators of balearic and chill out music. this double vinyl /double cd /digital release is the fourth in the series “the sunset sessions” and is full of exclusive tracks including ambala, laid back, hong kong syndikat, tuccinelli, nick mackrory & harry collier, islandman, rev thorn, lars bartkuhn & christer nahrendorf ... among many others, the album has been designed for connoisseurs of balearic sounds.

original version taken from the album tommaso cappellato & astral travel “cosm’ethic”, recorded at true colors studio in padova, italy. includes esoteric version “sitting under a tree donato dozzy remix” mastered by neel. the image sleeve by koto hirai, artwork by riccardo pirotto.
supported by dego, theo parrish, volcov, mark de clive-lowe, rabih beaini, mod21, svreca, marco shuttle, dino sabatini, luigi tozzi, gilles peterson, patrick forge, kevin beadle ...

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in chapter 2, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 3: gandarva switching from a balearic atmosphere to an interstellar space travel.in kosmaro the voice of monica giacomobono describes a sleepless night traveling delirious on the notes of the keyboard played ricky burattini (justofunk) which then

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in -chapter 2-, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 4: an ingredient that can not miss in baldelli cosmic project is afro-beat: joka joka, sung by congolese bale mondonga. vhanessa is a magical flight in search of distant galaxies, a tribal electro joints game a kind of rubik s cube. the kraftwerk-ian archetipo leaves us waiting for the arrival of the chapter 5 and 6 to complete this cosmic temple, to listen to and to watch the puzzle of 6 covers