soisong is the stunning but short-lived partnership of coil co-founder peter sleazy christopherson and veteran russian electronic experimentalist ivan pavlov.

jazz masterpiece

experimental stuff

utter presents the debut album taiyo by vadin, a new collaborative project from lucie stepankova (avsluta) and christian duka. stunning record and one to check if you re into coil & demdike stare.

gatefold cover

killer lp from tristan arp, a must have for fans of dj python and complete walkthru features remixes from machine woman, beta librae and kelman duran

brand new album from the legendary nyc producer jorge valez. we ve been big fans of this guy for a long time at rad and this new album see him going in deep into coil-esque soundscapes.

great experimental / electronic works

next bjarki banger

wire parasitism ep is inspired by the electronic music which was produced during the end of the 80s and beginning of the 90s by the likes of richard h. kirk, psychic tv, coil, dave campbell or lagowski (to name a few). walid el barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or emax sound-libraries. walid el barbir is a part of the collective les points based in zürich, switzerland. his art/music draws from 90s rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

tech-droppers fronts a coil of six acidic, harmonizing, well programmed, whizzing and straight to the bone dance punchers. the string of snappy snares, rainy cymbals, steps of cuts & drops, as well as the sequenced balance of high flying chords, rolling rhythms and solidly sectioned stabs keeps all tracks absolutely straight to the point.

in search of the sublime, contemporary electronic musician steve hauschildt has designed grids and panoramas of sound across multiple releases through the rise and dissolution of his former band, emeralds, an american touchstone of 2000s home-recorded psychedelic noise music. consistent with his solo work is hauschildt’s ability to coil his craft in precise, varied, and distinctly physical forms. gently spinning arpeggios converse with post-industrial decay. sonic fibers sway like pendulums from static melancholy to motorik bliss. dissolvi, the artist’s first full-length with ghostly international, engages sublimation from an ontological perspective: by dissociating the self. hauschildt steps out from the singular path, for the first time in a traditional studio, to compose and arrange contributions from friends. as a result, his most collaborative work to date extends a vast, vibrating framework in which to consider the state of being. the vinyl release includes a download code.

brand new release from dash rush – acid sketch!! after her last release on sonic groove – aint no god nor king ep in 2017, acid sketch will be her first release this year marking the 25th release on fullpanda.

argentinian veteran jorge savoretti has been djing for more than 20 years, and his first release for esperanza records traces back to 2005. in this time laps he has produced 2 albums, 20 eps and a great number of remixes, on labels such as raum musik, visionquest and ilian tape. his debut on cadenza is a crisp breeze of graceful music for dancing. side a starts point-blank with bou gei bouncing shuffle, driving bass line, lively cymbals, sparkling band-passed chords, summing-up jorge s true dedication to nightclubs and nightlife. with no reprieve, ruth suspicious pads lurk behind a funky swinging rhythm spruced up by a continuous surfacing of snare rolls and giggly stabs. on the b side, sensu dub explores without hesitation darker textures and resonances, leaving no concessions to leave the dancefloor. finally u-fonk #04.01 dives into sweating hotblooded late-time hours, with am hypnotising deep-toned coil, soaked of greasy riffs and gloomy fumes.

by day he guides lasers into position using precision equipment, at night he crafts raw house music. welcome to the unusual world of reflection port assembly. we got to know one another through a few brief, slurred encounters in the smoking area during the fabled forza italo night or at the aptly named gary’s gang. pretty soon it was clear that he had impeccable taste, like that record that featured coil and ice t. one sunny friday afternoon in june, he tore himself away from guiding the lasers and we met up in the city centre. the light breeze did nothing to dissuade the office workers from gathering outside the pub for sneaky post-work pints. surrounded a sea of grey and blue business attire, we agreed to make ‘retribution’ the second release on first cut. featuring three cuts, it spans house, electro, boogie and even some detroit techno influences. but ’retribution’ is more than the sum of these parts. unlike his precision-based day job it’s rough and imperfect, flawed but warm, messy and charming - like a snapshot of every day life in dublin.

• sixth and final part in a series of first-time vinyl editions of early rse material
• originally released on tape in 2012 in a run of 16 copies
• remastered by paul corley, cut at d&m, berlin
• 500 copies
• riyl coil, demdike stare, prurient, brian eno / jon hassell’s fourth world...

• incredible 2nd album by groundbreaking, houston-based artist rabit
• a hyper sensual tableaux of avant-club, future classical and noise composition
• guest vocals from chino amobi and cecilia, co-production by cecilia and drew mcdowell (coil)
• artwork by collin fletcher. photo by lane stewart.
• mastered by matt colton at alchemy
• riyl coil, elysia crampton, autechre, visionist

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

coast to coast vividly presents the many faces of belgian producer and dj peter van hoesen. example in case: the title track is a no-holds-barred epic synthesizer composition, recorded at the producer s handwerk audio synthesizer studios. van hoesen s love for widescreen synthesis comes clearly to the fore on this track. it is a beautiful showcase of how techno can be emotive, driving and muscular, all at the same time. entrance to entropic city takes a different path, opting for a much more abstract narrative. shunning away from the dancefloor, it chooses to hint at concepts hidden below its sonic surface. voodoo benny s wishbone takes the listener deep into hypnotic and percussive breakbeat territory. menacing synth sweeps coil around the drums while a polyrhythmic groove shows off its tension, six minutes long. finally, in empire in decline - 2017 dub van hoesen reworks his 2008 classic. shuffling breakbeats form a new base for empire s bouncing synth lead.

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences — from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad — their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener ‘late night call’ is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. ‘speed of light’, the record’s most up-tempo song, leans towards both synth pop and electro-punk. on the flip ‘the trip’ does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is ‘rabbit’, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it’s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label’s concept.

following up on their recently released pertiwi ep, featuring two original tracks and a 10 minute soundbath rework of this very record by gonjasufi, gamelan voices (aka nid & sancy) present their first album, aptly titled i.the result is a visceral blend of raw gamelan instruments, atmosperic synths, bass guitar and washes of asian metallophones.although the nine tracks on this album are meditative in nature, you d be wrong to assume this package is little more than new age synths noodling away. i is ambient with a raw component. it touches a nerve and it s as much inspired by the work of jon hassell as it is by coil. i will be released through gong ear and available on digital,cd and vinyl.

in 2016. i rented out a small piano studio in east london for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. inspired by albums from this mortal coil and scott walker, who also sought freedom to work outside of the expectations of their previous work, i limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, i felt free enough to tell untold truths that i’ve never felt comfortable talking about within music. free, liberated, empowered. naked.

in time for the 20th anniversary of his label hospital productions, dominick fernow offers the first release of his techno-focused moniker vatican shadow on ostgut ton, following up on his berghain residency and joining ostgut booking in 2016 with his vatican and prurient projects. the cocteau twins/this mortal coil-channelling, beatless widescreen opener “they deserve death” and the two collateral club/dancefloor tracks “rubbish of the floodwaters” and “weapons inspection” offset each other by reincarnating the tape manipulation that laid the foundation of vatican’s first performances with analog hardware and minimalist midi-dissection. produced in los angeles with josh eustis, vatican shadow’s rubbish of the floodwaters ep casts a full spectrum picture of where the project was born and where it headed.

unordained, brutal, and led by the rhythm of heavy bass and massive drums, disorder is an unrestrained ep, conceived in an atmosphere of distortion, edging on a certain experimental techno, equivocating between noise music and musique bruitiste. as if, here, techno were a tool of vengeance, a violent revelation with the appearance of redemption, the pieces succeed each other without any glimmer of hope appearing, and the sounds with the abrasive textures come to coil round fast and broken sequences. times are marked on each pulsation, regular and relentless. the frequencies evolve in progressions designed to install a particular tension. in -contact- some voices hidden by the filtering of a radio announce to the stoic listener and the sweaty dancers what they already foreshadowed: communication is blurred, impossible and painful. in a word, modern.

foql is belonging to the same polish electronic music collective as marburg (see gooiland 10: v/a – club funny horse) but the sound of this project is truly different… in a way the hypatia ep is delicate and even fragile maybe… it has the ritual feeling like some of the music by coil has… next to that it has textures reminiscent of the future sound of london… and in some ways foql fuses ambient, electronix and techno in the same way kobosil sometimes does… in short.. this is a record for well informed and well educated music lovers.
limited 150 copies.

* 6x 12 inch* vinyl box-set limited to 500 copies + includes the compilation on cd

ancient methods & cindytalk, pay homage to the white rose figurehead, sophie scholl - remembered for her role in the passive resistance to the nazis during wwii - with a passionate and unflinching trio of noise/techno girders for diagonal. for those aware of cindytalk’s illustrious industrial heritage - she has collaborated with everyone from cocteau twins and this mortal coil to revolting cocks’ chris connolly and dj scud, this is nothing short of a momentous meeting of epochs, styles and mutual intent. and it’s f**king deadly wi’ it, too.

ancient methods & cindytalk, pay homage to the white rose figurehead, sophie scholl - remembered for her role in the passive resistance to the nazis during wwii - with a passionate and unflinching trio of noise/techno girders for diagonal. for those aware of cindytalk’s illustrious industrial heritage - she has collaborated with everyone from cocteau twins and this mortal coil to revolting cocks’ chris connolly and dj scud, this is nothing short of a momentous meeting of epochs, styles and mutual intent. and it’s f**king deadly wi’ it, too.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

fresh from his recent outing as hesperius draco, alessandro parisi is casting off for his debut on charlois. the italian is setting out his stall with a five tracker. honeyed bars are cut by sharp percussion as the brooding -meduna waves- opens. space soaked synthlines coil around a pulsing drum for the slow burning -cosmica 1999.- the flip sees a wave edge enter. cascading chords and a bolstered beats form the pain streaked beauty of -fear and money never had.- -exhibition of love- is brimming with meaty snares biting into thick strings combined in a power filled piece. parisi illustrates his enviable talent throughout, a talent that comes to the fore with the arpeggiated intensity of -virtualand.-

third experiment from the teslasonic lab. a 6-tracks journey through some of the most notable inventions of the serbian genius. an electronic ode to electricity, its applications and its revolutionary place in the history of mankind. limited to 300 copies! no repress!

coils is the latest offering from santa ana, ca native evan geesman. fresh from the success of his release lengua, with co-signs from bandcamps head curator andrew jervis and osunlade, his new work finds him delving deeper into his production palette interspersed with his songwriters aesthetic, resulting in a decidedly denser sonic soundscape than its predecessor.

2015 looks to be delta funktionen s year. following the terrifically dark and deep wasteland series comes -a new planet-. a cold electro beat is the bedrock from which a corrupting and corrosive 303 coil grows. but even with this caustic foundation, moments of salvation are to be found. a second techno moon dawns midway, frostier percussion giving way to warmer rhythms. full and flowing bars fall and rise behind the squawk, allowing a new and brighter element to bloom. a track that is at once atmospheric and club centric from an artist at the top of his game. this will be released as a limited single sided 12- vinyl with a silkscreen print on the b side.

killer 3rd ep on rhythm nation with fine forward thinking modern techno tracks.

this music encompasses two worlds, lives in between territories - between techno and noise, the far end of a darkened club and a dreaming mind’s afterthoughts. very earthly and deeply rooted, it sometimes appears fragmented, full of sonic embroideries, full of sonic dirt, even. like two universes colliding, imploding one on the other, giving birth to a new space, without boundaries or restraints. something to dance to, on a spaceship. sergie rezza is the musical meeting of romain poncet and dj deep.

only a/ b sde

copehagen s music for dreams are very proud to present new swedish signing 55 cancri e (aka sara hausenkamp). born in 1989 in malmö, this talented musician/artist started out learning classical guitar as a child before playing keyboard in different bands in her teenage years/early 20s. in 2013 she moved to berlin and began playing keyboard/guitar/singing in electro duo ‘naftik’. as well as music, she also expresses herself through illustrations, collages, photos, writing, painting, fanzine-making etc. and studied at the school of comic art in malmö.‘55 cancri e’ is hausenkamp s solo project started in the summer of 2014, an amazing six track mini album of perfect night music from outer space, tunes covered in diamonds - a melting pot of sensitive guitars, crying synthesizers, barking flutes, mellow wine glasses, combined with gorgeous organ/melodica and haunting voices. the end result is a beautiful, melancholic and stunning debut drawing comparisons to artists such as this mortal coil and cocteau twins... limited vinyl with stunning original sleeve by the artist - definitely worth investigating.

after his l.i.e.s. debut, dj slugbug offers up a four track ep for the russian torrent bootleg label. while the title track is a massive electro cut sure to scorch floors. the three remaining cuts explore more tense and moody territories that explore more industrial and downtrodden house vibes that wouldn t be out of place at medusa s back in the day

congratulations you have successfully unlocked your fire chakra! ekranoplan with bluntman round the corner, the wicked mistress of the sea rears her head with the lowest subs heard in the depths of the caspian sea, we present to you, ekranoplan. just as the scotch fear the loch ness monster, the coastal folk of the caspian have long lived in the shadow of this great colossus. a mythical aircraft of gargantuan proportions, the ekranoplan now lies at rest amid the discarded rubble of the soviet dream. this ep paints a more gentle, playful picture of the monster and its mysterious aeronauts

comb eh brush eh crimp eh, oil eh mess eh spoil eh. comb eh brrush eh crimp eh. oil eh mmess eh spoil eh. spoil ehh. spoil eh spooil duhmove to me likure practising urecooos like a ringneckd dove! wind and coil, bend and twist, swells with water, smoothes with oil, now its morning and ive been thinking like allll night, its perfectly natural. take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a tissue pick a cherry come save me! take a cherry pick a tissue, my hair its black climb up eh. lean out the window climb up eh

grab the new s&c 005 record, a split 12inch by ender & stiletti-ana, put it on and lay down on your sofa. hear the opening groove from enders track p.l.i.h. and find your self getting up immediately to turn the stereo a little louder. adapt your self to the super tight, locked & futuristic and very original techno groove. watch especially out for the killer stab line in it as it is just something you will most likely find your self humming while shopping or taking your dog out. after the original mix of p.l.i.h. you will hear the stiletti-ana s stripped down version. he must have cut everything else out in his mix with his switch blade besides the ruthless stab line. dig the endless and ever growing stab jacking and remember that p.l.i.h side of the record is very serious and addictive for both club & home users. turn the record around and go back to your sofa. hear the twisted detroitian afro acid disco of stiletti-ana s track i got the master unit. filled with merciless synths and forcing rhythms i got the master unit leaves no questions of the keeper of that unit. the user of the unit seems to turn all things to the max and play midi tracks with tesla coil a like instruments. after the original it is ender s time to use the master unit and turn down the lights and ask the question: do you think that there will be something nice happening soon?

ejecta ist das neu projekt von leanne macomber (aka neon indian) und joel ford, der mit daniel lopatin (oneothrix point never) das duo games bildete. die 10 ejecta songs verbinden elektronischen dream-pop frueher 4ad-releases von cocteau twins oder this mortal coil mit der disco-coolness eines kavinsky oder der chromatics. limitiertes lp-format.

180gr vinyl 2lp & download code) for the first time on vinyl, includes cover art, excl. chris isaak cover version, download code for original latenightales mix as well as unmixed track version in both wav & mp3 formats

for over 12 months thomas feriero aka avatism, our friend and label partner, has been staying at home and working on his album. he moved to berlin to work on it and now sadly (for us) yet (gladly) for him he is moving back to milan. poof! just like that. so what did this year entail exactly? well for some of us not much. we got to see him in his studio comfy pants a couple of times (he wears slippers) we heard his studio woes, ate pasta with him, drank beers and of course got to hear his album at every juncture. while this self-imposed exile may have been a little worrisome the result is fortunately spectacular. adamant is a glimpse into how a city shapes a life and how intrinsically life then shapes music.

compound eye is drew mcdowall (formerly of coil) and tres warren (psychic ills and messages). *journey from anywhere* is their second long-player release following *origin of silence*, an art edition lp on the spring press label. this double lp features 4 sides of improvised electronics that lead the listener into the dark recesses of the duos subterranean explorations. each of these works move at a slow and considered pace, gradually unfolding into a transportive blur of dark psychedelic minimalism. like elements of coil long form works this is a music which has the potential to melt time, open space and create a flowing web of liquid memory. a sublime record for those who like music that encourages travel.

lost in confusion is a 161 bpm mental techno long bloody tune. based on a sample from this mortal coil filgrees and shadows ithink) superb mental dark techno ambiance. b side starts with a sounds like a side tune, even more industrial and creeping. a cinematic tune. second tune of b-side gives a mentalcore kicker track 180 bpm, very industrial as well, full of breaks and solid tribal beat.

2lp with download code included

anonymous duo dense & pika remerge for their debut on scubas hotflush recordings. crispy duck, their 3rd track take on modern underground techno, kicks off with a chugging a side, giving serious nods to detroit and beyond with its deadly shuffle. on the flip, dense and pika claim the dancefloor with coil a tripped out uptempo techno track, abound with hihats and fist pumps, followed by 31 a rough and ready tune that melds 4/4 with acid and dub grooves. doing their best to remain incognito, the duo are on course to make 2013 their year. huge early support from dubfire, adam beyer, midland, will saul…