the first installment in baby gurus phase two, finds the band experimenting with different styles, moods and languages while paying tribute to the land of sunshine and welcoming its fourth official member. marmalade skies (part i) is an a cappella short song, playing almost like a canon and marmalade skies (part ii) is its moog-arized reprise.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

in april of this year, donato dozzy took a set of mouth harps back to his parents house in the italian countryside and set about exploring the possibilities of that most basic of instruments. the mouth harp had been calling to dozzy ever since childhood, when he had discovered the marranzano on a holiday in sicily with this parents at the tail end of the 1970s. almost four decades later, dozzy had begun to see in this peculiar, ancient sound, the roots of the music hed been making and playing in clubs all these years. it was time to find out how far he could trace it all back. the loud silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia.

2019 repress! the pan-american highway is a network of roads measuring about 48.000 kilometres (30.000 mi) in total length. except for a rainforest break of approximately 100 km (60 mi), called the darién gap, the road links almost all of the mainland nations of the americas in a connected highway system. according to guinness world records, the pan-american highway is the world s longest -motorable road-. however, because of the darién gap, it is not possible to cross between south america and central america by road. the pan-american highway passes through many diverse climates and ecological types, from dense jungles, to arid deserts, some of which are passable only during the dry season, and in many regions driving is occasionally hazardous. jake silverstein, writing in 2006, described the pan-american highway as -a system so vast, so incomplete, and so incomprehensible it is not so much a road as it is the idea of pan-americanism itself-.

pp proudly presents another double urge to turn up the volume: the 12th offering on public possession comes from tmo (aka leonid lipelis). lipelis, who is based in moscow and whom we met there first when playing in russia, is a music maniac. this was clear almost instantly and at some point during the night we found ourselves on the couch in his homestudio, where he played us an array of tracks from his various guises and projects. one of the first tracks presented to us was melodic jam

with its eighth release, leipzig-based holger records introduces yet another new artist: vai has been active in the scene for a few years already, with various production teams and aliases. his new project is heading for a different path though: son of idaia is his most intimate work to date, a highly personal record. the elements in use are almost fragile, winding around each other and hard to grasp. so is the music: in between ambient, electronica and ghostly techno it seems removed from its club origins and yet still reverberating these roots. a deep trip down the rabbit hole, dubby, immersive and glowing in all its calm beauty. holger 8 introduces a new line of cover artworks, courtesy of lukas mehling.

the mysterious dream lovers arrive on uber with the super mellow brasil. a tropical reggae disco tinged balearic shuffler, all loose percussion and soft guitars. reminiscent of studio in their heyday. abel from the redlight records crew dims the lights and strips the og back. layback and feel the sunshine on your eyelids. the second remix comes from maciek sienkiewicz of very polish cut-outs. a quirky almost off beat stripped back version bringing out the guitars and adding extra synths pads. uber warming us up with some balearic heat.

repress, after an almost 2 year break pepe bradock is back on the regular atavisme catalogue number order. says pepe about number 16 *le fada*:
*it is a tribute to a very precious gift sent from bagdad to aachen via jerusalem / that would have never arrived in northern europe without an heroic jewish man from south of france.*

for the fourth installment in into the lights journey into greek electronic music, we find ourselves transferred to pireus, home place of ambient music composer dimitris petsetakis. with the exception of only one track, endless lp is a collection of previously unreleased material that has remained in petsetakis basement studio for almost 30 years now.

ariel is a suite of 5am trance breakdowns capturing those moments when the sun is almost coming up, the clarity just before and just after something truly epic crystallized eternally in vignettes presented in a sequence, a series of tracks ecstatic on their own but transcendent together

as a preemptive strike before soma unleash their specially commissioned compilation, transmissions glasgow, we are proud to bring you one of the highlights from this as two of scotlands biggest techno exports, slam & gary beck, come together for pressure lights. a track celebrating slams long running club night pressure, that has been at the centre of scotlands techno scene for almost 17 years. big room beats and furious snares are the order of the day as the 2 techno titans deliver a monster track designed to destroy any dancefloor.

nice price deal !!! cymawax explores the far reaches of our sonic galaxy with its next 12 inch only release, an exciting seven song set from evocative uruguayan-norwegian vocalist camilla luna. camilla is known as one half of luna & bazis on wahwah45s, with producer friend bhlb, and as vocalist for trulz & robins releases on eskimo and dance disorder’s ”metallic italic“ (bpitch control). her years of improvising vocals with musicians and djs at renowned oslo clubs like blaa, jeager, and the villa have given camilla a knack for accompanying electronic rhythms with haunting, tuneful melodies. for the open up ep, camilla joins producer bhlb for soulful and raw vocals recorded in one take over futuristic, bass-heavy, and delightfully offbeat tracks. the styles and tempos vary wildly, but the sound throughout is unified in a deceptively organic ex machina woman-meets-machine vibe. in the title cut, the almost tribal percussion summons exotic, benevolent spirits when combined with camilla’s temptatious crooning. the twisted r&b of ”wut r u gwonna do“ could almost be a secret collaboration with the likes of flying lotus. and ”f.o.c.- transmits a slightly intimidating techno stomp that would make all heads on the dance floor turn towards the dj and immediately take notice. these are just a few of the otherworldly audio nuggets found within the open up ep … there are more treasures to unveil. excavate soulfully.

"you wake from sleep, the door closes by itself and the walls run with slime and rain. a shadow moves, almost familiar, welcoming and simultaniously intimidating. the candle flickers and snuffs out. a noise. your torch is dying. something takes your hand. long fingernails and old skin. you mark the floor, chant the incantation. together. in the first of our split series we present two modern artists who’s imaginations know no limit. abstract drones, anchient machinery, neon cities within the shadow of the overfiend. heading up side a is the legendary cristoph de babalon, whose work in the late 90s on digital hardcore and his own cfet proved to be some of the most unique and timeless of the period. seperated by european boarders, the reigns are taken by triames, cutting the rhythms to explore techno as a more abstract concept, beautifully detailed work in between lustmord and emptyset. giallo disco is proud to present ‘invocation of the demon twin vol. 1′ possibly the most sinister and atmospheric release to date, and also one of our most special. art by eric lee."

front the roots of i records comes the very first and original release of somore i refuse (what you want). the vocals resonated by damon trueitt as his bridge of -what you want- has gone on to strike chords in people s hearts almost 20 years later. this first release came with ny deep remixes by wayne gardiner (best known for his work on strictly rhythm & nervous records). it also featured production work by the original filthy rich. released in 1996, the record went on to spawn a list of uk influenced remixes.

it’s been just a few months ago, rampa carved his last ep-notch into the keinemusik-release-tally. but here he goes again, delivering his second km-offering this year, an almost prophetically headlining track called “newborn soul”. this tune virtually is the score to the current situation of its creator. a lurking, tension building piece that’s coping without a kickdrum for more than 50 % of it’s running time, just to place it in floor-shaking boost in the exact perfect moment. a percussion and synthflavoured build-up somewhere between tool-characteristics and stylish peaktime-emphasis, that’s rising like phoenix from the ashes. “mascha” on the flip can be appreciated as a classic rampa. analogue sounding, washed out intro, irresistible tribal-grooves including analogue filter and delay-rides, percussive cushioning and folkloristic chants that will invoke nothing else but rowdy floor-ecstasy in this context.

angels dust is vocalist flavia ciampi and producer david lampley, both originally hailing from san diego, ca. their bewitching, hypnotizing yet soulful debut summons the same heaviness and somber darkness of portishead & mazzy star. ciampi’s almost-whispered vocals are front and center, anchored by loose swinging beats that are as unnerving as they are catchy. lampley (also known as psychopop, one half of san diego instrumental noise legends skrapez, as well as a frequent gonjasufi collaborator) handles the gritty lo-fi production duties.

first full skudge 12inch in over 2 years. very strong 2 tracker from these dons. we missed them! tip! back on release again after a long period, almost 2 years, of a fully booked and busy schedule with live show tours and developing other artists on the label in the meantime.

with the launch of his white material label in new york 2012, dj richard started releasing a line of the most stunning works by galcher lustwerk, young male, morgan louis and himself. alongside a collaboration with carsten jost for the lawrence -films and windows remixes- the dial records crew deeply fell in love with the works of dj richard and vice versa the request to release his debut album here caused enthusiastic encounter. after his contribution for dial s 15 years compilation and almost two years of production, it is here: dj richard - grind ! a tribute to what contemporary club music and enthusiastic sound experiments should be about: exaltation and addiction. this is what dj richard s club sets feel like- an incredible sound seduction, another dimension- grind might be the essence of it all.

if you need that extra magic on the dancefloor, take cab drivers taxi funk for a big portion groove with moving basslines, funkiness and that special flavor which is only available on their tracks. enjoy almost 30 minutes of pure pleasure.

ltd cocoon box , incl 6 x 12 inch + full c d album
it is almost hard to believe and we are looking for that wormwhole that brought us here as we are already looking at the arrival of compilation number * o *. and we rather do not start thinking about the endless wordplays we could do with the * story of o*, however we have to admit that this special * o-edition* comes with an extra portion of deepness, soul and yes, even sex

perhaps it is something in the water or just plain vodka, we really have no idea but one thing is for sure - there is something special about those moscow disco heads. they sure know how to find a perfect beat and re-edit it to perfection. after lay-far it is now time for arsenii to step into the basic fingers arena. both sides on this 12 are filled with jazz-funk and library infused disco at its best. *allegria* sounds like bob james is jamming with the headhunters and on the flip *turbo* with its generous use of synthesizers almost has an outer space theme. essential indulgence for disco heads & connoisseurs everywhere.

gonno reclaimed the almost forgotten poetic art of a musical journey that unite ambient, techno, house

its been more than a year and a half since life about to change and the anticipation has been almost unbearable, but the long wait is over as marco resmann is finally back on watergate with his brand new * run ep*. over the course of three tracks marco displays his production prowess and once again solidifies himself as a creator at the peak of his career. the ep begins with the title track * run * and its a perfectly executed techno anthem bridging an unrelenting drum line with crisp stabs and euphoric blasts of spaced out synths

we are very proud of their exquisite fusion of the organic and the technological sides of the music. we love that. the first listen leaved us with a huge smile on the lips and a thought: music does something for good, the rest almost nothing.

hidden away in the vaults of the (not so) mysterious bufiman, these almost lost recordings will see new light through our little imprint in the middle of june!

ltd 2015 repress
the final single from peace division duo justin drake & clive henry as they go their seperate ways after almost 15 years together!! big with loco dice, sascha dive, nick curly, 2000 and one, rozzo, timo maas, anja schneider and amongst others

limited edition of 320 numbered copies only, presented in a hand-made silk-screen printed cover sleeve. it includes a leaflet.
this record is the only existing document which collects an almost whole concert by kremlyn in their first stage as a duet, in their own essence, that is to say, with no musicians added. it took place in a little disco called *panagal*, on january the 6th 1984, and it was the fifth concert of the group since its creation in 1983. that was kremlyn in itself.

frank sinatras 1961 album newly remastered and pressed on heavyweight 180 gram vinyl with download code included.

crafted between the years 2000-2008, *immerse* is a massive selection of some of the finest deep pulsating dark ambient tracks that we have ever heard. together they create a journey through depth and darkness with a gripping emotional hook that almost stand unprecedented.

very sexy disco theme on fever zone

releasing not very often, understand has always kept things in the dark about what is going to happen next. the wait is over and the fifth instalment of the series is named ebandogue and features 3 tracks from dubtil, one of today s best producers in the bucharest underground. ruling side a is opus ebant, an epic masterpiece, driven by a groovy bassline and subtle male choirs. this heavenly atmosphere goes from trippy to driving back and forth making it perfect for a peaktime moment that won’t be forgotten. may also be used in some worship places. debandada and epilogue share side b and besides the producer himself that is almost everything they share. debandada is kind of dark and experimental but full of energy in the same time with weird whispers and evolving hats keeping everything on the move. epilogue has a more positive approach, the general uplifing feeling is spiked ocasionally with a techno resonator and some background synths, and just like that, the random delayed male vocals make it so more interesting.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

head-honcho adam beyer delivers the next drumcode release following a monumental year from the techno heavyweight. two singles on the drumcode a-sides compilations, a multitude of releases on different labels, a 7 hour live broadcast from awakenings festival, 10 shows in ibiza for carl cox, cocoon and enter as well as an incredibly busy show circuit across the world. coming up there are a multitude of drumcode parties around the world including festival stages at major festivals and other high profile events. adam beyer is back on drumcode with an impressive array of tracks that will get the senses tingling and shows us what drumcode is all about. these 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only beyer can achieve within his productions. the under lying throbbing of the drums drives this ep into the forefront of the heads down drumcode sound and have been heard in many of beyer s phenomenal sets throughout the year.

the g man hits the planet rhythm imprint (finally) with a slice of infectious dancefloor material. binkys groove ep revolves around tough house/techno jams with an attitude. from the gritty almost dancehallish rhythms in ms retrograde to the anthemous bassline sounds in binkys groove and the very uk sounding g vibe on dis-tracted! mr.g has delivered a modern day prruk classic.

after a first collaboration with play label records last fall for a remix on boss axis’ ep, dka joins the label-team for a four-track ep, pamplemousse bleu. oscillating between deep house and tech house, dka delivers three equally excellent original tracks. from the hypnotic “sum” until mysterious almost techno “landing at night”, he immerses the listeners in his universe and his world. the ep closes on the exon bacon’s remix that embarks us in a deep techno mood.

alex cortex with 2 fresh techno cuts. adventurous and slowly building trippy nervous modern tracks with almost an avantgardish cinematic feel. accompanied by strong remixed versions of florian kupfer and perseus traxx

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

washerman who is steadily proving his outstanding craft since many years, delivers yet another uncompromising oldskool house cut to shake the floors worldwide. slightly ravey with a bouncing acid bassline riding on a driving beat: a sure play. crowdpleasers remix refers to an end of 80s / beginning of 90s house music style by using retro drummachine sounds and a prominently mixed hypnotic synth melody, which both somehow remind us of old david cronenberg movies. crowdpleaser is an experienced cat and a long time contributor to genevas cultural dance music diversity. he has co-produced the critically acclaimed album *2006* with st plomb and has released many on-the-point tracks ever since. emerging from st plombs debut album country city country, these two remixes almost desperately have been waiting to see the light (on a 10 inch vinyl release!). we think: these two remixes make another swiss crop-of-the-house release!

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

summer is here and we got just the right beat to go along - andré butano & miguel lobo are back & funky as ever! for their first joint release on 8bit, the two deliver a perfectly balanced mix of uplifting & latin influenced tech house grooves to get almost any party going. sizzurp overdose ep is a journey through deep bass & driving rhythms: we are excited to have butano & lobo back for this quality release!

bolivian - born dj s, producers and duo animal print ( aka lecter and marco cuba ) are covering a wide spectrum of sonic and artistic possibilities, from the minimalist, bouncy original mix of -kites for august,- elegantly playing with a mixture of uplifting and dark vibes, to the extremely reduced and highly effective thunders, the relentless, almost epic red moon, and the percussive, hypnotic by orion each track can be appropriate for a different situation, but in the end they are all aiming for the same goal: to create an absorbing soundtrack for unifying experiences on the dance floor.

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

vienna in da house! the latest release from intimate friends invites viennese producer par excellence roman rauch into the fold for the essig jazz ep. straight from the home of the wiener schnitzel, roman is of course known for almost a dozen releases on labels like endless flight, philpot and quintessentials. the austrian is on fine fettle here with three twisted and rolling productions the spoken word delivery from caits meissner on got to be is something of a highlight as is the wonderfully messed up remix of the title track from glenn astro.

2015 repress !! 2 tracks raw dubby and full on pepe bradock infused house of the highest calibre and in an almost unusal summerish mode. perfect for playing (and forever staying)! vinyl only!

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

yoruba records is happy to release this dance floor ready ep by label head osunlade. stretching across a range of styles theres something for everyone in this release, an absolute must for every djs bag. the ep opens up with the title track, what pho. a relaxing jam driven by a powerful sounding grand piano and complimented by shakers, the added backing percussion and subtle bird chirps lend well to the creation of this tracks rainforest-esque mystique. next up is the deep, almost jazzy track – jus anuda groove. the rolling bass line and four to the floor beat will get you moving – and keep you there - as osunlade reminds us that this is just another groove. opening up the b-side is schavanna, a funky, guitar-driven track whose pulsating bass line and friendly but muffled vocals will keep people moving on the floor. finally, the ep closes with the waiting game, a hypnotic, tribal-learning track with a foot-stomping beat, colored with the seductive vocals of rainy payne, its hard to tell which is more captivating, the groove itself or the story line she unfolds.

yes, so we re finally here, the 100th release of gamm enterprises ! since the very first release with red astaire s now classic follow me gamm have remixed, reworked and edited almost every style under the black music banner. gamm have and will always aim to deliver dj friendly black dance music regardless of style. gamm simply bring out that little extra in your favourite tunes. so for our 100th anniversary release we thought we really needed to bring out the big guns. what could be better than an ep where the mighty the reflex and up and coming remix star moplen came together and re-work the greatest artist of al time, michael jackson! sounds pretty good right? the reflex, moplen and mj...what a trio! well, there s not much more to say really except that if you like disco, boogie and mj this is the biggest musical home run of all time. lets boogie...gamm style!

kito jempere s fata morgana is back on track with second remix ep off his debut album objects. on the a-side you will find proper peak time banger by moscow based simple symmetry duo (famous for their releases on glenview records, low budget family and that s a steal, supported by everyone from lexx and alexis le-tan to mudd and bradley zero) and disco version of typewriter by poland based duo ptaki (famous for their releases on the very polish cut-outs, young adults and they have their debut full-length album forthcoming now on transatlantyk). on the flip you will find an almost techno version of hw whales made by ruf dug (famous for his ruf kutz label and much others releases on labels like unknown to unknown) and gas station remixed by moscow based arsenii (he released on that s a steal, glenview and others)