debuetalbum der kanadischen produzentin jayda g auf ninja tune! die vinyl-lp erscheint inklusive downloadcode.

the second release features multi talented uncanny valley artist jacob stoy. his fascinating bassline cruiser >s51< from the uv 010 is being properly tuned by monomood into a massive acid dirt bike racer, that leaves torn soil behind. on the b side you get another deep techno mover called >dominate< as well as a detroitish and dubby remix by jacob stoy...

vinyl 1 of the 2014 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by nick bee and abstract elements.

vinyl 1 of the 2015 ep on noisia’s invisible recordings, their record label for new experimental bass music. tunes by doctrine and abstract elements.

cough & laugh 003 is a va of 3 minimalists those who are at forefront of modern minimal-house scene. hungarian upcoming uniix, shato delivers finely tuned abstract minimal pieces on the a. b is fully taken by moldovan finest dubfound well known for countless top releases from the labels such as sleep is commercial, the other side and swoon.

fracture has always tried to support upcoming and interesting newcomers, people they believe in. chevel is one of them, and in 2014 came his first ep for fracture under his alias signalweiss. he returns now for round two. in 4 years, he has managed to establish himself as a prolific and talented artist with a steady stream of records on labels such as stroboscopic artefacts. chevel is an artist who likes to mix things up, always striking an interesting balance between experimentation and more dance floor oriented tunes. with -feelings- and -forbona-, he creates quite abstract but still effective dance music. it is for the club, but it is not mindless bangers. in the hands of pablo mateo, -forbona- turns into a more mental piece of techno. all in all, this new fracture release provides great tools for the smarter selectors out there.

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

“songs of love sung by robots” from the moment this machine is booted bop begins buzzing with kinetic warmth. this is something characteristic of swarvy’s sound, the la-by-way-of-philly musical polymath with a vast catalog including sunsoaked live instrumentals, jazz-infused loops and lo-f gems. with bop, he is musical mad scientist, ?aunting his technical fnesse as he plunges into the realm of abstraction. swarvy makes his mark in bop even while grappling with its colder, industrial elements. with broken rhythms and jagged textures, he pieces together tunes of emotive beauty. the result is undeniably playful and delightfully odd, something like songs of love sung by robots. through its wavy ambience runs a current of aural ephemera - bits of speech samples, bossa riffs, and r&b with opaque origins. bop’s genrebending tracks will take you to ten compelling dimensions, forming an archeology of cyberspace and musical artifacts that’ll leave your cold robotic heart melting in the la sun.

2017 marks 10 years of lmd and we are very excited to welcome one of chicago s finest and one of electronic music s most singular visionary artists to the family: jamal moss aka hieroglyphic being! having recently dropped a exceptional album for ninja tune and a stunning 12- for rush hour, jamal now teams up with -the truth theory trio- to deliver the -materialized psychism of the bottomless void- ep. -long night of iboga- opens the ep and sees jamal & the trio create a dj focused cut with unpredictable drum patterns, abstract melodies and psychedelic horns. a killer weapon for any seasoned selector. - mystery of the changelings - is a mesmerizing 11 minute odyssey through magical harps, melancholic synths, and a piano riff that will stay with you long after listening. truly music for the mind, body & soul. praise be to the sun god!

the first volume in an ongoing series compiled by butter sessions & noise in my head, domestic documents surveys independent artists who are living and producing electronic abstraction in australia far from a complete guide to the country s burgeoning scene, the 2lp set presents a cross-section of wide ranging sounds and ideas, travelling the endless highways between brisbane, sydney, canberra, melbourne & adelaide as well as regional towns, ballarat and keyneton. featuring exclusive tracks from daze, mic mills, albrecht la brooy, lucy cliche and more, the comp also marks the first vinyl outing for newcomers chiara kickdrum, ben keynes & a fresh dan white / ryan hunter collaboration turner street sound. stay tuned for volume 2, coming late 2016!

two collaborative tracks from quarta 330 and lv, made when the pair met the day after hyperdubs fifth anniversary party in november last year. these tunes exemplify the kind of meeting of minds where the best of both procucers comes to the surface, as quarta 330s 8-bit abstraction and melodic sense contrasts nicely with lvs characteristic lush figures and shuffling rhythms.

influenced as much by aphex twin and boards of canada than by flying lotus, modeselektor or fourtet, this talented french representant of abstract cinematic electronica grant us with this great package extract from his forthcoming album. including remixes from ghislain poirier (ninja tune), kelpe (depth charge), vompleud and aus.

the second release on figure jams continues to pursue our new concept of pairing certain artists together, this time placing the seasoned swedish sound sculptor patrik skoog alongside abstract division, a collaborative project of paul boex and dave miller, two equally experienced dutch producers. the latter deliver a pair of straight-forward tunes that seemingly stem from the depths of space. with an intimidating backdrop of menacing and rummaging drones they carefully create a constant sense of alarming tension that is never lifted. this abstract threat takes solid shape in patrik skoogs slamming -the field-, a heavy hitter of immense magnitude that despite packing a bouncy punch still stays afloat thanks to its lightly dancing hats. another agile alien grooves closes the ep, with rides zooming in and out, slingering and cutting through the tracks subtly booming body

hypnus records regular blndr makes the leap over to silent season as they continue to celebrate their expansive tenth anniversary with a series of unmissable 12inches. dub techno is very much the order of the day on this grip of four tracks from the french producer, with shimmering chords and subterranean rhythms spelling out a perfect recipe for total meditation. -abstraction- is a highlight with its thin slithers of sound ducking and diving between the erratic kicks while partial drifts on a slow-creeping beat that gently buffets the vaporous chords downstream. with whispers of club compatibility tucked into the folds of these heavy-lidded tunes, there are many ways you could find yourself engaging with this 12inch.

after an amazing 2016 year remixing legend mobys porcelain for drumcode, releasing on labels like soma, drumcode (with his phoenix as well), kaputt ltd, planet rhythm, tip top, label owner luca agnelli is back on his own etruria beat. this new release contains 2 original cuts and 2 remixes by amazing artists abstract division and yotam avni. original tracks metamorphosis and chaos are very powerful techno tunes, filled with hypnotic looped chords, melodic synth stabs on solid beats and drops. dynamic reflections owner abstract division revisited metamorphosis in a very mental trippy way, adding a dutch raw and dark touch to the title. after a few releases on innervisions, stroboscopic artefact, yotam avni transformed metamorphosis into a pumping groovy track that can destroy any dancefloor. play it loud!

since contributing to the cocktail damore 5 years compilation, andrew cole aka luvjam has been invited few times to rock the monthly party with his deeply blissful and futuristic sounds. this is his first 12inch for the berlin imprint. the title track takes over the a side. nip to space is an abstract hypnotic slice of techno. every frequency of the 4/4 groove is stretched to the max, and it’s built to enhance the dance floor with masterful soundscaping. on the flip forest of nip is a raw tune, made by unexpected elements disappearing and re-appearing vibrantly, climaxing in a maze of fluffy acid synths. with flip to the flop the alchemist of sound design explores breakbeat of the finest uk tradition that evolves unexpectedly in a cosmically distorted afterhours delight. luv jams psychedelic perspective of sound is at its best in this ep, coupled with his unique mastery of frequency manipulation.

ltd 2014 repress !!
deep percussive detroit style house with dreamy piano blue notes on the a-side, while the flip holds a more jacking tune with abstract piano chords

frole records presents the second vinyl release, this time a producer from the netherlands. detache is a young producer influenced by detroit, deep house and modern techno. u010011 is the typical detroit track with an undoubted feeling to it. featuring a dubby atmosphere, playfull synths & dreamy pads. the remixes are made by anonym (sushitech and francesco bonora (abstract theory) & mirko (etichetta nera) who are staying in this dreamy realm. the track is made at a lakeside which is portrait by the artwork. valley of shadows is a deep track that is characterized by the dub sound from berlin. a solid tune full of deep chords and pads that transcends the mind.

a delicious six-tracker from our man from a.n.t.w.e.r.p. featuring remixes from fulgeance, cubic animal and joash and even a smashing house tune by the man himself. tall glass of water kbonus takes it slow this time with >dance baby dance<, a ridiculously groovy slow jam featuring vocals by jtothec, destined to get things shaking around the barbie at garden parties around the globe this summer. fellow antwerp producer cubic animal keeps the tempo but adds some funky abstraction, while french beatmaker fulgeance cuts some minutes, toughens up the beat and throws in some arcade game sounds. british compost darling joash then jazzes up the tune with some fine drumming and double bass. bonus track >strength< is a mean house stomper for the wee small hours of the morning. now thats what we call a six-pack.

dancefloor specialists shadow sync are back with their new release on krd.focus is a classic techno tune with a modern touch: after the quite inoffensive intro the rhythmic texture gets more and more complex until our beloved tr909 seizes absolute power over the intricate weave of abstract sounds.
dominion is built around a bewitched synth sequence which gets even more poisonous after the drop. dance to it but donÆt touch it! itÆs very very dangerous!

rmxs by eric sneo & space djz , abstract recs speed up their release-pipelines and the result is >getting time< by robert natus, a monster tune featuring fat synths, snapping basslines and everything a bangin record needs. an exclusive remix package has been also included, more precisely mixes by the london based space djz and palazzo hero eric sneo. while erics mix is a more techno oriented interpretation, jamie bissmire and ben long strike back with a jackin chicago influenced version. damn nice package. but wait, there is another track on top by mr. robert natus called >eye of the hurricane<, and be sure it sounds like the name suggests

organic dj/producer of tet kale orchestra and former member of wave musics abstract truth, jephte guillaume brings forth a lovely sexy mid tempo tune graced by the delicate vocals of japanese songstress ak. already being championed by louie vega, danny krivit, and joe claussell, this elegant production has all the makings of soulful dance future classic. be sure not to sleep on the dub either, as its rhythmic roll & smooth bassline will caress the ears of any listener and bring a joyful flow to the dancefloor

1st release on parisian label warm music. track taken from babamars first album ' whatever happened to our pionners' it's no one else than missive founding manager p-o and procuder mister j to take control of the a side. a classic missive production . funky minimal and 100% dedicated to the dancefloor. on the flipside , multi artist inabeathead , this french-american producer and designer shows us is cinematic view of babamars's track. abstract breakbeat for a journey into his universe. first inabeathead album will come in oct 2005. b2) is the popy original version : vocal electro tune that rocks the dancefloor

2020 repress! willkommen in der welt von lyla.

standard cd im softpack cd mit artwork von fett burger

7th storey projects is pleased to welcome back the myor massiv head honcho for his 3rd release on our label. earlier this year, coco bryce travelled to tokyo and osaka for a small series of gigs. thoroughly impressed by his experiences there, upon returning home, he immediately took to crafting a slew of jungle and hip hop tracks, heavily influenced by everything he d seen, heard, felt and tasted in the land of the rising sun. the ep kicks off with its title track, ayakashi. dark, fierce and mysterious like the mythical creatures it was named after, it builds up slowly, utilizing a combination of chopped up japanese percussion, haunting flutes and hot pants breaks, before switching to full on amen assault mode halfway through the tune. shinjuku is one of tokyos most well known wards, and also the place where coco found the records from which the samples were sourced to construct this number: a turntablism beat/scratch album, and a compilation of traditional work songs, this particular one originating from the gold mines of the island of hokkaido. on the b1 track, kaguya, he takes a more gentle approach: sweet, yet melancholic, like the miyazaki movie of the same name. the ep is rounded off with hotaru, which borrows from an entirely different source of inspiration, namely dj krush s abstract take on boom bap hip hop. shards of mid-90s mo wax are blended with anime samples, making for a solid two and a half minutes of golden era-esque head nodding.

swedish artist ubx127 is back on figure with what might just be his most accomplished release to date. spanning an arc cross four diverse tracks, the story told is abstract yet full of imagination. gently pulsating crystalline opener woid carefully sets a vast open scene, covered in gushes of interplanetary winds. first contact is made on a2, its electro-esque drive and spiky synths hinting at its alien origins. a taste of their mighty technology is given on watch out below, booming with a propulsive punch and constantly swelling in intensity. relief comes in form of singularity, a beautiful, long-winding closer, on which soothing arps effortlessly outweigh their beaty counterparts. having already proven his mastery of the machines with three stellar eps for the label last year, this record further showcases ubx127s special talent of crafting tunes that are as ripe with drama as they are ready for the floor.

d-operation drop is a 6-man crew from cesena, italy with a strong and growing catalog of sound system killers, from orthodox steppers to dubstep abstractions and strange hybrids of the two. recent releases on moonshine, artikal, and lion charge have cemented their position, and we are thrilled to invite them into the zamzam fold with two chunks of 140 weight. “warrior march” opens with a mesmerizing pad that immediately draws the unsuspecting into a unique soundworld and doesn’t let go til the runout groove. a smeared, chopping-block snare, deep subsonic rumblings, swung percussion, massed yet minimal horns make a darkly coiled track, menacing yet full of funk and movement. “sativa team” captivates just as deeply with fewer moving parts, loping drums and leaden percussion, churning bassline, chopped and glitched ja-voices and sound tape, and ominous, clipped horns that wobble with tape delay in a strange airless void. brooding yet cathartic, tripped out but fully physical, with both tunes d-operation drop display their total control over a restrained and powerful palette.

2017 reissue , love what you feel returns with a new release by chicago native and half of africans with mainframes (mathematics recordings/creme organization), noleian reusse! the tracks on this record mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. using an all-hardware set-up, noleian banged out all new tunes especially for this five track ep. the machine funk runs wild from the jumpoff, sometimes exotic, sometimes abstract, and sometimes banging, but never typical. the cuts on this record are versatile enough to fit into both techno and house sets, and there is even a dubstep-esque track that will have crossover appeal!

with the seventh vinyl release evod music welcomes kwartz, well-knowed spanish producer who released on label like pole group and mord. the release is splitted with evod, two tracks for side. the two tracks by kwartz are noisy, warm, with turbulent grooves, both tunes are overwhelming, with twists of low frequencies sequences and brilliant noises/rhythmics. evod s tracks are a true compromise between old school and modern sonorities, thanks to the raw/analog warm accompanied by abstract and synthetic sounds.

over two decades have passed since the mover aka marc acardipane made his first appearance to the world of electronic dance music. under the wings of planet core productions (pcp) his releases spoke for themselves and he quickly earned a special pioneer status and cult following. the mover was always a unique sound leaning towards the edge of darkness and abstract characteristics. with several releases on his co-owned label pcp as well as r&s records and tresor he always managed to create unforgettable milestones of raw, apocalyptic yet danceable tunes that have remained timeless and individual until today. with the mover – selected classics (remastered 2017)- on his freshly launched label planet phuture- he returns to the surface and shakes the world with a compelling assortment of the most impactful tracks in a remastered, fresh sound quality. experience an uncompromising dystopia with tracks like nightflight (nonstop 2 kaos), into wasteland- or we have arrived. astral demons, waves of life or spirit slasher will pull you deeper into the center of your subconscious mind and certainly leave you dazzled. the mover - selected classics is unquestionably one of those releases that can t be ignored and must be a part of everyones techno collection!

the fourth hotflush release of 2017 comes from minneapolis-based dj and producer, tml. he made his debut in 2014 with one inch of water, an album in cassette form via always human tapes. his style takes cues from the bass and jungle halcyon days of yore, yet in his hands these influences are pestled into anything but nostalgia. no memory looks forward to a place where pigeonholes don’t exist, where past, present and future boil an amalgamated stew, where ‘experimental’ and ‘clubby’ aren’t effective antonyms. it’s an album in miniature - six tracks spanning a broad range. the unmistakable taste of jungle pervades side a, becoming increasingly less abstract as it goes: from the fractured opening of ‘face pads’, through the dub of ‘cold sleep’, to the sunrise head bang that is ‘crying’. side two moves inside. it’s darker there. the tunes - ’strainer’, ‘rhu’ and ‘code library’ - share a paredbackness. their beats look askance as they shuffle big and bold.

banlieue records starts the year 2017 with the release of blasphema eternal, the imprints sixth record, which will in fact be the only va release of the year as the label will focus on artist eps. it features five very different cuts that somehow fit perfectly together under banlieues common thread: a timeless feel, tracks that are full of detail but often understated, a breath of fresh air ready to lift up bodies and minds on the dance floor and anywhere else. first comes a club-ready dubbed out track by duo nummer, then a rather ambient tune reminiscent of idms finest moments by michigans own dmarc cantu. on the flipside, a machine funk track of an electro persuasion by label boss benoit b, followed by uptempo dance floor abstraction by mir and some lo-fi jackbeat deepness courtesy of wulffius featuring lyrics in french by jack tezam. limited to 300 vinyl copies.

in context of the first record on schleifen, the abstract theme of eternity and decay is made tangible through dedication and love for detail. ravechild seems to grow four distinct pieces out of same roots, just to forge a whole new construct by uniting the individual cuts. tunes made for a variety of moods and situations.

coming from the steaming underground scene of belgrade, brushed with dark abstract, yet romantic ideas of space and ambience, tapan presernt their first ep with the ever growing family of malka tuti. tapans dark atmospheric industrial sound, infused with balkan or even middle-eastern percussions sits perfect with the malka tuti soundscape. following their acclaimed releases on crimes of the future and wt recordings, tapan present us with tarantella and poison high, two slow chugging and very atmospheric, somewhat melancholic tunes for the late hours. on the remix black merlin delivers a great pushing forward slow dub-trance tun, driven by a massive bassline

the return of wasserfall to the workshop brings a bunch of well-informed, beautifully executed & idiosyncratic tunes that represent our man so well. charlie, the opener is kind of oddball, jazzed out, abstract house with a strange charlie parker homage. stoned mumbles murk around ideally tuned rimshots and double bass flecks that cheekily plod about sounding like a stumbling one man band.

rfsplit is a new series, a collaboration between crf and a guest label with two different artists. for the first release, we choose clft, the french label based in lyon.on the a side we ask birth of frequency to do two tracks, the scar and the fink, two hypnotic and abstract tunes, with a dry and claustrophobic atmosphere.clft choose 2030 on the b side with life’s lake and fallen-in, very detroit influenced with light pads and melodies.

brand new ep on noisias invisible recordings. their record label for new experimental bass music. tunes by nickbee, abstract elements, fre4knc and survey.

kyoka - first solo female on the raster-noton roster works as a musician / composer in berlin and tokyo. she has been releasing music since 2008 and is known for her chaotic, direct approach and heavy-rough sound resulting in a broken pop-beat with experimental yet danceable rhythms. ish means around, like or about and reflects her way to be clear by being vague - brightness wrapped in a blanket of obscurity and abstractness. the ep was produced by longtime friend frank bretschneider, a remix was delivered by atomtm to tune the first track hadue for the dancefloor. ryuichi sakamoto underlines the exceptional talent of kyoka: >panic! it sounds like a toy box turned up side down. how can she make such pretty & chaotic sounds!? i love it!<

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

the mysterious rod enterns the balans arena with an uncompromising, abstract techno affair. little can we tell you about this mysterious character. only that a famous dj from rodterdam is behind this alter ego and that he did a very well received ep on ben klocks klockworks earlier this year.
the music coming from this persona is one hundred percent puristic, stripped down, dj tool techno. with a capital t you have seen that right! no nonsense hypnotism as we rarely see it nowadays. three or four sounds per track, each pushed and stretched inside out for maximum result. these tunes are made for dark, strobe lid cellars or underground techno temples such as berghain.
techno is back and this is about as abstract and underground as it gets. we look forward to release more rod records in the future.

first on decks.de!! an outstanding record filled with a harmonic fusion of surprising musical contradictions.
a: ooh zoot: twinkle-toed minimal house spiced up with a jazz-flavoured funkiness. yet turmspringer easily manage to avoid the risk of staying superficial by flavouring the tune with with a unique strangeness.
b1: ooh zoot (laufmasche remix): the remix by laufmasche gets back to the essentials, produced with an elegant analogue feeling dominating the track and leading to an excessive peaktime eruption.
b2: in between 2 cigarettes: berlin based duett turmspringer tickles out the abstract minimal techno undertones >in between 2 cigarettes< garnished with vivid background noises. massive dancefloor capability!

after the great ep from daniel stefanik, we are now proud to present: santé (in colab with sascha sibler) together with his great releases on souvenir and rekids , he consolidates his position in the electronic music. so, get in the groove and listen! ce loca: this tune keeps evolving more and more, feel it and hear the tones break out into a surprising melodic lead! roma: hypnotic, minimal elements build the groove of this abstract tune. let the crowd went crazy on this musical journey.

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.

nice & nasty are pleased to announce the release of their 14th piece of vinyl, rob glennons night freaks remixed. in january 2009 rob glennon and nice & nasty released the night freaks ep and sonic adventure in detroit techno, breaks and chilled beats. soon after the two lead trax bass shifter and ratio got the remix treatment and released online to critical acclaim and now the choice mixes are available on vinyl for the first time accompanied by wonderful artwork from detroits berlin based artist alan oldham aka dj t-1000. bass shifter gets tweaked by dutch techno maestro orlando voorn (nightvision) and londons paul mac (stimulus) whilst the original of ratio appears alongside the devastating remix by dublins the parallel. already rob has gained chart support and playlists from dave clarke, ben simms, dave ellesmere, chymera, dave mothersole, surgeon, brian henderson, mark o sullivan, dj 3000, detroit grand pubahs, itokim and laurent garnier whilst other tunes from nice & nasty are in the set lists and charts of fabrice lig, russ gabriel, tomi chair, ignition technician, dj t1000, dan curtin, claude younge, derrick may, q-burns abstract message & richie hawtin.

tweaked monosynth lines and rich polyphonic pads are featured on most tracks, and single note patterns of various timbre often reinforce the grooves. the title track on the a-side is as simple as effective and the name relates to some of the percussion parts which reminded them of a rodent digging a hole in the ground. first on the b-side is >if i was a man<, a slow-down groover with a dark and funky atmosphere, inspired by barbara alcindor s abstract spoken words, becomes more and more twisted towards the end of the track. last but not least, >zig zag<, which is named after the wobbly monosynth phrase which is being tweaked throughout the tune. all tracks speak of sweet, riding rhythms and nights full of action. pure quality

after his successful first release on wavetec, entitled >deep joy ep<, madrid-based producer tony lionni (also on versatile, mulemusiq) returns with a much-anticipated new ep, >mamadu<. this album brilliantly demonstrates lionni s musical production talent ranging from techno, dub, to progressive, acid and deep tech-house. the title >mamadu< is a sure reference to the warm, melodic techno inspired by afro rhythms that are layered over the abstract electronic tunes and minimalistic soundscapes on this ep. the title track evolves into a fast-paced atmospheric techno journey, while >deep odyssey< merges haunting deep-house rhythms with a dubbier flavor more in the vein of the deep space-sound developed by francois k

after the succesfull sunstorm ep by sven wittekind comes here the next big shot on abstract. razor delivers three rockin schranz tunes and a storming waldhaus remix

dirty, experimental and abstract electro tunes !!