office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

the new album from portico, living fields, featuring vocal collaborations with joe newman (alt-j), jono mccleery and jamie woon. the record, which the times dub *a bold and wholly successful reinvention*, is a truly electronic album, a unique blend of the sublunary and the celestial, of reverb drenched piano, swathes of studio noise matched with a score of superb vocalists. the vinyl lp comes with download code.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

impossibly rare sweet soul & funk from the vaults of miami s bold records (a subsidiary of the mighty t.k. disco label). there s scant information on reid inc as a group but the album boasts some gorgeous soulful melodies from the all female personnel and features stellar string & horn arrangements from miami studio stalwart mike lewis (blowfly, kc & the sunshine band, latimore, fern kinney) & is produced by the mighty clarence reid who has written, recorded & produced too many records to list here (betty wright, wilson pickett, dusty springfield, bobby byrd, gwen mccrae) throughout his 50+ year career. this is a real rarity, a record that fetches top, top dollar ($500 plus) on-line among soul, funk & disco aficionados. -what am i gonna do- has been comped numerous times but this is the first time the whole lp has been re-mastered & re-issued on vinyl (having previously only been re-released on cd in japan) brought to you in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

scuba s musical biography has been a story of constant change. over the past eleven years, his music has zigzagged through bass, techno and house, at times dark and contemplative, at others bright and anthemic. a look at his discography bears out this creative restlessness: from the shadowy rhythms of a mutual antipathy and triangulation, through the soaring melodies of personality and the cardinal -adrenalin- ep. claustrophobia is more than just the next phase in this development—it s a culmination of everything that s come so far. as its name implies, the record is tense and inward-looking, but it s also rich and dynamic, nimbly moving through a panorama of moods and styles. rhythms expand and contract from one song to the next, textural passages give way to shimmering strands of melody, found sounds and field recordings breathe life into ambient sketches. the album is modern and understated throughout, but also touched with something unrestrained: the exhilarating energy of classic rave.

limited nice price blow out ... disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

mumble ltd. 001 is the first from our vinyl release series. this various artist ep features tracks from close friends and artists that have been supporting the label for quite some time. the release features a carefully selected deep and dance floor oriented music. label owner just_me teams up with the london based producer tileff to deliver the a side of this record. to complete the va romanian herck and belgian glico deliver two strictly groovy pieces.

daniel savio - the swede who coined the term “skwee” back in 2006 when the first odd-sounding electro-funked and tempo-twirling 7inches came about from finland and sweden. his 6-track record for laton consists of true-to-the-game skwee sounds and rhythms incl. oriental-like melodies that has been penetrating the genre for years. harmonic in melody, diverse in tempo from the originator. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. “holtiton” was originally released in 2012, limited and is back on demand.

its winter in detroit and fit siegel has given us * carmine*, a moody techno classic perfect for the lonely season. subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and blade runner string swells. its a high-tech driving song in the tradition of model 500s low-key classic * pick up the flow* and fit sounds more assured than ever. * first found* is mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. loose yet robotic, * first found* is first-rate detroit techno mysticism. the record as a whole is a worthy entry into the motor citys storied canon from a leader of the new school.

*i cant even afford bed linen, let alone a 909*. the unpretentious of jay donaldson is disarming in many different ways. we consider donaldson aka palms trax to be one of the most promising new artists to date. his sound situates him firmly along the chicago-detroit axis, cooking up pad-driven jams, off kilter drums and hazy synths that shift like a gentle musical tide. in 2013 he inaugurated the lobster theremin label, the london-based imprint that quickly became one of the most talked about record labels around. when not travelling the world for prime-time gigs donaldson holds a residency at the widely respected berlin community radio. it is with great pleasure that we welcome golden boy palms trax to dekmantel records.

deep dub techno music - mastered by salz music. with >the tube< the seventh release of the label tiefenrausch awakes – this time out of the hands of biodub. as a reminiscence to the early times of dub, the record comes as 7inch vinyl. in a classical but innovative manner biodub creates a tune between relaxed as well as driving beats and an irresistible deepness. the record presents one track in two different versions. while “the tube” solely bets on the instrumental deepness, “until forever” comes with the voice of ray darwin and disperses a pinch of reggae into the track. the vinyl is decorated with the artwork of alexander ketzer. he created the perfect cover referring to jules verne. 20.000 leagues under the sea – exactly the right slogan for tiefenrausch 007.

lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it s guaranteed fresh to infinity and beyond, yeah! enjoy.

im entwurfsprozess und während der entwicklung dieses produktes haben wir die schwingungen und vibratioinen, die auf dem plattenteller entstehen, maximal reduziert. nach vielen monaten der testphase mit vertretern der musikindustrie haben wir eine neue und innovative rekord mate entwickelt. durch die verwendung von geeigneten komponenten und entsprechendem herstellungsverfahren sind wir in der lage ihnen eine record mate mit erstaunlichem klangerlebnis zu präsentieren. &#65279,&#65279,matte haben einen durchmesser von 29.5 cm und sind für die meisten plattenspieler geeignet. das pw-rm 2knb wird in einer praktischen extra für vinylplatten angefertigten verpackung geliefert.

the first musical scale on apiafo leans towards raw funk with a sound similar to the famous 70s bands, l orchestre poly rythmo de cotonou and el rego. funk, is the skeletal structure of this record, and provided the opportunity for peter to invite his uncle, roger damawuzan - the famous pioneer of the 70s soul scene – on two tracks. their collaboration on *pas contente* is a highlight on this 100% analog album. apiafo was entirely recorded, mixed and mastered with old tapes and vintage instruments.

the much-hyped traxx compilation from london-based record label needwant is back after a near two-year hiatus. after the critically acclaimed *the house that garage built*, that captured the sound of the scene and called it right with early tracks from disclosure, ben pearce, breach and ejeca, the long anticipated follow up - vol. 2 – *my house is your house* is guaranteed to have you jacking and stepping all through spring, summer and beyond.

dj and producer born in tunisia and now based in boras, sweden. he s released on a handful of labels including nice & nasty, quadrant, soul people, selekta, next dimension and division x. his last release on minimalsoul entitled echoes of a revolution went on to get a great review in de:bug magazine and sparked his return to minimalsoul. mourad now deliveres (5) astonishing mediterranean flavored tracks to minimalsoul. all tracks have their own flavor and can stand on their own in a listening or dance environment. we d like to point out the undeniable innovative track produced alongside aaron-carl ragland, better known simply as aaron-carl, who was the founder of the detroit-based wallshaker music & w.a.r.m.t.h. international inc.. tacotac ep is fueled with a great sense of emotion and feeling and will be an outstanding gem to any record collection. in memory of aaron-carl ragland (august 19, 1973 n september 30, 2010) your music will always be with us!

there is quite a charming story of mutual love between borrowed identity and tenderpark behind this record. the two have been exchanging letters of enthusiasm for each other for quite some time. and so the idea of this joint record has grown very naturally.

oh yeah, we love those tunes, we love the idea of this west (mexico) to east (lithuania) studio exchange, we love the jam style, we love the instant lets record it and put it on wax feel! so we dont want to blow this up. no big pr stories, just good music made by ponty mython (dirt crew, swedish brandy, eat more house) and sebastien vorhaus (quintessentials, faces records, vicario musique). buy it, play it, feel it! thanks!

for the nineth offering on public possession anton klint returns with another highly danceable two track ep. save yourself some time and have drunch, is what is suggested on a sticker gracing the cover. this dictum can be interpreted in various ways, but one thing is for sure, if you buy this record - you will have at least two tracks that will help you control the dancefloor with ease any given night

great buzz around this record already without being officially released:
lehar remix #13 groove charts
adriatique remix had massive plays at bpm festivial + bpm boiler room
ep on heavy rotation already by john digweed, mano le tough, kollektiv turmstrasse, tensnake, acid pauli, matthias meyer, alex niggemann, tiefschwarz ...

the detroit music community has outposts in nearly every major city, and vancouver, british columbia is no exception. this ep represents the connection of two such artists, detroit native, josh garrett, who currently resides in vancouver and runs the subspec label, and rennie foster, a stalwart of the underground, who has spent a quarter of his life in tokyo, but born in bc and now living back there, in vancouver. rennie has released on a myriad of detroit labels, such as transmat, teknotika, soiree, subject detroit, wallshaker, and motech. josh and rennie met in vancouver, only since rennies recent return, and realizing they were of the same tribe, immediately began to collaborate on a number of projects, now including this limited run, double a-side, record, chalk full of dj friendly techno trax, firmly rooted in the motor city sound, yet unique enough to be a contributor, not just another imitator.

with jozef k & winter sons may the lord have mercy on us all, lets play house dives deeper into the world of techno. the record includes two dubby originals--like falling angels” in addition to the titular track-as well as a pair of remixes from some of n. america’s finest: luke hess of detroit and basic soul unit of toronto. that is really all you need to know! the 30-minute-long journey is all at once calming and energizing, hypnotizing and exhilarating, accessible and heady. it is also spooky and chilling, thanks to the slow boil build of each cut on its own and the 12 inch as a whole. a truly rewarding listening experience suitable for at-home and club play alike by two of manchesters top-shelf talents.

ra+re is a paris based female only record label created by three young women. the name of the label, ra+re records describes precisely the music it aims to represent: rare, underground, unique and meaningful. ra+re records aims to gather talented feminine artists that will spread their sound and sensibility all over the world. ra+re records is excited to present for its first various artists ep, vinyl only, the talented hellen mills, adina paun, stefny and eveline fink. the dark dubby minimal layers of the tracks combined to the microhouse sound pads give a complete club ep.

pure minimalistic grooves! amazing first record by scott kemp on his very own imprint ldn. london based vinyl only, underground music for those that know.

jon beall finally follows up -la caccia- with an even deeper and more diverse record. 4 tracks, one for everyone and every one of them for the people. stylish house with vocal snippets, driving electronics with melodies, bass music and techno.

12 releases strong already, a:rpia:r has been silent for the last 2 years, since petre inspirescu’s gradina onirica hit the shelves of your favourite record shop. it is now raresh’s turn to release something special and indeed he did. vivaltu is an old gem, a subtle uplifting track driven by a powerful resonator, perfect for that “special moment”. the male mumbling voices provide the track with that extra eclectic feel. this is in fact raresh’s only track on vivaltu ep, the rest are remixes. side b presents a minimal house interpretation remix by none other than chilean legend and friend, ricardo villalobos. the resonator is still here but in come some childish voices to make it all perfect. perfect for the dancefloor. side c brings forward another member of the a:rpia:r family, none other than contemporary wizard petre inspirescu. his take has a very cinematic approach, building and building for 4 minutes before the kick even starts. the rich percussive atmosphere is completed with a brilliant melody reminiscent of his classical experiments. this track is an absolute masterpiece ! aloe varu is the third chosen for this remix pack and indeed he was chosen wise. his stripped down remix spans for 13 minutes and completes the story of a:rpia:r 13.

paradise row is a new record label put together by those fine connoisseurs of the art of the discotheque and the joy of the gin & tonic, pete herbert & dicky trisco.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

hello sailor is a party and record label based in brooklyn, ny founded by brazilian-born, new york based renata do valle. since 2012, the label has been staging events with an array of local and international artists. hello sailor recordings debuts with the focus on releasing only 7inch records and building its collection of significant disco, funk, afro, and balearic music.the energy of the tropics, sunset, and the beach informs the feel of this music. hello sailor recordings first 7inch release is a remastered african jam called muko wapi and an edit by french musician joakim. brazil meets africa via france!

paradise valleys debut deep probe ep could well be a case study on how to make an unforgettable electronic music record. take an incredible, psychedelic collection of ideas that have been drenched in emotional content and heart ache and then infused with optimism and inspirational, healing emotions, shake it with visions of outer space, and the production level 99, put that into a track that will be the defining moment of any dj set: you just got deep probe

unctos seminal 2013 release pain was an uncompromising exercise in rhythmical brutality amidst a conflux of themes of suffering, industry, man, and machine. the record now sees itself reinterpreted and reimagined under the auspices of some of the scenes most eminent and accomplished forerunners in what is perhaps, as it arrives on an opulent red double-vinyl format, the labels most ambitious addition to its catalog to date.

limited edition of 300 copies. official remastered reissue of the original recording with original artwork - full picture sleeve shrink-wrapped.
actually a kirian camera record under the name of simona buja (kirlian cameras singer) because the band was still contracted with italian records, originally released on the one and only release of the label quadrangolo mirabile in 1981.

dd kick off 2015 with a fresh 12- and this time its all about the drums! these three tracks span odd s signature minimal style whilst adding a hefty amount of bass weight. percussive nuances pop and creek whilst marble carved kick drums and slicing hats cut through the extensive textures. these are primed and ready club tools with added personality, an essential record!

jura, the sophomore full-length from the swiss duo larytta, is a galvanizing synthesis of essential grooves and effervescent melodies. it took years to finish the record!

convertion / let s do it was originally released on sam records in 1980. it featured the lead vocals of leroy burgess, who was also the lead vocalist for seminal disco tunes like black ivory / main line and logg / i know you will. the sam records catalogue is currently administered by nervous records. nervous has a long standing relationship with superstar producer louie vega, who with his maw partner kenny dope has produced some of nervous most memorable tunes, including the signature nervous release -the nervous track- by nuyorican soul. louie as always a fan of let s do it and wanted to do a remix. unfortunately the original parts were lost. not to be deterred, louie decided to reproduce the record, once again with lead vocals by leroy burgess. the result....let s do it - a louie vega interpration. b-side boogie mix stays close to the original version. the a side dance ritual mix includes that magic louie vega flavor that will make it an immediate essential item for all dj s. the 12- release will be available two months prior to the digital release

grow returns with the record isotelus rex by denis kaznacheev, complete with a remix by daze maxim.

over the past two decades, french producer and live performer, terence fixmer, has continued to evolve as an artist while maintaining his influential stance in international techno culture. with his last solo album, comedy of menace, already five years behind us, his continuous evolution has led him to produce his most introspective album yet. with this 10-piece composition fixmer is able to tell a story from start to finish, with powerful, deep, dark, pulsating tones that are essential to his musical approach.
first record pressed on black, second on white vinyl.

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. some years ago, mano and the drifter ran a clubnight in berlin called passion beat. aera was their guest a couple of times. its very fitting that aera now joins us for maeve 06. aera s original you know juno comprises of warm arps and a dark hypnotic bassline over a jacking house beat. on first hearing the track, the drifter was keen to do a remix. his interpretation is a dark take on the original, boosting the bassline, adding a driving beat and pushing the drama to high levels.

dk is back on antinote with a second record that exudes refinement and class a la dk, meaning: perfect pastel pads with sophisticated cowbells, tasteful toms, riviera playboy boogie bass lines and risqué drums.

carl finlow aka random factor has been doing deep house before they called it deep house. as a staple on 20/20 vision record in the last 90s he made a name for himself with his off the beaten path production that took europe underground sceen by a storm. we are super excited to have finally tracked mr. finlow down in 2015 and put together an amazing ep that has his signature sound written all over it. our seasons recordings imprint is proud to present *subterranean ep*. enjoy the underground tone and remember to play it loud!

you know that mesmerizing feeling given to you by that very special girl or boy? the one with a sweet and peculiar face covered in freckles, even though the sun has been hiding since forever. one of those happy souls frolicking through life, excited as if every single day was the first. that very person who once turned your winter, into summer. the three swedes david günther and shakarchi & stranéus set the cheerful vibe on this yum002 record stubbornly released in the middle of the winter along with a hnny edit – to give you, that very same feeling.

after one year since the first release night visions, the nightdrivers team is back for another race on their own imprint with a bunch of fresh, obscure and rolling bangers named nightlights: the record starts with the mutant and spastic tech funk of the epic bright lights, a totally sweat walled basement track where a dirty, crispy and crunchy disco break combines with an edgy, syncopated 909 driving beat while a cheeky melody of party-bells going slightly out of tune runs on the top of it.

bror is a conceptual vinyl-only label based on the swedish west-coast in the city of gothenburg. the label is run by martin nowakowski and the output is centered around swedish producers, with a focus, albeit not an exclusive one, on west-coast based individuals. bror is a house and techno record label.

after unveiling their highly anticipated album 11 11 in july 2014, guy gerber & puff daddy s latest installment in their iconic collaborative project is a remix package of 11 11 track tourist trap . featuring four remixes which have been worked on since the tracks debut in 2011 - the package includes reworks from the likes of jamie jones, visionquest, soul clap, guy gerber & david k - and will be released via guy s explorative record label rumors. side a leads by unearthing jamie jones remarkable for ryan remix which enjoyed massive club rotations when it first appeared in 2011, and is followed by guy s very own collaboration with david k. the b side continues with a visionquest takeover - often played out by close affiliate seth troxler - whilst soul clap inject their signature funk sound to the record with an extended vocal cut that wraps up the package. with a host of exciting artist projects on the horizon, the tourist trap remixes feed into gerbers own, uniquely eclectic outlook and provides the perfect base to launch from in 2015

farbwechsels first vinyl release has arrived, and its a real international effort. the renowned hungarian label s record features five artists from four countries on four tracks

the original version of prins thomas sounds truly like the record title -rainbow disco- suggested - coloured and groovy. the flipside features a remix by japan s dico king force of nature.

ada kaleh on 3rd wave music. a record showcasing pure romanian groove on one side and german precision on the other. incl huge andre kronert remix. 2 tracks with more than 20 minutes playtime. 180g and shrink-wrapped + anti static innersleeve!

with a firm nod to the community, revered techno aficionado, roberto reveals the launch of his new record label, fossil archive and its first release *prolecanites gurleyi*. roberto has already built quite the discography with previous releases on fachwerk, affin, artform and be as one, as well as establishing himself as a dj with gigs at the likes of fabric, berghain and tresor and recently took time out from his busy schedule to talk to marcus barnes for the independents blog.

a collaboration between elias landberg and nihad tule. they started this conceptual project in november 2014 with the goal of record and master a complete ep in one day. the resulting analog jams are pretty different from each other. the a-side terrorfish is reminiscent of simplistic acid rave tunes from the 90s while the b-side halcyon is a dreamy ambient trip