wed like to introduce you to this giant of musical endeavour, the colossus of rio, as hes known. for eds sweetly agreed to be our point man on all matters smooth for this latest tstd collection, where we take a dive into an often overlooked side of brazilian music: brazilian soul, funk and aor. the 180 gram double vinyl is housed in a gatefold sleeve with download code included.

limited box edition, incl
2lp + 7 inch
a2 poster
12 inch lp mit instrumental tracks
10 inch vinyl mit 3 excl. tracks
cd
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

rube goldberg series returns, once again leaving the production duties in very capable hands. the music, intricately complex in its creation ultimately performs a simple task, much like the machines of the late r. goldberg.

for its seventh chapter, we bring together the schuw that deliver a two tracker full of their iconic dirty and stabbing grooves. “shootybaker” feels almost like a trip in a donkey kong world, while “the fixer” brings you straight back to the ground with its tight and groovy bass line.

2x 12 inch album + 7inch + download voucher !!
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

the italian dj and producer viels is the perfect example of a promising artist who has earned his stripes in the scene. his first contribution to dynamic reflection was a single track on a va two years ago, then a solo ep on the nursery last year and now it s time for his first well-earned vinyl called distrophism. although his sound has matured over the years, he has never compromised as far as his straight forward sound goes. circular, the a1, is the best possible example of that. the continuous drive keeps it going for well over seven minutes, without ever becoming superficial or dull. the b-side extends to other sides of his musical spectrum by making use of more drone-like, hypnotic elements. beside these three convincing originals, spanish heavyweight svreca jumps in for a remix of circular, completing the variance of styles. needless to say, this new release, proves that viels as an artist and this ep in particular, are forces to be reckoned with.

following the success of last years kunta kinte 2017 riddim, brooklyn-based label and collective dub-stuy add a new installment to their popular dancehall inspired series with a fresh riddim from in-house producer dj madd, featuring international vocalists from jamaica, spain and bermuda. jitta riddim is a brand new production from dj madd, a sturdy yet spacious riddim carried forward by a lilting melody and guitar stabs that are anchored by slapping snares, dub flourishes and a rolling bassline. this is a weighty but energetic riddim with the dancefloor in mind. bringing the riddim to life are a trio of vocalists representing the roots and global expansion of dancehall and sound system music. spains sr. wilson delivers an anthem in the making with zapatillas, a song dedicated to all the sneaker heads worldwide who like to sport fresh kicks when they hit the dancefloor. singing in his native spanish and english, sr. wilson shares tales of daily shoe addiction around a catchy refrain that name checks the best known brands. his blend of reggaeton-flavoured autotune and kicks geek outs is sure to resound loudly around clubs worldwide. backing him is jamaican veteran deejay cutty ranks, a man whos been lending his distinct flow to productions for over 30 years. on double trouble cutty speaks to the daily realities of life on the streets and the ills keeping people down, warning of the trouble that awaits those in charge. wrapping up the release is bermudas troy berkley who aims his vocal rifle straight to the orange-skinned resident of the white house, spitting rapid fire lyrics about the deteriorating state of things in 2018 america. lace up your sneakers and get ready to move and chant with dub-stuy’s new riddim.

part two of the ep features the motor city drum ensemble remix, and the original “in a silent mix” version from 1999, a track out of its time when released on allen’s sole record “black voices”. a long serving dekmantel veteran, danilo plessow was there from the start. after compiling the first selector’s compilation last year, mcde turns tony allen’s masterpiece in a jam, with added house beats, giving the funk number the edit treatment. the final mix sounds like the kind of track you would hear mcde play in one of his sets as he’s firing up the heat. the organ sounds and trumpets are left high in the mix, to create an unforgettable hook that resonates throughout, in complete motor city style.

ndatl continues with new hot tracks from the label’s creator kai alcé. while mr alcé has been remixing on the regular, his own output has been minimal so it’s refreshing to hear new material from the man himself. alcé offers up 4 dope tracks “back in this shit” the title track reminiscent of 90’s with updated flavor “not” with it’s warm keys & driving drums, the sheed’s move ft rasheed ali on flute is underground like only mr alcé can provide & “jam tight” is a detroit flavored burner! this 12&#8243,,,, has something for all the vinyl pushers out there!

brazilian girls return in 2018 with let’s make love, their first album since 2008. formed in 2003, the group—sabina sciubba (lead vocals, electronics), jesse murphy (bass, vocals), didi gutman (keyboards, vocals), aaron johnston (drums, percussion, vocals)—was born after the four members crossed paths at east village club nublu. “somehow we all ended up at nublu on a sunday and it all came together,” says johnston. the band began playing nublu weekly, embracing a free-form ethos that helped shape their kaleidoscopic sound. “a lot of the spirit of the band comes from being so open to improvise like that,” says murphy. fast earning attention for their euphoric live show—and winning fans like zach galifianakis, who later cast sciubba as a regular on baskets—brazilian girls released their self-titled debut in 2005 and sophomore album talk to la bomb in 2006.

detroit producers omar s & brian kage team up to bring you thru the madness ep. thru the madness has all the elements of a classic dance music collaboration. the tune showcases omar s raw and funky analog bass playing and drum programming combined with brian kage signature warm melodic synth lines and chord structures. the clever use of a catchy 90’s vocal sample helps solidify and unify the composition. thru the madness (honk & nik mix) takes a deeper approach by adding a deep detroit-style dx pad, nile rodger-esque funk guitars parts, and vintage drum breaks that will keep the party moving into the late night hours. like dutch & dillon from predator, some times you gotta get thru the madness!

its taken almost 3 years to get the man like medlar back on delusions following his 2015 release with dan shake but finally its come together. that release, along with his regular output for wolf, riverette and for discos only has helped cement medlars reputation as one of the leading uk underground house producers and led to official remixes and approved edits for legendary labels tk disco and west end no less! the medlar seal of quality has led to support from such influential heavyweight selectors as dj harvey, gilles peterson and dj koze. kicking things off we see medlar in straight up dance floor mode on title track nrg, coming through with a drum-heavy workout that utilises a gnarly bassline, echoing synth stabs and rasping hats to excellent effect. flip over for his own dub version which strips things back further placing all the emphasis on the bassline and going heavy on the space echo for a tripped out, dubby warehouse vibe tailor made for the freaky hours. closing the ep we have the aptly named tripped which drops the bpm’s for a low-slung mood-setter to warm up the floors with. a simple groove lays the foundation for a rolling bassline while chiming synths weave in and out of the spacious mix.

american producer dustin zahn readies the next release on rekids special projects this april with four vigorous cuts entitled take the throne. dustin zahn has been flying the techno flag for two decades, releasing on labels like rekids when not helming the berlin-based enemy records, a label which has released music from artists like fellow us techno stalwart ambivalent, arts boss emmanuel, and innervisions producer yotam avni. zahn is also respected for train wrecks, his weekly podcast series inviting members of the house and techno community to discuss a wide variety of music and industry related topics and stories. the release opens with the thumping kicks and sci-fi melodies of take the throne before rolling into the dubby tones, infectious claps and rattling white noise of decorum. the atmospheric nameless midnight then follows, packed with echoing synths, tantalising effects and a twisted vocal sample that weaves throughout, arriving at the final track subtle flex where escalating synths meet syncopated percussion.

producer and vocalist kevin knapp delivers his killer new single blah blah blah, returning to the hot creations fold after last years vocal feature on jamie jones positive pressure. here, jamie returns the favour, partnering with another label favourite, detlef, to supply a monster of a remix. finding time in his hectic schedule of touring the world, running various record labels and his paradise parties, jamie jones teams up with one of his paradise residents detlef to deliver an audacious remix, perfect for the twilight hours. hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. greek artist detlef shot into the limelight in recent years with releases and remixes on labels like hot creations, relief, knee deep in sound, moon harbour, and defected. kevin knapp gained attention with a string collaborations with audiojack (gruuv, 2012), matt tolfrey (leftroom, 2012) and his debut hot creations cut with richy ahmed (2013). a prolific producer and featured vocalist since 2011, kevin has released on the likes of hottrax, crosstown rebels, dirtybird, mother recordings and more.

our boss claude vonstroke is the busiest guy we know. when hes not traveling the world or curating an event, hes in the studio every day putting in hours upon hours, relentless in perfecting his craft. hes had a slew of hits the past couple years in the form of remixes and collaborations, and now with the walay (my bae) ep, claude gets back to some inventive and somewhat out of the box solo works. the title song leads with a melodic riff and an funky vocal that sounds like a defective cyborg is proclaiming love for his partner, walay. this quasi-human uses the slang my bae to try and pass for human and we almost believe in his passion. the sound harkens back to old classic rave tracks but also pushes very modern production techniques. on the flip, raw nerve is an emotional exploration in both sounds and lyrics. a melancholy vonstroke dives deep into his insecurities and fears with sonically mutated lyrics like im feeling so sad, im feeling real bad today. when i see you on the street i dont want to compete. you can feel the social instability oozing out of the vocal only to come back at the close with a violently hard bassline embodying the personal angst and frustration that goes along with not fitting in.

initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, future four returns after a hiatus of several years, pushing into new eras, machines and ideals with connection. initially a solo project of andy meecham, the brains behind emperor machine, chicken lips, and bizarre inc., connection is the first future four release to feature the contribution of erol alkan as a permanent member, and is a coupled with a remix from i:cube. a veritable powerhouse of synths, vintage drum machines and all man-ner of effects, connection unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of fm synthesis and psy-chedelia. on the remix, i:cube takes the unpredictable rhythm of connection and coaxes its versatile, multiple elements into a timeless slice of boogie house. nurturing the outsider casio feel of the track under a musical heat-lamp, the always forward-thinking frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

kontakt records returns with two slamming chord driven tunes and a bass heavy urban cut by berlin artist van bonn who produced these tracks while living in copenhagen. ctrls remix answers the question how a trippy and dubbed out version sounds like. limited clear and crisp blue vinyl.

oxford-based emseatee is a kind of special. like a scientist in a secret laboratory in the dawn of the night he is blending atmos, styles and rhythms. organic in flow and open to experiments with natural sounds, he is always up to something new. emseatees experiments take time and go back until 21.06.2014, when minerva visited him and together they laid the foundations for this release.

desolats loco dice joins the roster of martinez brothers cuttin headz label this april with slammer, backed with a remix from detroit techno veteran dj t-1000. du&#776,,sseldorfs loco dice has long been one of the most respected figures in contemporary electronic music with releases over the years on leading labels like cocoon, cadenza, ovum and of course his own desolat as well as a heavy touring schedule taking him across the globe year in year out. here though we see dice offering up his new single courtesy of cuttin’ headz, a platform the martinez brothers and associates to deliver high octane, dance floor focused house and techno. the original mix of title track slammer leads with spiralling brass like bass tones, flute licks, shuffled shakers and resonant synth hooks running alongside a bumpy bass line and an amalgamation of heady, processed vocal lines. following is detroits dj t-1000 stepping up on remix duties, stripping back the aesthetic of the original to lay focus on robust rhythms and various vocal refrains from the original whilst chugging bass and tension building atmospherics gradually unfold throughout.

chris weeks has been building up the kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where cd-r releases reign supreme. hes been a key figure on ambidextrous since the label launched back in 2008, and now he s committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. anxiety is a melodic cut with a house-minded structure, but theres a lot of production acrobatics and compositional swerves taking place within this framework. scatterbrain is more overtly out there, tapping up the kind of heavily processed sounds that producers like paradroid have championed in the past. data loss strike a heavy blow somewhere between dubstep and electro, and data ctrl ups the tempo for a rabble-rousing exercise in mind-bending machine music

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

trora vol. 1 is panda lassow’s interpretation of recent global tropical bass movements like gqom, kuduro and more. she likes bass music from around the world. thus, we can also hear influences from bounce and booty elements. as born and grown up in eastern germany, in trora vol. 1 she combines these with her musical roots she found in techno and rave music.

so you wanna be a star 24 carat disco gold from 1980 right here. mtume, led by legendary jazz percussionist and all-round musical visionary james mtume had a number of massive hits and can count quite a few classics within their repertoire ( juicy fruit anyone?). this flawlessly arranged, funk drenched jam speaks on the dangers of living life too fast and relying on those who can t be trusted. remember, this was the beginning of the 1980s, the disco era had began to fade amidst the drug hazed excesses of the previous decade, while the music continued forging it s path skyward with tremendous records like this one. so you wanna really has a message and that s not surprising considering it has one of the most underrated production teams behind it in the shape of mtume / lucas. a true gem of the post-disco era. essential and rare. this repress of the original epic promo from 1980 is backed with a brand new re-edit from one of nyc s disco kings mr.k aka danny krivit. with almost half a century spent behind the turntables in nyc and beyond he surely understands records like so you wanna be a star intrinsically, he was, after all, there when it all happened! this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original epic label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

the original motion picture soundtrack for “fifty shades freed - the final chapter” as double vinyl release, housed in a gatefold sleeve.

knowledge is a tool, and like all tools, its impact is in the hands of the user. arts white was born to give a platform for every single player in the game that has high-level tool skills in techno, the focus is primarily dedicated to useful and chirurgical direct functional material.
all on white label style, black and white 12”.

paramour is a freshly born french music label based between toulouse and berlin. its first release has been produced by various artists we like and we invited to play at our parties. on this record, you will find a talented melting pot of minimal, rhythmic, mental and trippy music. 300 copies // vinyl only

paramour is a freshly born french music label based between toulouse and berlin. its first release has been produced by various artists we like and we invited to play at our parties. on this record, you will find a talented melting pot of minimal, rhythmic, mental and trippy music. 300 copies // vinyl only

a techno king / mixmag. the dj titan is still stepping it up / dj.
steve bicknell is currently having a moment. when you look at his recent releases, his growing number of gigs, his eye-catching collaborations and his new record label 6dimensions, it seems he’s feeling particularly inspired. resident advisor steve bicknell has been an integral and highly-important segment of the underground electronic scene since the early ’90s and has continued to expand his musical horizons through producing, promoting and playing” hyponik “bicknell has shaped a scene from the shadows for decades thanks to the legendary lost parties he co-ran, which brought djs like jeff mills and robert hood to the uk for the first time, as well as his own production work the vinyl factory an underground leader announces his return. his 6dimensions label seems to have reinvigorated him the arts desk.

a uk techno powerhouse returns to bass culture for their 55th release, bringing the ruckus with four deadly cuts that combine killer beats with powerful bass and a high level of production, as you might expect from d julz s respected label. ben sims appears under his ron bacardi alias with a follow up to 2015 s debut release, rock your body/first effort . much like the first ep, sims new release is fired up and ready to deliver its potent energy to the dance floors of the world.on the a side we re met with windy city , which kicks things off in frenetic style, its slamming beats colliding with the layers of analogue to produce a rather chaotic start to proceedings. this is followed by ready for action a tough, bouncing cut featuring a delectable female vocal which really sets things off nicely.the flipside continues in a similar vein as one left in the chamber brings a smooth vibe, though with the emphasis still on the percussive side of things. sims flexes his production muscles across all four tracks here, injecting the music with his years of experience on the road and in the studio. the last track is a beats mix of ready for action , highlighting the focus on beats, beats and more beats, adding an extra touch to an already powerful track. this is music par excellence from an artist who is a consummate professional, enjoy!

best record italy came out with another obscure italian disco production from 1977 containing the fully extended disco versions of vibrations and baobab previosly available on the billy woost album like -one continuous edit-, but this time we have these two strong disco songs fully extended and in the right form!

with totsu , we complete our two-part keita sano album. this one, like kubo before, is a fiery maelstrom of house and disco dance floor destruction that has a dusting of that impossible-to-place keita sano absurdity. a magnetic sprint through mpc-fueled workouts, trance-y space-outs, and loopy hypnotizers. together, kubo and totsu make up oototsu , an eight-track long-player that will be made available as special limited-edition vinyl double-pack.

cute swedish pop from 1984. a gothenburg secret. passed from music for dreams kenneth bager to cantomas phil mison to rogue cat sounds dean and ben. pop that rocks a cool, faux-reggae lilt with bluesman licks and harmonica hooks. cute like other sought after rogue cat favourites. terry crawford s gunfighter. or romie singh sdancing to forget. martin caine s snowbird city. its lyrics asupercalifragilisticexpialidocious-like nursery rhyme front, framing bad girl playground reminiscences.

pulsewidthmod,creates tracks that are very epic and driving in nature all of which are recorded as live techno jams using elektrons dark trinity and an ms20 mini. her influences from techno to industrial, ebm, and belgium new beat leaves the listener with some menacing drums and a juxtaposition of both pleasing and disorienting melodies. serpentine servitude explores the idea that perhaps the serpent in the garden of eden was really being humanities servant. who was this creator character to dictate which fruit was ok for us to eat? who was he or they to say that if we ate the fruit we would be tainted and forever separate from divine love? all this did was create the idea in our consciousness that we were tainted. it is of my personal belief that the idea that we are sinful is the original sin. this god character who created beings in his own image and then dictated how they were to live their life kind of sounds like an over controlling father. where is mother in all this? the album started with the track original sin which was originally titled acid. seems somewhat appropriate since the concept of original sin seems to be a violation on humanities consciousness

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don’t take it so closely with traditions. they play jazz with a rock’n’roll attitude. sdban ultra is very pleased to present a sampler of their debut album ‘and above all’ on a limited 10” vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. ‘and above all’ houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

47015 is vsk s second solo ep on 47, after last year s debut 47011. it s the label s 7th solo release following headless horseman s 47014 earlier this year. the 12- vinyl and digital download drop on 20th april. multiverse wastes no time and states its intentions like a snarled warning of up-tempo complex drumming. the density and rush of first evidence continues the broken-beat dancefloor battery. eternal (chaotic) inflation visits the oceanic and half-time territories of dnb-paced jagged rhythm. and the final drive of occam s razor slows its drums to a stepping hallucination.

with el tunel / proceso , marc pinol and hugo capablanca aced their blend of industrial, acid, techno and new beat in an ep that remains one of the most celebrated moments in the hivern catalogue. now, the evasive duo return to set the bar even higher. four years might seem quite a lot of time, but for c.p.i. it was the necessary period to get rid of expectations and let space for something new to emerge. studio sessions in places like berlin, barcelona, and belgrade brought together an amalgam of voices, spontaneous liasons, mutations and surprising movements that finally crystallised in the four cuts that conform meine hand . masa y poder and sendero luminoso are two sides of the same coin. under all the layers, both ride exactly the same rhythm. two completely different paths that share a common starting point. one builds tension on the dancefloor. the other one tries to fool the threat in the mist. with it s unrelenting acid bassline and lethargic vocals, meine hand feels like some kind of love from above, yet another unexplainable conclusion. ninos de belgrado are, in fact, the children of belgrade. high on drugs. an impending sense of doom. longing for wasted years or perhaps an external threat lurking, who knows. vinyl comes in a standard black cover with insert by designer arnau pi.

with el tunel / proceso, marc pinol and hugo capablanca aced their blend of industrial, acid, techno and new beat in an ep that remains one of the most celebrated moments in the hivern catalogue. now, the evasive duo return to set the bar even higher. four years might seem quite a lot of time, but for c.p.i. it was the necessary period to get rid of expectations and let space for something new to emerge. studio sessions in places like berlin, barcelona, and belgrade brought together an amalgam of voices, spontaneous liasons, mutations and surprising movements that finally crystallised in the four cuts that conform meine hand. masa y poder and sendero luminoso are two sides of the same coin. under all the layers, both ride exactly the same rhythm. two completely different paths that share a common starting point. one builds tension on the dancefloor. the other one tries to fool the threat in the mist. with its unrelenting acid bassline and lethargic vocals, meine hand feels like some kind of love from above, yet another unexplainable conclusion. ninos de belgrado are, in fact, the children of belgrade. high on drugs. an impending sense of doom. longing for wasted years or perhaps an external threat lurking, who knows. silkscrened cover letterpressed at lanacronica. design by arnau pi.

limited 300 unit pressing of this dinked/one nation rsd 2018 exclusive from the king rooster.

after the success of galaxies like grains of sand, warren and greg retreated back to the isle of wight to start work on long discussed concept album based on a fictional children s book the honey bear. each track a chapter of the book, hypnotic folk pieces mixed with ambient field recordings that warren and greg collected around the beaches, cliffs and gardens of the island. they brought everything together at home, organically forming this beautiful ambient folk tale during the island s idyllic summer evenings. after finishing the initial mixes on the island they brought the tapes up to scotland and overdubbed with strings, oboe and flute. whether your 5 or 50, the charm and beauty of the honeybear is undeniable, children fairytale book concept album limited edition pressing

12inch marbled yellow vinyl in heavy clear sleeve, hand stamped labels, vinyl only, limited edition of 300

while attempting and failing to apprehend the shadowy figure known as max abysmal during a frenzied chase through the underground amsterdam arts establishment het skatecafe, we recovered a boxed reel of quarter-inch tape. intelligent assets have confirmed that this contains musical recordings of the type used to pass on coded messages to the safe trip organisation. the first recording we have titled donna, dont stop. we include it with this message so you can perform your own anaylsis. note the use of a rising and falling electronic motif capable of inducing a trance-like state in those untrained in listening to electronic music this potent and emotive. sutekhs mirage, the second coded composition, is bolder and warmer in tone, making use of dazzlingly colourful melodic patterns and passages of percussion that reference polyrhythms. do not be fooled by the surface beauty of this recording: it is capable of inducing hallucinations and irregular heartbeats, and therefore could be very dangerous in the wrong hands.

d marc cantus 2017 lp the lodge was a high point for the ever prolific us producer, not to mention a jewel in altered moods many pronged crown. now the label are revisiting one of the album highlights, s.e.g, giving the punchy chicago house jam another pressing before handing the reins over to a strong cast of remixers. the one and only larry heard plunges -s.e.g- into gorgeous, mystical realms of deep house spirituality like only he can, while altered moods boss malcom moore injects a different kind of spaced out energy to the track. then chicago skyway finishes the package off with a distinctive version that reaches for a light and airy headspace while keeping the drums punchy and effective.

ilija rudman is certainly a prolific artist, regularly appearing on labels like is it balearic? and running his own imogen label to ensure he s always got an outlet for the classically informed grooves he does so well. paradigma is his third studio album, and it finds the croatian producer exploring all manner of moods both day time and nocturnal. at one moment you might be wistfully cruising down the sultry boulevards of temptations trial, only to cosy up with the comely tones of creamfields or the vibrant chords ofelastica. by and large it s a downtempo affair for private reflection, steeped in 80s glamour and produced with a crystalline perfection to add that all-important glint to your life.

real house music created by the founder of house music frankie knuckles for wbmx. real house music created by the founder of house music frankie knuckles for wbmx june 25, 1986. (a & b). back in august 2017, jerome derradji received a call by one of chicagos most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look?” less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now it’s time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff that’s in the stack of reels) here is our first series with mixes from frankie knuckles, steve “silk” hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

jerome derradji received a call by one of chicago’s most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now it’s time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff that’s in the stack of reels) here is our first series with mixes from frankie knuckles, steve “silk” hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

jerome derradji received a call by one of chicagos most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now its time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff thats in the stack of reels) here is our first series with mixes from frankie knuckles, steve silk hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities

jerome derradji received a call by one of chicago’s most renowned record dealer. it went like this: hey jerome, i’ve got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now its time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff thats in the stack of reels) here is our first series with mixes from frankie knuckles, steve silk hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

a compilation of classic elvis presley songs on 180 gram vinyl.

diese lp enthält eines der besten alben des bb king: the blues (1958), die ursprünglich zu beginn seiner karriere veröffentlicht wurde. ergänzt mit vier bonustracks aus der gleichen zeit. limitierte pressung auf 180 gramm vinyl.