after 2 well received 12 inches they are back! jdeep is on the a-side with only you (dc finesse mix), a 100bpm slow mo deep house groover and miny not small, a mellow instrumental head nodder. dcastillo rocks the b-side with the hypnotic clockwise revolution that teases and twists before the soulful hook kicks in and the soulful short eyes which is pure cracking drums and a soulful bounce from a trusted source slo mo roller boogie!

it is something of tradition for tosca to get their albums remixed. indeed, they once released a record comprised entirely of 13 mixes ofone song, 2002s *different tastes of honey*, variations on *honey* from 1999s *suzuki*. it is a way of keeping things fresh, injecting someuncertainty into proceedings, knocking things out of balance in order to check how they should be re-aligned. after releasing *odeon* earlier this year, tosca comes back with *tlapa - the odeon remixes*. *tlapa* meaning, this life arouses pure adventure. the remixes come from bredon moeller, joyce muniz, siler city, ltj experience, beat pharmacy, marlow & truby, sephane lefrancois, afg aka antye greie and rodney hunter. the double vinyl comes with a cd-copy included.

peel back the leaves and discover erskine falls, an exotic paradise of flotation tank funk and ethno groove with a capital g. produced by melbournes andras fox, the 4-track ep follows an instant sell-out on dopeness galore and captures the rbma graduates contagious bounce and optimistic minimal melodies. based around the tr-606 and digital korg m1 drums, these original tape recordings are simultaneously contemporary in sound and difficult to carbon date, slipping comfortably between 80s bruton music, rheji burrell and dam funk. dunk your head in and chill.

*all is not lost* ist die erste singleauskopplung aus dem neuen album *between the walls* der supergroup about group, um hot chips alexis taylor. vorab veröffentlicht domino eine 12 inch inklusive eines remix von joe goddard und eines clubbigen bounce mix! die single, welche eigentlich als klassische herzschmerz pop ballade durchgehen könnte, wenn sie nicht die für about group typischen rnb- und experimental-jazz-elemente beinhalten würde, repräsentiert das kommende album perfekt und weckt die vorfreude darauf!

- pressed on limited edition blue vinyl.
- toolroom present an 4 track ep from the master todd * the god* terry, remixes of some of his classic tracks mixed by copyright / prok & fitch & iban rue

rising star john dimas is up next on one records with two killer club cuts backed up by remixes from argentine house master guti and label boss adam shelton. rhythm trap is a peak time hypnotic affair with a propulsive groove building into a teasing acid line. second original track let it go feat. jose is another analogue banger with serious bounce and techno swagger. the vinyl includes four exclusive locked grooves

emotional relish welcome in their second ep of 2013 with some solo work from scott fraser after a previous collaboration with headman and nitzer ebb vocalist douglas mccarthy. the light sleeper ep pairs two trademark fraser cuts with remixes from the aforementioned relish boss and fellow weatherall acolyte timothy j fairplay. a drab bassline wades *paraphase mine* into the murkier exclaves of synthy territory, allowing headman to lighten the mood by adding some tonal difference in his mix. fraser sets his arpeggios to flutter and bounce in *centreville lapse* with marching snares set to a severed heads styled reverb. fairplay does away with the tracks nosier components, demystifying frasers original for a warmer, eat petting remix.

this ep on memento records sees alfonso leon take his production skills to the next level. vinyl compresors soulful melodies and tribal percussions are matched by a deliciously funky and luscious bass line, until acid synth stabs open the way to a low-pitched, creepy, almost manic dark vocal that crawls along the groove.
fabrizio maurizis unique taste resonates hugely in his remix: a computerised, robotic low frequency bounce underpins a loopy rework of the dreary vocal, bringing its more rhythmical and human elements to the fore, marrying them to the relentless beat. outstanding works, both tracks.

dj hero, dance music trailblazer, french canadian heartbreaker… you see the hat, you know it’s a-trak! he’s been hard at work cooking up new music just for you, and fool’s gold is proud to present them as the tuna melt ep – four tracks of inescapably catchy, high-powered electronic jams, hand grilled by trizzy in the studio with his buds tommy trash, gta, galantis and oliver. just like a-trak’s dj sets around the globe, the ep masterfully flips between styles, with the title track’s enormous festival riffs breaking down perfectly into the half time slap of landline, while the rave bounce of jumbo builds up to the ecstatic, hands-in-the-air anthem disco nap. tuna melt is easily the funkiest meal since tom’s diner, bring yer appetite and come get greasy ...
prerssing on (orange)red coloured & marbled vinyl.

when it comes to fusing the classic sounds of 90s us house and uk garage, dale howard is our man! like on his previous bounce back ep, his new phase 4 ep is a great example of house and garage, with raw subby bass lines, kicking drums combined with smooth hypnotic chords and a well balanced deepness. ready for phase 4?
dale has been delivering the goods for quite some time now and it becoming a regular guest on top labels like local talk and noir.

two rare >> dance mania<< classics tunes in one !!!

for the second part, frankfurts losoul (playhouse,logistic) takes the downbeat dub-techno-jazz of renatos underpool and turns it into an anthemic deep house number thats 12 minutes long and 20.000 leagues under the sea, yet full of bounce. finally, berlin-based brit ed davenport (counterchange) takes anymore and gives it an entirely different edge, a naval onslaught of crashing, jacking breakbeats, while sonar frequencies gently circle outward like the sirens call, rounding out the funkoholic remixes voyage.

jamie jones is back with a killer release for crosstown rebels. new single moan & groan is a vintage jones production full of bounce, quirks and sex appeal. its joined by two remixes of tonight in tokyo from jamies album of secret weapons tracks from the crypt, released last summer. both showcasing their own sharp, signature styles, ben westbeechs darker alias breach drops the deep bass while french house icons cassius introduce epic chords and sky­scraping synth lines

we are excited to present our fifth release straight from the hands of our favourite scandinavian magician martinez. a very special 3-tracker baked with the danes trademark ingredients! our a-side kicks in with above, a funky number with an irresistible groove and raw house feel. dissident is the perfect complement for this side with its heavy jackin bounce. on the flip, magnolia takes control and tunnels us into its progressive trip. enjoy the flavours!

on naughty, the debut release for brooklyn-based free association, chopped soul vocals bask in the glow of detroit-styled synths. underpinning it all is the kind of low slung machine funk a certain mr. weatherall is known to gravitate towards. no surprise, considering the legend himself licensed name in lights ur oskunni for his masterpiece compilation last year. meanwhile, across town, studio barnhus doyen axel boman continues to chart his own musical path. his rub of naughty explores a warm and measured approach that has already found favor with his heroes, dixon and koze. while bomans gaze is directed towards the heavens, bushwick newcomer cameo culture has his sights set squarely on the floor. a distinctive bounce permeates the work of this budding house producer, who brings an undeniable disco swagger to his remix.

like the satisfying first sip of soda water spritz, roland tings debut ep, *milky way*, bubbles, barms, and beads through your body. roland tings is rohan newman, a melbourne producer who, like recent rubies holy balm, forces, and canyons, proves there is just more and more greatness behind the great and powerful oz. melodic acid trips doused with swish-ticky-booms, like a rubber ball in space with endless bump and bounce. sweet off his japanese jaunt, speeding things down with sapphire slows shows, newmans taste is pure effervescence and buoyancy. but he has got a percussive stickiness as well, a vim/vigor that raps and rips through trax touch-ups and echo-plexes. not the nineties but the none-ties – no glimmer glam, or sampladelic vocal vacations, or happy house heartbeats. he ends the creamy *milky way* with a brilliantly wonky theme that springs like a wind-up toy gone loose. roland tings, dings, and zings.

cutting edge 2004 avant-techno classic with strong disco roots.

agile recordings cat. n. agile015 artist, uto karem title: wherever the bass takes me uto karems double dose of juiciness keeps the bounce going and the rhythm rolling while justifying the eps title in full.

minimal, techy with bounce, swing and a lethal hollow bass, this is how lil silva kicks off 2013. already receiving support from the scenes pace setters mickey pearce, t williams, dva, bok bok and shy fx, *the split / venture* is in the series of white labels silva is releasing himself on ls whites. limited to 500 copies on white vinyl, previous ls whites have sold out quickly. the *the split / venture* release is silvas parting shot to a year that will see him release a full ep in spring.

phoenix g. ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. all and all this is the dancefloor music we are used to from mr.g. the a2 brings a more technoish vibe to dance to. this fits perfect in the modern trend of bass producers turning techno. while of course g is somewhat more of a legend and he didnt just turn to this type of music recently. it does proove that he is still abel to catch any kind of vibe to get the people moving. on the b1 we find a ben sims remix. which of course is enough said. mr sims turns the a2 original into an absolute floor wrecker.

from the same people that brought you the spn-->rmx series here we have a well known track re shaped for todays dancefloors pressed on limited edition emrald green vinyl with hand stamped logo

the first release on red laser records, a new label releasing fine italo, electro, boogie & house. ep1 features four mancunian producers & a danish italo legend. the much hyped kid machine collaborates with flemming dalum, probably the most revered ambassador & collector of italo, & together they concoct a hefty 80s horror-esque electronic monster. label head il bosco brings an addictive boogie disco track to life, expertly cutting insistent breaks. starion goes deep with a nonstop dancefloor workout and some serious synth action whilst ste spandex covers royalle delites 80s electro soul classic >freak for you<, pitching up the original and adding extra bounce to the proceedings the label has been spawned from red laser disco, the monthly mancunian micro-rave, brain child of il bosco & one of manchesters best underground clubnights. ep1 is limited to 300 and comes on red vinyl with wrap-around hand printed a3 poster-sleeve and pvc covering.

der drummachine-mann kehrt zu permanent vacation zurück! tevo howard hat in den letzten jahren die discokugeln seiner heimatstadt gründlich abgestaubt. 2010 hat er auf permanent vacation bereits die großartige ep what is noise? veröffentlicht. nun fragt er uns - what is sound?. seine antwort könnte klarer nicht ausfallen: die vier chicago-house-tracks dieser ep sind heruntergestrippt und ungeheuer hypnotisch, so wie man es von tevo howard kennt. das spektrum reicht von deepen party-startern über technoide banger bis hin zu tracks, die eine große nacht adäquat ausklingen lassen

northern england based outcross records bring you the break out ep this november by inland knights backed with a remix from label heads mam (miguel campbell & matt hughes).

ozs inkswel sends an irresistible four track package zig zagging across the globe to the door of fort unthank on the banks of loch firecracker, somewhere in the mists of scotland, via his very own powerful boogie powered super collider. opener do it is how its done, atomic funk which has been split, stretched and closely inspected, then reassembled to create a dancefloor chain reaction. the funk particles then pass through the americas and pick up the one and only chico mann. a man known for his like minded awareness of, and abilities with, the worldwide ways of the electric boogaloo, he adds his abstract afro cuban theories to tu machito. next, its a sharp turn eastwards to the old countries, whilst riding the waves of lfo bounce. uks funkineven, another kindred spirit in the search for man made machine soul, provides further refinement to the initial wave hypothesis, resulting in a glimpse of the elusive dark matter that is often talked about, but rarely seen or heard

12 inch ep zum neuen adrian sherwood-album >survival & resistance< mit vier neuen tracks, basierend auf samples aus dem album, aber mit dem unnachgiebigen bounce des dancehalls komplett reloaded/recovered und dancefloortauglich gemacht. für sherwoods berüchtigten live- und dj-sets, die bekanntlich ordentlich bangen.

dam mantle, aka tom marshallsay, commits the first track from his forthcoming debut album to vinyl as part of a split ep with glasgow collective lovers rights. the four-track ep is released via london-based art collective getme! lovers rights is the new project of three friends living in glasgow making music with synthesizers, they want to make you bounce in a dark room. after some time of the trio sharing ideas and equipment, this is the first of two planned releases in 2012.

double 12 inch vinyl in gatefold sleeve

2012 sees detroit label, kms records, celebrating its 25th anniversary.

toolroom head-honcho and internationally acclaimed electronic music master mark knight returns with two exclusive vinyl samplers of the hottest house music taken from toolroom knights ibiza 2012 mixed by mark knight.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

after his soul tinged #1 single >tonight<, migs returns back to basics with >dance and clap<, a fun, deep and dubby track based jam with an underground edge, containing plenty of knob tweaked pads, subtle synth melodies, thundering bass grooves, and rhythmic vocal arrangements. one for the dance floor in mind and reminiscent of his earlier track based works, migs knocks out these little gems for salted.

kampong pressure - cover artwork incl. 20 page booklet w/ exclusive photos by dimitar variysky

2012 sees detroit label, kms records, celebrating its 25th anniversary.

moniker of 22-year-old brighton based charlie baldwin who cites steve reich & percussion heavy jazz as main influences for excursions into complex rhythmical territory. uses found sounds, live drums, synth & vocoder for unearthly beauty. kasket kicks off the ep with fallen, and it is apparent from the off that here is an artist very much ploughing his own unique furrow – the track has a polyrhythmic bounce that veers towards bhangra, tethered by a deep melancholic synth chord sequence and a heavily distorted vocoder.

catwash records regular and underground french icon chris carrier brings the bounce via the old school with this new acid flavoured shibari menu ep

rampa & re.you return with >the track<, hand-crafted with a hearty bounce, then battered and deep-friend with crispy house beats!

an energetic infusion of deep house, uk garage and old-skool vibes come together in four expertly crafted gems.

the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

dubbed a structural prodigy by mixmag, south londons joe syntax is back with >modus bass fun<, offering the very best in dancefloor d+b with buckets of bassline bounce.
joe syntax impressed with his med school debut last year, both >signal drop< and >sightlines< were received with rapturous praise from mary anne hobbs (xfm), mistajam (bbc radio 1), marcus intalex, brookes brothers, tc, dj hype and many others. this was followed up by >red rhythm<, an uncompromising collaboration with lung and eleven8, which was released on med schools >blood pressure< compilation earlier this year. joes new ep takes his production to the next level, so prepare to adopt your bassface as we get syntactical.

triple 12 inch vinyl lp plus cd copy of the full album.

mit >our disco is louder than yours< veröffentlicht das hamburger duo moonbootica sein drittes artist-album. und diesmal haben es kowesix und tobi tobsen wirklich spannend gemacht. ein in jeder beziehung sündhafter teaser sorgte bereits im vorfeld der veröffentlichung für ungläubiges staunen und grosse erwartungen. zu sehen sind unglaubliche bilder vom rande der gesellschaft: voll-tätowierte danger-seeker verlustieren sich mit ein paar gefährlichen liebschaften in einem setting, das sowohl raketentreibstoff als auch nutten-diesel verströmt, vermischt mit einem leichten odor von verbrannter plastiktüte. giftig aber unwiderstehlich.
doppel 12 inch im gatefold-cover, inklusive cd-version des albums.

three killer tracks by mr.tophat, art alfie, adam stromstedt on their own junk yard connections label. openings track is straight away a huge track that will make them bounce like crazy. bakey usti the swedisch way. great fresh approach by these young producers. vinyl only affair!

keeping up their ethos of dancefloor >edits with the love left in< hmd bounce back on a1 with monster from their 3rd compilation. never before released as a 12 inch and much in demand from djs who have heard it in hmd sets, its a whole horse meat disco original track laid out underneath the original vocal acapella. playable peak time or at the end of the night its as deep as disco gets! on b1 a majestic and imperial take on a classic one more time the hmders push the way too short original track and lengthen it into a luscious, euphoric anthem. hmd take all responsibility for end of the night spontaneous dancefloor hug-ins. on b2 the boys have taken the squelchy synths of a real underground track and turned up the intensity that they felt seem to disapated in the original. keeping the vocals pretty much as they are including all the whoops and yelps that make the track so exciting hmd have stayed true to the original but have just given it the horse meat touch. a bit of added percusion and a whole lotta love.

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

there are those records you like working on and then there are those records you love working on... this is one of those records we loved! we could not be more excited to welcome back to the camp, the beautiful, amazingly talented tamara wellons. along side her again on this journey at the helm is one of our favorite producers anto vitale that co writes and produces this project. the first time we laid ears on this single we knew what was in store for it, time to bring in the gang to put everyone to work and that we just did for this one. on the remix duties is the man in charge of the soulful movement dj spinna that gives us his signature deep vibes. if that was not enough we welcome back jose carretas that just murders his remix with just enough bounce for the clubs but keeps true to the deep house movement.next up is our good friend jonny montana that never strays from the true elements of deep house and gives us a mix that will be played for years to come with his timeless production. as we always say sit back relax and play this one loud!

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.