the oliverwho factory come up with a brand new release on couldnt care more.with you just dont know, originally sung by soul diva phyllis hyman, the duo delivers energetic detroit sounds between techno and house, massive beats and soulful vocals. vibrant stuff with a unique twist!

the real voyage of discovery consists not in seeking new landscapes but in having new eyes. marcel proust berlin-based producer aera has been travelling off the beaten path ever since he first went on the road with his aleph music label back in 2010. with only 5 releases he already laid out his very own musical topography in the borderlands in between house, uk bass and psychedelia. aera is now excited to present his debut album, offseason traveller. it is a personal notebook of his voyage of discovery to the vast landscapes of peru and bolivia, fleeing berlin in pursuit of new ideas, eyes and ears.

on the fourth unterton release the black dog present a new sound somewhere between house and techno that the black dog call darkhaus. the original version of * council flat emptiness* is an infectious, futuristic, disco-tinged version of a progressive dancefloor workout bathed in strings, mellow melancholia and heavy bass. this is preceeded by a straight to the point stripped down version that multiplies the hypnotic elements of the original. on the b-side a 9-minute-30-something remix from luke slaters l.b.dub corp project drives the original into classic slater territory where techno and groove marry and electrify each other.

two great friends, and exciting young talents, reunite for their second outing on real tone. the transatlantic partnership between leeds-born burnski and new yorks m a n i k has already produced one special creation – the dancefloor smash *you know what its like*. full of funk and relentless energy, the track was a great fusion of the contemporary styles of two well-respected producers.

ambitus is ready to get vinyled. finally aconites latest production is now available on vinyl. the label mittel zum zweck comes up with the complete remix package - from hardfloor to michel laro via dominik schwarz. it is an explosive mixture between techno, acid and house.

the a sides closing in with its broken funk predated a lot of convergence happening now between house and bass music. and last but not least, stefan goldmann provides a brand new, ultra-stripped down edit of the mesmerizing read that lips. essential all the way. remastered by d+ms rashad from the original dat source and cut to premium vinyl, they are finally available again in unprecedented quality.

actually, a split release between paul hill and nikki o. two sides of warm, intimate vocal house music. tip!paul hills side is a midtempo cut with sweet playing between main vocal and background vox. the nikki-o side is more uptempo and has an affectuous bassline supporting the track.

first in is a beat heavy analogue chug rework of the rare and weird italo 7 inch *i am your master* by the mysterious italo connoisseur savino dj and dj peet need based in holland. the arpeggiating bass line digs a circular trench that gets deeper as the track marches on until you end up stuck on an island with a strange creepy midget man. music that blurs the line between disco dreams and nightmares starion is back for more on ep2. how will he make a heavier track than ep1s *another dimension*? by making *darkstar*. analogue manctalo chug at its finest. big bass line, big synth chords, big vocoder action. you couldnt get more dark disco electronic if you went clubbing with daleks and the cybermen were djing.

finest mixup between smooth detroit house and driving techno. the wide ep cuts two titles into deep wax, >marks< and >wider< have been highlights of teyseras live set for quite some time now, finally out on vinyl.

this special release is the first collaboration between legotek founder nir ivenizki and the newest family member oliver gehrmann and is dedicated to our real analog music world. like the name of this record reveals, those 2 tracks were created with the love to roland, korg and nord instruments.

the opener is a traditional jola rhythm, typically fast and energetic, with tuned, talking and kit drums swarming over a kind of skeletal downhome guitar, somewhere between blues and disco. the mboup brothers make a soaring, impassioned plea for an end to division and bloodshed in their casamance homeland. then a more deeply dug-in, spaced-out funk, edgily spun from a serer rhythm, underpinning mbenes reflective song about parental sacrifice. sama yaye, my mother. both with full instrumental versions.

following *himmel / strasse*, *sonne und stahl* & *hakuro ep* on pong music, here is the new 10 inch, *hagakure / seppuku*. two techno & dub techno tracks between basic channel and deepchord. pressing on white and red marbled 10 inch vinyl.
already supported by dj deep, quantec, sean deason, mark broom, kriss kortz, dave miller, alex einz, los hermanos, jack de marseille, ...

with the start of 2013 upon us, the consistently close relationship between aus and midland

despite the fact that he has been producing house music for a long time, this is orazio fantinis first feature release. this canadian musician is a jazz enthusiast, but his true passion lies in house music. he comfortably moves between deep house and jazz and seems to feel pretty good doing it.
supported by: brothers vibe, ekkohaus, more tba ...

the project jack daniel represents a very original form of the fusion between techno and technohouse. - air ! is a real big club hit, claiming to - throw the hands in the air, - uwe sela combines technotechhouse with powerful vuvuzuela sounds, - sanaa is a melancholic and deep track

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

it should be is the new ep from noon, one of the main artist and the label manager of sfx recordings. this release will be the first one on vinyl and digital. a two tracks ep definitely oriented to a deep underground clubbing feeling. *it should be* is the special tracks perfectly dosed in between groove and melodic flow, it will be a main instrument for all the after lovers. *fun to mental* is definitely the dance floors track of the release. based on a funky energy, surrounded by a fat groove, this tracks is a classic to have and play for all the parties lovers!

mule musiq now proudly presents eleven unreleased compositions by roedelius produced between 1990 and 2001. all of them are pearls of electronic deepness that show another side of the man that lives in the little lower austrian town baden. his famouse ultra sweet piano melodies can be heard – but they are not the centre of the productions. instead a more electronic side of his genius call the tune. with a minimalistic approach he let synth melodies highfly while some droney, melancholic atmospheres enlarge in the background.

the first release on project squared in a year, *make your mess* is a three track ep by melbournes craig mcwhinney. craig has been making music for years and releasing since the late 2000s on melbourne labels such as pinksilver, melbourne deepcast and his own haul music, also on labels based further afield such as brendon moellers steadfast and speedy js electric deluxe. craigs music is techno, but it isnt preoccupied with the 4/4, employing broken, swung and rolling drum patterns. his tracks often include melodic and harmonic elements and effects reminiscent of dub techno but without conforming to the pastiche template of the sub-genre. the make your mess ep is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: *provocation is an excuse* is more furious and loud, *disengage* is more restrained. all three are around 125 bpm and were produced in the space of a month between september and october 2012.

sino is proud to present delaze . delaze is a multi faceted music producer. coming from a culturally diverse and deeply rooted music family, becoming a music producer of varied taste was an inevitable path. his father was a well known radio host in the city of brasilia back in the 80s. it was there where delaze discovered his love for music. being surrounded by his dads massive vinyl collection enabled delaze to appreciate the classics. for his first ep, sino selected three tracks. bloody samba as the title suggest is inspired by the heat of brazilian carnaval. aint hot is deep and funky oscillating between techno and house. discoordination goes disco.

eighth release of the promising imprint focussing on warm and soulful vibes between indie, house, soul and downbeat. some well known producers showing their soft skills with own productions or edits / re-works they ever wanted to do. vinyl only! limited edition of 500 copies! comes in clear plasticsleeve!

the second record from grow vinyl brings together andrey zots and laurine frost in a unique two track vinyl collaboration. andrey zots inspired by a laurine frost live session, made this the basis for a first collaboration between the artists and from a single musical foundation was born the all new shadow sessions.

there it is, keinemusik number seventeen. we know what you are thinking. you think you know how it works. you think, those keinemusik fellas will again be doing their little rotation thing, one producer getting a record out after the other, then a workparty-joint venture at some point and then it starts all over again. au contraire! this seventeenth edition is breaking the known beautiful, perfectly curled cycle. just like that, so that no one gets bored. this record here is an appetizer for a collaboration-effort between rampa, &me and nomi, the new york based singer that provided the recent movement of flamboyant disco-queerness with its sexiest and catchiest hooks, teaming up with hercules & love affair and doing her own project jessica 6. side b will take care of everyone who is expecting a safe playing house-rehash of the afore mentioned acts and tenderly let a lashing snare slap every preconception out of sceptic faces.

embossed sleeve-art & 180gr vinyl.
the third instalment of remixes features tokyo undergrounds finest, cos/mes, with rework of the experimental proto-electro track big dome that nods its head to the dancefloor whilst maintaining the balance of the original. the b side sees a special collaboration between la heavyweights lovefingers and eddie ruscha. under the alias secret fingers, they deliver a tropical, blissed-out version of manzaneras classic *islands*.

super limited 12 inch with only 100 copies pressed! limited to just crossing the boundaries between the uk grime movement, deep and dark dubstep and a fusion of organic influences of world music, marger is set to take grime to a new level with a dark and twisted e.p that is packed with attitude.

pit spector comes back with a second solo ep on minibar. the first one is amazing, the second one is too. working for years on various musical projects (antislash, avas verden, cellule eat, radiozerozero), pit presents a really personal release witnessing his work in studio. the results are mental and dancy tracks mixing instruments and machines, space vocals and weird samples. completely involved in parisian electronic scene, pit switch between his work at zerozerobar and producing music.

cutting edge 2004 avant-techno classic with strong disco roots.

discos casablanca is back... and you know its hot when they drop it! two excellent edits from cvlt, somewhere between wave / cosmic / flamenco / psych blues. hand stamped and hand numbered edition of 300. no repress

fresh off the back of john jastszebskis celebrated work ep, d julzs bass culture records returns with a unique and varied double a-side featuring collaborations between berghain mainstay ryan elliott, label regular alex picone and the everinfluential analogue cops.

finally on vinyl! the project between jay haze and lorenzo dada called echo park . really beautiful place in los angeles where lorenzo dada make this ep.

400 copies worldwide only! hot off the back of the success of the recent dennis ferrer remix of ‘underground nick curly picks two further ‘between the lines album tracks for remix treatment. this time calling upon osunlade and larry heard to give each track their own unique twist. larry heard aka mr. fingers and osunlade both deliver deep heads down versions perfectly complimenting the originals.

vinyl only! amazing raw cuts from back in the days! dark and dirty analogue mixup between detroit techno and chicago house.

anton kubikov, for more than a decade well known as half of scsi-9, delivers with his solo debut a killer twelve inch for pro-tez records. limited to 300 copies, it is a reduced 4/4 dub vapored ep that unfolds into a blissed out session and sounds like a cross between chain reaction s fluxion and rhythm and sounds more bass-heavy emissions. dub techno heads listen up!

what if time does not matter? welcome to the world of jonas saalbach, where nothing is solid but the rhythm of the base. we are drifting between synthwaves and nested melancholic melodies, between hazy vibes and spare used dark vocals and we call it >nika yumi<. this one is a brilliant number from a producer-youngstar, which strandet in berlin with a big smile and many dreams in the backage. so here we go with his first release on einmusika recordings. >next< - the second track on the ep, is an exotic odyssey in times of vocal- and deephouse, because this number is technoid, minimal and unimagined. >cave< can flip a good party into a great one in the space of six glorious minutes. the bendy baseline is catching everybody and the track is full of cosmic synths. and after this trip you surely need a bottle of water and a melody which picks up this feeling underlined with dreamy synth motifs and a kind of woozy bleeps. okay. so where we are? what time it is? whatever you can repeat everything.

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

dilek records surprises once again with this pink vinyl edition including original productions by jose wated and encebolladoman, from ecuador. this brand new release also offers the remixes of brett johnson, arquette and nadja lind, for a perfect balance between different styles. satisfy my soul ep is made of two original tracks and three remixes to love and discover.

distorting former interpretations from the late unchained rhythms series propelling the primitive released >eno< into an entirely new dimension, resulting in what joaquin describes as a mind-fuck battle between himself and himself.

be be as one opens its 2013 with a new release from in-house talent sable sheep. this new ep features 4 tracks in between house and techno which solidify the german producer relationship with the label and his vision and interpretation of the be as one sound

since its inception in 2001, each entry in the pop ambient series has included its year of conception in its title, an irony in the fact that many consider the music being timeless in more than one way: a feel-good classic to some, a rigorous experiment to others, pop ambient always has located itself between the poles of habitual listening and sonic curiosity, with the space in-between beats being a way more interesting material than the beat itself. as in the years before, pop ambient 2013 collects an illustrious cast of producers uniting genre pioneers alongside old friends and some surprising new arrivals.
the 12 inch vinyl comes with a cd-copy of the full album.

tanstaafl ends the year with october and john osborn manning the helm bracing us for the dark days that lie ahead. big kicks and pseudo acid sounds collide with dub sound system principles in this collaboration between the two label heads. limited to 300 units so get them while they last.

progressive and mental acid tribe, deep and pumpin, travelling between 170 andd 180 bpm. limited 200 copies. sizzling acid melodies turning higher and higher while an ambient dark melody comes slowly on the front... serious sound.

limited to 200 copies! vinyl only! not so secret diary founded by laurine frost in 2012. the label is based on works of high qualified international underground musicians and it works like a personal diary. all of these releases will try to express the special relationship, to describe the personal connection and the common influences between the labels owner and the artist in a kind of historical way.

wncl recordings and kevin mcphee have spent many a moon discussing a shared love of mood ii swing, dubplate culture and bobby champs amongst other things. in between times, the canadian young-gun has been honing 4 tracks to present wncl012 – a finely crafted extended play in which mcphee gets his clonk on. >…in keeping with wncls hard jacking groove tendencies mcphee produces four slices of brick hard house that you will be hard pressed to even try and overlook.< (sonic router)

debütalbum des kalifornischen duos poolside, bestehend aus filip nikolic und jeffrey paradise, letzterer ist zusammen mit zwei mitgliedern von the rapture auch bei den calculators aktiv. poolside mischen auf erfrischende art und weise disco, indie und pop. ihre erste single >do you believe< befand sich in den playlists von todd terje, dimitri from paris und the magician. die zweite single >take me home< war der opener des letzten aeroplane-mixsamplers.
pressung auf coloriertem doppel-vinyl.

after their enormous release on bad taste recordings, new drums/double thinking, the teddy killerz return with nphonix for another dose of some of the hardest, underground drum and bass around. with releases on the likes of fokuz limited, icarus audio, citrus recordings, caliber music and bad taste recordings between them, the deadly pairing bring two tracks of cutting edge dnb for bt027.

for their 10th release manchester based label my first moth present a collaboration between two visionary artists from opposite sides of the atlantic. new york born rapper blurum 13 should need no introduction after lacing countless records from the last decade with his distinctive gravel-voiced flow, most notably the classic ninja tune album >children of possibility< which he recorded as one-third of one self alongside dj vadim and yarah bravo. producer frameworks is a relative newcomer although still fiercely prolific, having notched up collaborations with long island legends qnc and uk rapper bang on amongst others. with releases on first word records, hero records and organik recordings, frameworks is quickly forging a reputation for a solid production technique, fusing old-school sensibilities with a touch of live instrumentation and a keen ear for a killer sample.
dj support comes from dom servini (wah wah 45s), dj gilla (first word), dj asparagus (raw fusion / g.a.m.m.), alex crescent, and agent j (groovement radio)

we welcome traumfabrik (ton liebt klang, gris musique) – michael & florian are presenting their new sound with the darkroom honey ep. its all about riveting melodies, beats and vocals – a great mixture between electro and tech house. for people who like anthony rothers stuff