kicking off the first of two tracks by sondrio night train is smooth and subtle, this melodic low slung groover is made for those warm summer days. the deep tones give the low end just enough attitude to get those boots knocking. give it like is punchy and upbeat, sondrio gives you a dance floor weapon that ll have the punters up in arms. his signature low end notes drive this record with vocal stabs that will fit in any set. first up on b side ant larock drops another groovy house number better think with a mesmerising vocal laid on top of nothing but luscious chords. summer needs records like this, it s what memories are made of. ant also delivers pleasure that feels like a good dj tool perfect to break up those disco vocals with choppy chords, swinging drums and a cheeky vocal to match. house music at its finest.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on white vinyl.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on red vinyl.

luaka bop present the eccentric and rare music of preacherman, the full collection of his rare catalog titled, preacherman plays t.j. hustler’s greatest hits .

mit ihrer formation chic und hits wie „dance, dance, dance“, „good times“ und „le freak“ mischten nile rodgers und bernard edwards in den späten siebzigern gehörig die internationalen discofloors auf. wie keine andere band verstanden es chic, die essenzen von rock, funk und disco zu einem schweißtreibenden, endlos goovenden und gleichsam cool eleganten mix zu verbinden. das ergebnis war ein unvergleichlicher, stets wiedererkennbarer sound, der bis heute unzählige bands nachhaltig beeinflusste.
erstmalig im vinyl-format erhältlich, bietet der nun vorliegende, exzellente konzertmitschnitt „le freak live“ ausgewählte highlights von ihrem letzten (reunion-) gig (tokyo / budokan 1996), bei dem sie zudem von ex-guns n’ roses gitarrist slash, der vocalgruppe sister sledge sowie stevie winwood (auf der hendrix-coverversion „stone free“) unterstützt wurden. zugleich dokumentiert diese veröffentlichung tragischerweise den letzten auftritt von bernard edwards, der nur kurz danach in tokyo verstarb.

sl011 is on its way! to celebrate our most beloved format we mix the old and new and bring together three artists we ve just taken on board with regular sl artist joey kay from chicago. special artists, special audience, special music, special release: 180 copies, 180 grams. nothing more. nothing less. pandilla ltd opens up the feast on the a side. a collective of three portuguese artists, this trio of producers-composers made a name for themselves through their distinctive minimalist approach to music. and what better way to introduce them than the very title of their track: -you get to know-. do meet the guys and enjoy. chicago resident joey kay was already with on sl001 and sl003. but why would we stop? here he is again with some new gems. joey s been producing quality and selective underground house music since the 80s, giving us each time delightful hints of what good chicago underground truly sounds like, far away from seasonal trends and close to his own philosophy instead. open up your ears and heart, as joey will be -trying 2 reach u- with his beautiful ode to the golden age of house music. the end is just the beginning, people. flip the record, start again, and let tommy guide you. tommy vicari jnr is an underground music hero well known for his singular and very unique sound. tommy plays by his own rules and tastes. he produces and releases tommy s kind of sounds and tommy s kind of sounds only, regardless how of far he needs to push the boundaries of his musical world to find the right beat and hit. -decided- is sl011 punchy bassline banger, in case you thought of falling asleep between both sides. for don t forget: true dancers always dance. almost the end, we know, but dry your tears, we re not there yet, no, no. harrison bdb aka harry weber is here with us for the last stretch and a final sonic hug - one to remember -. harrison s immersive approach to deep house has earned the man his credit, solidly grounded in the finest and deepest selections. the kind of selection, in fact, that d make anyone want that record again. mind you, this is probably what this last track -going back- is telling to do. ready? flip!

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the “watarase” recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button – whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

the metallic compilation danzas electricas is back for a second volume ! curated by sacha mambo, it presents only artists from nowadays and takes distance from the edits to push original and weird electronic music of close artists friends from dresden, copenhagen, berlin, prague, lyon and hamburg. some of them are already relatives of macadam mambo : konsistent, wosto, heninspace eva geist or sacha himself and it introduces new acts : ekstern (nixxon & spacelex), service, houschyard or sauerstofff to present a good mixture of kraut, punk, industrial tracks, which never fall into dark.

as the timing appears to be right while summer just made it’s entrance it seemed only appropriate for the release of another single.
the idea behind the release was conceived when digging for records through paris while touring a couple of years ago during a conversation with a vinyl monger discussing 70’s pop-funk pakistani composers.
since the inspiration as well as the records sampled for both of the tracks were picked up from the “city of lights” it seemed only appropriate for mononome to finally collaborate with parisian label and long-time friends stillmuzik for a release.
“loralai” evolves around a feel-good uptempo groove emphasizing on the sample while “besima” is based mainly on mononome’s characteristic drum sounds, leaving an essence of psychedelia in the background.
available in 7” vinyl limited to 300 copies via stillmuzik.

remember keep control ! very versatile comeback of sono , great journey with an electronic mixture from electro / pop with different moods ... incl drum & bass inluenced catastrophe (a3)

known for his strong live performances, swedish producer celldöd creates music for the body as well as the soul: his influences range from punk, industrial and dub music over to acid house, techno and ebm. that new five track banger ep is dealing with subjects such as sadism, masochism, unhealthy relationships, and the fact that the good never prevails. but if the world is going to hell, we can at least dance on the way down. let us move, together. in darkness.

insane synth-heavy feel-good brit-funk classic and huge favourite of dam-funk. a certified uk boogie bomb, originally released in 1982, and coming hot on the heels of the pink rhythm reissue campaign. side on was a one-off uk soul dream team, consisting of peter maas, everton mccalla and rick clarke.

back in 1995 while living on the west coast, at the peak of the rave experience, dj spun and dhyan moller recorded a bunch of live tracks, without any sequencer, all direct to cassettes. spun aka jason drummond, reached out last spring after rediscovering all the cassettes and asked us if wed be interested in releasing some of the tunes. jason shipped us the cassettes and after a good transferring session, we decided we had to release all the tracks under a 3lp set. this stuff is fire. we still love dj spun and dhyan moller!

limited edition of 750 individually numbered copies on orange 180 gram vinyl.
the jamaican sonia pottinger was once called “the most important jamaican woman involved in music business”. dancing down orange street is a collection of some of her famous productions for different artists. the album captures the moment when rocksteady transformed into reggae by speeding up a little and moving towards a more jerky and less smooth musical palette. famous singers as delano stewart and ken boothe are present on the album with multiple tracks. the vocal trio the melodians (known for their hit “rivers of babylon”) provide a couple of beautifull songs. even after all those years (released for the first time in 1969) the compilation remains a treasure of showcasing some of the finest songs produced by sonia. sonia pottinger was married to music producer lyndon pottinger and started to record musicians in 1996. during the late 60’s she produced songs for joe white, the melodians and toots & the maytals.

pleasure zone welcomes bmw to the family! dont worry we didnt start to produce cars now :) bmw stands for christian (b)urkhardt, (m)eat & chris (w)ood. the offenbach/ frankfurt based trio teamed up and delivered us a very good debut release, called like children ep. the right mood for the late summer season.

von london nach hollywood: zweites album des britischen neo-soul-kollektivs.

so you thought u-trax was all about fancy, state-of-the-art, absolutely undanceable, hard-to-understand, semi-intelligent techno? well, you’re absolutely right, but this u-trax-release is just not! produced by german heinrich tillack, these tick trax volume 1 are just the good old way of making techno. raw & uncomplicated, in the tradition of the chicago underground.

this is something in between underground & commercial in a good way... patricio cabezas is an experienced musician and producer, born in chile but lives and works in sweden. after years as a touring bass player, he dedicated himself to start programming synthesizers and producing electronic music. in his music, cabezas embraces the grey zones and in-between-ness that formed him since childhood. he approaches music the same way, discovering and experimenting, almost hybridize genres and moves between live and programmed performances. in 2015 the tom ep was released under his alias this other space on tasteful nudes/argot. cabezas is also working in collaboration with dagfest (paper recordings, bearded man, melodica) and 95kbps (krater).

rob belleville is a producer from the netherlands. his music can be found in the same space as producers such as arne weinberg, microworld, sean deason and drivetrain. he is know for moving between ambient electronica and atmospheric techno sounds, always warm and well produced. this release is no different, as here we have two very special tracks with the same integrity as anything rob has written in the past. on the a side we ve got implacable force which features a driving techno foundation and washy synths, interwoven for perfect headspace. the second track in is sungazing, which takes you into a more lazy groove with swirling, warm pads and more good drum programming. the b side features rise n shine and sands of time, both blurring the line between deep house and techno, with a fine balance between the melodic textures and tech house percussion. if you like atmospheric, melodic textures and quality music in general, this one is for you.

the modern master of subliminal deep house is back with a new album. galcher lustwerk has rightly earned a sterling reputation for his understated, always entrancing approach to 4/4 grooves. after last year s dark bliss lp and recent diversions via his road hog alias, he s offering up eight heavy-lidded cuts to suit the smokers as much as the dancers. get blissed out in the sax-licked delights of skits like -blue lotus- or lock into the mellow raps and steady-ticking rhythms of see you when i see you 200% galcher goes down smooth from start to finish, like all good albums should.

the northern soul’s classiest rarities series has showcased high quality soul dance records from the 60s to the early 70s, beloved of collectors and dancers who have had their fill of the “top 500”.

toothpaste records launches with the eponymous debut album from synth pop solo artist tentenko. the former member of the notorious japanese punk idol group bis has featured on dozens of collaborative and solo releases in her homeland but this is her first international release. the lp will be the inaugural release on toothpaste records and is released simultaneously in japan on alegori. pressing on transparent pink vinyl.

acht jahre müssen gefeiert werden: kompilation zu ehren des “best chicago dance music label not based in chicago”.

native response returns with two cuts that were found just too good to gather dust for any time longer. unknown artists collaborate on this ep for a deep and emotional yet clubby package.

hard, acid, mechanistic techno.

this album is a collaboration between labels kontra-musik and kess kill. what would have become of d.a.f. if they had been signed to trojan instead of mute back in the day add a good pinch of absurdism and social realism in the vein of prized film director roy andersson and vanligt folk might just be the answer. the gothenburg groups name can be translated to common people and they make use of primitive electronics, drums and skewed vocals - ranging from harsh social commentary to the purely nonsensical - to create their own take on body music. hambo is the name of a traditional swedish folk dance that was highly popular among the common people at the turn of the last century. with this album, vanligt folk juxtaposes the working class dance phenomena of hambo with modern day rave culture. this is done in the most blasphemous manner thinkable, as is the way of vanligt folk. concepts like nationalism, race and tradition are all treated with the same merry lack of reverence. the only thing that needs to be respected is the dance and those who take part in it, whether accompanied by accordions or drum machines. or both.

since 2010, buyepongo has led a steadily growing los angeles underground movement that combines the vast influence of traditional tropical sounds with the streetwise edges of the latin american diaspora. much like their name implies (translation: to cause a ruckus), their hybrid style is focused on the celebration, an infectious, energetic vibe that is universally and rhythmically connected. it ll get your feet moving, and much like many of the records from the golden age of cumbia, these two offerings demonstrate an updated and adapted reverence for the roots that is truly distinct to their own unique place and time. for the group s latest single, that place, the sprawling latinx scene east of los angeles, met head on with the east coast hot pot of brooklyn. recorded and produced in collaboration with names you can trust during the band s serendipitous 2017 trip to nyc, this new release takes two of buyepongo s most fan-favored and party-tested original songs, two that had yet to be recorded, and combines them with the nyct forty-five ethos: a stripped-down, warm analog recording that perfectly captures buye s live, bring-the-ruckus style in the room as it happened. por la vida romps over the a-side, a modern-day classic in the making whose lyrics (how beautiful is life, always full of surprises) compliment a sunny, easy-going house party vibe, while miri on the flip evolves from a loping, almost reggae groove into a transcendent journey through caribbean feel-good sounds.

heavily supported by the likes of raresh. not to be missed.... fourth in this eee series, following three outrageously good and well received records to date, sees another one-sided, hand-stamped bomb. the artist behind it, as always, is being kept under wraps but there s no hiding the fact that this is some seriously heavyweight club ready business.
pressed on 180g vinyl.

boogie café enlist the expertise of goshawk & erik rico to provide the goodness for the next instalment in their boogie café black series. the home e.p. houses four versions of the title track with side a serving up a piano vibe mix, alongside a dub mix for good measure. the vibe mix layers a bassy, bumping piano line & erik s rnb flavoured vocals behind a shuffling beat before a soulful flute line takes centre stage. on a slightly different tip the dub mix drops the flute in favour of echoed out stabs for a sparser and tougher aesthetic, readymade for the dancefloor. flip it over and the percussion vibe mix adds in some choice congas and bongos, combined with sustained organ-style synths and jazzy piano chords, creating a more summertime soul style to the track. the fourth and final dub mix sees goshawk use erik s vocals in short but sweet snippets, adding extra atmosphere to the track but allowing the piano and percussion to lead the way.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

2nd ep from david kitts new jackson yous lp released in march this year a mini lp of sorts featuring 5 new tracks! according to david: like lightning was written after a late night/early morning adventure with friends in galway city a good few years ago now. i always find it hard to choose singles but this seemed to be lot of people s favourite album track. i ve availed of every last second of space on the 10 inch to turn this release into a mini-album of sorts with three quite different instrumentals one part folk, one part modular electronic and one recorded using two buddah boxes in the glasgow underground. there are also two unreleased songs that have knocking around the hard drive for a while but fit nicely on this release.

master of snare disaster limewax strikes back hard again on this huge 4 track ep on prspct. delivering all things great this disturbed but brilliant producer has to offer. drum & bass for the freaks and outcasts that crave for more then just a rolling beat. 2 solo tracks + 2 collabs with the likes of l 33, switch technique, dieselboy and thrasher. did we mention this release is huge? hell yeah we did! well it s a good thing as its double huge anyway! all hail limewax and houjekkmuil!

farrago created a name for himself in this short time taking back the real roots of techno and rave and putting them in a new context... we said new, not different. this is his 3rd record on the label, and this time he goes beyond the idea of reminiscing the past, “hard light” shows how the rave can be alive in everyone of us, and absolutely not changing the formula he gives us this beautiful feeling of being back in the past, while you dig in a record shop and you find something that hits you, in our past was that record that gave us memories. in this case the work of this record is almost double, the record itself reminisces the past, but gives good hope for the future of genuine rave music without compromises.

redseal records is proud to present south korean multi instrumentalist, singer and producer mogwaa. vocoder vocals and bubbling synths make for good time vibes on this new 10” from klasse wrecks’ ‘redseal records’ sub-label.

japanese artist - tominori hosoya has been releasing on a good deal of underground deep house / techno vinyl labels such as deepartsounds, mixx records and minuendo recordings, though this will be his first album on his own th pressing imprint which is only 5 releases deep but is already a firm favourite for the likes of titonton duvante, keith worthy, hiroshi watanabe & jimpster

le matin, always rare and uncategorised, following the reissue of his early synthwavepop tunes on poussiere depoque and a track on the good lena wilikens dekmantel selectors 005 comp, this new ep on lost dogs ent. let you hear some of his last works. expect an ultra-cold-minimal-electro riddim, a less-mental-nearly-good-for-the-dancefloor tune with depitched haunted r&b vocals, an analog and bassy arpeggio ride on the flip side, oh my god! this is the peak-time-for-weirdo-nearly-techno tune, a blast, only for craziest djs that like broken-frustrated-uncomfortable dandefloors and to finish this well balanced 5 trackers: the are you depressed that much? its the 10th time youre listening to this ost of a dying world, this wont get any better but at least this is good music! tune. le matin is a good kept secret that prefer to take care of his kids than to travel the world of nightclubbing with drunk teens (ok thats how it is in france, that looks better in some other countries), but sometime you can hear his music on decks of some wise people and djs like call super, lena wilikens, house of traps, charles drakeford, jon k, bergsonist, body motion

music is feeling, music is meetings. in 2015, the s3a records 04 was released with collaborations of good friends of s3amet in the world by the music (tito wun, mannmademusic). this sampler continue the story with tracks from people s3a met during gigs and travels in the past year: sweely delivers here great speedy long jazz banger with a great voice sample as a theme. the columbian felipe gordon gives a great stompy funk bass track! on the b side, the french g2s drops a beautiful house sample based -graef like- song. for the last track need a little bit of story. in 2016 s3a released an ep called 3711 on soundofspeed records in japan. the track -bush- taken from this ep has been remixed during a contest in early 2018. 42 remixes were done and the winner has is remix edited here. pnom pen gives us here his 80 s electro version of the track adding great pads and a complete different rhythm and grooves!

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

this is already our seventh deep love compilation and we dare to say our most complete yet in sound and flow. the ten pieces on this sampler blend in perfectly with that laid back late summer mood. we are very pleased to welcome yet again some new acts to dirt crew with the likes of jaxx madicine, ouer, times are ruff and s3a. we cross many borders not only in genres but also country wise. from the heavy disco sampled jam by french producer s3a to the jazz and funk laden epos of the italian 3 piece jaxx madicine over to the dutch deep house boys times are ruff who are well known from their, same named, label and finally to the berlin duo ouer who also run an own label and released with our good friends at heist recordings, delivering an ecstatic electronic floating tune here. this is all completed by some excellence from long time dirt crew artists. 25 places have been with us for many years now and their two eps have gotten so much love from the deeper deep house community. here they drop an epic almost idm techno like tune that closes this great album in the best possible way. our icelandic stall wart felix leifur drops a heavy hitter named buster. after his recent bobby donny ep earlier this year we are thrilled to have him back on dirt crew! harry wolfman and ponty mython need no introduction really, they are adding electro/ disco/ electronica fuelled cuts that form a great middle part to this mix of tunes. harry going in very smooth and relaxed, something else than his usual house workout which we really loved to present to you

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. schwarzes 180 gramm vinyl plus downloadcode.

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. limitiertes türkisfarbenes 180 gramm vinyl plus downloadcode.

hard hitting techno joints, chaos, mayhem, in a good way! will cause havoc in clubs!

it was 2010 when massimiliano pagliara and discodromo got together and started working on costellazione k78. it s finally time to reveal this piece of italo-cosmic beauty landing on cocktail d amore music. the spaceship starts off and a vocoder announces the destination. in the middle of the track there is an interference. is that a hole? oh right they are out of it! going higher, higher, higher through space-time. b side is taken by a dub version where drums play the main role. everything is condensing together, it feels like connection is lost, but the bass line comes in and takes control. destination reached, time to celebrate. thank you guys for the efxapella, we ll all do good use of it. greetings from planet earth!

following the release of his collaborative ep with arovane on apollo records, synkro is proud to present the first release on his own label synkro musik. despite having come up during the dubstep era mcbride’s music has always resisted easy classification - ‘luminous’ sees him shift his musical focus back towards the autonomic / ambient drum & bass sound of his early works for apollo & exit records, backed with a killer remix from drumfunk legend & good friend dev paradox.

the global skywatch family have been discovering evidence of geoengineering on a scale never before seen and have decided to take a stand. for the foreseeable future we will be releasing audio recordings painstakingly designed to protect your mind and body from government control. we understand the risks involved in doing so. if you don’t hear from us for an extended period, know we have most likely been taken, and continue fighting the good fight in our place. may this first offering bring you peace from the madness of the modern world.

japanese newcomer -jtt- unveils their debut vinyl on their own label yu-zen-. jtt consists of two guys, takayuki hosoda and dj java. most of their tracks are deep and micro house and nudisco music. -tone river- is one of the typical masterpieces of their tracks. it has a tense and dreamy atmosphere. it s a very simple but enough to be addicted one. -lotus root- has a mystical atmosphere. your brain can feel good unique sound effect sense. you will be into it. mastering by kuniyuki takahashi. according to his careful work these tracks have a high level of completeness.

infuse027 marks label head enzo siragusa’s debut solo ep on the imprint. for the occasion, he finally releases ‘little angel’, a track close to his heart which was debuted on his bbc radio 1 essential mix at the end of 2016. embellished with swinging drums, and gentle soaring pads, it s a feel-good masterstroke of deep house. on the flip is romania’s cristi cons on remix duty, who keeps things deep but adds a subtle attitude that builds throughout, all while paying homage to the original.

from uvb-76 music’s fractal personnel rises karim maas. a familiar face behind a new mask, maas, one of the sonic panjandrums at the core of the labels sound submits an aural experience that bleeds between genre and tone with striking ease, negotiating a through line that is hard to pin down in any moment before it shifts again. a stunning ep that remains true to uvb-76 music’s core tenants. four absolute steamers and a huren remix for good measure.