the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

the moniker of acclaimed production/dj duo bonar bradberry and tom thorpe – have been making moves and making music together for almost a decade now. but the time has firmly come for them to release their long-awaited debut album ‘late night party line’, which features guest vocals by mattie safer from the rapture on future single ‘everything changes’, danielle moore from crazy p and hotly tipped newcomer lilly juniper.

pale blue, the duo of elizabeth wight and mike simonetti, released their debut album too much critical acclaim back in 2015. they come together once again with their latest ep you stopped dying due to drop on crosstown rebels in february. the you stopped dying ep takes influence from shoegaze groups like slowdive and my bloody valentine and moves it to the dance floor. the result is a strange hybrid that some have called technogaze. this would never work if liz wasnt such a strong vocalist. her amazing vocal range makes it easy. mike simonetti pale blue is a hypnotic affair, the driving bass sitting perfectly under wight’s powerful yet ethereal vocals. daughter of babylon takes the record into heavier techno territory with its thudding bass and wights breathy vocals delicately layered over the top. on the flip side love is an unapologetically industrial number with screeching synths that echo around wights vocals. simonetti and wight have each earned their musical stripes in their own rights. simonetti founded the hugely popular italians do it better as well as his own successful record label, 2mr. he’s released a slew of records on highly regarded imprints such as me me me, correspondant and public release, and enjoys a fruitful career as a touring dj, which shows no sign of abating. wight has previously lent her exhilarating vocals to the west coast band, silver hands of which she was once one half

okains key ear for a groove finds a home on infuse in the form of his magic box ep. place des fetes is a keen example, subtle layered sounds sneaking in between the b-line driven ride means there s always something new to find. magic box moves into a more blissful arena with it s swelling pad perfect for those early morning sunrise sets whilst rich nxt remixes place de fetes, stripping the elements down in his own inimitable way. vinyl only!

the music of giuseppe leonardi moves through the brain in psychedelic and playful ways. young giuseppe prepared his shamanic amalgamation of percussion, athmosperes and synth patterns some summers ago in the catacombs of vienna. machine sounds from a glittering future. he shifts his instruments out of the timezone and takes us on a trip in his cosy dinghy. tracks like maga and invitro are moving the dancefloor towards a cosmic universe

it’s a pleasure to introduce to you the second chapter of apparel wax, the vinyl faced artist who tears the dancefloors apart. aplwax002 is once more a concentrate of groovy beats, catchy melodies and vibrant harmonies that come together to create a solid 4 tracks release with an only one soul: the soul of the music we love to dance to. indeed, the whole ep doesn’t sound like an assembled work, on the contrary is more a complete entity that moves together in an organic way since the very first track till the last one, creating an impactful musical story. everyone should be aware that the unknown mystery man is back in town! premieres on houseum, delicieuse musique and sleazy beats.

special remarks the 2nd vinyl comes together with a aplwax002 logo air balloon (first 200 copies), to keep the party on! here we are! it’s a pleasure to introduce to you the second chapter of apparel wax, the vinyl faced artist who tears the dancefloors apart. aplwax002 is once more a concentrate of groovy beats, catchy melodies and vibrant harmonies that come together to create a solid 4 tracks release with an only one soul: the soul of the music we love to dance to. indeed, the whole ep doesn’t sound like an assembled work, on the contrary is more a complete entity that moves together in an organic way since the very first track till the last one, creating an impactful musical story. everyone should be aware that the unknown mystery man is back in town! premieres on houseum, delicieuse musique and sleazy beats.

more super edits from kat via lasha margiani and george japaridze who are based in tbilisi and also release under the alias of rotkraft on labels such as nurvous records, exotic refreshment, & kompakt records. here they deliver 3 perfectly crafted reworks of french & cameroonian afro tracks as well as an original georgian based brazilian style funk edit. total worldwide kat moves.

after living in africa, south america, then london, ohes first made a name in paris by playing analog lives with the dynamiterie crew, first as they resident artist and then as the new artistic director of their new label. it is while playing live in the french city of pau that he met behzad & amarou. they shared the same views on the perception of music, thus created a particular affinity. after this event, they chose to collaborate under the boa moniker (behzad ¹ ohes- amarou), and invited him to release his new ep on bear records. in this first ep, ohes moves between a slightly dystopic robotic house, sharp discoid grooves and melancholic exoticism. this new adventure present a rich diversity in these four personal tracks, influenced by his numerous travels.

the best of blues icon muddy waters on 180 gram vinyl

melodies international proudly moves forward with an elusive piece of mid-tempo chicago soul originally performed by gloria j. jennings in 1977. gloria was signed to stage productions as a gospel singer with pure and raw talent she had developed in the choir of her fathers southern baptist church. she was 16 years old at the time. to tutor her for r&b vocals, willie c.

capturing the hedonism of the glitterbox extravaganza, glitterbox discos revenge is selected and curated by founder and label boss simon dunmore. the album gets to the very essence of dance music in its truest sense music which moves your body and your soul. the standout tracks are a mixture of brand new funk-laden cuts, all-time house classics and rare disco treasures. heard for the first time on the discos revenge compilation, the shapeshifters lend their unmistakeable soulful house sound into the blend with when love breaks down featuring the voice of teni tinks. distilling a universal spirit are iconic grooves like richie havens ‘going back to my roots’, whitney houston ‘it’s not right but it’s okay’ (kcc’s release the love groove mix) and patti labelle ‘music is my way of life’ (john luongo remix), all firm favourites with the glitterbox crowds. giving a subtle nod to the golden era of dance music, glitterbox – disco’s revenge fuses contemporary dancefloor heat with unforgettably timeless grooves, each track being chosen for its ability to create magic on the dancefloor.

organic deep douse from bristol.

an incredible album from lo borges one of the best singer/songwriters on the brazilian scene of the 70s! borges first burst into the spotlight for his work on the club da esquina album by milton nascimento and his work as part of miltons corner club really helped shape the style of the more famous singer. yet borges is almost an equally great talent on his own with a soaring, soulful approach that’s every bit as great as the best nascimento material from the period and recorded in a wonderfully similar spirit! the sound here is completely sublime right from the start music that moves us, even if we can t understand the language of the lyrics like some of the best work by caetano veloso and gilberto gil. there’s maybe a bit more guitar than on some of the milton nascimento work of the period but used in a fuzzy way that slides in nicely with some of the jazzy phrasing of the instrumentation which is delivered with help from key contemporaries who include beto guedes, nelson angelo, toninho horta, and tenorio jr. the songwriting is amazing and titles include cancao postal, voce fica melhor assim, nao foi nada, calibre, faca seu jogo, toda essa agua,pensa voce, como o machando, and aos baroes.

mindtrip is glad to introduce dold, a huge young talent from the swedish techno scene. known for his first releases on float records and his platform arsenik, ‘shutdown ep showcases a big range of his musical identity. dold takes us into a hypnotic journey with his melodic interpretations, while he moves things faster on the darkest side of this ep, with his driven techno tracks fully inspired by 909 patterns and analog synth jams. we are really happy to welcome such a young and furious spirit on the label, and we do believe his tunes work best if you play them out loud. this is mindtrip!

masaki messaged blueberry records soundcloud and signed an ep within a week. i guess sending demos is still a thing. the concept of the ep is to demonstrate all the colors in masaki s rainbow. a truly gifted studio engineer, there are many styles in which he moves across the mixing board. ark and blessing are pure sound design ticklers. as if he decided to make an updated blue-ray instructional soundtrack. soaring melodies and sub bass anchors the listener is literally pinned done by the pressure and beaten with an ugly beauty unique to masakis style. dolci and ilah both radiate on the dance floor like lost dark rollers from an updated mid 90 s estelia and fraewnuil demonstrate the beautiful thoughtfulness masaki also possesses. like a hidden runout groove, masaki leaves the listener pensive and wrapped in a warm embrace.

hier kommt die jährliche -soul togetherness compilation mit den besten modern-soul tracks des jahres. 15 erstklassige soul-jams, die teilweise erstmals auf tonträger erhältlich werden. mit highlights von omar zusammen mit dem los charlys orchestra, tawatha agee (gastsängerin von mtume) zusammen mit aeroplane, kenny thomas mit thames river soul (produziert von und featuring incognito), wez und the groove association, beide ex-mitglieder der brit-funk-band second image, sowie leela james (bekannt aus der us-reality-show r&b divas: los angeles, amp fiddler, faith evans, trina broussard und lifford.

nice price deal !!! hotflush presents the full label debut of uk funky figurehead roska, following his appearance on the recent back and 4th compilation and seminal remix of untolds >just for you< in 2009. this release brings together two cuts that emphasize a healthy evolution of the roska style that has made such an impact on bass music in the last couple of years. retaining the customary hard-hitting percussion and raw syncopated rhythms, a slightly futuristic twinge moves us into more unfamiliar territory, with the energetic synth arpeggiation of >error code< backed by the spacier, dubbed-out >abrupt<.

ricardo villalobos remixes deardrum from alejandro mosso s album isolation diaries recently released on third ear. villalobos worked up a 40 minute jam from which this is a 9 minute section which moves from a gentle pattering of sounds into a full-on villalobos groove, taught and slinky at the same time, i.e. irresistibly funky. the jam then subsides into chattering noises before the groove begins again. burnt friedman s remix of isolation diaries is a slow burning super funky jam with classic burnt friedman dub elements laced through the track together with the melody twisted and phased. the closing track from the album, mounivers, completes this fine release.

hot on the heels of the first two parts comes part three of hoshs stories from sa talaia series. the series takes tracks from his recently released album of the same name and releases them on his new fryhide label. first up are two collaborations with pig&dan. atlantis is not a fairy tale, a spine tingling tune with shifting melodies above rolling rubber beats. it s emotive and colourful and sets a nice mood to start off. the second brotherhood balearea is deep and elastic, with nice rubber beats and spraying synths bringing some real dynamism to the table. one of those tunes sven väth would drop at those special ibiza after parties. awakening of the birds a collaboration with karmon takes off right there and keeps you in that trance but gets more groovy with its inducing light footed drums, airy hi hats and skyward melodies all zoning you out. last of all, meeting mia lee is a beautifully melodic track that really moves you and strikes a resonant chord with your heart as the smooth and deep house vibes unfold. speaking of heart it features the heartbeat of hoshs unborn daughter. once again then, this is another richly rewarding ep from the one and only hosh.

the hushlamb label project is a label run out of montreal, canada by alicia hush and sarah lamb. born out of a shared desire to create platforms for the music that moves us, in the hope it will move you too..

aula magna records presents atmen by mekas, a storming record that reveals the artist s latest techno explorations in full effect, featuring stockholm ltd label boss par grindvik as guest remixer. a techno statement shaped by melodic and rhythmic interactions that draw the listener into the artist’s profound sound world.
the a-side opens with the powerful beat of clark nova, a cut that moves forward with a modulating synth line and simple but cleverly designed percussions. this is followed by unknown soldier, an intense techno weapon that reflects the distinctive sound of mekas.
the b-side features both versions of atmen, starting off with par grindivik’s dance-floor rework of the title track that combines a fresh arpeggiated motif and a powerful groove with the emotional spirit of the original. atmen closes the record, an epic ambient techno track built with deep atmospheric synth lines on an intelligent stripped down breakbeat.

deluxe edition 200 copies worldwide. 1 x lp 180gr black vinyl, silkscreen gatefold cover, cd included + pvc protective sleeve). falling man is: sven de potter, lode sileghem, sander van den broecke, paul van de velde.

hier kommt die jährliche “soul togetherness” compilation mit den besten modern-soul-tracks des jahres. 15 erstklassige soul-jams, die teilweise erstmals auf tonträger erhältlich werden. mit highlights von omar zusammen mit dem los charlys orchestra, tawatha agee (gastsängerin von mtume) zusammen mit aeroplane, kenny thomas mit thames river soul (produziert von und featuring incognito), wez und the groove association, beide ex-mitglieder der brit-funk-band second image, sowie leela james (bekannt aus der us-reality-show “r&b divas: los angeles”), amp fiddler, faith evans, trina broussard und lifford.

shaun reeves & tuccillo present a new facet of their ongoing collaborative efforts, with a collection of works that took root in the woods of ibiza. shantu’s first record opens with primero, a classy ride through dreamy melodic elements and a relaxed groove with a steadily rising pace. ingenue moves things into 2nd gear with a deep and funky bassline that is soon propelled further with a variety of organic percussion elements. the long b side zissou would certainly be at home in the team zissou minimalist playlist, a mysterious and psychedelic underwater trip populated with strange echoed synths and steady precision drum machine work.

alter is the new album from belgium-based double bass player and electronic producer otto lindholm. divided into four colour-inspired, long-form movements, alter takes off from lindholms previous work a self-titled album released in 2015 on icarus records, and pushes the already abundant palette of sounds even further. this new work is more brooding and hypnotic. a deep, resonating bass is present - hinting at the likes of greek, chamber-doom merchants mohammad but perhaps with more attention placed upon textures and melody. the record moves at a funereal pace and opener fauve hits abyssal depths from the outset. a bowed melody is coaxed through the throbbing bass with dissonant harmonics drawing you in and holding you close. the ghostly beginnings of alyscamps create an overwhelmingly tense atmosphere where acoustic and electronic elements collide and evolve into a heaving, ceremonious drone. shafts of light emerge through the fog but the tone remains a haunted one. closer, heliotrope, strikes a more hopeful note. a lighter, more open feel emerges - bringing to mind early work of the rachels or perhaps deaf center.

the italian duo boot & tax got already one lp and four eps under their wings who all deliver house and techno that stands out. so far their records been published by glasgowÆs finest optimo music and meant records from paris. now the two give their debut for endless flight and release three tunes that listen to the name ôdimensionö. they all got funk, they all love mesmerising melodies. you can feel the power of disco coming in with heavy seducing strings. you can get lost in echoed drums, trippy sounds and some oriental tones. and you also can march to cosmic techno that loves krautrock without embracing it. a multi-coloured ep that spreads deepness in an uncommon sense. if moves the heart and soul profound, while staying edgy and catchy.

spiralling hard techno tribe from underground french deep heart.

french artist franck kartell returns with alaska, his fourth full length release on uk imprint bass agenda recordings. critically acclaimed for his masterful blend of low bpm heavy beats and signature deep atmospheres kartell moves from the fascination with the work of film maker chris marker’s that powered his last two albums to the drama of alaska. like its geographical namesake the album spans ethereal beauty, drama, light and darkness and similarly provides a very individual landscape.

mister mellow moves further away from the synthesizer-heavy sounds of the recent washed out releases and more band-driven sound of his work on iconic labels sub pop in america, and domino in europe. on mister mellow, greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as the residents. combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous youtube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults. as he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that greene has partnered with legendary hip hop label stones throw records, long a home for beat-loving musical rebels. his approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life. on mister mellow, washed out steers clear of emotion to empathise with the minutiae of the world around him. ive been much less interested in sentimentality and emotion for the past couple of years, says greene, in some ways, i think its a reaction against getting older and having more responsibilities. maybe i’m just nostalgic for a time in my life where i could just relax and block out the world for a moment. though mister mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

with the second release noland tracks moves from nigeria to poland: non human persons saturn melancholia is an early song of the polish band based on guitar & voice + processor, recorded in warsaw some years ago. with their remix gebrüder teichmann turned the song into a sacral techno anthem. a deep and dark trip with nico in the heart and mdma in the blood. the b-side features the original track plus a beautiful hand carved image by brenda alamilla.

wrapping up the summer with a bit of a 90s throwback number by st. david, &#8203,, * fools jam* . the ep opens with the titual track, a crunchy, crisp deep house burner, and moves on, with night lovers, into speedier, smoother floor-filling fodder that’s all wiggling, weaving pads and synth leads. the b is a little gentler and more contemplative, but no less melodious dream it (emphasi mix) is a playful yet gauzy piano-led tune that serenades the listener, and la luna (spiritual dub) is a tranquil ditty that serenely glides off into the distance. a calming, mellow conclusion to a particularly emotive 12inch.

big sean is due to release the lp for his recent release, ‘idecided.’ via kanye west’s g.o.o.d. music and def jam recordings / virgin emi. in recent months big sean has been announced as puma’s global ambassador and creative collaborator. prior to this, big sean lit up 2015 with ‘dark sky paradise’ which featured the likes of drake, ariana grande, kanye west, chris brown, john legend and more. ‘dark sky paradise’ spun off the smash hit single, ‘i don’t f**k with you’ featuring e-40. sean was also a major collaborator on kanye’s ground-breaking ‘cruel summer’ album in 2012, and shared multi-platinum success with kanye on the grammy®-nominated ‘mercy’ (also featur¬ing pusha t and 2 chainz), and ‘clique’ (with jay z). released on 2lp translucent blue vinyl, gatefold sleeve, sticker.

always with a dope groove & big basslines, herb lf tunes have always been influential and musically a few steps ahead. herb lf solo or him being part of the projects westpark unit, gush collective, discoshit & more, there are way too much releases to mention in the last two decades. his knowledge & production skills also made him to one of the most sought after mastering engineers. freude am tanzen, frank music, musik krause, quartet series, troubled kids and lots more labels & artists like the xtra-dope final touch in their music, carefully mastered by herb lf in his düsseldorf based nordstadt fm studio. please welcome the -decades ep via farside records. where are the young men? is a huge soulful & epic tune, but also a reminiscence to the early 80s punk/wave era. check the groove & bassline, even with a dosis of boom bap vibe inside for ecstatic moves on your dancefloor. henry l & ingo sänger try a different perspective on the punk/wave attitude of where are the young men? and add a little dosis of funk, disco & detroit techno to the tune. with a demanding groove & organic sounds, this is extra funky & takes you back to the vibes of the freestyle summer of love in 1989. rave on. herb lfs real pong, madrid has a demanding groove with beautiful spacey chords. this is as soulful as it gets and might be your secret weapon on a small basement floor, but should amazingly work on bigger sound systems as well. the tune air is breathing deep, phat & slow. start or finish your night with this ambient monster tune or play it at home. lots of fresh air guaranteed.

dj different arrives on 1Øpillsmate with a raw 4 tracker that makes some serious moves all the way from the dungeon to the rooftop.
shifting from house bangers through to warehouse jungle territory, malmö’s resident trouble maker whips up a storm and keeps things firmly in fifth gear with no looking back.

live ones returns with lorca after a six-year hiatus. having released his debut record live001 ~ moments ~ we ve teamed up again to relaunch as a home for the edits, refixes and sample heavy music produced by friends and family that we love so much. after a brief break from production duties, lorca moves away from the eclectic, melodic style he s been known for and returns with a new sound and aesthetic. the tribute to eddie ep firmly nods at detroit, new york and chicago house styles and is dotted with a wide array of influences and soulful sampling throughout. having previously released eps and singles with naked naked, dummy records, 2020 and the like, lorca s ear for melody has earned him fans from across the board with his music being supported by a diverse array of dj s from ben ufo to bonobo to pete tong. we re proud to be back releasing this diverse producer s musi

great jazzy deep house affair

niki istrefi’s debut on euromantic moves beyond apathy, beyond skepticism into a mode of cynicism only intimate to true romantics. this is techno for our continental brothers and sisters caught up in the decadent lifestyle of the new millenium.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

manchester star oli furness will soon be leaving his mark on hot creations sister label emerald city with the irresistibly groovy wanna lie down, featuring chicagos own parris mitchell on the remix. olis output is characterized by dynamic range and rhythmic groove, and wanna lie down is no exception. raw, chugging beats, distinct vocals and subtle percussions create an undeniable swing that make you move. oli’s ability to veer between genres with ease and style is reflected in the depth of his releases on labels like hot creations, nervous, morris audio, skylax and his own labels music is love and mil. upcoming projects are planned on the infamous clone records, whilst receiving support from artists such as ricardo villalobos and laurent garnier through to modern artists like patrick topping and dj haus. parris mitchell helped to define the infamous dance mania imprint in chicago, releasing exclusively on the label from 1994-1997. learning his trade through heroes like ron hardy, he also recorded as victor romeo and rhythm ii rhythm. having released on the berlin based deep moves, this next remix on emerald city takes on delectable tribal tones with prominent hi-hats and bright musical keys.

lost desert and lee burridge return to get weird with an ep aimed squarely at the dance floor. k bug’ is a steam train slowly gathering pace as it moves forward. the chugging groove and fat bassline has been whipping the crowd in to a frenzy everywhere it s dropped. hinduma’ is a tracks that causes the mouth to contort while mouthing out the wonky synth line. and ‚reply to sender’ is a slow burner with a trippy ethnic melody and a drop that goes all mystical. three tracks for the clubs

180g , 12 inch
naissance musik proudly presents elephantoms, the second ep, produced by hear and san proper.

dement3d is proud to welcome valentino mora on board, and share with you a part of his spiritual journey. slow hyper-controlled motion has been inspired by butoh moves, but also is a homage to early new york spiritual house. in creating this record he also took field recordings in the forests of japan. the concept of slow hyper-controlled motion is to recreate this 90 s spiritual house vibe, but in a more experimental way.

terrace trips is presenting their first release by anatol. terrace is a minimalistic positive house cut with some trippy synths which lets you fade away. james dexter (inermu/poker flat) comes up with a percussive and intelligent remix which always brings the crowd forward with his multiple kicks. samu rodriguez (serkal), moves the track in a more technoid direction and changes the mood to a darker atmosphere.

the mojuba sublabel moves on to the next realm of music after delivering with sven weisemann - xine one of the most surprising and acclaimed albums of 2009. so now its the turn for goldwill. some of you might know these incredible talented guys from their first releases on liebedetail, musik gewinnt freunde, wasnotwas or einmaleins. so what can we say about this release, if you liked jc freaks you will love the sound of goldwill! its that magic combination of sounding fresh and not forgetting about the traditional old school feel at the same time, which makes the tracks so special! so check out the convincing tunes and keep in mind: the future looks golden!

fokuz recordings eighty eight - this is fokuz is the labels 2017 various artist compilation including tracks by label regulars anthony kasper, satl, mutt, the vanguard project, silence groove and remixes by break, gerra & stone and others. for the 12” vinyl sampler drum & bass legends in the making spectrasoul and technimatic pick up remix duties for phaction’s fantasy and departure by anthony kasper. two quality soulful and intricate cuts for the dj’s aiming to make dope moves.

nice price deal !!! the track has already been a surprising banger on many mental nights around europe during digitalism dj sets and live stes. wired got people wired and fingerlicking at miami winter music conference. jence is rooted amongst the youngsters of the >new generation< that is just about to take over clubland worldwide (boys noize, passions, guns n bombs …) entering the world of jence : an electric dark realm of ghettotronic hardware sounds, triple distorted, as rough as your moves after a bottle of vodka

leipzig’s r.a.n.d. muzik are perhaps better known for pressing records than releasing them, but to demonstrate their new picture disc press they ve curated a limited edition compilation lp for reflective home listening (and viewing). featuring lowtec, consulate and leipzig locals panthera krause and leibniz to name just a few, over its 8 tracks the collection moves from melody-driven idm to dark, atmospheric ambience, through to reflective electronica. skilfully pressed on two sides of 12” plastic with artwork by marijn degenaar this is surely a must-have for every sensible record collector.