repress 2020, purveyor of fine disco grooves and future funk, ron basejam, returns to futureboogie with the bustling 5 track ep, after the rain. having already contributed some key releases and remixes to the label, from his 2016 collaboration with neil diablo, his first class remix of the white lamps its you to his stellar productions as part of crazy p, basejam gets right down to business across all five cuts. rhodes keys glide over soulful vocals and a frenetic percussive workout on after the rain as elegant soaring strings lift the atmosphere perfectly. a raw and stripped back bass and drum funkfest shapes the french exit, whilst on raise, a heavy synth riff breaks out over tom-laden beats and uplifting vox. the quality never drops as further excursions into soulful street vibes are dished out across jacobs chair and the positively energetic euphoria of after the sun. an ep packed with many different shades of ron basejams continually on point productions, this is a must for lovers of the boogie!

repress - stalwart of the scene, craig bratley, serves up big italo flavours all over the 99.9% ep, ably backed with a remix from mr. andrew weatherall. with previous releases on neil diablos to rack & ruin, tsuba, is it balearic? and robsoul recordings, bratleys futureboogie debut opens with the searing synths and chugging arped bass of 99.9%. wide-eyed melodies and punchy drums demand a mirror ball moment to this fabulous cut. family favourite, andrew weatherall, takes the chugging tempo to new depths, remolding 99.9% into a tense, reverb soaked, dubbed out sci-fi encounter. further explorations into space disco are to be found on italo love with luscious waves of thick analogue sound and planetary fx, whilst on take me to bedford or lose me forever, distinct asian influences are at play, as bratley channels his inner vangelis for a mesmerizing and cinematic piece.

8 tracks from artists at the first event that sum up the sound of virtual raving. pressing on clear and green splattered double vinyl.

nice chillin / jazzy heads moments

dexorcist, aka south londons si brown, has been at the forefront of the uk electro scene since the late 90s. his rage signal ep, the first vinyl release on ecstasy garage disco, journeys further back into his musical roots. combining dexorcists trademark industrial-strength aesthetic with elements of dub, bleep and hardcore.

detroit s john beltran is back in fine style, limited copies..

dmx krew! limited copies

unreleased 90’s tracks from silverlining x blue project. for fans of early warp, artificial intelligence, b12 etc.. limited copies.

lostlojic (further electronix) on new label techum. 150 copies only, 1 per customer

humanoid further explores acid sounds and broken beats.

positive not happy label owners the lumens are coming back with the follow up of their label debut. same as the first release, -vetro ep- has two original tracks and two guest remixes. both -sparse- and -vetro- original mixes have the typical driving rhythms of the duo, combined with unceasing 303ish acid lines and deep chords, resulting in a shiny and addictive club vibe. on the remix task, we have the popular berlin groove maestro diego krause, delivering a killer straight house beat rework, on the flip side pennyroyal after tea co-founder ricky leo signs a deep and classy techno interpretation. more quality and avant-garde grooves from positive not happy, setting their own standard a step further.

ola bergman with a impressive album under his alias obergman . 8 tracks of perfectly executed acid and electro bombs. limited pressing of 200 copies..

essential analog acid album! includes remastered versions of dry ray and acid inhaler from the anti static ep released in 1995 on drop bass network. limited pressing of 200 copies..

4 track high quality techno electronix, limited edition of 200 copies..

uk garage!

phat analog acidic tracks from jack smooth aka ron wells, limited pressing of 200 copies

zaki dee, rob mello and luke solomon present heaven and earth! we know, we know, the current re-issue wave of classic house music platters is a bit much - especially the unlawful ones with photocopied artwork. but that is already one reason to do it the proper way. the other one is the fine aural pleasures luke and the likes delivered on this one back in 1995. originally released on the seminal prescription imprint through the channels of chez damier and ron trent, the british heaven & earth project is a rather special one. while space and time (here available in a previously unreleased re-edit that gets by without the peter-daou-like-solo) pays tribute to the archetypal and contemplative sounds of damier/trent, prescription every night draws of the attention to the formative years of dance music, i.e. disco elements (see old azuli records for further reference). these very notions havent lost an iota of their usefulness and veracity, nor have they ever left the rb record bag. re-mastered and re-cut with care by lupo at d&m for your enjoyment and re-released on love made running back records. deep dub disco house!

the 2002 album from bruce springsteen back on double vinyl

galera seeks evolution through destruction, diy1990 and capablanca take it further.

soulful cosmic indigenous dance music presented by afrofuturistic, a chicago crew known for spreading their vibe on the dance floor in chicago. to further push their sound afrofuturistic has teamed up with jordan fields & expanded into a label with this special edition vinyl produced by sean.

les edits du golem return with a 45 release featuring two spaced out francophone oddities. side a is a slow disco burner lamenting an evening getting lost while disco dancing. on side b things simmer down even further with a doped out dad rock track.

“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - yellow cover edition.

very limited release... a thread of electro runs further throughout the zeitnot series on zeit006, quadratschulz’s vibrant and playful melodies dance back and forth across 4 tracks all well-suited for the dancefloor.

moreon & baffa returns this time with a very special pack for their own vinyl imprint. 2 originals that go further up on tempo times, bringing a futuristic space war concept, influenced by some acid and uk techno sounds from the late 90’s, but without loosing their essence, always with those dubby “deepchord / basic channel” influenced lines. and again (as “zamacona” did on the 002 release) in this case they bring back another legend from the late 90’s. mark ambrose delivers a “breaky techno tool” remix that will blend perfectly with anything at any moment, again timeless material for the heads.

more buzzsaw joints from stag-o-lee.

after 7 club-orientated releases that have found their way into a wide variation of record bags from midland, raresh, ricardo villalobos, ryan elliot, craig richards, to patrick topping, instinct goes further into his sound over 10 tracks for the lp. not to be missed

“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - red cover edition.

“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - green cover edition.

limited 7 inch - freshly ilja rudman edits

following up on last year s a view lp, junes returns to dote to further develop his trademark sound. taking aim solely at the dance floor, blue moon provides four refined club shakers.

drawing from early metalheadz influences, sounds and ideas, black barrel has crafted his own unique take on it all ranging from the intricate edits and soulful ksr vocals on ‘elevate with me’ to the unparalleled funk and gnarly prominence of ‘hear the sound’. it’s further proof that black barrel is more than adept when it comes to producing full spectrum drum and bass.

underground mainstay leonardo lands on his own etheric label with two more of his hotly anticipated tunes that this time show off his dub techno and melodic credentials. perfectly hypnotic rolling drums and gorgeous pads layered up into a deeply intoxicating rhythm that really encourages your mind to cut loose and wander. these latest two tracks are sure to make a huge mark wherever they are dropped and further cement leonardo’s place in the electronic landscape.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

excellent first installment of archival material from former psychick warriors ov gaias robbert heijnen, platform 23 return with another four stunning digs from the vaults that further flesh out the mysterious allure of this singular artist and his peak early 90s era

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#

combo lulo returns to names you can trust for their sophomore single, digging deeper into the diversified sounds of the caribbean that helped define their debut. while the first single took a jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic afro-latin orchestras, this single goes far east. inspired by the heady and sublime sounds of foundational ska mixed with east african influences, (think buster s islam, don d s addis ababa or further east), the sieve & the sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. divided into two parts (but also available seamlessly as it was played in the studio), combo lulo s talented players move effortlessly from the galloping shuffle of ska into a deep and dark, roots radics-styled instrumental. its a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for combo lulo.

the ever productive conforce returns to one of his key home labels for another exploration of his prolific deep sea techno sound. his haedron ep has a firm dance floor focus, designed to propel you ever further forwards. hi hats glisten like light beams penetrating the deep ocean, topped off with some timeless dub techno vibes that mixes basic channel with planet e to mesmeric effect.

f-dorm is a collaboration between connor camburn of litüus (avian), and visual artist conor ekstrom. commune follows the first f dorm cassette on mazurka and presents the first lp by the project. songs build upon unexpected repetition, wielding normally aggressive sounds into meditative loops with subtle textural evolutions. bursts of tape saturation, controlled waves of feedback, and linear drum beats shift and weave together through rhythmic delays. affected vocals speak low as if coaxing the listener further out into the nether regions of the mind. the strange cumulative mood of the record is difficult to describe: a transcendental state or a foul parallel from which the listener arises stronger or does not arise at all. mummies in civilian clothes -the master of the riddle-a dollmind haunts me in the penitentiary -the puttyman, naked inside -a mind made of cream

ltd 2019 repress ... after a string of well received releases on the likes of 22a and alexander nut’s hotep, henry wu steps forth with his most bold statement to date with ‘good morning peckham’ on the rhythm section international imprint. arguably one of the most hotly-tipped producers in the uk right now, wu’s broken compositions and deep jazzy keys have earned him plaudits from scene veterans as well as peers, all keen to see what henry will do next. with a refreshing take on rhythm and a virtuosic musicality born out of years of recording and touring as a session player, henry wu represents a brightly shining light in the already glowing london community. equally adept on the keyboard as he is on the mpc, on good morning peckham, we are also given a further insight into the mind of wu as he takes to the mic - toasting along to the soon-to-be-classic ‘ croydon depot’ and spitting on the intro to the broken beat inspired ‘neezy’. a south east londoner born and bred, henry’s debut on rhythm section has been a long time coming and it seems that it was worth the wait as henry presents 6 tracks of white hot intention. henry wu is a name that we are going to hear a lot more of in the future….

after metropolitan jazz affair, the dynamics and mr president, master of musical ubiquity bruno ?patchworks? hovart proudly presents uptown funk empire, a burning tribute to one of his all time greatest loves: funk. bruno ?patchworks? hovart, as a self-taught musician and typical teenager, started playling guitar, bass and keyboards at age 15, covering james brown, jimi hendrix and cream in his bedroom and, later in college bands. his first releases are in the mid 90s, with deep house and disco live bands and various electronic projects. he quickly develops and shows very special skills for vintage disco/funk productions with a contemporary flavor. this gifted boy?s been working with artists such as amp fiddler, archie shepp, mr day, paul randolph... and for many recording labels such as i still music (usa), favorite recordings (france), infracom (germany), further out (uk)... uptown funk empire is an exciting and ambitious project, worthy of its name. while the first album is simply called ?the empire strikes back?, it?s no joke... forget the whole revival thing, this sounds like an actual rebirth of the real funky stuff. it?s like being back to the better days of funk without a travel machine... the vibe is vintage but the sound is fresh...that?s not funky music, that?s funky music !
this album is huge and it covers all the golden age groove styles : boogaloo, soul, disco, boogie, funk... but the music flows in the hands of a gifted modern producer. bruno ? patchworks? hovart plays bass, keyboards, computers... handling with love all composition, programming, arrangements, vocals... with brilliant vocal featurings by silky juan rozoff, brit-soul legend noel mc koy at his best, high-voltage divas ange & janice... and the funkysoul brother bruno ?patchworks? hovart himself on the mic... it?s pure funkiness ! beware, ?the empire strikes back? and is kicking... so get up & dance !

2018 remaster + dl code

formerly releasing exclusively for pact infernal s label altar, one half of pact infernal steps forward as nastika with the black sun ep. nastika takes the fright to the floor in a more direct fashion than his work with pact. sinuous, eastern tinged waves wash over percussive stomps on yajna and sati , while the matching black sun tunes mark out a unique stylistic territory somewhere between techno and mysticism. with black sun, nastika further refines his crucial musical accompaniment to the indelible works of pact infernal.

2018 repress - love drop are back on disco deviance and amen to that! the mysterious maestro of the cut and paste delivers two mighty fine reworks. while never losing sight of that classic disco feeling, love drop always manages to push things a little further and produce a frenzy on the dance floor, while creating some serious disco heat in the process. dancers you have been warned!

nice price deal !!! the ninth release on viennas meat recordings sees another ep by the label boss gerald vdh. >otto wagner green< marks the next big step forward in the artists career, as he explores his roots in bass music and neurofunk, while still maintaining the spirit of techno music in every piece included on the four tracker. the a-side features >creature of habit<, a stepping techno tune with drum&bass references and a remix by matt mor. on the flipside gerald pushes the limits even further. the title track >otto wagner green< is a melodic and breakbeaty declaration of love for his hometown vienna. the ep closes with bassy and trippy >against the current<. upon listening to his new release one has to say, that gerald vdh has definitely found his unique sound and his niche in electronic music.

screen printed sleeve and label, limited edition of 300 mireia records tenth release zehn shakes all of your fingers (and your toes). a split ep between two strong musically-minded, production-savvy and dj-versed outfits: pin up club and conga fever. tactful yet euphoric remixes by lauer, jacob korn and rss disco refine the record further.

ever-impressing uk talent james dexter makes a return to bondage-music this december as he drops his latest three track ep lets go back. 2018 has been a substantial year for london based dj and producer james dexter, with appearances at the likes of fabric (london), claire (amsterdam) and sash (sydney) and releases on little helpers, gruuv, deeperfect and his own inermu imprint in the past 12 months alone. with the new year in sight, here we find three new fresh productions in the form of his lets go back ep, marking a return to bondage music in the process following his recent remix of frinks sofisticate on the imprint. title cut lets go back opens proceedings as dexter reveals an up-front, bumping cut armed with crunchy drum licks, infectious vocal samples and rich, airy chords, before simple things utlises further rich and soulful vocals alongside crisp skipping hats and resonant kicks to guide the production through seven minutes of groove driven house music. last up, dexters roll through pairs refined, stripped back organic percussion arrangements with wandering synth lines and vocal coos to wrap up the ep in fine fashion.

after many successful collaborations, echologist & matrixxman further expolore both their common ground and differences in approach to modern techno. the result is four outstanding techno tracks that touch on trance, breaks, and industrial sounds.

the story on mont lake continues with this gent from the magic city porto, pixel82. he delivers us two floor-fillers, equipped by his unique raw and punchy analog sounds. fabric london resident jay clarke pushesit further on this ep with a stunning techno remix. dedicated to neopop. vinyl only. limited release. handstamped.