from deep in the heart of moulton studios comes this new offering from san frans main man jay-j and kevin k. using a martin luther king like speech, this bumps along with cali conga hits and deep techy stabs, a really cool uplifting miguel migs synth comes in after the break, for pure party hands in the air. on the back a more acidic affair, with a tweaky 303 and dubby mazi delays. you all know whats up with jay- js sh**t, dis is kicking!

a1: >feels like< - a great start to this release, a dreamy vocal backed with heavy disco style percussion and a awesome bass line!
a2: >give you love< - classic nicholas right here! a great soulful vocal sample paired with chilled disco / house percussions.
b1: >i know< featuring nick anthony - this track brings something different to the release, a more percussive feel, again with classic nicholas style chopped vocal samples and bass.
b2: >inside my mind< - deep funky bass line, again great percussive elements with just right amount of space and nice keys/synth sounds. as with the rest of these tracks, a brilliant vocal sample tops it off!

following on from his studio 395 ep that heralded the support of zip, oliver deutschmann, baby ford, rolando & ben sims to name a few, ed returns with another satisfying 2 tracker. centrality is a strong, peak time techno track that features raw 909 percussion paired with an infectious synth riff & haunting house vocals finishing on a transmat style synth solo, the kind of track that stays in your head for hours if not days after you ve left the nightclub. b side spirits incorporates the same distinguished groove of centrality but opens the possibilities up tenfold inviting plays on both house & techno dance floors equally suited to night & day

after four shared releases from the all stars, here comes the first individual output in our label, handcrafted by the scientist duo exium. mantra is an epic piece of techno, based on solid rhythm foundations, joyful synth work and rolling stabs. a complex workout that demonstrates the skill of this guys in the studio. futuristic techno with roots in the past. peter van hoesen takes the original parts of mantra and reconstructs it his very own dubby and fat vein, sure to please those fans of the berghain sound out there. closing the release, lifeform its the trademark exium sound, where sharpness and love to sonic details are the starring. resume: a solid release, away from monotone affairs, made for please the ears of those who love techno in its pureness.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< � a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows � bit by bit and synth by syth � into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

following on from last years impossibly good the love quadrant ep by space dimension controller, kinnego records return with two tracks from label owner boxcutter, his first new material since the arecibo message album on planet mu. >moon pupils< is a gentle, trippy bit of 2-step, full of tweaked analogue melodies and tape echoed flute. on the flip, boxcutter & kab driver take inspiration from vintage library music and dubbed out disco. >2time< is all handclaps and insistent synth chords, with two woozy string-led breakdowns. kab driver previously worked on kgo001 as part of kinnego flux.
available on 12 inch vinyl, mastered at the exchange. the first 300 vinyl copies are shipped in silk-screened sleeves.

after an outstanding response from their 1st release, saobi records will be filling the worlds dance floors with four new amazing tracks by santi, released on his own label. the a side features 2 tracks with a massive deep house groove with an excellent remix from dj axel. the other side offers two tech-house tracks which combine a classic synth pad with an intoxicating voice on a silky melody ... dont miss out!

new yorks elon provides metroline with yet another very fine release. clap back is a real gem. the original mix has a beautiful spacious and airy mix that allows the echo-soaked toms and the swirling vox stabs to breathe, and they really draw you in. an insistent bass pulse provides a structure for the snappy post-garage percussion to build into a lurching, lunging rhythm. very original, and very infectious. ekkohaus remix is a focused, driving deep house groove, shaped around lush, rounded stabs and heavily-filtered synths. claps and snare emerge from the beautifully balanced mix to give the track a real disco kick. the third track on the ep zero gravity has a more back-to-basics feel. the bassline is dubby, but the percussion has a classic french touch feel that gives the track real movement. a rhodes-like synth line wraps itself round the track like a warm fuzzy blanket. maximum comfort for house heads.

meakusma broadens its label profile with another brave and free-spirited release. sic! is a modern disco band with members jules etienne, alessandro tartari (from gui.tar and snax and snakettes) and producer and dj massimiliano pagliara (rushhour, needwat, balihu). they all share a passion for warm synth sounds, poignant melodies and groovy structures. far beyond typical or retro-kitsch, sic! have composed 4 wonderful disco songs full of summer, with timelessness firmly stamped on them. also check out the special remix 12 with remixes by errorsmith, quarion and lowlow. sweeet package!

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

goose hat sie schon immer gehabt, diese laute dance-music-with-rock-attitude, schon auf ihrem 2006er debütalbum bring it on. ihre bellenden synths, schreienden vocals und wuchtigen energie-levels sind längst zum festen bestandteil der justice/ed banger-szene geworden. auf >synrise< macht die band einen ausflug in die 70er- und 80er-jahre, in die zeiten von space disco wie automat und 80er-filmsoundtracks, mit musikalischen koordinaten wie philip glass, giorgio moroder und vangelis. das resultat ist mehr als nur die summer dieser teile: es ist ein album voller dance-tunes mit klaren pop-strukturen. das beginnt schon mit dem titeltrack >synrise<, einem jetstreaming-soundscape von moroder-artigen synth-arpeggios, die sich hochschrauben zu einem gastauftritt von peaches. >words< dagegen könnte problemlos als vintage chemical brothers track durchgehen, während die sich verlierenden sphären von in cars den einfluss von trance mit klaxons-style-vocals kombinieren.

ajello is the duo of luca >dj rocca< roccatagliati and fabrizio taver tavernelli. rocca is a dj, producer, musician. taver is musician, singer, producer. together the pair create a diverse sound inspired by >electro, new-wave, italo-disco, disco, neurofunk and eurodance.< supported by the likes of laurent garnier, erol alkan, nick fanciulli� a1: >jr. pump<: up-tempo driving beat entwined with melodic synth, congo percussion and a tremendous bass line. a dance-floor killer. b1: >cyborg chief<: futuristic sounding bass with a lovely groove, constantly moving and carried by spacey synths laid over a tight percussive beat. b2: >disco django<: disco strings with heavy tribal style drums, cowbell and deep vocal sample grooving with an offbeat hi-hat

the esteemed mr. nick chacona, he of moodmusic, hector works, and 2020 vision fame, makes his stunning solo debut on wurst. we reckon >slice of life< is the mans finest work to date, the culmination of the past decadeÆs worth of his most excellent musical output. taking in elements from both disco and house, the song fits quite neatly beween the two genres, with its slow burning groove, rich synth textures, and a soaring, ecstatic synth solo to end all synth solos.

three guys with a common passion in deep sounds, funky and raw beats meet up with the aim of producing their own and friends stuff. baby move! ep is the first ep of the enfant prodige marco daquino, florence native dreamer who delivers two little gems of disco-house. the main track is a dreamy deep train that will take you over with its gentle strings and wonderful synth, while a voice from a glorious past will funk up the whole thing. on the other side this sound is my sound brings us in a slow-motion deep funk world and will definetely shake your body and make you smile.

killer deep house release on ripperton s perspectiv label. up and coming artist st blomb with a epic building track with a tribal feel to it and an almost cosmic psychelic synth line. one of those tracks that takes things to another level once played at the right moment! soulphiction taking things back to the floor and keep them feet moving by added a warm blanket of chords and lush grooves. and jackmate turns precious soul into a proper dj tool adding some chicago flavors, immediately resulting in raving feedback and chart positions with several key players and german groove magazine. nice one!

another dj spider release here, with 4 strong deep house tracks that drip with originality. deep, raw & dirty with a no holds barred sound that hits you where it hurts! superb drum programming with lush synth chords & dubby elements mixed with some heavy live drumming will have you asking for more. again we hear the musical talent & passion dj spider invokes through his true underground house music production. stay tuned for much more from this promising new york producer/dj.

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

wave music presents its newest release under the milk & honey moniker with additional production by boyd jarvis. the original long version is a beautifully drawn out symphony of strings and jazzy keys over a sultry downbeat and lazy vocoded vocals. consider this gold for fans of 4 hero and all lounge-core/downtempo fanatics. the flip however is boyd jarvis uptempo dance floor phenomenon. inserting a heavy and pumping bass line and adding xylophone arpegios alongside congas, organ synth and space atmospherics make for one wild galactic journey. think kevin yost remixed by salt city orchestra and you are right on target. slamming!

for bass cultures 10th release d julz welcome back gez varley, aka mr. g. having first worked his recently released >still here (get down)< artist album on rekids, mr. g now makes his full debut on bass culture with the >extended pain< e.p. two devastatingly good originals in the form of >sunday blues< and >jbs< sees the g man revisiting those classic, deeper sounds, whilst delivering the fresh and upfront tastes as only he can. repaying the remix favour for bc003 is esperanza boss and bass culture favourite, kasper. getting to grips with >sunday blues< the madrid man turns the smooth mood of the original on its head. industrial sized beats, blinding rides and a preciously warped synth line, give a whole new face to already beautiful original

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.
limited edition colored vinyl plus poster.

luke million is a fellow out of adelaide, australia and is the hectic keys player and synth wizard in the swiss. he often starts his morning by bench pressing his yamaha cp-70 and drinking 3 or 4 shakes of reel to reel tape.

cessas third release on their missing link sounds imprint is another typical blend of styles that evades characterization. having recieved massivee support from the likes of mary anne hobbs, laurent garnier, sbtrkt, geiom, mr scruff, and top a & r man ross allen amongst others, cessa return with their strongest release to date. >recon< sounds like a blend of the best of good looking/ promised land-era d & b with more immediate 2 step/dubstep sensibilities that produces a great mix of rolling beats and a melodic soundscape. recon was given the sbtrkt treatment on an earlier mls release and returns here in its fine original form. >down & out< opens with an eerie acoustic double bass intro that descends into an upright synth-led floor filler, while still maintaining cessas love of restless arrangements and beat programming that strays away from the usual.

mr konfuze & lunatic as known from manmade feature funk and for their sureshot track >on the beatbox< come again with their first extended player! employing the original techniques and artform of sampling they bring the bomb track >dont wanna lose it< in two different versions for your dancing pleasure.
mixing uplifting disco piano, slamming breakbeats, electro-synth, funky rhodes, and pop vocals to create a catchy sound chopped up inna hiphop style - familiar to anybody and outstanding at the same time.

two tracks taken from the turn the page lp. a side >release< - calming things down a little, >release< continues the tempo with a bouncing bass and booming sub to match as delicate synth stabs and vocal washes trickle over the top to make for a great cut as the lp journey picks up pace. aa side >the sleeper< is anything but with its rollin? bassline and stepping drums that smash any club when dropped. a sure-footed crowd pleaser that shows the guys getting seriously engrossed in some vintage d&b vibes.

raised in the parisian suburb with a background of multiple genres throughout her life : from rock and new-wave to electronic music such as synth-pop, minimal techno, jungle, house, disco and 90s hip hop, malilones productions have helped express her influences and incorporate her emotion into the dubstep tempo we all love. malilone production has seen support from producers like matt-u, von d and bunzero as well as featuring in numerous dj gigs from paris to berlin.

vinyl only! debut-album by quinto. soulful, emotive, string and synth-driven stuff with a fine detroit flavour. supported by laurent garnier, misjah, wehbba, franco bianco, oscar, uglh, the glitz, dave fields, dave mothersole & more

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

jocke & elliots debut release which features the beautiful synth-pop tracks regnbagen and stadens labyrint. jocke is an established producer from gothenburg, and the beautiful young voice is from luke eargoggles son elliot. classic electro pop for all the fans of kraftwerk and dopplereffekt. lovely record!

its not often we end up releasing four singles from an album, but with the tuneful love supreme standout track >waiting for the love< we seem to have achieved it. penned with uk based benjamin james smith, (who also delivers the snappy vocal) the track screamed single right from the start. heading up the remix package are two stomping mixes from synth-wizards, chicken lips. dean and andy keep the catchy vocal but overdrive things in the synth department. their vast armoury of sounds and accomplished arrangement makes this mix one to be really proud of.

mistanomista is a musical and social project, the main purpose of the group is focusing peoples attention on regaining peace in tajikistan. friends will be friends!. >detroit session< is a tribute to 313 house scene strongly influenced by moodymans music, live funky bassline and jazzy chords mixed together with smooth broken house drum patterns, raw deepness and timeless music for sunday morning party. on the other side >take 1< catch the attention of deep house heads a stunning bassline track with synth dubby texture effected with many echo-delay shots, keeping the vibe on the underground side of house music.

a deep, jacking monster, accentuated by soulful vocal flourishes and driving synth paranoia. it takes vision to make music that sounds both authentic and cutting-edge, and it takes real skill and talent to pull it off this well.

fans of the itchy robot sound will go mad for this release as it has all his trade mark production technics glitchy beats and deep b-lines rule, are you ready to funky is the cry you hear from the intro. then from the drop the drums take over and with the screeching synth and power bass matched for effect. esoteric sound delivers a similar sounding track although it rolls along a bit smoother with a pounding driving b-line, and echoed out one beat vocal hook.

september signals a welcome return to the scene by two of d&b?s most respected characters, craggz & parallel, and it couldnt have come a moment too soon. since releasing their debut >northern soul< lp on valve back in 2006 the pair have stepped back, regrouped and are now ready to come full force with a brand new super-fresh sound that?s sure to raise heads throughout the scene. drawing on influences from electronic music past and present from early techno sounds, 80s synth-pop through to a myriad of contemporary dance music genres, craggz & parallel have created a truly unique and daring album sure to quench the most discerning and dance floor tastes whilst challenging the more traditional drum and bass album ideals. even reverting back to analogue production techniques to combine with the modern creates an experience unlike any other around today so keep you ears open for the genius new sounds of craggz & parallel.

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

velvet: a great techno classic gets the full c series overhaul. bang up to date and a perfect floor filling package. tribal percussion rattles along with a speaker throbbing bassline which drops seamlessly into that well known synth from the original. the main lead is then tinkered, wrapped around, and flipped to breathe new life and give us a new shade of velvet. intergalactic:doesnt need much of an introduction, the title pretty much gives it away. the beastie boys go techno! another dance floor smash and grab here beastie style. vocals used effectively.. not too much not too little but with the fused with the rest of the track it brings out so much energy, the percussion, the toms in the background, the stabs throughout the track makes everyone in the room jump!

>the voices< is the debut 12 inch from bobby and annie. drawing on their experiences as residents at the mint club, uk, the pair have crafted a versatile ep that sits as comfortably in a peak time set as it does on a hazy 6am dance floor. taken from a collection of vocal out-takes the voices have been cleverly obscured through various production techniques and layered around drums and old school analogue synth lines to unique effect. the results are two haunting, hypnotic, yet upbeat dj tools. the title track, >voices<, uses deftly interwoven vocal samples as the focus and driving hook. shuffled percussion takes a back seat amidst a discordant, attention-grabbing synth interlude that harks back to the playful garage sound of90s chicago house. the outcome is dramatic, intense and functional. on the b-side, >loose ends<, is a more rugged affair that gives the bass and drums centre stage. the vocals are pitched and trippily float in and out of the track whilst the familiar sound of fairlight stabs punctuate the groove. the effect is eerie, yet accessible, and rounds off this stunning ep.

this is a little beauty from claremont. the first side features la based fresh ro! (rong music), who presents us with a drifty synth/violin led summer gem that is reminiscent of loggins & messina. the flip side sees apiento & co (paul bryne from the testpressing blog) layering up guitars in a steve reich style which will sure get the goosebumps going. strictly limited to 300, limited clear vinyl 7 inch.

great 1985 synth-pop / new wave album by abc. b-stock items, because cover with incision (as you can see on the cover pic - b side)

the third and final installment of spectral sounds document 12inch series offers four choice cuts from our era-defining, ryan elliott-curated label comp. kassem mosses remix of lawrences >divided< is a fiendishly tight slow-burner, fitting its ricky-ticky hi-hats and sharp-edged snares together like cogs in a swiss watch. the german producer twists parts around, testing various permutations, and rewards his patient listeners with a dusting of synthesized bliss at the end. heiroglyphic beings rust-flecked >got no place to go< traffics in humid ambience and smoggy gestures, evoking a post-apocalyptic dawn, distant bird calls and all. on the flip, spectral newcomer gadi mizrahis masterful >she only looks at you< hints at krautrock and tech-house while a thoughtful organ hums in the background, and kate simkos buoyant >zhivago< plays ping-pong with a bucket of electronic toms while a crowd-revving synth swell makes itself useful at just the right moment.

technoir audio is proud to announce the release of tna-011, chase smith�s �romance synthetique�. this 3-track release from one of pittsburgh�s best home grown talents shows that the steel city�s musical future is in good hands. mr. smith�s delicate balance of rhythms, melodies and synth work, allow him to walk in fresh areas and yet pay respect to those who have explored before him. we at technoir audio appreciate his sounds and flow and are pretty sure you�ll enjoy it as well, whether on the floor or at home.

a major global player in all things futuristic disco prins thomas internasjonal imprint is further branching out and diversifying with its brand new spanking series internasjonal spesial. the a-side sees the proven and tested multi-national team of reykjavik born holmar filipson of thugfucker and crack & speed fame and ny party veteran ulysees ( one half of neurotic drum band ) pushing the agenda of joining the dots globally with the soon-to-be-classic emotive eletronic disco cut escape from new york . starting out as a leisurely paced electro boogie cut with sentimental string chords, additional e-guitar loops and haunting synth noises leak in a dark 80 s pop sensibility a la my bloody valentine. also the b-side by valentinoland - holmar filipsson partnering this time with arni runar hlodversson of fm belfast fame - is nothing short of truely exceptional but more on the dulcet side with a gut-wrenching string-lead melody in classic balearic sunset style.

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

in recent years lil silva has been responsible for some of the uks biggest underground bangers, with his uniquely stripped-back, heavyweight style blending jacking house with the raw sonic energy of 1st generation grime.
following up on his ltd white label release in april, night slugs are proud to present night skanker, lil silvas iconic new ep.
the four melodic, synth-laden tracks are typically raw and grimey but also run deeper with a newfound luminescence. constructed from a robotic new sound palette, silvas tuff flange-funk drum programming and twisted carnival rhythms are permeated by razor-sharp neon synths, jacking cowbells, massive slabs of sub bass and even silvas own sampled vocals. these are industrial-size riddims for worldwide dancefloor demolition!

night slugs announce the latest installment in their white label series - the much-anticipated debut 12 inch of london producer jam city. on the a side, the psychedelic grime interplorer ecstasy refix glows with warmth at its analog core. a jubilant tribute to the art of the grime refix, the track simultaneously recalls two disparate by-gone eras, to devastating effect. on the b side, night slugs favourite >let me bang refix< drowns a gutter house classic in sheer beams of searing fluorescent synth. jam city borrows a vintage wiley meme on closing track >shut the lights off (devil mix)<, all but void of a drum kit it hangs in suspension, awash in sublime synths. this ep is available only on limited vinyl.