supermoll 01 the first vinyl release of the young techno label supermoll from cologne. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. jeandado opens with a heart-warming, melancholic synth solo that positions his track clearly in the glorious realms of pop. with striking toms and a burning bassline this piece tells the story of a life. the a side continues with universum, a beautifully leftfield perspective on electronic music. in old memories of a genre called synth pop the universe unfolds in front of your eyes (and ears). ludwig zibell s track sets a landmark for a very special place in köln: the herkulesberg, a so called -trümmerberg- of post-war debris in the center of the city. this special scenery gave the inspiration for his slowly progressing piece of intense deep techno art. -switcheroo- by diom celebrates reduction. hypnotic chimes and subtle changes echo the compositions of musicians like steve reich and other representatives of the minimal music scene. supported by tim sweeney, hans nieswand, tobias thomas, brandt brauer frick, roland m. dill, bryan kessler and many more. mastering: jörg burger cover: ludwig zibell

pressing on white coloured 180 gram vinyl, download code included.

the second album from kiesza as double 12 inch vinyl in gatefold sleeve.

a key member of the minus family for almost a decade, jon gaiser is to release his lead single krakdup preceding his full length release false light in november. since 2005, gaiser has been at the heart of the minimal techno movement. his hugely atmospheric eps and lps have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals

alli borem, the italian tech-house don who leapt into action three years ago with a huge debut on desolat is back in top form with three club weapons for turbo. italian acid-tech-house for dancefloors everywhere!

little boxes recordings brings the second maxi single on 12 inch vinyl with a mixture of starbuds electronic elements and cotton candys handmade guitar strings. on the a side they create their imagination of modern dance music. the b side brings a fine techno based track with lot of syntheziser parts by starbud. the second song on the b side gives a warmer feeling with a guitar based piece of their minds.

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

mr g returns to his phoenix g imprint to drop his new lp, personal momentz.

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

a choice dj friendly selection from tim sweeney s bis 15th anniversary mix cd, compiled onto 2 x 12inches and featuring edits, rarities, exclusives and influences from tim s record bag. spanning many sounds and with a healthy disregard for genre, just like tim s radio show, this double-pack showcases what listeners can expect to hear on the forthcoming full length.

dance aiming to go somewhat deeper and darker than his debut album, on some kind of sign ernesto endevours to go beyond the obvious and easily cliched elements of an electronic lp, capturing the world within the spaces, using otherworldly modulars and field recordings to take the listener to the outer reaches of the albums very heart and soul.

as the autumnal nights draw in, futureboogie show off a slightly darker edge to their ever expanding roster of artists, welcoming re-edit king mark e to the fold. the birmingham based dj and producer has risen steadily through the musical ranks over the last few years, cropping up on a multitude of top drawer labels like sonar kollectiv, running back, golf channel, his own merc imprint, and most recently a brace of albums for the us label spectral sound (home to matthew dear, osborne et al). title track, *activity* chugs at a house music pace but with plenty of techno swagger, bridging the gap between the two genres with ease. a simple and minimal beat is doused in a pacey acid bassline riff that is constantly morphing and transposing, layers of synths join in the infectious melody whilst soaring pads rise up with all the familiarity of a detroit techno classic.

the 2014 album by australian singer and songwriter sia ! incl huge smash chandelier !

bungalowa sound system is a group formed by two artists passionate about underground music: flowerfloreoo and micaandrea. together they began their trip around the world in search of abstract sounds and musical connections. this vinyls musical frequencies tend to improve the listners state of spirit, taking him to another level of music consciousness. metaonia definition: change in ones way of life resulting from penitence or spiritual conversion. what he demanded of people was metanoia, repentance, a complete change of heart

arts & leni are an established part of the ostfunk team and show the reason with their new vinyl. the drop that ep is a release for the peak time, which heats up the main floor.

there are few names in dance music today which need less of an introduction than masters at work. the ground-breaking project of louie vega and kenny dope, masters at work forged a reputation for genre eschewing dj sets and flawless house production throughout their extraordinary careers, while their influence and reach changed house forever.

auch wenn don bryant bei dem legendären soul-label hi-records nicht als einer der führenden künstler vermarktet wurde, war er doch ein integraler bestandteil der firma. so gehörte er zum songwriter-team von willie mitchell und war als sänger auf etlichen aufnahmen zu hören. als co-autor von -i can t stand the rain- von ann peebles schrieb er auch einen der größten hits des labels mit. zudem heiratete er ann peebles. auf seinem nun widerveröffentlichten solo-album sind echte soul-perlen zu vernehmen. zudem zeigt don bryant, dass er sich als sänger mit den großen namen des hi-records labels messen kann. lp only.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

doppel-vinyl im gatefold + cd! auf fritz kalkbrenner ist verlass. zuverlässig beglückt er uns alle zwei jahre mit einem neuen album auf seinem berliner label suol. ways over water heißt das neue, dritte studioalbum und es zeigt einmal mehr, warum fritz kalkbrenner einer der eigenständigsten künstler deutschlands ist.

in the heart of madrid the el barrio djs have been one of the biggest gamm supporters over the last 10 years or so, spinning our gems in various jazz clubs in the spanish capitol. we are now overly excited to have them onboard gamm with an absolutely stunning 3 track ep. the el barrio guys really know how to twist and rework various tunes into one song and the art of editing have never sounded better than now.

operating from the heart of brooklyn, ny, the latest artist to sign up to ornate is jordan, whose plush deep house sound has already surfaced via a collaboration with fred p on the deep explorer compilation far & beyond. living on the border of the bushwick and ridgewood neighbourhoods, the title of the ep is a nod to the difference jordan sees between his own spiritual, detailed work and the trend for rougher analogue sounds that have been sweeping the city he calls home. with a focus on expressive, richly melodic synths and delicately balanced rhythms, his music stands apart from the wave of guttural lo-fi sonics, and yet this is still house music with that east coast punch where it counts. with an imminent release for the noted finale sounds imprint establishing jordan well within the remit of high-end house and techno, it gives us great pleasure to present these exercises in soulful immersion, from the three 4/4 driven pieces to the ambient vignette -visage-. with the door open for more experimental interpretations, it made perfect sense to invite former ornate guest leif back to turn out a remix of the track, his own hushed tones having recently graced a critically-acclaimed debut album for fear of flying. it s the ideal complement to an ep of highly developed musicianship that spells another exciting step forward for both jordan and ornate.

great 80s electro - funk - disco feeling !

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

the earth, the sky and the earth again — plus another trip through la soci é t é du spectacle. something between a riveting caress and an invigorating shake. elevated music!

haunting, ethereal, emotive, propulsive guy gerber and puff daddys long-awaited collaborative album project 11 11 will at last be revealed.

200 copies only! producer from the heart of turkey - ugur project debuts with his solo ep on ukrainian label artreform.

second release on seth troxler and martinez brothers hotly tipped * tuskegee * imprint is courtesy of dutch house master william kouam djoko. his three tracker of off kilter acid-tinged floor-jams are a truly something to behold. bathe your ears in the majesty of sacred secrets and witness the floor go crazy!

enau is a young experimental band from belorussia formed in 2012. enau plays very atomospheric music. the main styles are post-rock, ambient and shoegazing. their singles were warmly welcomed by many music critics & press. moreover, reverie.walls.ocean is the very first post-rock album from belarus released on vinyl.

second of three samplers celebrating mood ii swing s seminal original tracks and dubs from nyc s finest king street sounds. contains their seminal cut closer (vocal + dub), lip stick bitch & heart attack track.

the first release on second voyage is a self-titled ep with exotic pumping house jams. imagine mr. kurtz in heart of darkness doing this instead of chopping heads off.

accompany the reissue of woo s into the heart of love, emotional rescue is releasing a limited 7inch featuring songs not included on the vinyl pressing, plus a previously unreleased version of the beautiful title song, which only appeared in later form on their cd only, la luna album. with the original into the heart of love album only appearing as a 60 minute cassette-only release, several of the albums songs could not make the first time vinyl issue from emotional rescue. therefore, this limited edition 7inch includes two of those ommited songs. the wistful english folk duet between mark ives and sue amor on make me tea and it s sibling on the album, a little long way. possibly woo s most straight forward folk song, make me tea is as the title imagines a very particular english poem. recording as a duet between two late night lovers, awaking from post-love making slumber to find peace and with it, a nice, perfect cup of tea. however, it is the inclusion of the unreleased version of the title song, magic in the dark that is worth the admission price alone. taken from the cd only album, la luna, the original s short and gentle story of late night love is presented here in it s alternate demo form. a different vantage point is shown in revelation and then exhaltation. the sadder start expands in to a beautiful and wonderus folk celebration. mark s vocals and guitar are later joined by gentle rhythmic percussion from brother clive, before clarinets duet to a yearning finale. woo once again showing their unique mix of folk and new age electronics. a one off to cherish.

jazz and house newcomer some trumpet, some keys, and some samples, with solid beats and melodies for his debut 12 inch. hailing from the nyc, kareem created eight tunes that show off his imaginative composing skills.

strong industrial techno ! bang

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

born in romania but now living as a political refugee in germany, borrowed identitys name says a lot about his life and his music. never content with one sound or musical genre, but focused always on making music with real heart and soul, his releases demonstrate a broad musical palette and wide ranging tastes. a long time fan of home taping, he delivers a stunning debut for the label criss-crossing the boundaries between various sub-genres of house music, while denying any of them total dominance. in doing so he announces that borrowed identity has found his spiritual home on the imprint and that there is hope for those who still believe...

ltd 7 inch

epic sub-driven & upfront dancehall-steppin exceptional riddims, electroid hip-hop and house of the deepest kind produced between 1997 - 2003 by don papa in the underground solitude of moss norway. true in spirit and heart - as well as in groove and bounce. sex tags mania issue 26 represents

after a years absence, sudden drop return with leif yet again at the controls. after his superbly received lp dinas oleu for uk imprint fear of flying, the welsh maestros sound continues on its upward trajectory with this beautifully constructed four tracke from the more peak time warm vibes of solstice, the deeper feelings of with your sincere heart or the more musical once there was nothing and sintra

neues ninja tune signing! hinter evy jane stecken evelyn jane mason und jeremiah klein die beide ihre gemeinsame liebe für bass musik, pop und r&b teilen. das aus vancouver, kanada operierende duo veröffentlichte bereits 2012 eine ep auf king deluxe und räumten bei tastemakern wie pitchfork und fact ordentlich ab. fact beschreibt ihre songs als *frozen pop futurism*, pitchfork hingegen kürte die single direkt als best new track. mit der *closer ep* gibt es vier brandneue tracks zwischen minimal pop und future r&b. fans von the weeknd oder clams casino dürfen sich jetzt schon freuen. das geniale cover artwork kommt übrigens von leif podhajsky!

on his third album, the pennsylvania snake-synth-charmer deepens his approach to aural depravity. ultima ii massage widens a jagged swath through the dudes own weird catalog, each disparate track damaged to the point of contributing to some sort of greater, lurching frankenstein-like state.
pressing on yellow coloured & marbled double 12 inch, download code included.

in contrast to his *heart* release, scrases *another* ep provides a dark and twisted journey down more alien avenues - the streaming melodies & warm atmospheres of the previous ep supplanted by arcane wooden rhythms and mechanised bass movements. *another* delivers a slab of crawling, warehouse-weight with an eastern flavour, *movon* provides a minimal take on uk bass music fine-tuned to devastating effect. the three percussive tracks littered throughout the release explore a very different angle, combining dusty wooden rhythms with dread-filled tones and complex manipulations, lending the diverse collection of tracks a strong ritualistic feeling, topped off with a brooding remix of the title track by the ever consistent irish techno duo lakker.

the second lobster theremin white label comes from the mysterious australian producer, daze. making his release debut with four original tracks, daze covers varying strains of tough melodic house, ferocious acid and old school breakbeat, taking us on an experiential journey into the heart of british rave culture via detroit-influenced electro and rough and ready tape jams.

otis clay gehört neben al green und ann peebles zu den federführenden künstlern des amerikanischen soul-labels hi records. das album -i can t take it- war lange vergriffen und wird hiermit für den deutschen markt in einer exklusiven auflage von 200 stück in farbigen vinyl (180g) neu aufgelegt. otis clay war neunmal für den grammy als bester r&b-sänger nominiert und gilt international bei soul und blues-fans als außergewöhnlicher sänger.

though the iconic imagery of disco feels distinctly tied to the united states, the style had a wide-reaching influence that made it’s way to africa. while africa was already no stranger to the pulsing rhythms of funk, afro-beat, and highlife, the rise of disco added a slick sheen to the music, with musicians from all over the continent incorporating elements of the genre into their sounds. would there ever have been a studio 54 in ghana in late 70s, these would have been the recordings that would have packed the dance floor with their deep root in disco, soul & funk! an album recorded in the late 70s packed full of legendary musicians such as harry mosco and many more… to be re-discovered 35 years after it’s initial vinyl release as a private press. a “disco documentary full of funk” proves that it stands the test of time by sounding as fresh and original as any other sought-after disco / soul funk lp from the west coast of africa in the late 70s. bbe went on another crate-digging journey and found the original producer reindorf nana oppong and the original master tapes were dusted off, transferred to digital. in the process of this, even un-released material was discovered on the tapes, which makes this a rather special package. “nana love - disco documentary full of funk” is one special journey through afro disco & boogie in the late 70s, and we at bbe can guarantee that you won’t be disappointed!!!

drew lustman aka faltydl veröffentlicht sein neues album -in the wild- über ninja tune. aber es einfach -album- zu nennen, wäre zu kurz gegriffen. gemeinsam mit dem künstler chris shen versteht faltydl den namensgebenden begriff -in the wild- als katalysator zur räumlichen und technischen reproduzierbarkeit von sound und video

orion muzik #20 and iside music #1 as special double pack!
italian techy sounds at their best. danilo vigorito knows how to balance out his sound on this splendid 12. chordy but rolling techno patterns and atmospheric topsounds. this is hard to place in a box which makes it extra fun. where dark star is a somewhat mysterious and ethnic sounding opener the remaining two tracks are chordy techno at its best. danilo vigorito knows how to deliver.

quality collection of 80s soul duo collins & collins finest moments all loud pressed on 12 inch vinyl. with the original 7 inches changing hands for ridiculous money, grab this chance to get your hands on all these amazing tracks on one 12 inch.

where words alone can not convey emotions, dego speaks through his music, healing all that are willing to open their ears. through some bizarre twist of fate? luck? hard work? dego and blueberry records have come together on a 12inch, where we believe such epic words are necessary to guide this space vessel to its intended home - the heart and mind of the passionate music lover and the desperate soul of the everyday human seeking ascension.